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Textile Techniques with
Metal
Fibers as 3-D
Pioneers of Working With
Metal Using Fiber Techniques
 Mary Lee Hu
 Arline Fisch
 Stuart Golder
 Donna Kaplan
My Influences
Mary Lee Hu
 In 1966 while earning her graduate degree in Metalsmithing
from Southern Illinois University in Carbondale, Illinois, Hu
studied under renowned metalsmith L. Brent Kington. It was
during this time that Hu started to work with fiber inspired
techniques after taking a fiber arts course.[3] This led to the
development of her signature style of wire wrapped jewelry.
Since the late 1960s Hu has developed new techniques in
coiling, wrapping, weaving, knitting, and twining wire. Her
work consists mostly woven wire earrings, rings, bracelets,
brooches, and neckpieces that emulate natural forms,
movements and symmetry.[
 American Craft Council article
 Professional Jeweler Magazine article: Innovators 8: Mary Lee Hu
(from Wikipedia) 3
Textile Techniques With Metal:  Fibers as 3D
Textile Techniques With Metal:  Fibers as 3D
Arline Fisch
 In 1956-57 she studied silversmithing at the School of Arts and
Crafts in Copenhagen and in 1966-67 returned to Denmark for
further training in metalsmithing. Since 1961, she taught full time at
San Diego State University for 40 years. Fisch has played a central
role in the revitalization of jewelry as a contemporary art form. Her
outstanding contribution has been the introduction of weaving
techniques into the field of jewelry making. Employing flattened gold
and silver wire, she knits, braids, plaits, and crochets lightweight,
flexible forms with dense, light-reflective patterns, subtle textures,
and glowing color. (Smithsonian American Art Museum)
 Oral history interview with Arline M. Fisch, 2001 July
29-30
Textile Techniques With Metal:  Fibers as 3D
Textile Techniques With Metal:  Fibers as 3D
Stuart Golder
 Since 1967 Stuart Golder
has been redefining the
art of goldsmithing.
Basically self-taught, he is
known for his attention to
detail and exquisite
craftsmanship. In 1977 he
added the woven element
to his work for which he
has become famous.
Textile Techniques With Metal:  Fibers as 3D
Donna Kaplan
 Donna Kaplan creates vessels
by weaving with wire to create
a woven metal fabric. She
often will use beads as her weft
to create a beaded fabric.
Donna studied with Mary Lee
Hu, reknowned for her work
with metals using fiber
techniques. She was a major
influence on me as I attended a
workshop she gave to our local
weaving guild. Learning to
weave with wire that weekend
changed my life! I’ve been
weaving with wire ever since!
Donna Kaplan
Donna Kaplan
Donna Kaplan
Donna Kaplan
Donna Kaplan
Donna Kaplan
Donna Kaplan
Contemporary artists working with
metal using fiber techniques
Karen Searle
 I think of my wire
sculptures as 3-
dimensional line
drawings in space.
The line and
movement of the
object and its shadow
suggest the energy of
a human presence.
Textile Techniques With Metal:  Fibers as 3D
Ruth Asawa
 She wrote, “A woven
mesh is not unlike
medieval mail. A
continuous piece of
wire, forms envelop
inner forms, yet all
forms are visible
(transparent). The
shadow will reveal an
exact image of the
object.”
Textile Techniques With Metal:  Fibers as 3D
Susan Wood-Onstad
 Susan uses shakudo in her jewelry work. This is
a Japanese technique creating gold and copper
alloyed metal which produces patinas of brown,
grey & black.
Jeanie Pratt
 The textile patterns
and textures fixed
into the metal evoke
memories of the
traditional textiles
and basketry
encountered while
living abroad.
25
Textile Techniques With Metal:  Fibers as 3D
Marilyn Moore
 Working in fibers is a
natural medium for
Marilyn. As a child she
learned to embroider,
knit, crochet, and sew.
Her love of fiber work
continued into
adulthood adding
spinning, weaving,
basketry, and now wire
work, to her fiber
vocabulary.
Textile Techniques With Metal:  Fibers as 3D
Susan McGehee
 Incorporating
traditional weaving
techniques, tools and
patterns she creates
lightweight
contemporary wall
hangings that seem to
float on the wall using
a computerized 16
harness dobby loom.
Textile Techniques With Metal:  Fibers as 3D
Barbara Berk
 I learned that metal can
be worked like fiber,
that sheet and wire can
be woven. Most exciting
was the realization that
sculpture -- both smaller
and larger scale,
wearable and
installation -- can be
fashioned from the
precious metal “fabric”.
Textile Techniques With Metal:  Fibers as 3D
Anastasia Azure
 Anastasia Azure combines
ancient weaving, traditional
metalsmithing and
contemporary materials to
create sculpture and
jewelry. Her work is hand-
woven on a floor loom with
metals and plastics. Her
forms are inspired by the
elegance of geometry and
complexity of science.
Textile Techniques With Metal:  Fibers as 3D
Weaving with Wire
 This basket is twined
with telephone wire.
Wire is a perfect
material to use with
fiber techniques. It is
flexible and comes in
lots of different colors!
Basketry as Sculpture
Fun with Sculpture
Beads Create Great Texture
Basketry – 3-D Textiles
Jewelry as Sculpture
Metal with Woven Metal
Patina and Yarn Color
43
My University Studies
Salsa Dancer
44
Copper
Temple
45
Homage to
James
46
Bronze Box
47
Past and Present
48
Party Girl
49
Explore Fiber!
Want to see more fabulous fiber? Check out this
site that promotes fiber as a fine art material!
www.explorefiber.com

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Textile Techniques With Metal: Fibers as 3D

  • 2. Pioneers of Working With Metal Using Fiber Techniques  Mary Lee Hu  Arline Fisch  Stuart Golder  Donna Kaplan My Influences
  • 3. Mary Lee Hu  In 1966 while earning her graduate degree in Metalsmithing from Southern Illinois University in Carbondale, Illinois, Hu studied under renowned metalsmith L. Brent Kington. It was during this time that Hu started to work with fiber inspired techniques after taking a fiber arts course.[3] This led to the development of her signature style of wire wrapped jewelry. Since the late 1960s Hu has developed new techniques in coiling, wrapping, weaving, knitting, and twining wire. Her work consists mostly woven wire earrings, rings, bracelets, brooches, and neckpieces that emulate natural forms, movements and symmetry.[  American Craft Council article  Professional Jeweler Magazine article: Innovators 8: Mary Lee Hu (from Wikipedia) 3
  • 6. Arline Fisch  In 1956-57 she studied silversmithing at the School of Arts and Crafts in Copenhagen and in 1966-67 returned to Denmark for further training in metalsmithing. Since 1961, she taught full time at San Diego State University for 40 years. Fisch has played a central role in the revitalization of jewelry as a contemporary art form. Her outstanding contribution has been the introduction of weaving techniques into the field of jewelry making. Employing flattened gold and silver wire, she knits, braids, plaits, and crochets lightweight, flexible forms with dense, light-reflective patterns, subtle textures, and glowing color. (Smithsonian American Art Museum)  Oral history interview with Arline M. Fisch, 2001 July 29-30
  • 9. Stuart Golder  Since 1967 Stuart Golder has been redefining the art of goldsmithing. Basically self-taught, he is known for his attention to detail and exquisite craftsmanship. In 1977 he added the woven element to his work for which he has become famous.
  • 11. Donna Kaplan  Donna Kaplan creates vessels by weaving with wire to create a woven metal fabric. She often will use beads as her weft to create a beaded fabric. Donna studied with Mary Lee Hu, reknowned for her work with metals using fiber techniques. She was a major influence on me as I attended a workshop she gave to our local weaving guild. Learning to weave with wire that weekend changed my life! I’ve been weaving with wire ever since!
  • 19. Contemporary artists working with metal using fiber techniques
  • 20. Karen Searle  I think of my wire sculptures as 3- dimensional line drawings in space. The line and movement of the object and its shadow suggest the energy of a human presence.
  • 22. Ruth Asawa  She wrote, “A woven mesh is not unlike medieval mail. A continuous piece of wire, forms envelop inner forms, yet all forms are visible (transparent). The shadow will reveal an exact image of the object.”
  • 24. Susan Wood-Onstad  Susan uses shakudo in her jewelry work. This is a Japanese technique creating gold and copper alloyed metal which produces patinas of brown, grey & black.
  • 25. Jeanie Pratt  The textile patterns and textures fixed into the metal evoke memories of the traditional textiles and basketry encountered while living abroad. 25
  • 27. Marilyn Moore  Working in fibers is a natural medium for Marilyn. As a child she learned to embroider, knit, crochet, and sew. Her love of fiber work continued into adulthood adding spinning, weaving, basketry, and now wire work, to her fiber vocabulary.
  • 29. Susan McGehee  Incorporating traditional weaving techniques, tools and patterns she creates lightweight contemporary wall hangings that seem to float on the wall using a computerized 16 harness dobby loom.
  • 31. Barbara Berk  I learned that metal can be worked like fiber, that sheet and wire can be woven. Most exciting was the realization that sculpture -- both smaller and larger scale, wearable and installation -- can be fashioned from the precious metal “fabric”.
  • 33. Anastasia Azure  Anastasia Azure combines ancient weaving, traditional metalsmithing and contemporary materials to create sculpture and jewelry. Her work is hand- woven on a floor loom with metals and plastics. Her forms are inspired by the elegance of geometry and complexity of science.
  • 35. Weaving with Wire  This basket is twined with telephone wire. Wire is a perfect material to use with fiber techniques. It is flexible and comes in lots of different colors!
  • 39. Basketry – 3-D Textiles
  • 50. Explore Fiber! Want to see more fabulous fiber? Check out this site that promotes fiber as a fine art material! www.explorefiber.com

Hinweis der Redaktion

  1. (Left) Arm Cuff – knitted (Right) Black & White Herringbone necklace – braided squares – arrange squares
  2. (Left) Interpretations – weft face twill – 8X7X5 (Right) See King a Pathway – Woven metal with painted canvas – 8X5.5X5.5
  3. (Left) Mosaic – Bead weft (Right) Winging It – Loom Shaped
  4. (Left) Bismuth – Woven metal – metallic weft (Right) Bismuth interior detail
  5. (Left) A View of the World – Painted Canvas – 7X5X5 (Top Right) Detail (Bottom Right) Detail
  6. (Left) Shadow’s Promise – 13X7X7 (Right) Back View
  7. (Left) Woven Metal (Right) Detail
  8. (Left) Sampler Bracelet #1 – Shakudo (Right) Plaited earrings – shakudo & 14K gold
  9. Beads can be utilized in with the woven metal designs to add interest.