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Bringing TV back
to the television
    Jonathan Marshall
      Slipstream.tv
Viewing
Viewing

• Last decade has seen an exponential
  growth in IPTV services
Viewing

• Last decade has seen an exponential
  growth in IPTV services
• Most of the content was filmed for large
  screens but viewed on small displays
Viewing

• Last decade has seen an exponential
  growth in IPTV services
• Most of the content was filmed for large
  screens but viewed on small displays
• Newer devices are bringing this content
  back to the TV e.g. Wii, Boxee
Interacting
Interacting
• Remote controls are usually linked to the
  display device
Interacting
• Remote controls are usually linked to the
  display device
• Mobile phones and laptops are usually
  linked to the user
Interacting
• Remote controls are usually linked to the
  display device
• Mobile phones and laptops are usually
  linked to the user
• Small format displays are ideal for User
  Interaction
Interacting
• Remote controls are usually linked to the
  display device
• Mobile phones and laptops are usually
  linked to the user
• Small format displays are ideal for User
  Interaction
• Apple Remote app
Missing link
Missing link

• The challenge is linking the viewing device
  with the interaction device
Missing link

• The challenge is linking the viewing device
  with the interaction device
• Multiple interactions around the same
  viewing experience
Slipstream
Slipstream

• Unified Content Guide
Slipstream

• Unified Content Guide
• Remote Recording
Slipstream

• Unified Content Guide
• Remote Recording
• Recommendations
Slipstream

• Unified Content Guide
• Remote Recording
• Recommendations
• Personalisation
We believe that broadcast TV is the social  
wavefront which will drive semantic links to
existing and new social networks
Above the Line:
                                        Programme-level Metadata




                         eline
Original Programme   Tim




                                    Below the Line:
                                 Contextual and Content Metadata
Above the Line:
                                        Programme-level Metadata




                         eline
Original Programme   Tim


 Content Owner




                                    Below the Line:
                                 Contextual and Content Metadata
Above the Line:
                                          Programme-level Metadata




                           eline
  Original Programme   Tim




Linked Open Data




                                      Below the Line:
                                   Contextual and Content Metadata
Above the Line:
                                        Programme-level Metadata




                         eline
Original Programme   Tim




  User Data


                                    Below the Line:
                                 Contextual and Content Metadata
Above the Line:
                                          Programme-level Metadata




                           eline
  Original Programme   Tim


    Content Owner

Linked Open Data

     User Data


                                      Below the Line:
                                   Contextual and Content Metadata
Data Sources
Data Sources

• Content owner
Data Sources

• Content owner
 • Broadcast SI
Data Sources

• Content owner
 • Broadcast SI
 • Additional data from production systems
Data Sources

• Content owner
 • Broadcast SI
 • Additional data from production systems
• Open Linked Data e.g. IMDB, iPlayer, bleb
Data Sources

• Content owner
 • Broadcast SI
 • Additional data from production systems
• Open Linked Data e.g. IMDB, iPlayer, bleb
• Integration with existing Social networks
Storage
Storage

• All our data is aggregated and stored in a
  TV Anytime XML structure
Storage

• All our data is aggregated and stored in a
  TV Anytime XML structure
• all programmes are assigned a crid
Storage

• All our data is aggregated and stored in a
  TV Anytime XML structure
• all programmes are assigned a crid
• Our backend server is cloud based to allow
  for scalability and peaks during live shows
Destinations
Destinations
• MHEG application capable of running on
  over 19 million STBs in the UK
Destinations
• MHEG application capable of running on
  over 19 million STBs in the UK
• ANT browser implementation (10m STB)
Destinations
• MHEG application capable of running on
  over 19 million STBs in the UK
• ANT browser implementation (10m STB)
• Flash Lite running on PS3 and next
  generation of STBs
Destinations
• MHEG application capable of running on
  over 19 million STBs in the UK
• ANT browser implementation (10m STB)
• Flash Lite running on PS3 and next
  generation of STBs
• iPhone and iPad webapps (native in
  development)
Conclusions
Conclusions

• No need to invent any new technologies
Conclusions

• No need to invent any new technologies
• The data is out there
Conclusions

• No need to invent any new technologies
• The data is out there
• Separate the UI from the viewing
  experience
Q&A
jonathan@slipstream.tv
  +44 7 801 701 101

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Bringing TV back to the television

Editor's Notes

  1. square plug analogy
  2. square plug analogy
  3. square plug analogy
  4. Richards Mum example
  5. Original Programme:• Synopsis/external links • Genre/Classification/Restriction • Schedules/History Content Owner: • Edit Decision Lists • Script • Cast, Crew & Location data • Core categorisation Trusted Content Providers: • Semantic Advertising/placement • Additional commentary • Related programming • External Content/Viral links • Additional Contextual metadata Global Community: • Personal Content (Flickr, Facebook, blogs etc) • External references (Youtube, web sites) • Conversations (Twitter, Chat, SMS etc) • Emotional tags (explict or gesture-based)
  6. Original Programme:• Synopsis/external links • Genre/Classification/Restriction • Schedules/History Content Owner: • Edit Decision Lists • Script • Cast, Crew & Location data • Core categorisation Trusted Content Providers: • Semantic Advertising/placement • Additional commentary • Related programming • External Content/Viral links • Additional Contextual metadata Global Community: • Personal Content (Flickr, Facebook, blogs etc) • External references (Youtube, web sites) • Conversations (Twitter, Chat, SMS etc) • Emotional tags (explict or gesture-based)
  7. Original Programme:• Synopsis/external links • Genre/Classification/Restriction • Schedules/History Content Owner: • Edit Decision Lists • Script • Cast, Crew & Location data • Core categorisation Trusted Content Providers: • Semantic Advertising/placement • Additional commentary • Related programming • External Content/Viral links • Additional Contextual metadata Global Community: • Personal Content (Flickr, Facebook, blogs etc) • External references (Youtube, web sites) • Conversations (Twitter, Chat, SMS etc) • Emotional tags (explict or gesture-based)
  8. Original Programme:• Synopsis/external links • Genre/Classification/Restriction • Schedules/History Content Owner: • Edit Decision Lists • Script • Cast, Crew & Location data • Core categorisation Trusted Content Providers: • Semantic Advertising/placement • Additional commentary • Related programming • External Content/Viral links • Additional Contextual metadata Global Community: • Personal Content (Flickr, Facebook, blogs etc) • External references (Youtube, web sites) • Conversations (Twitter, Chat, SMS etc) • Emotional tags (explict or gesture-based)
  9. Original Programme:• Synopsis/external links • Genre/Classification/Restriction • Schedules/History Content Owner: • Edit Decision Lists • Script • Cast, Crew & Location data • Core categorisation Trusted Content Providers: • Semantic Advertising/placement • Additional commentary • Related programming • External Content/Viral links • Additional Contextual metadata Global Community: • Personal Content (Flickr, Facebook, blogs etc) • External references (Youtube, web sites) • Conversations (Twitter, Chat, SMS etc) • Emotional tags (explict or gesture-based)
  10. Original Programme:• Synopsis/external links • Genre/Classification/Restriction • Schedules/History Content Owner: • Edit Decision Lists • Script • Cast, Crew & Location data • Core categorisation Trusted Content Providers: • Semantic Advertising/placement • Additional commentary • Related programming • External Content/Viral links • Additional Contextual metadata Global Community: • Personal Content (Flickr, Facebook, blogs etc) • External references (Youtube, web sites) • Conversations (Twitter, Chat, SMS etc) • Emotional tags (explict or gesture-based)
  11. Original Programme:• Synopsis/external links • Genre/Classification/Restriction • Schedules/History Content Owner: • Edit Decision Lists • Script • Cast, Crew & Location data • Core categorisation Trusted Content Providers: • Semantic Advertising/placement • Additional commentary • Related programming • External Content/Viral links • Additional Contextual metadata Global Community: • Personal Content (Flickr, Facebook, blogs etc) • External references (Youtube, web sites) • Conversations (Twitter, Chat, SMS etc) • Emotional tags (explict or gesture-based)
  12. Original Programme:• Synopsis/external links • Genre/Classification/Restriction • Schedules/History Content Owner: • Edit Decision Lists • Script • Cast, Crew & Location data • Core categorisation Trusted Content Providers: • Semantic Advertising/placement • Additional commentary • Related programming • External Content/Viral links • Additional Contextual metadata Global Community: • Personal Content (Flickr, Facebook, blogs etc) • External references (Youtube, web sites) • Conversations (Twitter, Chat, SMS etc) • Emotional tags (explict or gesture-based)
  13. Original Programme:• Synopsis/external links • Genre/Classification/Restriction • Schedules/History Content Owner: • Edit Decision Lists • Script • Cast, Crew & Location data • Core categorisation Trusted Content Providers: • Semantic Advertising/placement • Additional commentary • Related programming • External Content/Viral links • Additional Contextual metadata Global Community: • Personal Content (Flickr, Facebook, blogs etc) • External references (Youtube, web sites) • Conversations (Twitter, Chat, SMS etc) • Emotional tags (explict or gesture-based)