The document discusses how digital methods can connect cultural heritage institutions to contemporary society. It notes that 70% of the global population will live in cities by 2050 and that smart cities face challenges in dealing with proliferating information. The document advocates that cultural institutions should focus on using technology to better understand engagement through metrics like repeat visits and diversity. It provides examples from the Dallas Museum of Art of using free admission and membership along with mobile technologies to better measure outcomes.
Connecting the Dots: How Digital Methods Become the Glue that Binds Cultural Heritage to Contemporary Society
1. CONNECTING
THE DOTS
How Digital Methods Become the Glue that
Binds Cultural Heritage to Contemporary
Society
Robert Stein
Deputy Director
Dallas Museum of Art
2. Flickr Credit ~fab05
70% OF THE GLOBAL
POPULATION WILL
LIVE
IN ONE BY 2050
CITIES
Source: Guardian Cities, Jan 2014
http://www.theguardian.com/cities/2014/jan/27/guardian-cities-site-urban-future-
dwell-human-history-welcome
13. Negotiating the circumstances of everyday life in any true city tends over time to create a
broad-minded, feisty, opinionated personality type we'd have no problem recognizing,
wherever and whenever it appears in human history. City people may well be tolerant of
diversity not out of any personal commitment to a utopian politics, but because that's just
what the daily necessity of living cheek-by-jowl with people who are different imposes
upon you.
And yet it's just this set of characteristics that so many smart-city provisions seem hell-bent
on undermining, or even eradicating. The ability to search the space of the city for the
perfectly congenial set of circumstances, to tune the environment until we never have to
leave the contours of our own comfort: where the making of city-dwellers and citizens is
concerned, that's a bug, not a feature. It erodes the development of savoir faire; it eliminates
the risk, but also everything wonderful, that arises in the confrontation with difference.
Adam Greenfield, The Dark Side of the “Smart City”
Interview by Annalee Newitz on IO9. January 30, 2014
http://io9.com/the-dark-side-of-the-smart-city-1512608758
THE DARK SIDE OF SMART CITIES
17. CITIES NEED CREATIVE PEOPLE
cited by 1500 CEO’s as the single most
crucial factor for future success
IBM, 2010 http://www-03.ibm.com/press/us/en/pressrelease/31670.wss)
18. Flickr Credit ~choimakko
THE FUTURE OF KNOWLEDGE
The future [of knowledge] is to let ‘the machines’
do the heavy lifting and for us humans to focus on
connecting the dots, discovering context, meaning
and relevance, and to make human sense of it all.
Gerd Leonhard. The Future of Knowledge. Jan 7, 2014
https://connect.innovateuk.org/web/creativektn/article-view/-/blogs/the-future-of-knowledge
19. Flickr Credit ~choimakko
THE FUTURE OF KNOWLEDGE
… right-brain thinking becomes extremely
valuable, once again, as empathy, improvisation
and interdependent thinking become the new
standard. Knowledge, becomes not an asset used
for control or dominance, but for contribution and
co-creation.
Gerd Leonhard. The Future of Knowledge. Jan 7, 2014
https://connect.innovateuk.org/web/creativektn/article-view/-/blogs/the-future-of-knowledge
20.
21. Almost all Nobel laureates in the sciences actively engage
in arts as adults. They are twenty-five times as likely as the
average scientist to sing, dance, or act; seventeen times
as likely to be a visual artist; twelve times more likely to
write poetry and literature; eight times more likely to do
woodworking or some other craft; four times as likely to be
a musician; and twice as likely to be a photographer.
Michele and Robert Root-Bernstein
Psychology Today February, 2009
http://www.psychologytoday.com/blog/imagine/200902/missing-piece-in-the-
economic-stimulus-hobbling-arts-hobbles-innovation
24. Georges Seurat
A Sunday on La Grande Jatte – 1884
Art Institute of Chicago
James Clerk Maxwell (physicist),
Ogden Rood (physicist), and Michele
Chevreul (chemist) significantly
influenced Seurat and the Neo-
Impressionsts
29. The work of organizing
museums has not kept pace
with the times. The United
States is far behind the spirit of
its own people…
This can not long continue. The
museum of the past must be
set aside, reconstructed,
transformed from a cemetery of
bric-a-brac into a nursery of
living thoughts.
A NURSERY
OF LIVING
THOUGHTS
Goode, G. Brown. 1891. The
Museums of the Future. Washington,
DC: Government Printing Office.
31. The Largest Art Museum in the Region
110 Years Old
Supported by the City of Dallas
NOT a Tourist Destination
32. The 2010 U.S. census reports that only 14.5% of US
Adults visited museums in the prior 12 months (Census,
2012).
Dallas = 6.5M People - 500k Annual Attendance
That would require a city with a population of at least 1M to be built every five days between now and then
GDP PER PERSON HAS BEEN IN DECLINE SINCE 1970 – IT’S TAKING US A LONG TIME TO FIGURE OUT HOW TECHNOLOGY CAN SERVE US – NOT JUST GO FASTER.
Photograph of Max Planck who wrote operas and composed symphonies
Maxwell formulated the equations that govern electricity, magnetism, and optics. Invented the concept of tint, shade, and hue.Chevreul was a chemist who studied soaps and acids, but who studied color perception and dies for artistic representation of nature
Rood’s studies of color first asserted that small dots of color would blend to form different colors when viewed from a distance.
Maxwell formulated the equations that govern electricity, magnetism, and optics. Invented the concept of tint, shade, and hue.Chevreul was a chemist who studied soaps and acids, but who studied color perception and dies for artistic representation of nature
Rood’s studies of color first asserted that small dots of color would blend to form different colors when viewed from a distance.
Joseph Marie Jacquard invented a loom that could weave intricate patterns from a roll of paper with punches in place of the pattern
Joseph Marie Jacquard invented a loom that could weave intricate patterns from a roll of paper with punches in place of the pattern