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Degenerate Art,[object Object]
degenerate art
History of the Movement,[object Object]
History of the Movement,[object Object]
JankelAdler,[object Object],Ernst Barlach,[object Object],Rudolf Bauer,[object Object],Philipp Bauknecht,[object Object],Otto Baum,[object Object],WilliBaumeister,[object Object],Herbert Bayer,[object Object],Max Beckmann,[object Object],Rudolf Belling,[object Object],Paul Bindel,[object Object],Theo Brün,[object Object],Max Burchartz,[object Object],Fritz Burger-Mühlfeld,[object Object],Paul Camenisch,[object Object],Heinrich Campendonk,[object Object],Karl Caspar,[object Object],Maria Caspar-Filser,[object Object],Pol Cassel,[object Object],Marc Chagall,[object Object],LovisCorinth,[object Object],Heinrich Maria Davringhausen,[object Object],Walter Dexel,[object Object],Johannes Diesner,[object Object],Otto Dix,[object Object],PranasDomšaitis,[object Object],Hans Christoph Drexel,[object Object],Johannes Driesch,[object Object],Heinrich Eberhard,[object Object],Artists in the 1937 Munich show,[object Object],WassilyKandinsky,[object Object],Hanns Katz,[object Object],Ernst Ludwig Kirchner,[object Object],Paul Klee,[object Object],Cesar Klein,[object Object],Paul Kleinschmidt,[object Object],Oskar Kokoschka,[object Object],Otto Lange,[object Object],Wilhelm Lehmbruck,[object Object],El Lissitzky,[object Object],Oskar Lüthy,[object Object],Franz Marc,[object Object],Gerhard Marcks,[object Object],EwaldMataré,[object Object],Ludwig Meidner,[object Object],Jean Metzinger,[object Object],Constantin von Mitschke-Collande,[object Object],Laszlo Moholy-Nagy,[object Object],Margarethe (Marg) Moll,[object Object],Oskar Moll,[object Object],Johannes Molzahn,[object Object],Piet Mondrian,[object Object],Georg Muche,[object Object],Otto MuellerErich(?) Nagel,[object Object],Heinrich Nauen,[object Object],Ernst Wilhelm Nay,[object Object],KarelNiestrath,[object Object],Emil Nolde,[object Object],Hans Feibusch,[object Object],Lyonel Feininger,[object Object],Conrad Felixmüller,[object Object],Otto Freundlich,[object Object],XaverFuhr,[object Object],Ludwig Gies,[object Object],Werner Gilles,[object Object],Otto Gleichmann,[object Object],Rudolph Grossmann,[object Object],George Grosz,[object Object],Hans Grundig,[object Object],Rudolf Haizmann,[object Object],RaoulHausmann,[object Object],Guido Hebert,[object Object],Erich Heckel,[object Object],Erich Heckel,[object Object],Wilhelm Heckrott,[object Object],Jacoba van Heemskerck,[object Object],Hans Siebert von Heister,[object Object],Oswald Herzog,[object Object],Werner Heuser,[object Object],Heinrich Hoerle,[object Object],Karl Hofer,[object Object],Eugen Hoffmann,[object Object],Johannes Itten,[object Object],Alexej von Jawlensky,[object Object],Eric Johanson,[object Object],Hans JürgenKallmann,[object Object],Otto Pankok,[object Object],Max Pechstein,[object Object],Max Peiffer-Watenphul,[object Object],Hans Purrmann,[object Object],Max Rauh,[object Object],Hans Richter,[object Object],EmyRöder,[object Object],Christian Rohlfs,[object Object],Edwin Scharff,[object Object],Oskar Schlemmer,[object Object],Rudolf Schlichter,[object Object],Karl Schmidt-Rottluff,[object Object],Werner Scholz,[object Object],Lothar Schreyer,[object Object],Otto Schubert,[object Object],Kurt Schwitters,[object Object],LasarSegall,[object Object],Friedrich Skade,[object Object],Friedrich (Fritz) Stuckenberg,[object Object],Paul Thalheimer,[object Object],Johannes Tietz,[object Object],Arnold Topp,[object Object],Friedrich Vordemberge-Gildewart,[object Object],Karl Völker,[object Object],ChristophVoll,[object Object],William Wauer,[object Object],Gert Heinrich Wollheim,[object Object]
http://www.neues-museum.de/nm/index.html?r=vestibuel,[object Object],The Neues Museum,[object Object]

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degenerate art

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Hinweis der Redaktion

  1. The expression Degenerate Art was skillfully spread by Hitler's propaganda minister, Josef Goebbels, in a huge campaign aimed at the discredit of modern art. In 1937, a commission appointed by him was in charge of confiscating every work of art that was considered "subversive" from museums and personal collections - a total of 5 000 works. Most of them were German, but they also included paintings by Matisse, Picasso and even van Gogh. With this massive lot of paintings, they set up an exhibition to ridicule modern art and to try to get its visitors to feel repulsed by these artistic expressions, which, according to the organization, stained the genuine German culture. As you can guess, the name of the exhibit was Entartete.
  2. Curiously enough, this discredit campaign had an ironic outcome. At the same time, the Nazis promoted another big exhibit, destined to show off the official art, approved by the regime. They pompously called it Grosse deutsche Kunstausstellung (Great German Art Exhibit) and lodged it at the amazing HausderKunst, in Munich. After it was over, they saw that the latter had been viewed by a little over a quarter of the number of people who attended the EntarteteKunst…
  3. On July 19th, 1937, about 650 paintings, sculptures, drawings, etc. were shown to the public in a run-down building in Munich. The purposely disorganized and biased way the works of art were pilled up in was complemented by "pedagogical" slogans that aimed at "explaining" their meaning to the viewers: Revelation of the racial Jewish soul, Insult to German women, , Mocking of the Divine, etc. The exhibit travelled through other cities in Germany and
  4. While this event took place, Goebbels ordered the arrest of even more works of degenerate art, that reached an estimated number of 16 000 works! After the exhibit, several works of art became part of the private collections of some of the members of the Nazi party, who were well aware of their value (Hermann Goering being one of them), while others were sent to Switzerland to be auctioned off.
  5. While this event took place, Goebbels ordered the arrest of even more works of degenerate art, that reached an estimated number of 16 000 works! After the exhibit, several works of art became part of the private collections of some of the members of the Nazi party, who were well aware of their value (Hermann Goering being one of them), while others were sent to Switzerland to be auctioned off. That was the only way they were able to survive to this