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[object Object],[object Object],[object Object]
[object Object],[object Object]
Multi-platform Internet access  has pushed social media into the mainstream with users from all over the world contributing rich content online.  We are seeing user generated multimedia content in many ways including web applications like YouTube and Facebook.
[object Object],[object Object]
Rural communities do not have effective means of localized emergency broadcast communications or interoperability.
There are many high end radio systems available that cost many times what a small station or community can afford.
[object Object],[object Object]
[object Object],[object Object]
[object Object],[object Object]
[object Object],[object Object]
[object Object],[object Object]
People with disabilities that cannot physically make it to the studio or that use assistive technologies
People that speak languages other than English or French
Busy people with not a lot of extra time that work in office jobs
Stay at home fixed income retired people with time on their hands that have vast knowledge of music and culture
Non-profit groups, Podcasters,  Music Promoters, Rabble-rousers, News junkies, Commentators and Soap-Boxers
People that rely solely on free over the air radio media that do not subscribe to mainstream media
[object Object],[object Object]
[object Object],[object Object]
Local music events and artist promotion

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User Generated Radio Whitepaper Summary

  • 1.
  • 2.
  • 3. Multi-platform Internet access has pushed social media into the mainstream with users from all over the world contributing rich content online. We are seeing user generated multimedia content in many ways including web applications like YouTube and Facebook.
  • 4.
  • 5. Rural communities do not have effective means of localized emergency broadcast communications or interoperability.
  • 6. There are many high end radio systems available that cost many times what a small station or community can afford.
  • 7.
  • 8.
  • 9.
  • 10.
  • 11.
  • 12. People with disabilities that cannot physically make it to the studio or that use assistive technologies
  • 13. People that speak languages other than English or French
  • 14. Busy people with not a lot of extra time that work in office jobs
  • 15. Stay at home fixed income retired people with time on their hands that have vast knowledge of music and culture
  • 16. Non-profit groups, Podcasters, Music Promoters, Rabble-rousers, News junkies, Commentators and Soap-Boxers
  • 17. People that rely solely on free over the air radio media that do not subscribe to mainstream media
  • 18.
  • 19.
  • 20. Local music events and artist promotion
  • 21. Localized and regional user generated co-op advertising
  • 22. Residual from local revenue streams and split feed network ad substitution
  • 23. E-Busker residual for enabling real time transactions supporting content creators
  • 24.
  • 25. Broadcaster gets more local audience and speciality advertising opportunity, with out having to spend significant human resources or build new infrastructure
  • 26.
  • 27.
  • 28.
  • 29.
  • 30. John A Kitchen - Pulse Combustion
  • 31. John A Kitchen - Pulse Combustion
  • 33.
  • 34. Biography of Rob Hopkins Rob comes from a pioneering family of inventors. His great great grandfather manufactured one of Canada's earliest automobiles, the Redpath messenger. In 1901 his great grandfather William Redpath, started working in the motion picture industry. Rob's grandfather John A Kitchen worked on the AVRO Arrow, designed the eternal flame at the Ottawa parliament buildings and did innovative and successful commercialization work using pulse combustion technology. Rob came up to the Yukon during the Thanksgiving weekend 1982 to hop the Whitepass railway as a hobo and the day he arrived here was the day they shut the railway down. He started working in communication industry 1992 and built a private mountain top wireless communication link connecting Tagish and Whitehorse 120kms away in order to send and receive a fax for purchase orders from South East Asia. He then setup up a CRTC “under regulated” broadcast radio station in 1997 from his home in Tagish. It was later during the licencing process that he struggled to describe how he would make his station accessible, providing community access programming, that he began to envision a web based “radio station in a box” prototype as a service for remote rural communities. Contact Robert G. Hopkins Box 87, Tagish, Yukon, Y0B1T0 Tel: 867-399-3012 [email_address]