2. WEB SITE1:
size: table
This is a website for Furniture factory,
I want to make the front page really
attractive, relate to the warming gorgeous
house decorating.
I use beige as the back ground color,
with the picture of different furnitures, I
use a big curve across the whole web
pages relink to the classical furniture.
WEB DESIGN
4. The website I made is a website of a university. I think it should be formal and serious,
that is the reason I use blue and gray as the main color, the format is more complex and
delicate than the original design.
I like the nav I made, especially the icon will 360 degree when you hover it, and it is clean,
tide,the construction of the design is preciseness.
WEB SITE 2:
Size: table
5. This is a website of a restaurant, I want to make the
website delicate, delicious, and nice looking .
When you hover the sub menu. It will show the opening
hours of the restaurant.
When you click the icon on the right corner. The color will turn
into gray.
WEB SITE 3 :
Size: table
6. This is a java code website of talking about the overpopulation
problems. The function in this page including auto navagation,
show your names automatically. pop out window open, close.
Auto scoll pictures, and show the right time of the day.
WEB SITE 4 :
Size: table
7. These two are html 5 and
Css3 bird websites I built. It is
contain different frames and
grid in this websites.
WEB SITE 5 :
Size: table
WEB SITE 6 :
Size: table
17. NATIONAL PARK PROJECT
This is a booklet also for the national park. The
idea is a hand pick up a child and put it in the
green environment, I draw these three different
landscapes, to represent the idea downtown
environment people could live in, to indicate,
if people all devout to the program, what will
happened in the future.
19. BROCHURE DESIGN
previously held senior
design positions at Con-
crete, Dinnick & Howells
and Pentagram London.
He has led projects for a
broad range of interna-
tional clients.
After being a founding
partner and creative di-
rector of one of Toronto’s
leading design-communi-
cation firms for 17 years,
she devoted herself to
design and oversee the
transformation.
Alex Wigington
Underline Studio
Making Connections
December
3:30 pm
Saturday
December
5:00 pm
Friday
December
7:30 pm
Friday
December
5:00 pm
Saturday
14
13
13
14
Fidel Peña
Oxygen
Say No to Mediocrity
Practice Excellence
Bill Douglas
Visual Collision
Coupe Magazine
The Missing
52 Pick-up Inc
Bill is the creator and
art director a little visual
culture magazine called
Coupe which has gar-
nered worldwide acclaim.
he specializes in book and
publication design.
Her industry knowledge
and results-orientation
gives rise to the cre-
ation of communication
solutions that propel the
success of clients’ brands
in today’s dynamic mar-
ketplace.
Susan McIntee
December
13 & 14
2013
Closing
Reception
6:00–9:00
p.m.
The George Brown Alumni Association has organized a
weekend of design past and present.
Learn how Alumni have forged their way successfully through
the world of design.
The School of DeSign 230 RichmonD STReeT eaST (SiDe en-
TRance) ToRonTo on, m5a 1P4
TheJoyOfDesign
Magazine
Her industry knowledge and results-orientation
gives rise to the creation of communication solu-
tions that propel the success of clients’ brands in
today’s dynamic marketplace.
FridaySATURDAY
SATURDAYFriday
December1317:00
December1319:30
Bill Douglas
Visual Collision
Bill is the creator and art director a little visu-
al culture magazine called Coupe which has
garnered worldwide acclaim. he specializes
in book and publication design.
Coupe
Susan McIntee
52Pick-up Inc
The Missing Link
previously held senior design positions at
Concrete, Dinnick & Howells and Pentagram
London. He has led projects for a broad range
of international clients.
Fidel Peña
SayNotoMediocrity
After being a founding partner and creative
director of one of Toronto’s leading design-com-
munication firms for 17 years, she devoted
herself to design and oversee the transforma-
tion.
Alex Wigington
December1415:30
December1417:00
Underline
Studio
Making Connections
Oxygen
Practice Excellence
The School of Design 230 Richmond Street East (Side Entrance) Toronto ON, M5A 1P4
This is a design for the joy of type, it is a poster for an invent. The joy is the most important
theme of the poster, that is the reason I emphasize the joy in the poster. In order to make
the time and location of the poster pop out, I try to put them together in a innovate way.
Which make them more subtle, and attractive.
20. 04
1. Pick the Right Tip
There are many calligraphy pen tips for you to
choose from. To start out, it’s best to have a flat
tipped nib that is about 1/8” wide (the tip in the
top left of this photo). This gives you a nice variation
in your line work and it’s bold enough to be very
different from your normal ballpoint pen. Insert
the tip into the pen holder and you’re reader to go!
2. Dipping
Dip the pen gently into the ink until the ink
reaches 3/4 up the tip. Too little ink and you’ll run
out faster, leading to scratchy lines and constant
interruptions. Too much and you’ll overflow the
tip and cause the ink to drip out in spurts.
3. Play With Strokes
Let’s be honest: starting calligraphy is daunting. So
for starters, I just want you to play on the back of
your practice paper. Make some big loopy lines
andsome straight lines. Practice dipping your pen
into the ink. There’s no right or wrong here; you’re
just getting the feel of the pen.
4. The Basic
Downward
Stroke
There are only two main
strokes in calligraphy: the
downward stroke and the curve.
So let’s start with the downward
stroke! If it feels easier to you,
you can draw each of these
lines first with your pencil.
That way you have a line
to follow.
5. The Basic Curve
Let’s take a look at the Roundhand Script alphabet. As you can see, it’s a
nice blend of print and cursive lettering. This means that you can either
join your letters when you write words or leave them separate. It’s up to
you. The blue arrows above show the directions of the pen strokes and
the numbers below tell you how many strokes make up each letter. We’re
going to start with the lowercase alphabet and break it up into two
sections: downward stroke letters and curve stroke letters. So let’s start
with the downward stroke letters!
Mastering
Calligraphy:
How to Write in Roundhand Script
The Contemporary Museum of
Calligraphy invites you to participate
in the 5th International Exhibition
of Calligraphy, which is to take
place in Moscow from March 12th,
2015 to April 12th, 2015.
To take part in the exhibition, please
submit two works: the first one is
free of frameworks and the second
one should unveil the topic of My
Homeland. The size of the works
shall be no more than 70 x 46 cm .
The works can be executed in any
style and technique, but calligraphy
is a must.
Up until November 1st, 2014: it is
required to provide two application
forms and the works’ photos made
according to the forms and
technical requirements established
by the museum.
Up until December 1st, 2014: it is
required to send the original works
to the Museum’s address.
In accordance with the information
contained in the application forms
that you must have completed, the
museum’s workers will prepare all
necessary documents and will
email them to you.
Please note you must print out two
copies of the AGREEMENT AND
THE RELATED DOCUMENTS ,
sign each document, and enclose
to the sent works.
If you submit works without the
related documents, the Museum
will have to withdraw your works
from the exhibition. The authors
are to pay at their own expense the
return of these works
All the terms of application and
works’ submission are compulsory!
Works will not be accepted if the
above mentioned dates have expired!
The works are to be kept by the
Museum for two years; afterwards
they will be returned to the Authors
(owners) within a year.
March 12th – April 12th, 2015
Moscow, the Contemporary Museum of Calligraphy
(Advertising)
Page Two:
http://en.wikipedia.org/wiki/Calligraphy; http://
www.pinterest.com/; http://www.pinterest.com/
pin/252131279114271335/
Page One:
http://design.tutsplus.com/articles/mastering-cal-
ligraphy-how-to-write-in-roundhand-script--vec-
tor-25652
Page Three:
http://www.vectordiary.com/fonts/top-20-most-beau-
tiful-calligraphy-fonts/; http://www.pinterest.com/
pin/185280972141325329/
Page Four:
http://design.tutsplus.com/articles/mastering-
calligraphy-how-to-write-in-roundhand-script--
vector-25652
RESOURCES INDEX:
Exhibition of Calligraphy
5THE
th
International
“It’s a set of skills and techniques for
positioning and inscribing words so they
show integrity, harmony, some sort of ancestry,
rhythm and creative re.
”
What is calligraphy really?
Here’s where we scrape off any
dull, half-hearted denitions
that might be holding your
calligraphy back.
Calligraphy is more than
‘beautiful handwriting’ or
‘ornate lettering techniques
Western calligraphy is recognizable
by the use of the Latin script. The
Latin alphabet appeared about
600 BC, in Rome, and by the first
century developed into Roman
imperial capitals carved on
stones, Rustic capitals painted on
walls, and Roman cursive for
daily use. In the second and third
centuries the uncial lettering style
developed. As writing withdrew
to monasteries, uncial script was
found more suitable for copying
the Bible and other religious
texts. It was the monasteries
which preserved calligraphic
traditions during the fourth and
fifth centuries, when the Roman
Empire fell and Europe entered
the Dark Ages.
At the height of the Roman
Empire, its power reached as far as
Great Britain; when the empire
fell, its literary influence remained.
The Semi-uncial generated the
Irish Semi-uncial, Each region
developed its own standards
following the main monastery of
the region, which are mostly
cursive and hardly readable.
Christian churches promoted the
development of writing through
the prolific copying of the Bible,
particularly the New Testament
and other sacred texts. Two
distinct styles of writing known
as uncial and half-uncial
developed from a variety of
Roman bookhands. The
7th-9th centuries in
northern Europe were
the heyday of Celtic
illuminated manuscripts, such as
the Book of Durrow, Lindisfarne
Gospels and the Book of Kells.
Charlemagne’s devotion to
improved scholarship resulted in
the recruiting of “a crowd of
scribes”, according to Alcuin, the
Abbot of York. Alcuin developed
the style known as the Caroline or
Carolingian minuscule. The first
manuscript in this hand was the
Godescalc Evangelistary — a
Gospel book written by the scribe
Godescalc.
In the eleventh century, the
Caroline evolved into the Gothic
script, which was more compact
and made it possible to fit more
text on a page. 72 The Gothic
calligraphy styles becare discovery
of old Carolingian texts encour-
aged the creation of the humanist
minuscule or littera antiqua.
See in page three
The history of caligraphy
Quote
The history of caligraphy
10 most beatiful caligraphy
know some equipment about caligraphy
INSIDE GUIDE03
Page 01
Page 03
Page 04
Page 02
01
Master Caligraphy
The 5th international exhibition of
caligraphy
c a l i g r a p h y
insight
21. FROZEN is a typeface based on Myriad Pro, it is
named because the ice shape in the right side of the
letters. The poster is inspired by the Art Nouveau
design, a kind of art form from 1890 –1914.
It is a typeface should express the attribute of
introvert, neat, cool.
The Designer: Rachel Huang
25. Dear customer:
You are very special to us, thank you for all your
support all these time!
Violette
Patisserie & coffee
Violette
A moment to yourself
Glad invite your to join the experience of our cos-
tomer experience.
you can visit our website to apply for our member-
ship at :
www. violettepastry.ca
Patisserie & coffee
Violette
As a very special customer, we would like to Thank you for your support on our Pastry & coffee resturant.
we hope to see you soon.
26. Coupon
$5 $5 rewards back
$10 rewards back
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$10
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When purchase
up to $20
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up to $35
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up to $50
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From
Dov 1 to
Nov 31
2014
ABOUT US LOCATION OPERATING HOURS RESERVATIONS CONTACT US BRIEF COPY DESCRIBED FOOD
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Email: www.pastry.com
FOLLOW US ADDESS
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WELCOME TO VIOLETTE PASTRY & COFFEE SHOP
Here at VIOLETTE pasry &
coffee shop. We use only the
Finest and Freshest ingred to
create patries that will fill your
belly and warm your heart.
Come and visit your taste buds
will thank you.
From
Dov 1 to
Nov 31
2014
Card is not redeemable for cash, is notrans-
ferable and cannot be used in conjunction
with any other coupon or discount. your
promotional card is redeemable at any store
in Canada. void if copied, transfered, or sold
through any on-line auctions. Limit one card
per household. One card pertransaction.
Not valid on previous sales or previous sales
or purchase of gift cards. This offer will
expire and be void close of business De-
cember 31, 2014. This card cannot be
replaced if altered or defaced.
Apply for online card
31. PRIME COLOR
PANTONE 365
COLOR
PANTONE 299
COLOR
PANTONE 5145
COLOR
PANTONE 170
COLOR
PANTONE 1585
ABCDEFGHIJKLMNOPQRSTUVWXYZ
1234567890
ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz
1234567890
Display typeface: Bauhaus 93
Text typeface: Helvetica
32. SEVEN PICTOGRAMSN 1
Africa
Australasia
Indo -
Malaya Eurasia
Americas
Canadian
Domain
Tundra
SEVEN PICTOGRAMSN 2
Africa Australasia
Indo - Malaya Eurasia
Americas
Canadian
Domain
Tundra
35. Feeding sign
TIME : 12:30
FEEDING
TIME : 12:30
FEEDING
TIME : 12:30
FEEDING
TIME : 12:30
FEEDING
TIME : 12:30
FEEDING
Feeding sign
TIME : 12:30
FEEDING
TIME : 12:30
FEEDING
TIME : 12:30
FEEDING
TIME : 12:30
FEEDING
