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Interview PAS: Why diplomacy and international relations? EH: In fact, when I sat the University Entrance Exam, international relations as a field was my first and only choice. I was so determined to study in that department…From the very beginning I knew that I was interested more in social sciences although many around me were thinking that I may be also very successful studying pure science…I insisted on social sciences…
DIPLOMACY: THE ACADEMIC SPEAKING TRUTH TO POWER ELLIPSES, CHOICE and PERSONAL...
DIPLOMACY: THE ACADEMIC SPEAKING TRUTH TO POWER ELLIPSES, CHOICE and PERSONAL...
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Prof. Dr. Paul Ade Silva, Editor of JAMMO, Interviews Khalil Charles, Deputy ...
Prof. Dr. Paul Ade Silva, Editor of JAMMO, Interviews Khalil Charles, Deputy ...
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From the beginning of the 19th century onward, as the nature of representation began to be questioned, image took on a structure which does not reflect but hides reality. It also became an ambiguous and hazy area to grasp while acquiring new meanings and forms, as the viewer began to create his or her own visual experience (Crary 2010: 40-162). In this period when the reality of the world was no longer needed and the relativity of time was beginning to be debated, the realm of emotional perception and sensations became visible in the field of art. In modern painting and literature, with the choice of viewpoint, the objects intertwined and converged.....
Close-up in Cinema, in Line with the Time Image Concept of Deleuze: An Analys...
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The paper examines Covid-19 from the perspective of an imam in relation to Islamic teachings and media representation explaining that moslems and non-moslems are pre-disposed to succumb to fear and falsehood in line with pre-end-times Qur’anic prophecies that encapsulate the Islamic eschatology. In contour and thrusts, the paper is journalistic weaving interpretation of Qur’anic verses blended in a posit recursive narration of media-obsessive treatment of the Coronavirus as distinct from other historical pandemics
Coronavirus: Musings of An Imam
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INTERNATIONALLY ACCLAIMED POETRY, INTERVIEWS, ART AND PHOTOGRAPHY
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FOOL of HOPE: Front & back cover
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En los últimos cien años, las diferentes ramas de la ciencia, casi en todas sus expresiones, se han esforzado por perfeccionar sus métodos, técnicas e instrumentación, con el ideal de lograr obtener un conocimiento que sea auténtico, objetivo y real. Sin embargo, diversos descubrimientos han conducido a calurosos debates sobre la diferencias entre lo qué es conocimiento objetivo, científico, protocientífico, seudocientífico y anticientifico. De hecho, subsistan disciplinas específicas que se avocan a explorar estos campos del saber, como la gnoselogía, etc. Al grado, que actualmente se ha llegado a la formulación de preguntas ontológicas como, ¿el grado de imperfección del método experimental, de la lógica formal, del valor real o simbólico de los números, los defectos e ilusiones de la percepción sensorial?, y hasta ¿si existe una realidad objetiva que pueda ser estudiada por la ciencia, o si se trata de una ilusión de los sentidos? Estos y otros aspectos se han vuelto de interés para los especialista de la filosofía de la ciencia.
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Interview PAS: Why diplomacy and international relations? EH: In fact, when I sat the University Entrance Exam, international relations as a field was my first and only choice. I was so determined to study in that department…From the very beginning I knew that I was interested more in social sciences although many around me were thinking that I may be also very successful studying pure science…I insisted on social sciences…
DIPLOMACY: THE ACADEMIC SPEAKING TRUTH TO POWER ELLIPSES, CHOICE and PERSONAL...
DIPLOMACY: THE ACADEMIC SPEAKING TRUTH TO POWER ELLIPSES, CHOICE and PERSONAL...
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Interview
Prof. Dr. Paul Ade Silva, Editor of JAMMO, Interviews Khalil Charles, Deputy ...
Prof. Dr. Paul Ade Silva, Editor of JAMMO, Interviews Khalil Charles, Deputy ...
paulussilas
From the beginning of the 19th century onward, as the nature of representation began to be questioned, image took on a structure which does not reflect but hides reality. It also became an ambiguous and hazy area to grasp while acquiring new meanings and forms, as the viewer began to create his or her own visual experience (Crary 2010: 40-162). In this period when the reality of the world was no longer needed and the relativity of time was beginning to be debated, the realm of emotional perception and sensations became visible in the field of art. In modern painting and literature, with the choice of viewpoint, the objects intertwined and converged.....
Close-up in Cinema, in Line with the Time Image Concept of Deleuze: An Analys...
Close-up in Cinema, in Line with the Time Image Concept of Deleuze: An Analys...
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The paper examines Covid-19 from the perspective of an imam in relation to Islamic teachings and media representation explaining that moslems and non-moslems are pre-disposed to succumb to fear and falsehood in line with pre-end-times Qur’anic prophecies that encapsulate the Islamic eschatology. In contour and thrusts, the paper is journalistic weaving interpretation of Qur’anic verses blended in a posit recursive narration of media-obsessive treatment of the Coronavirus as distinct from other historical pandemics
Coronavirus: Musings of An Imam
Coronavirus: Musings of An Imam
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INTERNATIONALLY ACCLAIMED POETRY, INTERVIEWS, ART AND PHOTOGRAPHY
FOOL of HOPE: Front & back cover
FOOL of HOPE: Front & back cover
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THE BOOK of JAMMO, A Compilation of Articles and Interviews, Circa 2011 – 2015
The Book of Jammo
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Landscape of Lies
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En los últimos cien años, las diferentes ramas de la ciencia, casi en todas sus expresiones, se han esforzado por perfeccionar sus métodos, técnicas e instrumentación, con el ideal de lograr obtener un conocimiento que sea auténtico, objetivo y real. Sin embargo, diversos descubrimientos han conducido a calurosos debates sobre la diferencias entre lo qué es conocimiento objetivo, científico, protocientífico, seudocientífico y anticientifico. De hecho, subsistan disciplinas específicas que se avocan a explorar estos campos del saber, como la gnoselogía, etc. Al grado, que actualmente se ha llegado a la formulación de preguntas ontológicas como, ¿el grado de imperfección del método experimental, de la lógica formal, del valor real o simbólico de los números, los defectos e ilusiones de la percepción sensorial?, y hasta ¿si existe una realidad objetiva que pueda ser estudiada por la ciencia, o si se trata de una ilusión de los sentidos? Estos y otros aspectos se han vuelto de interés para los especialista de la filosofía de la ciencia.
Real final critica epistemolígica a la indología contemporánea
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The influence of Islamic Art on the Western world and the world at large is undeniably exampled by, but not limited to architecture, where it was purveyed as imitated building structures in the 18th century Brighton Royal Pavilion built between 1787 and 1823 for King George IV of Britain. The two-part series discusses Islamic Art from the standpoint of Muslims in the West, and as a counter-balance to the negative associations with Islam prevalent in today’s mainstream media. The focus is on Islamic Art as one of Islam’s major contributions to human civilisation using literary compendium in which part one articles the underpinning issues contextualising Islam’s architecture within the theology of Islam. The second part is an interview between two scholars on Islam engaging in what seems like a combative discussion to address the meta-theology of Islam in Islamic identity in the West.
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In this final part, multi-disciplinary evidential submissions are provided in support of the thesis that both the Srîmad-Bhâgavatam and its concept of the four ages comes from a time previous to the Ice Age.
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Dr Arganis-Juárez in this part-summary encapsulates the competing paradigms put forward by Indologists and experts of all shades and scholarly work in trying to authentically establish how ancient the Srîmad-Bhâgavatam is. His evaluation provides a sound base from which one can accept that the Srîmad-Bhâgavatam and its concept of the four ages comes from a time previous to the Ice Age, when it is believed that man migrated from Asia to the Americas.
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While single melodic lines are simpler and more straightforward, they still allow for creativity and emotional expression. Meanwhile, the simultaneous occurrence of multiple melodic lines can create a more intricate and complex musical structure that challenges the listener's ear and engages their attention.
Single or Multiple melodic lines structure
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The influence of Islamic Art on the Western world and the world at large is undeniably exampled by, but not limited to architecture, where it was purveyed as imitated building structures in the 18th century Brighton Royal Pavilion built between 1787 and 1823 for King George IV of Britain. The two-part series discusses Islamic Art from the standpoint of Muslims in the West, and as a counter-balance to the negative associations with Islam prevalent in today’s mainstream media. The focus is on Islamic Art as one of Islam’s major contributions to human civilisation using literary compendium in which part one articles the underpinning issues contextualising Islam’s architecture within the theology of Islam. The second part is an interview between two scholars on Islam engaging in what seems like a combative discussion to address the meta-theology of Islam in Islamic identity in the West.
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In this final part, multi-disciplinary evidential submissions are provided in support of the thesis that both the Srîmad-Bhâgavatam and its concept of the four ages comes from a time previous to the Ice Age.
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Part 2. antiquity of the srîmad bhâgavatam or bhâgavata-purâna
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Dr Arganis-Juárez in this part-summary encapsulates the competing paradigms put forward by Indologists and experts of all shades and scholarly work in trying to authentically establish how ancient the Srîmad-Bhâgavatam is. His evaluation provides a sound base from which one can accept that the Srîmad-Bhâgavatam and its concept of the four ages comes from a time previous to the Ice Age, when it is believed that man migrated from Asia to the Americas.
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Gürbüz Doğan Ekşioğlu ile Caddebostan Kültür Merkezi'nde yapmış olduğu sergisi hakkında söyleşi.
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Dr. Gürbüz Doğan Ekşioğlu has been drawing caricatures since 1977 with extensive worldwide coverage and has won twenty-seven international prizes and forty-four national awards. Dr. Ekşioğlu received the Sedat Simavi Plastic Arts award in 1997 and his work had been published as the cover for The New Yorker Magazine and the Forbes. Two of his arts printed on the UNICEF postcards are being sold worldwide and he has had a special success with his caricature published in the New Yorker cover for Sept. 11, 2011 anniversary edition.
Interview: Asst. Prof. Dr. Gürbüz Doğan Ekşioğlu: Arts "on Facebook"
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MaritesTamaniVerdade
https://medicaleducationelearning.blogspot.com/2024/02/using-micro-scholarship-to-incentivize.html
Micro-Scholarship, What it is, How can it help me.pdf
Micro-Scholarship, What it is, How can it help me.pdf
Poh-Sun Goh
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Micro-Scholarship, What it is, How can it help me.pdf
Micro-Scholarship, What it is, How can it help me.pdf
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