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Technology, Education, and Copyright Harmonization
TEACH Act Introduction
 Designed to balance needs of distance
learners, educators, and copyright holders.
 Applies to accredited, non-profit educational
institutions that meet requirements.
 Enables and facilitates the legal use of
copyrighted materials for distance educational
purposes.
Potential Benefits Under the Act
 Increased range of materials are available for
distance learning environments.
 Distance learning sessions can be conducted
from virtually any location.
 Students and teachers have greater freedoms
for storing, copying, and digitizing materials.
Requirements for Using
Copyrighted Materials & Act
Exemptions – synopsis
 Institution must be accredited & non-profit
 Materials MUST be:
 Part of mediated instructional activities.
 Limited to the specific number of enrolled
students.
 Used for a “live” or asynchronous class session.
 Limited to reasonable portions as compared to use
in a live classroom.
The Act Exemptions
 The Act does not specifically extend to:
 Electronic Reserves, course packs, or interlibrary
loans.
 Commercial document libraries.
 Textbooks or digital content provided under license.
 Converted materials from analog to digital format.
THE ACT DOES NOT SUPERSEDE FAIR USE
Three Key Guidelines
 Single Copying for Teachers
 Multiple Copies for Classroom Use
 Educational Uses of Music
* Copying applies to textbook and periodicals
Single Copying
 A single copy can be made for scholarly
research or for teaching purposes from any of
the following:
 A chapter from a text
 An article from a periodical or newspaper
 A short story/essay/poem
 A chart/graph/diagram/picture from a
book, periodical, or newspaper
Multiple Copies
 Multiple copies may be made for classroom
use or discussion – providing that copies:
 Meet the tests of brevity and spontaneity
 Meet the cumulative test
 Each copy includes notice of copyright
Music
 There are five permitted uses and five
prohibited uses of music for educational
purposes.
 There may be occurrences of copying that
do not fall within the guidelines.
 Teachers should refer to school policy and
Fair Use guidelines when in doubt.
Permitted Uses – synopsis *
1. Emergency copying to replace purchased copies
that are not immediately available.
2. Multiple copies for academic reasons other than
performances.
3. Purchased printed copies may be edited
providing that the original work is not distorted
or modified.
4. A single copy of student recordings made for
rehearsal or evaluation may be retained.
5. A single copy of audio exercises or examinations
my be retained.
* See Act for specific details
Conclusion/Summary
 Schools are not required to use the
TEACH Act; it is an option.
 Distance learning classrooms have
different rules and stipulations.
 Single Copying and Multiple Copying.
 Music as an educational medium.
 Fair Use.
 Our policies and procedures.
Example of Single Copy Use
 An on-line English teacher copy’s a portion
of an article for the purposes of
demonstrating the effectiveness of writing
prose or how to interpret the mechanics of
public writing.
Refer to Title 17 for
explicit clarifications
Example of Multiple Copies Use
 An on-line English teacher is conducting a
course on poetry.
 The teacher copy’s a portion of a source and
distributes it to the students enrolled in the
course to address a question generated in
class.
 The copies have been subjected to the tests of
brevity and spontaneity.
Refer to Title 17 for explicit
clarifications
Example of Music Use
 A history teacher is discussing the correlations
between music lyrics and historic events.
 The teacher selects music clips to share with
students to demonstrate those correlations.
Refer to Title 17 for
explicit clarifications
References
 American Library Association. (2013). The TEACH Act and Some
Frequently Asked Questions. Retrieved from
http://www.ala.org/advocacy/copyright/teachact/faq#scope
 Copyright Clearance Center. (2005). The TEACH Act; New Roles,
Rules and Responsibilities for Academic Institutions. Retrieved from
https://kodiak.wne.edu/content/enforced/23525-ED-615-51-
M20132/CR-Teach-
Act.pdf?_&d2lSessionVal=IrsDgomXDd9GU6Ia2RkNX8a7i
 Cornell University. (2012). Title 17 Copyrights. Retrieved from
www.copyright.gov/title17/circ92.pdf
 University of Texas. (2007). Copyright Crash Course. Retrieved from
http://copyright.lib.utexas.edu/teachact.html#toolkit

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Christopher cleveland oct 3, 2013 836 pm - ed615 3-1-ft_clc

  • 1. Technology, Education, and Copyright Harmonization
  • 2. TEACH Act Introduction  Designed to balance needs of distance learners, educators, and copyright holders.  Applies to accredited, non-profit educational institutions that meet requirements.  Enables and facilitates the legal use of copyrighted materials for distance educational purposes.
  • 3. Potential Benefits Under the Act  Increased range of materials are available for distance learning environments.  Distance learning sessions can be conducted from virtually any location.  Students and teachers have greater freedoms for storing, copying, and digitizing materials.
  • 4. Requirements for Using Copyrighted Materials & Act Exemptions – synopsis  Institution must be accredited & non-profit  Materials MUST be:  Part of mediated instructional activities.  Limited to the specific number of enrolled students.  Used for a “live” or asynchronous class session.  Limited to reasonable portions as compared to use in a live classroom.
  • 5. The Act Exemptions  The Act does not specifically extend to:  Electronic Reserves, course packs, or interlibrary loans.  Commercial document libraries.  Textbooks or digital content provided under license.  Converted materials from analog to digital format. THE ACT DOES NOT SUPERSEDE FAIR USE
  • 6. Three Key Guidelines  Single Copying for Teachers  Multiple Copies for Classroom Use  Educational Uses of Music * Copying applies to textbook and periodicals
  • 7. Single Copying  A single copy can be made for scholarly research or for teaching purposes from any of the following:  A chapter from a text  An article from a periodical or newspaper  A short story/essay/poem  A chart/graph/diagram/picture from a book, periodical, or newspaper
  • 8. Multiple Copies  Multiple copies may be made for classroom use or discussion – providing that copies:  Meet the tests of brevity and spontaneity  Meet the cumulative test  Each copy includes notice of copyright
  • 9. Music  There are five permitted uses and five prohibited uses of music for educational purposes.  There may be occurrences of copying that do not fall within the guidelines.  Teachers should refer to school policy and Fair Use guidelines when in doubt.
  • 10. Permitted Uses – synopsis * 1. Emergency copying to replace purchased copies that are not immediately available. 2. Multiple copies for academic reasons other than performances. 3. Purchased printed copies may be edited providing that the original work is not distorted or modified. 4. A single copy of student recordings made for rehearsal or evaluation may be retained. 5. A single copy of audio exercises or examinations my be retained. * See Act for specific details
  • 11. Conclusion/Summary  Schools are not required to use the TEACH Act; it is an option.  Distance learning classrooms have different rules and stipulations.  Single Copying and Multiple Copying.  Music as an educational medium.  Fair Use.  Our policies and procedures.
  • 12. Example of Single Copy Use  An on-line English teacher copy’s a portion of an article for the purposes of demonstrating the effectiveness of writing prose or how to interpret the mechanics of public writing. Refer to Title 17 for explicit clarifications
  • 13. Example of Multiple Copies Use  An on-line English teacher is conducting a course on poetry.  The teacher copy’s a portion of a source and distributes it to the students enrolled in the course to address a question generated in class.  The copies have been subjected to the tests of brevity and spontaneity. Refer to Title 17 for explicit clarifications
  • 14. Example of Music Use  A history teacher is discussing the correlations between music lyrics and historic events.  The teacher selects music clips to share with students to demonstrate those correlations. Refer to Title 17 for explicit clarifications
  • 15. References  American Library Association. (2013). The TEACH Act and Some Frequently Asked Questions. Retrieved from http://www.ala.org/advocacy/copyright/teachact/faq#scope  Copyright Clearance Center. (2005). The TEACH Act; New Roles, Rules and Responsibilities for Academic Institutions. Retrieved from https://kodiak.wne.edu/content/enforced/23525-ED-615-51- M20132/CR-Teach- Act.pdf?_&d2lSessionVal=IrsDgomXDd9GU6Ia2RkNX8a7i  Cornell University. (2012). Title 17 Copyrights. Retrieved from www.copyright.gov/title17/circ92.pdf  University of Texas. (2007). Copyright Crash Course. Retrieved from http://copyright.lib.utexas.edu/teachact.html#toolkit

Hinweis der Redaktion

  1. Discuss the correlation between copyright law and the TEACH Act with a focus on distance learning. Explain that distance learning includes any student who is enrolled on or off campus. Also discuss that some government entities are potentially able to utilize this Act.
  2. Direct teachers to review the handout (New Roles, Rules and Responsibilities for Academic Institutions). Discuss our increasing role as a provider of distance learning and the potential impacts upon teaching methods.
  3. Outline the necessity for teachers to be cognizant of the material’s purpose and how it is being used as an educational tool or enhancement. Mention that the four small bullets are not all inclusive and will require teachers to validate materials prior to use.
  4. Discuss fundamentally how the Fair Use and the TEACH Act work. Provide an example of each approach.Provide clarity that the choice of using these approaches rests with the educational institution and that it is not mandatory or dictated by law. Allow for questions and answers. Discuss our school’s current policies regarding both approaches.
  5. Provide teachers with copies of the Agreement on Guidelines of Classroom Copying(17 USC 107). Prepare teachers to briefly discuss each of these individually (key guidelines) with the following slides.
  6. Communicate to teachers that the specific requirements are included in their information packet (17 USC 107). Provide brief examples of each point. These examples are also to be included in the packet.
  7. Communicate to teachers that the specific requirements are included in their information packet (17 USC 107).Clearly address the definitions of brevity and spontaneity as defined by the Act. In addition, discuss the cumulative test with specific attention to the prohibitions section as outlined in the Act. Provide time for questions regarding the definitions and the cumulative test. The majority of presentation time will most likely be with this slide. An example of each bullet is to be provided in the teacher information packet.Copyright examples should be included in the information packet for the teachers as a source of reference.
  8. Discuss how not all situations will fall within the guidelines and may be applicable to Fair Use. Teachers are to openly discuss music usage among themselves. After this discussion, solicit a few examples from the teachers of a permitted use of music in a distance learning setting. Further discussion should include the challenges from using music in this setting. School policy and procedures are to be referred to by teachers whenever in doubt. Teachers are to contact their immediate supervisor or human resources if an answer to a concern does not seem apparent within our policy.
  9. This slide will also require a significant amount of time to discuss and compare to our school’s distance learning policies. It will be necessary to stress and maintain focus that we are discussing distance learning activities and not traditional classroom settings. Depending on the conversation and feedback, an additional meeting addressing traditional classroom activities may be required.
  10. The conclusion slide has six important points that require reiteration. Begin the conclusion by reminding the teachers that the Act is an option for our school. Since our school is a non-profit educational institution and that we may meet all the requirements; a review of our policy as applied to the TEACH Act may be warranted. Re-address that distance learning classrooms are the focus of the Act, not traditional face-to-face classrooms. Mention that the Copying and Music guidelines, an internet link to the Fair Use guidelines, are provided in the information packets along with our school policy. Lastly, mention that mentors, supervisors, and human resources are available for any suggestions or questions regarding our school’s distance learning activities.
  11. Specific examples of music clips (crisis):Alan Jackson’s Where Were You When the World Stopped Turning (9/11/11), Rolling Stones Give Me Shelter (Vietnam War), and Crosby, Stills, Nash & Young’s Ohio (1970) Kent State University.