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Singularity University Panel on Open Source 2009-07-28 The Commons as a collective intelligence meta-innovation Mike Linksvayer Creative Commons Photo by asadal · Licensed under  CC Attribution-ShareAlike 2.0  ·  http://flickr.com/photos/68242677@N00/2117153416/
Creative Commons .ORG ,[object Object]
HQ and ccLearn in San Francisco
Science Commons division at MIT
~70 international jurisdiction projects, coordinated from Berlin
Foundation, corporate, and  individual funding
Born at Stanford, supported by Silicon Valley
Enabling Reasonable Copyright ,[object Object]
Legal and technical tools enabling a “Some Rights Reserved” model
Like “free software” or “open source” for content/media ,[object Object]
Media is more diverse and at least a decade(?) behind software
Six Mainstream Licenses
Lawyer Readable
Human Readable
Machine Readable <rdf:RDF xmlns=&quot;http://creativecommons.org/ns#&quot; xmlns:rdf=&quot;http://www.w3.org/1999/02/22-rdf-syntax-ns#&quot;> <License rdf:about=&quot;http://creativecommons.org/licenses/by-nc-sa/3.0/nl/&quot;> <permits rdf:resource=&quot;http://creativecommons.org/ns#Reproduction&quot;/> <permits rdf:resource=&quot;http://creativecommons.org/ns#Distribution&quot;/> <requires rdf:resource=&quot;http://creativecommons.org/ns#Notice&quot;/> <requires rdf:resource=&quot;http://creativecommons.org/ns#Attribution&quot;/> <prohibits rdf:resource=&quot;http://creativecommons.org/ns#CommercialUse&quot;/> <permits rdf:resource=&quot;http://creativecommons.org/ns#DerivativeWorks&quot;/> <requires rdf:resource=&quot;http://creativecommons.org/ns#ShareAlike&quot;/> </License> </rdf:RDF>
Machine Readable (Work) <span xmlns:cc=&quot;http://creativecommons.org/ns#&quot; xmlns:dc=&quot;http://purl.org/dc/elements/1.1/&quot;> <span rel=&quot; dc:type &quot; href=&quot; http://purl.org/dc/dcmitype/Text &quot;  property=&quot; dc:title &quot; > My Book </span> by  <a  rel=&quot; cc:attributionURL &quot; property=&quot; cc:attributionName &quot; href=&quot; http://example.org/me &quot;> My Name </a>  is licensed under a  <a  rel=&quot; license &quot; href=&quot; http://creativecommons.org/licenses/by/3.0/ &quot; >Creative Commons Attribution 3.0 License</a>.  <span  rel=&quot; dc:source &quot; href=&quot; http://example.net/her_book &quot; /> Permissions beyond the scope of this license may be available at <a  rel=&quot; cc:morePermissions &quot; href=&quot; http://example.com/revenue_sharing_agreement &quot;>example.com</a>. </span>
DRMfree “ DRM Voodo” by psd licensed under CC BY 2.0 http://flickr.com/photos/psd/1806247462/
Software/Culture (i) Utilitarian/obvious but narrow reuse vs non-utilitarian but universal reuse possible ,[object Object]
Device driver code in web application = Huh?
Cat photos and heavy metal = music video
Software/Culture (ii) Maintenance necessary vs rare ,[object Object]
“Maintained” cultural work = pretty special
(Wikis are somewhat like software in this respect)
Software/Culture (iii) Roughly all or nothing modifiable form vs varied and degradable forms ,[object Object]
Text w/markup > PDF > Bitmap scan
Multitracks > High bitrate > Low bitrate
Software/Culture (iv) Construction is identical to creating modifiable form vs. iteratively leaving materials on the cutting room floor
Software/Culture (v) Why NoDerivatives and NonCommercial? ,[object Object]
Maybe less emphasis on maintenance means ,[object Object]
Free commercial use more impactful on existing business models
Sofware/Culture (vi) Commercial anticommons ,[object Object]
Maybe some artists  want  a commercial anticommons: nobody can be “exploited” ... but most want to exploit commerce. NC maybe does both.
History (i) Some evocative dates for software ... ,[object Object]
1989: GPLv1
1991: Linux kernel, GPLv2
1993: Debian
1996: Apache
1998: Mozilla, “open source”, IBM
History (ii) ... evocative dates for software ,[object Object]
2004: Firefox 1.0
2007: [AL]GPLv3
????: World Domination
History (iii) Open content licenses (some of them Free): ,[object Object]
1999: Open Publication License
2000: GFDL, Free Art License
2001: EFF Open Audio License
History (iv) Other early 2000s open content licenses (some of them Free): Design Science License, Ethymonics Free Music Public License, Open Music Green/Yellow/Red/Rainbow Licenses,  Open Source Music License, No Type License, Public Library of Science Open Access License, Electrohippie Collective's Ethical Open Documentation License
History (v) Versioning of Creative Commons licenses (some of them Free): ,[object Object]

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Open Source Panel on Collective Intelligence Meta-Innovation

  • 1. Singularity University Panel on Open Source 2009-07-28 The Commons as a collective intelligence meta-innovation Mike Linksvayer Creative Commons Photo by asadal · Licensed under CC Attribution-ShareAlike 2.0 · http://flickr.com/photos/68242677@N00/2117153416/
  • 2.
  • 3. HQ and ccLearn in San Francisco
  • 5. ~70 international jurisdiction projects, coordinated from Berlin
  • 6. Foundation, corporate, and individual funding
  • 7. Born at Stanford, supported by Silicon Valley
  • 8.
  • 9. Legal and technical tools enabling a “Some Rights Reserved” model
  • 10.
  • 11. Media is more diverse and at least a decade(?) behind software
  • 15. Machine Readable <rdf:RDF xmlns=&quot;http://creativecommons.org/ns#&quot; xmlns:rdf=&quot;http://www.w3.org/1999/02/22-rdf-syntax-ns#&quot;> <License rdf:about=&quot;http://creativecommons.org/licenses/by-nc-sa/3.0/nl/&quot;> <permits rdf:resource=&quot;http://creativecommons.org/ns#Reproduction&quot;/> <permits rdf:resource=&quot;http://creativecommons.org/ns#Distribution&quot;/> <requires rdf:resource=&quot;http://creativecommons.org/ns#Notice&quot;/> <requires rdf:resource=&quot;http://creativecommons.org/ns#Attribution&quot;/> <prohibits rdf:resource=&quot;http://creativecommons.org/ns#CommercialUse&quot;/> <permits rdf:resource=&quot;http://creativecommons.org/ns#DerivativeWorks&quot;/> <requires rdf:resource=&quot;http://creativecommons.org/ns#ShareAlike&quot;/> </License> </rdf:RDF>
  • 16. Machine Readable (Work) <span xmlns:cc=&quot;http://creativecommons.org/ns#&quot; xmlns:dc=&quot;http://purl.org/dc/elements/1.1/&quot;> <span rel=&quot; dc:type &quot; href=&quot; http://purl.org/dc/dcmitype/Text &quot; property=&quot; dc:title &quot; > My Book </span> by <a rel=&quot; cc:attributionURL &quot; property=&quot; cc:attributionName &quot; href=&quot; http://example.org/me &quot;> My Name </a> is licensed under a <a rel=&quot; license &quot; href=&quot; http://creativecommons.org/licenses/by/3.0/ &quot; >Creative Commons Attribution 3.0 License</a>. <span rel=&quot; dc:source &quot; href=&quot; http://example.net/her_book &quot; /> Permissions beyond the scope of this license may be available at <a rel=&quot; cc:morePermissions &quot; href=&quot; http://example.com/revenue_sharing_agreement &quot;>example.com</a>. </span>
  • 17. DRMfree “ DRM Voodo” by psd licensed under CC BY 2.0 http://flickr.com/photos/psd/1806247462/
  • 18.
  • 19. Device driver code in web application = Huh?
  • 20. Cat photos and heavy metal = music video
  • 21.
  • 22. “Maintained” cultural work = pretty special
  • 23. (Wikis are somewhat like software in this respect)
  • 24.
  • 25. Text w/markup > PDF > Bitmap scan
  • 26. Multitracks > High bitrate > Low bitrate
  • 27. Software/Culture (iv) Construction is identical to creating modifiable form vs. iteratively leaving materials on the cutting room floor
  • 28.
  • 29.
  • 30. Free commercial use more impactful on existing business models
  • 31.
  • 32. Maybe some artists want a commercial anticommons: nobody can be “exploited” ... but most want to exploit commerce. NC maybe does both.
  • 33.
  • 38. 1998: Mozilla, “open source”, IBM
  • 39.
  • 43.
  • 45. 2000: GFDL, Free Art License
  • 46. 2001: EFF Open Audio License
  • 47. History (iv) Other early 2000s open content licenses (some of them Free): Design Science License, Ethymonics Free Music Public License, Open Music Green/Yellow/Red/Rainbow Licenses, Open Source Music License, No Type License, Public Library of Science Open Access License, Electrohippie Collective's Ethical Open Documentation License
  • 48.
  • 52. History (vi) Anti-proliferation? 2003: author of Open Content/Publication licenses recommends CC instead and PLoS adopts CC BY 2004: EFF OAL 2.0 declares CC BY-SA 2.0 its next version No significant new culture licenses since 2002 2008+: Possible Wikipedia migration to CC BY-SA
  • 53.
  • 54. Wikipedia’s success came faster and more visibly
  • 55. Does Wikipedia even need an Ubuntu (2004)?
  • 56. But how typical is Wikipedia of free culture?
  • 57.
  • 58. Cygnus acquired by Red Hat (1999); Magnatune’s long term impact TBD
  • 59. Magnatune may not be Free enough for some, but it seems like the best analogy for now
  • 60.
  • 61.
  • 62. 2006: Acquired by Internet Brands
  • 63. 2008: First Wikitravel Press paper titles Community is the new “IP”?
  • 64.
  • 65. $750k in two days from limited edition “ultra deluxe edition”
  • 66. This while available legally and easily, gratis.
  • 67. NC doesn’t seem important in this story ... yet
  • 68. Indicators (Summary Guesses) Free culture is at least a decade behind free software Except where it has mass collaboration/maintenance aspects of software, where it may rocket ahead (Wikipedia) Generally culture is much more varied than software; success will be spikey
  • 69. In Innovation, Meta is Max “The max net-impact innovations, by far, have been meta-innovations, i.e., innovations that changed how fast other innovations accumulated.” Robin Hanson (Economist) http://www.overcomingbias.com/2008/06/meta-is-max---i.html
  • 71. Commons Meta innovation for Collective Intelligence?
  • 72. $2.2 trillion Value of fair use in the U.S. Economy http://www.ccianet.org/artmanager/publish/news/First-Ever_Economic_Study_Calculates_Dollar_Value_of.shtml also see http://creativecommons.org/weblog/entry/7643
  • 73.  
  • 74.  
  • 75. Cyber terrorism (Cyber terror war on) Privacy breaches Loss of Generativity Lock-in Surveillance DRM Censorship Suppression of innovation Electoral fraud Luddism
  • 76.
  • 79. Security theater and fear-based responses (driven by all of above, not just legitimate security issues)
  • 80.
  • 81. Permit innovation and participation enabled by digital world even if not possible before (probably follows from above)
  • 82. How building the commons (free software, free culture, and friends) helps
  • 83.
  • 84. Security through obscurity doesn’t work
  • 85. FLOSS encourages a heterogeneous computing environment
  • 86. Free software and free culture both allergic to DRM and other mechanisms that sacrifice security to other goals
  • 87.
  • 88. Free software and free culture both allergic to DRM
  • 89.
  • 90. ... and the ability of all to participate
  • 91. Peer production works against concentrated power — doesn’t require concentrated production structures and lowers barriers to entry
  • 92.
  • 93. Commons work against three previous threats that drive security theater and fear
  • 94. Can the success of the (digital) commons alter how we view freedom and power generally?
  • 95. “The gate that has held the movements for equalization of human beings strictly in a dilemma between ineffectiveness and violence has now been opened. The reason is that we have shifted to a zero marginal cost world. As steel is replaced by software, more and more of the value in society becomes non-rivalrous: it can be held by many without costing anybody more than if it is held by a few.” Eben Moglen
  • 96. “If we don’t want to live in a jungle, we must change our attitudes. We must start sending the message that a good citizen is one who cooperates when appropriate, not one who is successful at taking from others.” Richard Stallman
  • 97. i.e., we can form collective intelligences instead of forced collectives ... and still “change the world”
  • 98.  
  • 99.
  • 100. A dominant commons makes many collective stupidity scenarios much less likely
  • 101. Beneficial collective intelligence needs universal access to culture, educational resources, research ... in machine-readable form
  • 102.
  • 103.