17. Color Filters: Anaglyph Anaglyph (usually red/blue) glasses an early type Separate images in wavelength with notch filters Unpleasant color effect
18. Anaglyph Image Example Apollo17: VIP Site Anaglyph Credit: Gene Cernan, Apollo 17, NASA Anaglyph by Erik van Meijgaarden
19. Color Filters: Comb Filters Comb Filters: lots of notch filters across the visible spectrum Solve the unpleasant colored image effect Can be used with normal white screens (unlike polarizing glasses) Note: This graph is for illustration purposes only. Dolby has offered to send us the true attenuation profile. We will update the slides when we receive it.
20. Optical comb filters Note: This graph is for illustration purposes only. Dolby has offered to send us the true attenuation profile. We will update the slides when we receive it. Interference based optical filter
27. Circular vs. Linear Polarizers Circular allows viewer to rotate head Real-D currently use circular polarizers Linear polarization: Orientation dependant Circular polarization: Independent of orientation
28. Making a Polarizer A linear polarizer is a set of conductors that “short out” the electric field in one direction A circular polarizer is a linear polarizer followed by a quarter wave plate
29. Active Glasses Use electronically controlled spatial light modulators to modify or produce images of a scene Expensive glasses, cheap (or no) accompanyingdisplay Popular for personal viewing
30. LCD Screen Glasses “Simplest” idea: put screens right in front of the eyeOriginal immersive “VR” headgear Optics to make the screens visible Expensive and obscure other vision
31. LCD Shutter Glasses Single LCD “pixel” in front of each eye Synchronize transparent/opaque state with screen updates to deliver correct image to eye Right Image
32. Types of LCD shutters LCD “Normal” anti-parallel configuration Pi Cell, parallel configuration http://www.liquidcrystaltechnologies.com/tech_support/Pi_Cell.html
50. Frames Template Cut out this template (found to scale on website) Will need to print on 11x17 paper Peel back protective coating Cut corrugations out from one side Slide in the shutter
65. Syncing with DVI A horrible hack! Most modern shutter-glasses compatible screens use DVI only at 120Hz Analog method to extract sync pulse from DVI (Digital Video Interface)
66. DVI Sync Extractor Output: “digital” sync pulse Input: one DVI data pin (inter frame porch shown) Simple op-amp comparator followed by a Schmitt Trigger. The bandwidth of the op-amp (TI TLV2462 CP) filters out the high-frequency DVI content.
67. Building DVI Sync Extractor Board fabricated using same method as for shutter glasses Source is provided on course website DVI connectors coupled with ribbon cable Traces would be too small to thread through pins on single sided board Will probably need totweak for your video card
68. DVI Sync Extractor Parts List DiDigikey Parts List: $13.00 May also want DVI cables
69. Putting everything together Choosing the right monitor is important 60Hz monitors with slower crystals/drive circuitry will create too much crosstalk CIMG1565 CIMG1567
70. Putting everything together We use a Viewsonic vx2268wm Not only is refresh rate 120Hz, but LC response time is faster than I can measure with 1000fps camera. CIMG1670 CIMG1671