V Splitgraphic International Graphic Art Biennial 2011 Catalogue of the fifth Splitgraphic which includes exhibited and selected artists and preface to the catalogue by Marina Majic.

3. SPLITGRAPHIC
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4. UZ PETI SPLITGRAPHIC MEĐUNARODNI GRAFIČKI BIJENALE
Peti jubilarni Splitgraphic Međunarodni grafički bijenale održava se ove 2011. godine od listopada do
prosinca dovodeći u Split recentna imena svjetske i domaće grafičke umjetnosti.
Od 2003. godine kada je održan prvi Splitgraphic neprekidno djelujemo predstavljajući međunarodne,
hrvatske i lokalne suvremene grafičare, podržavajući nove i klasične tendecije u grafici, trudeći se prije svega
predstaviti dobru i kvalitetnu grafičku umjetnost.
I u tome smo u proteklih deset godina uspjeli: osim skupnih izložaba Splitgraphica održano je preko deset
samostalnih izložbi grafičkih umjetnika poput Mirka Ilića (2003.), Masahira Fukude (2005.),Vaska Lipovca
(2007.), Dušana Džamonje (2009.), Nevenke Arbanas i Maje Franković (2009.), Miroslava Šuteja (2007.),
Kristine Restović i Ivana Kožarića (2005.), Brite Weglin (2009.), Nikole Skokandića i Janice Wong (2005.).
Jednako tako nagrade na Splitgraphicu tijekom godina dodijeljene su ponajboljim imenina grafičke
umjetnosti poput Vaska Lipovca, Masahira Fukude, Huga Besarda, Yoshia Imamure, Davide Kidd, Basila
C. Franka, Nevenke Arbanas i Maje Franković, Mirjane Vodopije, Janice Wong, Brite Weglin, Hishasija
Kurachija.
Tema ili koncept samih izložbi održanih tijekom Splitgraphica se mijenjao tijekom godina. Koncept ili tema
prvog Splitgraphica 2003. bila je Dioklecijanova palača izabrana kao nastavak splitske grafičke tradicije.
Željeli smo povezati Splitgraphic s grafičkom prošlošću grada i slavnom i utjecajnom knjigom britanca
Roberta Adama koji u osamnaestom stoljeću posvetio knjigu arhitekturi Dioklecijanove palače i prikazao je
na grafikama Charlesa L. Clérisseaua.
Drugi Splitgraphic je uspostavio temu dijaloga kao temeljnu ideju koja se od tada provlači kroz sve izložbe
Splitgraphic bijenala. Tijekom drugog Splitgraphica održan je niz izložbi s konceptom dijaloga među
umjetnicima različitih umjetničkih preokupacija, grafičkih tehnika ili pak generacija: Kristina Restović –
Ivan Kožarić (galerija Konzervatorskog zavoda), Sandra Mateljan – Marko Pogačnik (Etnografski muzej),
Nikola Skokandić – Janice Wong (galerija Konzervatorskog zavoda), skupne izložbe dijalog talijanske i
japanske grafike (Muzej grada Splita) i hrvatskih i američkih fotografa (Fotoklub Split).
Treći Splitgraphic 2007. godine je bio u znaku dijaloga ženskih rukopisa tj. grafičarki čiji su radovi zauzimali
oko dvije trećine skupne izložbe. Na trećem Splitgraphicu je utemeljena i Nagrada za mlade umjetnike.
Proteklih godina smo izlagali, podržavali i nagrađivali mlade i još neafirmirane hrvatske umjetnike što je
jedan od glavnih ciljeva bijenala.1
1 Na trećem Splitgraphicu izložena je grupa autorica-studentica Akademije likovnih umjetnosti u Zagrebu: Martina Beneta, Iva Čurić, Tanja Kos, Petra
Kriletić, Iva Šarić i Maja Pintarić. Petra Kriletić je i dobitnica Nagrade za mladu umjetnicu trećeg Splitgraphic bijenala.
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5. Četvrti Splitgraphic 2009. osmišljen je kao dijalog i sučeljavanje različitih grafičkih tehnika propitivanja
medija grafike u suvremenim umjetničkim tendencijama, te su osim skupne izložbe organizirane i tri
samostalne izložbe (Dijalog Nevenke Arbanas i Maje Franković, izložba Brite Weglin i izložba Dušana
Džamonje). Jedan od vrhunaca Splitgraphica je svakako i retrospektivna izložba grafika i crteža Dušana
Džamonje u Staroj gradskoj vijećnici. Splitgraphic 2009. je ujedno i bio najveći dotada što samo govori o
važnosti manifestacije i razini priznanja koje Splitgraphic bijenale stekao.
Osim dijaloga umjetnika i grafičkih tehnika Splitgraphic je uvijek tražio i dijalog gradskih izložbenih
prostora, jedan je razlog nedostatak vlastitog prostora za djelovanje, a drugi je važnost afirmacije i uspostave
urbanog dijaloga splitskih izložbenih prostora. Postavljanjem izložbi u različite galerijske prostore tijekom
trajanja Splitgraphica uspostavljali smo dijalog i povezanost unutar gradskih struktura “zaposjedajući” ih
grafikama. Tako su se samostalne i skupne izložbe odvijale u: galeriji Konzervatorskog zavoda, Muzeju grada
Splita, Etnografskom muzeju, galeriji Emanuela Vidovića, Staroj gradskoj vijećnici, galeriji Loggia Pučkog
otvorenog učilišta, galeriji Studio Naranča.
Na peti Splitgraphic bijenale se prijavio još veći broj umjetnika, brojimo 205 prijava za skupnu izložbu. Novina
koju smo uveli petim Splitgraphicom jest ONLINE Splitgraphic prijava umjetnika i izložba njihovih radova
na internetskim stranicama Splitgraphica, te mogućnost glasanja za iste radove što je nagrađeno novom
Nagradom Umjetnika – umjetnici i posjetitelji glasuju i određuju dobitnika nagrade. Osim skupne izložbe
u Staroj gradskoj vijećnici na kojoj je izloženo 60 autora koje je odabrao stručni žiri, u sklopu V jubilarnog
Splitgraphica će na samostalnoj izložbi izlagati u Staroj gradskoj vijećnici i Hugo Besard dobitnik Grand prix
nagrade 2009. godine. Značaj broja prijavljenih umjetnika i dolaska u Split jednog od najpoznatijih grafičkih
umjetnika današnjice sa trideset i četiri međunarodne nagrade daje nam priznanje za dosadašnji rad. Ovim
kratkim pregledom povijesti Splitgraphic bijenala želimo potvrditi neosporni značaj manifestcije za kulturni
život grada kao jedinoga međunarodnoga likovnoga događaja u Splitu.
Peti Splitgraphic kreće ove godine s idejom nenametanja kustoske koncepcije grafičkim radovima, već im
daje slobodu da egzistiraju bez upisivanja značenja u prostoru. Poštovali smo suverenitet umjetnika kao
primarnog proizvođača umjetničkog djela. Konceptom bez koncepta i postavom izložbe želimo naglasiti naš
odabir uvijek za dobru grafiku, za kvalitetnu autorsku grafiku i takvu je predstaviti publici. Ne želimo vam
reći što da gledate, što je vidljivo, ne želimo vam stvoriti kontekst, ne želimo definirati nečiju umjetničku
produkciju. Otkrijte to sami, uživajte u dobrim grafikama, peti Splitgraphic bijenale je u dijalogu s vama.
Marina Majić
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6. FIFTH SPLITGRAPHIC INTERNATIONAL GRAPHIC ART BIENNIAL
The fifth jubilee Splitgraphic International Graphic Art Biennial is taking place from October to December
2011. Splitgraphic biennial is showing contemporary international and national graphic artists.
Since 2003, when the first Splitgraphic biennial was organized, we have been continually working on
presenting international, Croatian and local printmakers; supporting new and classical tendencies in graphic
art and above all aiming to exhibit good quality prints.
And we have succeeded in doing so in the last ten years: in addition to group exhibitions Splitgraphic
organized over ten solo-exhibitions of graphic artists such as Mirko Ilić (2003), Masahiro Fukuda (2005),
Vasko Lipovac (2007), Dušan Džamonja (2009), Nevenka Arbanas and Maja Franković (2009), Miroslav
Šutej (2007), Kristina Restović and Ivan Kožarić (2005), Brita Weglin (2009), Nikola Skokandić and Janice
Wong (2005).
The Spligraphic awards were received by the renowned names in graphic art: Vasko Lipovac, Masahiro
Fukuda, Hugo Besard, Yoshio Imamura, Davida Kidd, Basil C. Frank, Nevenka Arbanas and Maja Franković,
Mirjana Vodopija, Janice Wong, Brita Weglin, Hishasi Kurachi.
Idea or concept of the exhibitions during Splitgraphic biennial has changed over the years. The concept of
the first Splitgraphic in 2003 was the Diocletian’s palace that was chosen as a continuation of Split’s graphic
tradition. We wanted to link Splitgraphic biennial with city’s printmaking history and with the famous and
influential book by British architect Robert Adam. He dedicated this book to the architecture of Diocletian’s
palace in the eighteenth century, and published it with the engravings made by Charles L. Clérisseau.
The second Splitgraphic introduced the theme of dialogue as a fundamental idea that has been since then
the underlining thought of all Splitgraphic exhibitions. During second Splitgraphic a series of exhibitions
was organized with the concept of dialogue among artists of different artistic genres, printing techniques
or even generations: Kristina Restović – Ivan Kožarić (Gallery Of Art Conservation Institute), Sandra
Mateljan – Marko Pogačnik (Ethnographic Museum Split), Nikola Skokandić – Janice Wong (Gallery Of
Art Conservation Institute), group exhibitions of Italian and Japanese printmakers (The Split City Museum)
and Croatian and American photographers (Fotoklub Split).
The third Splitgraphic in 2007 was based on an idea of a female printmakers dialogue whose prints made
two-thirds of the group exhibition. The Award for Young Artists was founded during the third Splitgraphic.
Over the past years we have exhibited, supported and awarded young and unknown Croatian artists and
made it one of Splitgraphic’s primary goals.1
1 During the third Splitgraphic the group of artists-students from the Academy of Art in Zagreb was exhibited: Martina Beneta, Iva Čurić, Tanja Kos, Petra
Kriletić, Iva Šarić and Maja Pintarić. Petra Kriletić won the Award for Young Artist of the third Splitgraphic biennial.
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7. The fourth Splitgraphic in 2009 was developed as a dialogue and confrontation of printing techniques
and questioning of graphic media in contemporary artistic tendencies. Apart from the group exhibition
we organized three solo exhibitions (Dialogue Nevenka Arbanas and Maja Franković, exhibition of Brita
Weglin and the exhibition of Dušan Džamonja). The retrospective exhibition of Dušan Džamonja’s prints
and drawings was one of the Splitgraphic’s highest points. Splitgraphic in 2009 was up that moment the
largest one, which signifies the importance of the event and the acclaim Splitgraphic gained.
Splitgraphic encouraged not only a dialogue among artists and printmaking techniques but also a dialogue
of exhibition venues, one of the reasons being that we still lack our own space to work in, and the other
the importance of connecting and establishing dialogue among city’s exhibition spaces. By installing
exhibitions in various galleries during Splitgraphic biennials we created a dialogue and a connection among
city structures “invading” them with graphic art. We had group and solo exhibitions in: Gallery Of Art
Conservation Institute, The City Museum Of Split, Ethnographic Museum, Emanuel Vidović Gallery, Old
City Hall, Gallery Loggia of POUS, gallery Studio Naranča.
Even more artists applied for fifth Splitgraphic, we had 205 applications for the group exhibition. The
new feature of fifth Splitgraphic is the ONLINE part of the biennial and the online print exhibition on
Splitgraphic’s web site. The new Artist’s award is introduced: the award is won by the print with most votes
– artists and visitors of our web site vote for the best work. Sixty artists were chosen and are exhibited on the
group Splitgraphic exhibition in Old City Hall and during November artist Hugo Besard, winner of Grand
Prix 2009, will exhibit his prints in the same venue. The number of artists that have applied and a visit of
one of today’s most renowned graphic artists who has won thirty-four international awards acknowledge
our work so far. With this short history of Splitgraphic biennial we would like to confirm the unquestionable
significance of manifestation for the city’s cultural life as the only international art event in Split.
The fifth Splitgraphic this year promotes the idea of not imposing curatorial concept to graphic artworks,
but is giving them freedom to exist without assigning meaning in space. We have respected the sovereignty
of the artist as the primary producer of work of art. We would like to emphasize our consistent preference for
good printmaking, for quality artistic prints with the concept without concept and the installation and this is
what we would like to present to our audience. We do not want to tell you what to look at, what is visible, we
do not want to create frame and context; we do not want to define someone’s art production. We want you
to discover it yourself, to enjoy graphic art and to have a dialogue with fifth Splitgraphic.
Marina Majić
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8. GRAFIKE SPLITA I GRAFIKA U SPLITU
Grafika kao pratnja tiskanog djela, kao dokumentacija, a zatim i kao zasebno likovno ostvarenje, razvila se
nakon pojave tiska, osobito od šesnaestog stoljeća nadalje. Mogućnošću umnažanja uspješno je zamijenila
unikatne slike i crteže i ubrzo postala popularna, bilo kao pratnja tiskane knjige, bilo kao samostalni otisnuti
list. Nakon ranih drvoreza razvile su se ostale grafičke tehnike, od kojih su bakrorez i bakropis bile u prvim
stoljećima najuobičajenije.
Grafika u Splitu počinje s prvim književnim splitskim, a ujedno i hrvatskim, djelom, s izdanjima Judite
Marka Marulića (1450-1524). U tom spjevu, koji upozorava na tursku opasnost i grafičke su ilustracije borbe
s Turcima pod zidinama grada, u kojemu možemo prepoznati utvrđenja Splita. Potpisane su inicijalom M.
Znajući da je pjesnik i mislioc Marulić bio i slikar, možemo pretpostaviti da je on ujedno bio i prvi splitski,
i hrvatski, grafičar, iako za to nemamo pouzdanih dokaza.
Daljnju istaknutu ulogu prikaza Splita, samoga grada ili s okolicom, nalazimo u grafičkim listovima ili
knjižicama (albumima), bilo zasebnim grada Splita, bilo skupnima, u portolanima šesnaestog i sedamnaestog
stoljeća, tekstovnim i likovnim upustvima brodarima o lukama kojima su plovili, u našem slučaju jadranskima
(G.F. Camutio, V. Coronelli i drugi).
I zasebni grafički listovi su se tada umnažali i širili Europom prikazujući istaknuta povijesna zbivanja, tako
je u svijetu slavljeno osvajanje turskog Klisa 1657. godine.
Koliko je presudna bila uloga grafičkih prikaza u znastvenim i u putopisnim djelima prošlih stoljeća, dokazuju
grafički listovi u monumentalnoj knjizi britanskog arhitekta Roberta Adama o Dioklecijanovoj palači u
Splitu (1764.) ili u reprezentativnoj knjizi J. Lavallea putopisa Dalmacijom, s grafikama Splita rađenima na
temelju velikih akvarela L.F. Cassasa (1802.). Otada grafičke listove Splita i Dioklecijanove palače nalazimo
u brojnim putopisnim i znastvenim izdanjima europskih autora.
U daljnjem razvitku tiskarske tehnike koja uz tekstove omogućava i tiskanje ilustracija, razvija se grafika i
kao zasebna grana slikarstva, u različitim tehnikama, koristeći pogodnost umnažanja likovng djela. I splitski
su se slikari istaknuli, više ili manje, na tom polju. Tako je splitske povijesne ili pučke varoške motive slikar
Anđeo Uvodić umnažao u stotinama primjeraka, pa su se nalazili gotovo u svakom splitskom građanskom
domu.
I brojni inozemni putnici prikazivali su Split, a osobito motive Dioklecijanove palače, u raznim putopisnim
izdanjima ili u zasebnim listovima, naročito u devetnaestom stoljeću.
U minulom međuratnom razdoblju usporedo s izrazito staleškom splitskom Prvomajskom izložbom, u
težnji odabira likovnih vrijednosti osnovan je 1969. Splitski salon, a sa željom šireg kruga sudionika i 1974.
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9. Bijenale suvremene hrvatske grafike, koji se održavao svake druge godine do rata 1992., znatno pridonoseći
kvaliteti likovnog života u Splitu. Međunarodni grafički Biennale Split nastavlja tu tradiciju, proširujući je
na predstavljanje ne samo mjesnih i nacionalnih, nego i međunarodnih umjetnika.
Duško Kečkemet
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10. SPLIT IN GRAPHIC ART AND GRAPHIC ART IN SPLIT
After the appearance of the printing press, especially from the sixteenth century onward, the graphic art
evolved illustrating printed texts and documenting them, while later it became an independent artistic
form.. Thanks to the possibility of multiplification, prints successfully replaced one-off paintings and
drawings and soon became popular, either as a part of printed books or just printed on a paper. After the
first woodcuts other printing techniques developed, copper engraving and etching being the most common
at the beginning.
Printmaking in Split began with the first literary work in Split, and Croatia, with the editions of Judita
(Judith) by Marko Marulić (1450-1524). In this epic, which warns of the threat by the Turks, there are
graphic illustrations of battles with the Turks under the city walls which we recognize as the fortifications
of the city of Split. These illustrations are signed with the initial M. Knowing that the poet and philosopher
Marulić was also a painter, we can assume that he was also the first graphic artist in Split and Croatia,
although we do not have any solid evidence to confirm this.
Further important presentations of Split, the city proper or with the surrounding area, we find in the prints
or booklets (albums) - either separate of the town of Split or overall - dating from the sixteenth and
seventeenth centuries used as textual and visual directions to the mariners that sailed to the ports of the
Adriatic sea (G.F. Camutio, V. Coronelli and others).
At that time separate prints depicting major historical events were also printed and spread throughout
Europe. The seize of the fort of Klis and the defeat of the Turks in 1657 was celebrated all over the world.
The pivotal role of graphic illustrations in the scientific and travel books from the past centuries is proven
both by the prints in the monumental book on Diocletian’s palace in Split by the British architect Robert
Adam (1764) and in the outstanding travelogue through Dalmatia by J. Lavalle, containing prints of Split
based on the magnificent aquarelles by L.F. Cassas (1802). Since that time we find graphic presentations of
Split and Diocletian’s palace in numerous travel and scientific editions by European authors.
In the further development of the printing techniques which made possible the printing of the illustrations
along with the texts, printmaking evolved also as a separate branch of painting, using various techniques
and benefiting from the multiplication of artworks. The painters of Split more or less excelled in that field
as well. Thus, the painter Anđeo Uvodić multiplied in hundreds of copies the historical scenes from Split or
folk motives from Varoš. His prints could be found in almost every middle-class home in Split.
Numerous foreign travellers also depicted Split, particularly the motives of Diocletian’s palace, in various
travel editions or as separate prints, notably in the nineteenth century.
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11. In the period between the two wars, parallel to the existence of the extremely guild oriented annual May
Day exhibition, the exhibition of the Split Salon was founded in 1969 with a view to the selection of valuable
artworks and an increased number of participants. In 1974 the Biennial of Croatian Contemporary
Graphic Art was established and held every two years until the war in 1992, contributing extensively to
the quality of cultural life in Split. The International Graphic Art Biennial Split continues this tradition,
presenting not only local and national artists, but international artists as well.
Duško Kečkemet
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13. SPLITGRAPHIC
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15. SPLITGRAPHIC 2011
program - programme
stara gradska vijećnica - old city hall:
skupna izložba - group exhibition 06. - 30. 10. 2011.
hugo besard, belgija - belgium 02. 11. - 05. 12. 2011.
muzej grada splita - the split city museum:
skupna izložba i grafička radionica - group exhibition
and printmaking workshop
galerija studio naranča - gallery studio naranča:
popratna izložba - accompanying exhibitions
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17. HUGO BESARD, GRAND PRIX 2009.
SPLITGRAPHIC
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18. BIOGRAFIJA HUGO BESARD
Hugo Besard rođen je 24. veljače 1955. godine u Etterbeeku (Bruxelles/Belgija). Od 1995. godine je profesor
grafike na ARTESIS, Akademiji Primjenjenih Umjetnosti Sveučilišta u Antwerpenu.
1984-1995: Profesor grafike na Akademiji Primijenjenih Umjetnosti u Antwerpenu, KASKA
1984-1997: Vladin dužnosnik na Visokom Nacionalnom Institutu Flandrije, NHISK
1979-1982: Laureat Visokog Nacionalnog Instituta u Antwerpenu, NHISK
1974-1979: Školuje se na Kraljevskoj Akademiji Primjenjenih Umjetnosti u Antwerpenu KASKA, odjel
“Slobodne grafike”
Nagrade (izbor)
Hugo Besard je dobitnik 34 nacionalne i međunarodne nagrade:
2011: “1° PREMIO de la 5a Muestra Internacional de Miniprint de Rosario Argentina 2011 / Escuela de Bellas
Artes Universidad Nacional de Rosario”, Rosario (Argentina)
2011: ČETVRTA NAGRADA“The 8th KOCHI International Triennial Exhibition of Prints”, Japan
2010: PRVA NAGRADA “IIe Premio de Grabado Fundación Museo de las Artes del Grabado Atlante”,
Španjolska
2010: “HONORABLE MENTION AWARD 14th International Print Exhibition Taiwan”, Tajvan
2010: “HONORABLE MENTION AWARD 1st Beijing Erotic Exlibris Exhibition”, Kina
2010: “SPECIAL PRIZE 9th Lessedra World Art Annual Mini Print”, Sofia/Bugarska
2009: GRAND PRIX “Međunarodni grafički bijenale Split/Hrvatska”
2008: “FIRST SPECIAL AWARD 1st International Print Biennial-Istanbul”, Turska
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19. Razno
2011: Pozvani umjetnik, “Ino-cho Paper Museum”, Kochi/Japan
2011: Pozvani umjetnik “Civic Museum of Cremona 7th International Engraving Exhibition Cremona ‘L’Arte
e il Torchio / Art and the Printing Press’”, Cremona/ Italija
2010: Gostujući profesor, “National Academy of Arts”, Sofia/Bugarska
2010: Gostujući profesor, “MATRÍZ - Associação de Gravura do Porto/Portugal /Association of Engraving of
Porto”, Porto/Portugal
2010: Službeni povjerenik i selektor, “Advising Committee International Student Triennial Istanbul/Turkey
2010”, Istanbul/Turska
2010: Gostujući umjetnik, “2nd Penang International Print Exhibition Malaysia 2010 / Universiti Sains
Malaysia (USM)”, Malezija
2010: Pozvani umjetnik, “National Taiwan Museum of Fine Arts Taichung” , Tajvan
2010: Pozvani umjetnik, “Graduate School of Printmaking, The College of Fine Arts, National Taiwan University
of Arts Taichung” ,Tajvan
2010: Pozvani umjetnik, “5th Bienal Internacional de Gravura-Douro 2010 - 5th International Printmaking
Biennial of Douro-2010” , Porto/Portugal
Izložbe
Brojne nacionalne i internacionalne izložbe (izbor):
Antwerpen, Bruxelles (Belgija) - Utrecht, Breda (Nizozemska) - New Delhi (Indija) - Prag, Jihlava (Češka
republika) – Bratislava (Slovačka) – Pariz (Francuska) - Jerevan (Armenija) – Alijó, Porto (Portugal) –
Carbunari (Rumunjska) - Budimpešta (Mađarska) - Varna, Sofia (Bugarska) – Kopenhagen (Danska) - Oslo
(Norveška) - Tokyo (Japan) – Przémysl, (Poljska) - San Diego (SAD) - Seoul (Južna Koreja) - Novosibirsk
(Rusija) – Milano, Venecija (Italija) - Istanbul (Turska) - Riveira /A Coruña (Španjolska) - Bangkok (Tajland)
- Guanlan/Shenzhen, Peking (Kina) - Split (Hrvatska) - Bitola, Prilep, Resen, Skopje, Stip (Makedonija)
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20. HUGO BESARD BIOGRAPHY
Hugo Besard was born on February 24, 1955 in Etterbeek (Brussels/BELGIUM). Since 1995 he is professor
of ‘Etching’ at the ARTESIS University College/Academy of Fine Arts Antwerp Belgium.
1984-1995: Professor ‘Etching’ at the Academy of Fine Arts Antwerp Belgium KASKA
1984-1997: Government official Higher National Institute Flanders NHISK
1979-1982: Laureate of the Higher National Institute in Antwerp NHISK
1974-1979: Studies at the Royal Academy of Fine Arts in Antwerp KASKA, section ‘Free Graphics’
Artistic awards (selection)
Hugo Besard won 34 national and international prizes and awards:
2011: “1° PREMIO de la 5a Muestra Internacional de Miniprint de Rosario Argentina 2011 / Escuela de
Bellas Artes Universidad Nacional de Rosario”, Rosario/Argentina
2011: “’FOURTH PRIZE’, “The 8th KOCHI International Triennial Exhibition of Prints JAPAN”
2010: “FIRST PRIZE IIe Premio de Grabado Fundación Museo de las Artes del Grabado Atlante/ España”
2010: “HONORABLE MENTION AWARD 14th International Print Exhibition Taiwan”
2010: “HONORABLE MENTION AWARD 1st Beijing Erotic Exlibris Exhibition/China”
2010: “SPECIAL PRIZE 9th Lessedra World Art Annual Mini Print Sofia/Bulgaria”
2009: “GRAND PRIX International Graphic Art Biennial Split/Croatia”
2008: “FIRST SPECIAL AWARD 1st International Print Biennial-Istanbul/Turkey”
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21. Miscellaneous
2011: “Invited artist Ino-cho Paper Museum Kochi Japan”
2011: “Invited artist Civic Museum of Cremona 7th International Engraving Exhibition Cremona ‘L’Arte e il
Torchio / Art and the Printing Press’, Cremona/Italy”
2010: Visiting Professor “National Academy of Arts Sofia Bulgaria”
2010: Visiting Professor “MATRÍZ - Associação de Gravura do Porto/Portugal /Association of Engraving of
Porto/Portugal”
2010: Official Cultural Commissioner & External Authority “Advising Committee International Student
Triennial Istanbul/Turkey 2010”
2010: “Guest artist exhibition 2nd Penang International Print Exhibition Malaysia 2010 / Universiti Sains
Malaysia (USM)”
2010: Invited artist “National Taiwan Museum of Fine Arts Taichung/Taiwan”
2010: Invited artist “Graduate School of Printmaking, The College of Fine Arts, National Taiwan University
of Arts Taichung/Taiwan”
2010: Invited artist “5th Bienal Internacional de Gravura-Douro 2010 - 5th International Printmaking
Biennial of Douro-2010”, Porto/Portugal
Exhibitions
Numerous national and international exhibitions (selection):
Antwerp, Brussels (Belgium) Utrecht, Breda (The Netherlands) - New Delhi (India) - Prague, Jihlava (Czech
Republic) – Bratislava (Slovakia) – Paris (France) - Jerevan (Armenia) – Alijó, Porto (Portugal) – Carbunari
(Romania) - Budapest (Hungary) - Varna, Sofia (Bulgaria) – Kopenhagen (Denmark) - Oslo (Norway)
- Tokyo (Japan) – Przémysl, (Poland) - San Diego (USA)- Seoul (South-Korea) - Novosibirsk (Russia) –
Milano, Venice (Italy) - Istanbul (Turkey) - Riveira /A Coruña (Spain) - Bangkok (Thailand) - Guanlan/
Shenzhen, Beijing (China) - Split (Croatia) - Bitola, Prilep, Resen, Skopje, Stip (Macedonia)
21

22. GRAFIČKI SVIJET HUGA BESARDA
Hugo Besard virtuozno urezuje magiju svjetova koji absorbiraju promatrača dajući mu komadić vječne mistične
snage skrivene iza svega stvorenoga.
Njegove grafike su oda poeziji nedodirljivoga.
Oda prirodi rođenoj od zvijezda.
Oda ciklusu života i smrti.
Njegova umjetnost je bajka u kojoj se možeš izgubiti.
Bajke koje te bude šaptom,
Urlikom vuka,
Pljuskom potoka.
Hugo Besard daje glas prirodi, koju su ušutkali beton i ravnodušnost.
(Jeroen Perceval, glumac, pjesnik, glazbenik)
To nije priroda sama po sebi, već mistična
Sila iza nje, Eros, ljubav spram života, koja
Navodi Huga Besarda, da slijedi i istražuje
Složeni svijet između tišine prije rođenja i tišine nakon smrti.
Sa virtuoznošću on urezuje svijet u metaforične i alegorijske izraze.
Flora i fauna koje su zaposjele njegove grafike kazuju blistavu priču života i smrti,
Muževnosti i ženstvenosti, plodnosti i jalovosti, radosti i boli, straha i sigurnosti.
(Jan van Pelt, pisac)
Umjetnost Huga Besarda obuhvaća zemlju i čitavi živi svijet na ovoj planeti.
Njegov umjetnički talent također izražava bijes zbog patnje našeg planeta, srdžbu koja je bolno svijesna svoje
nemoći, jer mi, ljudska bića, nanosimo sami sebi štetu.
Grafičar Hugo Besard stavlja svoje tehničko umijeće na raspolaganje ekološkoj poruci za koju se zalaže:
poštedite zemlju, poštujte prirodu i njene stanovnike kao svete i nezamjenjive.
(Frans Boenders, Kraljevska Flamanska Akademija Znanosti i Umjetnosti, Belgija)
22

23. HUGO BESARD’s GRAPHIC WORLD
Hugo Besard carves with virtuosity magic worlds that absorb the onlooker
give him a taste of the eternal mystical power that hides beyond all created things.
His etchings are an ode to the poetry of the untouched.
An ode to nature born out of stars.
An ode to the cycle of life and death.
His work is a fairy-tale in which you can get lost.
Fairy-tales that awake you with a whisper,
By the howling of a wolf,
By the splashing of a stream.
Hugo Besard gives a voice to nature, gagged into silence by concrete and indifference.
(Jeroen Perceval, actor, writer, poet, musician)
It is not nature itself, but the mysterious
Force behind it, Eros, the love for life, that
Drives Hugo Besard to trace and to explore
The complex world between the silence before birth and the silence after death.
With virtuosity he carves the world into metaphoric and allegorical expressions.
The fauna and flora occupying his etchings tell the sparkling story of life and death,
Virility and feminity, fertility and aridity, joy and pain, fear and security.
(Jan van Pelt, writer)
Hugo Besard’s art embraces the earth and the whole living world on this planet.
His artistic talent also expresses rage for the suffering of our planet, a fury which is painfully conscious of its
impotence, because we, as human beings, damage ourselves.
The graphic artist Besard puts his technical performance at the disposal of the ecological message he propagates:
spare the earth, respect the environment and its inhabitants as sacred and irreplaceable.
(Frans Boenders, Royal Flemish Academy for Science and Art, Belgium)
23

24. hugo besard
24

25. hugo besard - belgija / belgium
“El Niño...la Niña... klimatske promjene i suze Majke Zemlje”
“El Niño...la Niña...the climatic change and the tears of Mother Earth”
Bakropis, reljefni tisak/Etching, blind printing
65 x 95 cm
25

26. “Voće strasti”/”Passion fruit”
Bakropis/Etching
65 x 95 cm
26

27. “Stabat Mater...Terra dolorosa...”
Bakropis, reljefni tisak/Etching, blind printing
65 x 95 cm
27

28. “Kula babilonska i glasnik mira...”
“The Tower of Babel and the messenger of peace...”
Bakropis/Etching
65 x 95 cm
28

29. “Izgubljeni raj...”
“Lost paradise...”
Bakropis/Etching
65 x 95 cm
29

30. “Zemaljski raj u opasnosti...”
“Earth’s paradise in danger...”
Bakropis/Etching
19 x 40 cm
30

31. Sudionici V Splitgraphica 2011
Participating artists V Splitgraphic 2011
5

32. 1.
2.
3.
4.
5.
6.
7.
8.
9.
10.
11.
12.
13.
14.
15.
16.
17.
18.
19.
20.
21.
22.
23.
24.
25.
26.
27.
28.
29.
30.
31.
32.
33.
34.
35.
SOFIA ALEXIOU, Greece/Grčka
PEETER ALLIK, Estonia
HELLE MEJER ANTONSEN, Denmark/Danska
WILLIAM A., Brasil/Brazil
NEVENKA ARBANAS, Croatia/Hrvatska
MARGARET ASHMAN, United Kingdom/Ujedinjeno Kraljevstvo
PETRA BALEKIĆ, Croatia/Hrvatska
SABINA BEGOVIĆ, Croatia/Hrvatska
JASMINA BOGDANOVIĆ, Croatia/Hrvatska
BENJAMIN BROCKMAN, USA/SAD
PRZEMYSŁAW BUKOWSKI, Poland/Poljska
INHEE BANG, South Korea/Južna Korea
EDWARD BATEMAN, USA/SAD
HUGO BESARD, Belgium/Belgija
MELANIE BÖHM, Austria/Austrija
ANDREA BRYAN, Germany/Njemačka
KAREN BRUSSAT BUTLER, USA/SAD
MARIE BUKOWSKI, USA/SAD
TANATORN BURANASINLAPIN, Thailand/Tajland
ZENON BURDY, Canada/Kanada
ANKA BURIĆ, Montenegro/Crna Gora
LAURA CALLONI, Italy/Italija
CHRISTOPHER CANNON, USA/SAD
ADRIANO CASTRO, Brasil/Brazil
CHIA YU CHANG, Taiwan/Tajvan
EVA CHOUNG-FUX, Spain/Španjolska
MOJTABA DARVISHI COHAN, Iran
JOHN CORBETT, USA/SAD
BRIAR CRAIG, Canada/Kanada
KATARZYNA CYGANIK, Poland/Poljska
VLATKO ČERIĆ, Croatia/Hrvatska
MATEUSZ DABROWSKI, Poland/Poljska
YASMINE DANIELLI, Italy/Italija
ANDREW DeCAEN, USA/SAD
ROGER DEWINT, Belgium/Belgija
32

33. 36.
37.
38.
39.
40.
41.
42.
43.
44.
45.
46.
47.
48.
49.
50.
51.
52.
53.
54.
55.
56.
57.
58.
59.
60.
61.
62.
63.
64.
65.
66.
67.
68.
69.
70.
JUSTIN DIGGLE, USA/SAD
DARIJA DOLANSKI MAJDAK, Croatia/Hrvatska
ANGELA DUCLOS, Canada/Kanada
KRUNOSLAV DUNDOVIĆ, Croatia/Hrvatska
CATHERINE DURAN McKINSTER, Mexico/Meksiko
MARTA DZIOMDZIORA, Poland/Poljska
MANFRED EGGER, Austria/Austrija
SUSUMU ENDO, Japan
SUZANA FANTANARIU, Romania/Rumunjska
BRIGIT FIEDLER, Austria/Austrija
JENNY FREESTONE, USA/SAD
MALCOM FRANKLIN, United Kingdom/Ujedinjeno Kraljevstvo
BASIL COLIN FRANK, Israel/Izrael
MASAHIRO FUKUDA, Japan
KEIKO FUKUDA, Japan
YOSHIKO FUJITA, Japan
LAETITIA GABA, Germany/Njemačka
ADMIR GANIĆ, Bosnia and Herzegovina/Bosna i Hercegovina
IVANA GAGIĆ-KIČINBAČI, Croatia/Hrvatska
COLIN GILLESPIE, United Kingdom/Ujedinjeno Kraljevstvo
MARIA GIANNAKOPOULOU, Greece/Grčka
BRANKA GRIZELJ, Sweden/Švedska
KARIN GRENC, Croatia/Hrvatska
LOUISE GROSE, France/Francuska
DIETER GRUND, Canada/Kanada
KLASJA HABJAN, Croatia/Hrvatska
GUDRUN HAEMAGI, Estonia/Estonija
NEDA DANA HAERI, United Kingdom/Ujedinjeno Kraljevstvo
TUOMAS HALLIVUO, Finland/Finska
IRFAN HANDŽUKIĆ, Bosnia and Herzegovina/Bosna i Hercegovina
SANJA HAMM, Croatia/Hrvatska
YOKO HARA, Japan
JEANNE HENDRIKSE-ZWIETERING, The Netherlands/Nizozemska
MARIA HEED, Sweden/Švedska
MARGARETA HELLMAN, Sweden/Švedska
33

34. 71. RAYMOND HIGGS, United Kingdom/Ujedinjeno Kraljevstvo
72. WUON-GEAN HO, United Kingdom/Ujedinjeno Kraljevstvo
73. ELEANORA HOFER, South Africa/Južna Afrika
74. MICHIKO HOSHINO, Japan
75. ANA HRĆAN, Croatia/Hrvatska
76. ELVA HREIÐARSOTTIR, Iceland/Island
77. IZABELA HREN, Slovenia/Slovenija
78. HEATHER HUSTON, Canada/Kanada
79. AYA IMAMURA, Japan
80. ROKO IVANDA, Croatia/Hrvatska
81. INA IVANDIĆ, Croatia/Hrvatska
82. TIBOR JAEGER, Sweden/Švedska
83. JOANNA JANOWSKA-AUGUSTIN, Poland/Poljska
84. EWA TOKER-JAWERBAUM, Argentina
85. ANJA JELASKA, Croatia/Hrvatska
86. FREDERICK JONES, United Kingdom/Ujedinjeno Kraljevstvo
87. VANJA JOVIĆ, Croatia/Hrvatska
88. JÓZSEF KÁNTOR, Hungary/Mađarska
89. MASAHIRO KASAI, Japan
90. SEIKO KAWACHI, Japan
91. DALIBOR KAZIJA, Croatia/Hrvatska
92. ANAMARIJA KEČKEMET, Croatia/Hrvatska
93. LENA KELEKIAN, Lebanon/Libanon
94. MIRNA OŠTARIĆ KERR, Croatia/Hrvatska
95. RALPH KIGGEL, Thailand/Tajland
96. NILGÜN KILINÇASLAN, Turkey/Turska
97. HYUN-JIN KIM, Taiwan/Tajvan
98. HIDEKI KIMURA, Japan
99. MAJA KIROVSKA, Macedonia/Makedonija
100. TOSHIMI KITANO, Japan
101. NIKOLINA KNEŽEVIĆ, Croatia/Hrvatska
102. ISAO KOBAYASHI, Japan
103. ANA KOLLA, Poland/Poljska
104. ARIA KOMIANOU, Greece/Grčka
105. IGOR KONJUŠAK, Croatia/Hrvatska
34

35. 106.
107.
108.
109.
110.
111.
112.
113.
114.
115.
116.
117.
118.
119.
120.
121.
122.
123.
124.
125.
126.
127.
128.
129.
130.
131.
132.
133.
134.
135.
136.
137.
138.
139.
140.
NORIAKI KONDOH, Japan
MELINDA KOSTELAC, Croatia/Hrvatska
ANTONI KOWALSKI, Poland/Poljska
RENATE KRAMMER, Austria/Austrija
PETRA KRILETIĆ, Croatia/Hrvatska
DRAGANA KRUŽIĆ, Croatia/Hrvatska
WOJCIECH KUBRAKIEWICZ, Poland/Poljska
TOMASZ KUKAWSKI, Poland/Poljska
IRENA LAGATOR, Montenegro/Crna Gora
INGRID LEDENT, Belgium/Belgija
CLAIRE LEMAY, Canada/Kanada
BASIA LIPSKA, Norway/Norveška
ARIANNA LOSCIALPO, Italy/Italija
STEPHEN LOVETT, New Zealand/Novi Zeland
BEATRIZ MAHAN, Spain/Španjolska
GRETE MARSTEIN, Norway/Norveška
DAN McCORMACK, USA/SAD
BOGDAN MIGA, Poland/Poljska
TINA MOHOROVIĆ, Slovenia/Slovenija
STEPHEN MUMBERSON, United Kingdom/Ujedinjeno Kraljevstvo
IOANNIS MONOGYIOS, Greece/Grčka
KANSUKE MARIOKA, Japan
THOMAS NAWROCKI, USA/SAD
JASMINA NEDANOVSKI, Croatia/Hrvatska
JADRANKA NJEGOVAN, The Netherlands/Nizozemska
MARIA ALICIA ZAMORA NOGUERA, Nicaragua/Nikaragva
NIKOLINA NOVOSEL, Croatia/Hrvatska
MARIE OKADA, Japan
GLORIA OREB, Croatia/Hrvatska
EMINE ÖZDEMIR, Turkey/Turska
YUKIKO OYAMA, Japan
ANETTE O. CASPELLER, Denmark/Danska
SAVITRI PAL SALVE, India/Indija
ELŻBIETA PIETRUCZUK, Poland/Poljska
JERZY PIETRUCZUK, Poland/Poljska
35

36. 141.
142.
143.
144.
145.
146.
147.
148.
149.
150.
151.
152.
153.
154.
155.
156.
157.
158.
159.
160.
161.
162.
163.
164.
165.
166.
167.
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169.
170.
171.
172.
173.
174.
175.
MAJA PINTARIĆ, Croatia/Hrvatska
MAGDALENA PIOTROWSKA, Poland/Poljska
MALGORZATA PORAJ, Poland/Poljska
JOUKO PULLINEN, Finland/Finska
CARRIE ANN PLANK, USA/SAD
DAJANA RADOŠ, Croatia/Hrvatska
KATYA RAEVSKAYA, Russia/Rusija
KRISTINA RESTOVIĆ, Croatia/Hrvatska
LINA RICA, Croatia/Hrvatska
SREĆKO RIJETKOVIĆ, Sweden/Švedska
MARIJA KOKEZA-ROGINIĆ, Croatia/Hrvatska
NATALIA ROMANIUK, Poland/Poljska
ANA SADOWSKA, Poland/Poljska
DAVID SARASA RENEDO, Spain/Španjolska
SADAO SAKURAI, Japan
RYO SAITOH, Japan
ADRIANA SALAZAR LAMADRID, Mexico/Meksiko
AGIM SALIHU, Kosovo
YUGANTI SHIRODKAR, SAD/USA
CINLA SEKER, Turkey/Turska
HANNE SIE, Denmark/Danska
GISKE SIGMUNDSTAD, Norway/Norveška
NOMI SILVERMAN, USA/SAD
SUNČANA SIMICHEN, Croatia/Hrvatska
AMARYLLIS SINIOSSOGLOU, Greece/Grčka
NIKOLA SKOKANDIĆ, Croatia/Hrvatska
SYLWIA SOLAK, Poland/Poljska
MARGOT SPLANE, Canada/Kanada
MARINA STANČEV, Croatia/Hrvatska
WERNER STEMANS, France/Francuska
RANDI STRAND, Norway/Norveška
EWELINA SZYDELKO, Poland/Poljska
IVA ŠARIĆ, Croatia/Hrvatska
DANIELA ŠUŠAK, Croatia/Hrvatska
KUDO TADATAKA, Japan
36

37. 176.
177.
178.
179.
180.
181.
182.
183.
184.
185.
186.
187.
188.
189.
190.
191.
192.
193.
194.
195.
196.
197.
198.
199.
200.
201.
202.
203.
204.
205.
LIHIE TALMOR, Israel/Izrael
NESE AKGÜNDÜZ TEKIN, Turkey/Turska
PAUL TIILILÄ, Finland/Finska
MARIJA TOMAZ, Croatia/Hrvatska
SLOBODAN TOMIĆ, Croatia/Hrvatska
TERRY TRICKET, United Kingdom/Ujedinjeno Kraljevstvo
HERMAN TUGARINOV, Russia/Rusija
MASAHIRO TSUBOTA, Japan
KATA UNGVARI-ZRINYI, Romania/Rumunjska
ANJA VIDAKOVIĆ, Croatia/Hrvatska
ANA VIVODA, Croatia/Hrvatska
MARIO VRANDEČIĆ, Croatia/Hrvatska
LADA VLAINIĆ, Croatia/Hrvatska
LACIA VOGEL, Canada/Kanada
MIA VUČIĆ, Croatia/Hrvatska
MARTIN WARE, France/Francuska
BRITA WEGLIN, Sweden/Švedska
LAURA WIDMER, Canada/Kanada
CLEO WILKINSON, Australia/Australija
JUDY WOODBORNE, South Africa/Južna Afrika
KATY WOODROOFE, Australia/Australija
JOSEE WUYTS and/i FRANS DE GROOT, The Netherlands/Nizozemska
SANDRA ZARTH, Germany/Njemačka
MARIA ZAVITSANOU, Greece/Grčka
BARBARA EVA CATHERINA ZAVODNIK, Slovenia/Slovenija
PIOTR ŻACZEK, Poland/Poljska
MAJA ZEMUNIK-MUŽINIĆ, Croatia/Hrvatska
IRIS XILAS XANALATOS, Greece/Grčka
MELDA ONCU YILDIZ, Turkey/Turska
YONAS MELESA YONAS, Ethiopia/Etiopija
37

38. žiri / the jury
Nikola Skokandić, profesor škola Likovnih umjetnosti Split/ Professor School Of Art Split
Edvin Dragičević, izvaredni profesor UMAS Split/Professor Art Academy Split
Slobodan Tomić, docent UMAS Split/Assisant professor Art Academy Split
Marina Majić, povjesničarka umjetnosti/art historian
Brita Weglin, umjetnik/artist
Christian Legentil, umjetnik/artist
38

39. Pozvani autori V Splitgraphic
Invited artists V Splitgraphic
5

41. NEVENKA ARBANAS, Croatia/Hrvatska
BASIL C. FRANK, Israel/Izrael
MASAHIRO FUKUDA, Japan
EDVIN DRAGIČEVIĆ, Croatia/Hrvatska
PETRA KRILETIĆ, Croatia/Hrvatska
MAJA PINTARIĆ, Croatia/Hrvatska
KRISTINA RESTOVIĆ, Croatia/Hrvatska
NIKOLA SKOKANDIĆ, Croatia/Hrvatska
IVA ŠARIĆ, Croatia/Hrvatska
SLOBODAN TOMIĆ, Croatia/Hrvatska
MIA VUČIĆ, Croatia/Hrvatska
BRITA WEGLIN, Sweden/Švedska
41

43. Odabir žirija V Splitgraphic 2011
Jury Selection V Splitgraphic 2011
5

44. MARGARET ASHMAN, United Kingdom/Ujedinjeno Kraljevstvo
INHEE BANG, South Korea/Južna Korea
JASNA BOGDANOVIĆ, Croatia/Hrvatska
MARIE BUKOWSKI, USA/SAD
LAURA CALLONI, Italy/Italija
VLATKO ČERIĆ, Croatia/Hrvatska
ANGELA DUCLOS, Canada/Kanada
MARTA DZIOMDZIORA, Poland/Poljska
MANFRED EGGER, Austria/Austrija
KEIKO FUKUDA, Japan
IVANA GAGIĆ-KIČINBAČI, Croatia/Hrvatska
SANJA HAMM, Croatia/Hrvatska
MARIA HEED, Sweden/Švedska
WUON-GEAN HO, United Kingdom/Ujedinjeno Kraljevstvo
IZABELA HREN, Slovenia/Slovenija
HEATHER HUSTON, Canada/Kanada
AYA IMAMURA, Japan
JOANNA JANOWSKA-AUGUSTIN, Poland/Poljska
ANJA JELASKA, Croatia/Hrvatska
MASAHIRO KASAI, Japan
DALIBOR KAZIJA, Croatia/Hrvatska
MAJA KIROVSKA, Macedonia/Makedonija
TOSHIMI KITANO, Japan
MARIJA KOKEZA-ROGINIĆ, Croatia/Hrvatska
IGOR KONJUŠAK, Croatia/Hrvatska
44

45. NIKOLINA KNEŽEVIĆ, Croatia/Hrvatska
WOJCIECH KUBRAKIEWICZ, Poland/Poljska
INGRID LEDENT, Belgium/Belgija
ARIANNA LOSCIALPO, Italy/Italija
BOGDAN MIGA, Poljska/Poland
MARIE OKADA, Japan
GLORIA OREB, Croatia/Hrvatska
MAGDALENA PIOTROWSKA, Poland/Poljska
LINA RICA, Croatia/Hrvatska
NATALIA ROMANIUK, Poland/Poljska
AGIM SALIHU, Kosovo
MARINA STANČEV, Croatia/Hrvatska
EWELINA SZYDELKO, Poland/Poljska
DANIELA ŠUŠAK, Croatia/Hrvatska
KUDO TADATAKA, Japan
MARIJA TOMAZ, Croatia/Hrvatska
MASAHIKO TSUBOTA, Japan
ANJA VIDAKOVIĆ, Croatia/Hrvatska
ANA VIVODA, Croatia/Hrvatska
LAURA WIDMER, Canada/Kanada
CLEO WILKINSON, Australia/Australija
JOSEE WUYTS and/i FRANS DE GROOT, The Netherlands/Nizozemska
BARBARA EVA CATHERINA ZAVODNIK, Slovenia/Slovenija
MAJA ZEMUNIK-MUŽINIĆ, Croatia/Hrvatska
45

46. Cleo Wilkinson
Australija / Australia
“Isčekivanje”/“Abeyance”
Mezzotinta/Mezzotint print
30x30 cm
46

47. Manfred Egger
Austrija / Austria
“Zvjezdana noć I”/“Starnight I“
Drvorez/Woodblock print
50x63,5 cm
47

48. Grand prix
Ingrid Ledent
Belgija / Belgium
“Svjetovnost I”/“Temporality I”
Litografija, računalni otisak/Litography, computer print
100x125 cm
48

49. Ingrid Ledent
Belgija / Belgium
“Svjetovnost II”/ “Temporality II”
Litografija, računalni otisak/Litography, computer print
100x125 cm
49

50. Ingrid Ledent
Belgija / Belgium
“Svjetovnost III”/ “Temporality III”
Litografija, računalni otisak/Litography, computer print
76x120 cm
50

51. Pozvani autor/Invited artist
Nevenka Arbanas
Hrvatska / Croatia
“Dugi crni kvadrat (Grafika IX)”, detalj / “Long Black Square (Print IX)”, detail
Bakropis, akvatinta, linorez/ Etching, aquatint, linocut
237x47 cm
51

52. Jasna Bogdanović
Hrvatska / Croatia
“Sveprisutnost mijene”/ “ The Omnipresent Change”
Inkjet na papiru/Inkjet On Paper
78x140 cm
52

53. Vlatko Čerić
Hrvatska / Croatia
“Cantabile 7”
Digitalni arhivski tisak na papiru/Digital archive print on paper
70x70 cm
53

54. Pozvani autor/Invited artist
Edvin Dragičević
Hrvatska / Croatia
“Prekrasan prizor I“/ “Wonderful sight I”
Bakropis/Etching
100x70 cm
54

55. Ivana Gagić-Kičinbači
Hrvatska / Croatia
“IGK-1”
Drvorez/Woodcut
115x50 cm
55

56. Sanja Hamm
Hrvatska / Croatia
“A...”
Kombinirana tehnika (bakropis, meki vosak)/ Mixed media (etching, soft wax)
70x100 cm
56

57. Anja Jelaska
Hrvatska / Croatia
“Kitokuće-Gordon splitting”/ “Gordon Splitting”
Sitotisak/Silkscreen
50x70 cm
57

58. Dalibor Kazija
Hrvatska / Croatia
”Unutrašnji”/“Inner”
Bakropis/Etching
50x29,5 cm
58

59. Marija Kokeza-Roginić
Hrvatska / Croatia
“Metamorfoze”/“Metamorphosis”
Akvatinta/Aquatint
100x153 cm
59

60. Igor Konjušak
Hrvatska / Croatia
“Mete 2”/ “Targets 2”
Suha igla/Dry point
49x93 cm
60

61. Nikolina Knežević
Hrvatska / Croatia
“Aurora Borealis”
Bakropis, suha igla/ Etching, dry point
70x70 cm
61

62. Pozvani autor/Invited artist
Petra Kriletić
Hrvatska / Croatia
“System #2”
Sitotisak, pleksiglas/ Silkscreen, plexiglass
70x100 cm
62

63. Gloria Oreb
Hrvatska / Croatia
“Zapis iz radionice 6”/“ Notes From The Workshop 6”
Suha igla/Dry point
25x28 cm
63

64. Nagrada za inventivnost u grafici / Award For Inventiveness In Graphic Art
Pozvani autor/Invited artist
Maja Pintarić
Hrvatska / Croatia
“Tajni život kocke”/ “ The Secret Life Of Cube”
Kombinirana tehnika/Mixed media
6 grafičkih listova 35,3x50 cm i 1 kocka promjenjivih dimenzija/6 prints 35,3x50 and 1 cube of changeable size
64

65. Pozvani autor/Invited artist
Kristina Restović
Hrvatska / Croatia
“Torba za otok”/ “Island luggage”
Duboki tisak/Intaglio
70x50 cm
65

66. Lina Rica
Hrvatska / Croatia
“Zlatica 01”
Slijepi tisak/Blind printing
30x40 cm
66

67. Pozvani autor/Invited artist
Nikola Skokandić
Hrvatska / Croatia
Bakropis, aquatinta/Etching, aquatint
67

68. Marina Stančev
Hrvatska / Croatia
“Šokački duhovi”/ “Folk Spirit”
Sitotisak/ Silkscreen
50x70 cm
68

69. Pozvani autor/Invited artist
Iva Šarić
Hrvatska / Croatia
“Bez Naziva”/“Untitled”
Linorez/Linocut
200x200 cm
69

70. Daniela Šušak
Hrvatska / Croatia
“Tekstura 2”/“Texture 2”
Animirana grafika
70

71. Marija Tomaz
Hrvatska / Croatia
“Bez Naziva”/“Untitled”
Kombinirana tehnika/Mixed media
70,5x 99,4 cm
71

72. Pozvani autor/Invited artist
Slobodan Tomić
Hrvatska / Croatia
“Ambijentalne grafike” / “Ambient prints”
72

73. Anja Vidaković
Hrvatska / Croatia
“0-1, 4, 6, 15”
Bakropis/Etching
50x70 cm
73

74. Ana Vivoda
Hrvatska / Croatia
“Tragovi I”/“Traces I”
Suha igla, linorez/ Dry point, linocut
96x66 cm
74

75. Nagrada za mladu umjetnicu / Young Artist Award
Pozvani autor/Invited artist
Mia Vučić
Hrvatska / Croatia
“Čekanje”/“Waiting”
Akvatinta, računalna grafika/Aquatint, computer print
70x100 cm
75

76. Maja Zemunik-Mužinić
Hrvatska / Croatia
“Bez naziva”/ “Untitled”
Kombinirana tehnika/Mixed media
59x92 cm
76

77. Pozvani autor/Invited artist
Basil C. Frank
Izrael / Israel
“Bliski susreti treće vrste”/“Close Encounters Of A Third Kind”
Inkjet digitalni otisak/Inkjet digital print
110x110 cm
77

78. Laura Calloni
Italija / Italy
“Kuhinja”/ “Kitchen”
Bakropis na cinku/Etching on zinc
23,5x18 cm
78

79. Arianna Loscialpo
Italija / Italy
“Conti”
Suha igla/Dry point
39,5x29,5 cm
79

80. Keiko Fukuda
Japan
“Boschism (1)”
Sitotisak/Silkscreen
65x84 cm
80

81. Nagrada za doprinos grafičkoj umjetnosti / Award For Promoting Graphic Art
Pozvani autor/Invited artist
Masahiro Fukuda
Japan
“U Rovinju igra skrivača” /“In Rovinj Hide And Seek”
Sitotisak/Silkscreen
56x80 cm
81

82. Nagrada za doprinos grafičkoj umjetnosti / Award For Promoting Graphic Art
Pozvani autor/Invited artist
Masahiro Fukuda
Japan
“Moć očiju”/“Power of Eyes”
Sitotisak/Silkscreen
80x56 cm
82

83. Nagrada za doprinos grafičkoj umjetnosti / Award For Promoting Graphic Art
Pozvani autor/Invited artist
Masahiro Fukuda
Japan
“Love Relation – Split (VI)”
Sitotisak/Silkscreen
56x80 cm
83

84. Aya Imamura
Japan
“Scopophilia”
Sitotisak na Yupo papiru/ Silkscreen on Yupo-paper
79x55x5
84

85. Posebna nagrada / Special Award
Masahiro Kasai
Japan
“Okus Istanbula”/“L’arome D’Istanbul (III)”
Sitotisak/Silkscreen
55x80 cm
85

86. Toshimi Kitano
Japan
“Prizor-0630”/“Scene-0630”
Bakropis, aquatinta, kolagrafija/Etching, aquatint, collagraph
45x30 cm
86

87. Marie Okada
Japan
“Kad vjetar puše”/“When The Wind Blows”
Bakropis, kolaž/Etching, collage
49,5x38,5 cm
87

88. Kudo Tadataka
Japan
“Timeo-11”
Drvorez, kombinirana tehnika/ Woodcut, mixed media
70x50 cm
88

89. Masahiko Tsubota
Japan
“Granica boje točka A”/“Color Border Dot-A”
Litografija/Lithography
57x73 cm
89

90. Inhee Bang
Južna Koreja / South Korea
“Autoportret”/“Self-portrait”,
Digitalni otisak/Digital print
110x170 cm
90

91. Angela Duclos
Kanada / Canada
“Bez naziva”/“Untitled”
UV sitotisak/UV Screenprint
63x76cm
91

92. Heather Huston
Kanada / Canada
“Dan ne može biti poput noći”/ “The Day Can’t Be Like The Night”
Litografija, sitotisak/Lithography, silkscreen
55x76 cm
92

93. Laura Widmer
Kanada / Canada
“Phansie Knahnsie”
Linorez, reljefni tisak/Linocut, relief print
91x61 cm
93

94. Agim Salihu
Kosovo
“Zora I”/“Dawn I”
Kombinirana tehnika/Mixed media
107x75 cm
94

95. Maja Kirovska
Makedonija / Macedonia
“Jedinstvo; Sveto i svjetovno”/“ The Unity; Sacred And Secular”
Digitalni otisak, suhi žig/ Digital print, dry mark
70x50 cm
95

96. Josee Wuyts i/and Frans De Groot
Nizozemska / The Netherlands
“Kućni labirint”/“House Labyrinth”
Bakropis, suha igla, suhi žig/Etching, dry point, blind stamp
92x63 cm
96

97. Marta Dziomdziora
Poljska / Poland
“Iz ciklusa Pejzaži...1”/“From The Cycle Landscapes...1”
Digitalni otisak/Digital print
100x70 cm
97

98. Joanna Janowska-Augustin
Poljska / Poland
“Nezaštićenost”/“Defencelessness”
Digitalni otisak/Digital print
140x100 cm
98

99. Wojchiech Kubrakiewicz
Poljska / Poland
“Infinitas”
Linorez s UV otiskom/Linocut with UV print
80x60 cm
99

100. Posebna nagrada / Special Award
Bogdan Miga
Poljska / Poland
“Signal III”
Linorez, drvorez/Linocut, woodcut
24x185 cm
100

101. Posebna nagrada / Special Award
Bogdan Miga
Poljska / Poland
“Signal IV”
Linorez, drvorez/Linocut, woodcut
40x180 cm
101

102. Magdalena Piotrowska
Poljska / Poland
“Gomila”/“Crowd”
Linorez/Linocut
58,5x77 cm
102

103. Natalia Romaniuk
Poljska / Poland
“Dekonstrukcija identiteta 6”/“Deconstruction Of Identity 6”
Digitalno otisak/Digital print
100x73 cm
103

104. Ewelina Szydelko
Poljska / Poland
“#5 iz serije 360 stupnjeva”/“#5 From 360 Degrees Series”
Akvatinta/Aquatint
100x210 cm
104

105. Marie Bukowski
Sjedinjenje Američke Države / United States of America
“Osjećajući teren #10”/“Sensing Terrains #10”
Monotipija, kolagrafija i reljefni otisak/ monotype, collagraph and relief print
75x112cm
105

106. Izabela Hren
Slovenija / Slovenia
“Stvaralačko biće u nastajanju”/“Creative Creature Emerging”
Linorez/Linocut
70x50 cm
106

107. Barbara Eva Catherina Zavodnik
Slovenija / Slovenia
“Slikar ima univerzum u svom umu i u svojim rukama”/“The Painter Has
The Universe In His Mind And Hands”
Giclée
50x31 cm
107

108. Maria Heed
Švedska / Sweden
“Premjestiti kružnice”/“Displace Circles”
Bakropis/Etching
15,5x13,5 cm
108

109. Pozvani autor/Invited artist
Brita Weglin
Švedska / Sweden
“Ja, ti i svi ostali I”/ “Me, You And Everybody Else I”
Digitalni otisak, kolagrafija, suha igla/Digital print, collagraph, dry point
81x110 cm
109

110. Margaret Ashman
Ujedinjeno Kraljevsto / United Kingdom
“Vrijeme nakon”/“A Time Beyond”
Foto bakropis/Photo etching
62x57 cm
110

111. Wuon-Gean Ho
Ujedinjeno Kraljevsto / United Kingdom
“Ples sjene (Odijelo)”/“Shadow Dance (Suit)”
Linorez/Linocut
30x70 cm
111

112. Nagrada umjetnika / Artists Award
ONLINE Splitgraphic 2011
Maria Alicia Zamora Noguera
Nikaragva / Nicaragua
“Filibusters In Honduras”
Papir, drvorez, fotokopije/Wallpaper, woodcut, photocopies
400x400 cm
112

113. nagrade
awards
5

115. Grand Prix
INGRID LEDENT
Posebna nagrada / Special Award
BOGDAN MIGA
Posebna nagrada / Special Award
MASAHIRO KASAI
Nagrada za inventivnost u grafici / Award For Inventiveness In Graphic Art
MAJA PINTARIĆ
Nagrada mladoj umjetnici / Young Artist Award
MIA VUČIĆ
Nagrada umjetnika / Artist Award
MARIA ALICIA ZAMORA NOGUERA
Nagrada za doprinos grafičkoj umjetnosti / Award For Promoting Graphic Art
MASAHIRO FUKUDA
115

116. impresum
Splitgraphic bijenale realiziran je uz potporu Grada Splita, Ministarstva za kulturu Republike Hrvatske i HULU Split.
Splitgraphic is supported by the City of Split, Republic of Croatia Ministry of Culture and HULU Split.
U suradnji/In collaboration with
Ured za kulturu grada Splita
Pučko otvoreno učilište Split
Muzej grada Splita
Hrvatsko udruženje likovnih umjetnika / Croatian Association Of Artist - Split
Medijski pokrovitelj/Media Partners
Slobodna Dalmacija
Posebne zahvale/Special thanks to
Elvira Šarić Kostić
Zlatko Sunko
Mateo Perasović
Paško Justinčić
Žiri/The Jury
Nikola Skokandić, profesor škola Likovnih umjetnosti Split/ Professor School Of Art Split
Edvin Dragičević, izvaredni profesor UMAS Split/Professor Art Academy Split
Slobodan Tomić, docent UMAS Split/Assisant professor Art Academy Split
Marina Majić, povjesničarka umjetnosti/art historian
Brita Weglin, umjetnik/artist
Christian Legentil, umjetnik/artist
Savjetnik za Splitgraphic nagrade/Consultant Splitgraphic Awards
Brita Weglin, artist
Zvonko Bešker, prof.
Organizacija/Organisation
Kulturna udruga Splitgrafik/Cultural Association Splitgraphic
Galerija Studio Naranča / Studio Naranča Gallery
Majstora Jurja 5
Tajništvo i arhiva/Secretary and archives
Maja Mijač Majić
116

117. Direktor Splitgraphic bijenala/Director of Splitgraphic Biennial
Pavo Majić
Kordinator Splitgraphic bijenala/Splitgraphic Biennial coordinator
Marina Majić
Nakladnik/Publisher
Kulturno umjetnička udruga Splitgrafik/Cultural Association Splitgraphic
Prijevod/Translation
Marina Majić
Fotograf/Photographer
Zlatko Sunko
Lektura/Proofreading
Liliana Smodlaka
Web stranice/Web site
Dizajn studio Zebra
Oblikovanje/Design
Pavo Majić
Artwork
Ingrid Ledent
Tisak/Print
Dalmacijapapir
www.splitgraphic.hr
E-mail splitgraphic@gmail.com
CIP - Katalogizacija u publikaciji
SVEUČILIŠNA KNJIŽNICA U SPLITU
UDK 76(497.5 Split)”2011”(064)
MEĐUNARODNI grafički bijenale Splitgraphic (5 ; 2011 ; Split)
Splitgraphic 5 : međunarodni grafički bijenale = international graphic art
biennal, Split, 06.10.-5.12.2011. - Split : Kulturno umjetnička udruga Splitgrafik, 2011.
ISBN 978-953-56861-0-1
140205019
117