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context - positioning hanging  - staging work 19 01 11  Textiles - Surface design year 2
recognising how the viewing experience including place/space effects/changes the work, both its meaning and our understanding.
 
 
 
 
 
 
 
 
finding/building a context  creating a reference point(s)
materials process ideas/concepts intention research
process
physical   elements of materials appearance weight texture colour size
meaning of materials cultural age sex
space physical space space of an idea
context  (maker/viewer)  political cultural historical
Donald Lipskin
taking a position   Freddie Robbin s
factors effecting choice intention  - brief function  - functionality timescale budget audience
why are you making work? what do you want from your work?  what is your work about? who is your audience? where does the work go?
connections  -  possible contexts for your making art history geography/place contemporary practice  science other art forms music dance writing
contemporary   practice   the work of others materials process work methodology influences   both theirs and yours
where the work is experienced
how the work is experienced
mediated by systems/structures
the gallery
the museum
the fair
on-line
the shop
the home
other systems
Maurio Taliani  research
through design
Ecke Bonk
advertising
television
video Shirin Neshat, video stills
digital (monitor)
 
 
Tony   Ousler digital (projection)
 
 
 
 
 
 
 
Ruben Ramos Balsa
 
 
Ruben Ramos Balsa
new media
documentation - art
 
Cornelia Parker Yves Klein
Erwin Wurm
 
Donald Rodney Lawrence Weiner
the photograph Elinor Carucci
Boyd Webb
artists’ book
performance tropis Anne Hamilton Elin Strand
Yoko Ono
Joseph Beuys
installation Gego
Tomas Saraceno
Cornelia Parker Yin Xiuzhen
Stellak
Maurizio Cattelan Jean Michel Jarre
intervention
Mel Chin - Melrose Place
Trisha Brown
site specific
the wall
 
Angano Machiko  hanging
Richard Wentworth
Tawney Lenore
Jung Hanna the floor
 
the plinth
the spotlight
the vitrine
the diorama
the animators
process
 
Zoran Todorovic
Moshekwa Langa
Yona Friedman
 
 
 
 
 
labels
Forms Without Life
Isolated Elements Swimming in the Same Direction for the Purpose of Understanding
The Physical Impossibility of Death in the Mind of Someone Living
Sometimes I Avoid People
The Acquired Inability to Escape
A Thousand Years
In & Out of Love
In & Out of Love
No Fun  I Wanna Be Me
I want to spend the rest of my life everywhere, with everyone, one to one, always, forever, now.

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Positioning Hanging Work in Context