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Still life photography
- 1. Olivia Parker, statue seen by a man observed by a pigeon, 1984
- 2. In the cover photo did you observe the shapes that the shadows have created? How do the shadows work to break up the negative space of the background?
- 3. Olivia Parker, Fact or Fiction: A Twenty-Five-year journey, Exibit
- 4. How these objects look in the real world is often very different from how they appear in photographs. Photographers make them seem special and can reveal the nature of the objects, as well as their own feelings about them. The subjects in a still life photograph can represent many things other people, the world or even ideas and emotions.
- 5. Olivia Parker, Site 1 (from “Lost objects portfolio”)
- 8. Describe the shapes of the plants in following photographs? Now describe the shapes between the stems and the buds?
- 13. In this Still life, the cold, hard surface contrasts nicely with the velvety reflections, creating an almost decorative, abstract surface.
- 25. Paul Brett,: Pictured left Candy Mandala right Minty, Juicy, & fresh.
- 26. Paul Strand, Abstraction bowls 1916 Jan Groover, Untitled1980
Editor's Notes
- How did Blossfeldt use the negative space in the photo to create a variety in his images?
- Borrn in Oregon in 1894 she began her career as a journalist at the San Francisco Chronicle. This is where she taught herself photography. While in California she met Dorothea Lange, Edward Weston, and Ansel Adams These photographers thought enough of Kanga’s work to include here in a the group F/64 exhibit in 1932 While Kanga did still life's, cityscapes, portraits, and photojournalism. She is considered to be the pioneer in social photography. She is one of the first photographers to make artistic portraits of African-Americans.
- In the 1930’s he acquired a bent and distorted mirror from a carnival funhouse and used it to photograph a variety of subjects, from people to still life objects..
- As a side note: Absolute unity can sometimes be monotonous or boring while absolute variety can result in an image in which nothing draws are interest, because everything is fighting for attention. However, by carefully combining unity and variety, you can produce images with visual interest, with each part contributing its own unique significance to the whole.
- Paul Strand student of Lewis Hines was the first photographer to adopt the aesthetics of abstract art and apply them to photographs.
- US born 1945 These photographs are produced with out a camera