4. „ Childhood,1452-1466
He was born on 15
April 1452 at
Tuscany,Vinci Italy.
He was the out of
wedlock son of the
wealthy Messer
Piero Fruosino di
1466 moved to Antonio da Vinci, a
Florence
The Uffizi, Florence
where he began an
Florentine legal
apprenticeship in the and his mom
notary,
workshop of Verrocchio.peasant.
Caterina, a
5. „ Verrocchio's workshop, 1466‟1476
Leonardo would have been
exposed to both theoretical
training and a vast range of
1472-1475 Leonardo
technical skills as well as the
collaborated with
artistic skills.
Verrocchio on his
In 1472 Leonardo
Baptism of Christ,
qualified as a
master in the Guild
The Uffizi, Florence
of St Luke, the guild
of artists and
doctors of
6. Professional life, 1476‟1513 In 1478
he left Verrocchio's studio
In January 1478, he paint an
altarpiece for the Chapel of St.
Bernard in the Palazzo
Vecchio and, in March 1481, The
Adoration of the Magi for the
Monks of San Donato a
Scopeto .The second The Uffizi, Florence
being
interrupted when Leonardo went
to Milan.
7. „ In 1482, Lorenzo de' Medici sent
Leonardo to Milan, bearing the
lyre as a gift, to secure peace
with Ludovico il Moro, Duke of
Milan. At this time Leonardo
wrote an often-quoted letter
describing the many marvelous
and diverse things about army
The Uffizi, Florence
weapon.
8. • Leonardo worked
in Milan from 1482
until 1499. He was
commissioned to
paint the Virgin of
the Rocks for the
Confraternity of the
and The Last
Immaculate
Supper for the
Conception monastery
of Santa Maria
delle Grazie
9. 1492, Gran CavalloIn
1494, Ludovico gave the
bronze to be used for
cannon to defend the
In 1499,after Secondby
city from invasion Italian War he fled
French army
Milan for Venice where he was
employed as a military architect and
engineer, devising to
In 1500, he return methods to defend the
city fromand doattack by Turkey.
Florence naval a picture
1504, his father died
name Mona lisa
1508, go to Milan living in his own
house in Porta Orientale in the
parish of Santa Babila.
10. Old age, 1513‟1519 From September 1513 to
1516, Leonardo spent much of his time
living in the Belvedere(a building that
build to have a great view)in the Vatican
in Rome,
Leonardo died at Clos Luce, on May 2,
1519.
Clos Luce in France,
where Leonardo
died in 1519
12. oIn 1466, Leonardo's family
moved to the Florence in Italy.
When Leonardo was 18 years old,
he commenced his apprenticeship
with Verrocchio.
The Uffizi, Florence
13. oMasaccio whose figurative
frescoes, Leonardo was influenced
by the realism and emotion of
Masaccio's works.
oDepicting the naked and
distraught Adam and Eve by
Masaccio, created using of light
and shade which was to be
developed in the works of
Leonardo, particularly John the
Baptist. The Uffizi, Florence
14. o Lorenzo Ghiberti, the creator
of the monumental Gates of
Paradise. Leonardo was very
impressed, as well as
influenced, by his combination
of detailed architectural
backgrounds and complex
figure compositions.
The Uffizi, Florence
15. oRaphael, one of the most famous
Italian artists, he worked closely
with Leonardo Da Vinci. As
opposed to copying the
unimportant aspects of
Leonardo's style, Raphael
incorporated key details of Da
Vinci's style and used them to
develop his own unique and
famous creations.
The Uffizi, Florence
16. oMichaelangelo, another of
Italy's most famous. Also
having worked closely with
Da Vinci, his teachings are
less reflected in paintings as
they are in the intricate
sculptures that
Michaelangelo is known for.
Upon learning with Da Vinci.
The Uffizi, Florence
17. Personal life
„ Within Leonardo's lifetime, his
extraordinary powers of invention, his
"outstanding physical beauty", "infinite
grace", "great strength and
generosity", "regal spirit and tremendous
breadth of mind" as described by Vasari, as
well as all other aspects of his
life, attracted the curiosity of others.
„ Leonardo had many friends who are now
renowned either in their fields or for their
The Uffizi, Florence
historical significance.
„ Beyond friendship, Leonardo kept his private
life secret. Leonardo's most intimate
18. Assistants and pupils
„ Gian Giacomo Caprotti da
Oreno, nicknamed Salai or Il
Salaino entered Leonardo's
household in 1490.
Salai executed a number of
paintings under the name of Andrea
Salai, but although Vasari claims that
Leonardo "taught him a great deal
The Uffizi, Florence
about painting", his work is generally
considered to be of less artistic merit
than others among Leonardo's
19. Assistants and pupils
„ Count Francesco Melzi:
In 1506, Count Francesco Melzi,
the son of a Lombard aristocrat,
who is considered to have been
his favourite student.
Melzi inherited the artistic
and scientific works,The Uffizi, Florence
manuscripts,
and collections of Leonardo and
administered the estate.
21. - Despite the recent awareness
and admiration of Leonardo
as a scientist and inventor
- These paintings are famous
for a variety of qualities
which have been much
The Uffizi, Florence
imitated by students and
discussed at great length by
22. „ Early works
- Leonardo's
early works
begin with
the Baptism of
Christ painted
in conjunction
with
Verrocchio.
The Uffizi, Florence
Two other
paintings
appear to date
23. „ Paintings of
the 1480s
- In the 1480s
Leonardo
received two
very
important
commissions
and The Uffizi, Florence
commenced
another work
24. „ Paintings of the 1490s
- Leonardo's most famous
painting of the 1490s is The Last
Supper, painted for the
refectory of the Convent of Santa
Maria della Grazie in Milan.
„ Paintings of the 1500s
- Among the works created by
The Uffizi, Florence
Leonardo in the 16th century is
the small portrait known as
the Mona Lisa or "la
25. „ Drawings
- Leonardo was not a prolific
painter, but he was a most
prolific draftsman, keeping
journals full of small sketches
and detailed drawings recording
all manner of things that took
his attention.
The Uffizi, Florence
26. Leonardo da Vinci, his
painting technique.
(레오나르도 다 빈치 painting
기법)
Fresco – a picture painted on a wall
usually while the plaster The Uffizi, Florence
is still wet.
27. painting style and result
because of it.
„ The traditional wall painting
style is to paint once more on
the wall before the plaster
is dried
„ Used the dyes mixed oil paint
with tempera The Uffizi, Florence
„ it caused the painting to be
28. The last supper
„ It was painted by Fresco on the w
all of the old city of Jerusalem
by Leonardo da Vinci when he live
d in Mlian around 1495.
„ He expressed the anecdote that J
esus Christ was seated with his di
sciples to celebrateThe Uffizi, Florence
the Passover
and he said “one of you will betr
ay me”
29. „ In the paint, he expressed his the
me by using very special method
which he described that someone
would betray the Christ and the
reaction from the disciples after
they heard the news.
„ Also Jesus Christ was still while
the disciples were debating who
The Uffizi, Florence
would be the betrayer.
„ There was a reason why Leonard
o da Vinci portrayed like this con
31. Journals
and notes
„ Leonardo studies in science and
engineering are as impressive and
innovative as his artistic work.
„ Leonardo's writings are mostly
in mirror-image cursive.
„ There are compositions for
The Uffizi, Florence
paintings, studies of details
, faces , emotions and etc.
32. Windsor
Castle
It is a medieval castle and royal
residence in England.
The original castle was built
after the Norman invasion
by William the Conqueror.
The Uffizi, Florence
33. Musee du
Louvre
It is one of the
world's largest
museums, the most
visited art
museum in the
world and a
historic
monument, in
Paris.
The Uffizi, Florence
It was found by
King Philip II in the
late 12th century.
34. Biblioteca Nacional
de España
It is a national Library ,the
largest in Spain.
The library was founded by
King Philip V in 1712
The Uffizi, Florence
35. Victoria and Albert
Museum
It’s the
world's
largest museum
of decorative
arts and design
Named after
Prince
Albert and Que
en Victoria The Uffizi, Florence
It was
founded in 1852
36. Biblioteca
Ambrosiana
It is a
historic library in Milan, Italy.
Named after Ambrose, the patron
saint of Milan.
It was founded by
Cardinal Federico
Borromeo (1564‟1631)
The Uffizi, Florence
37. Codex
Leicester
It is a collection of largely
scientific writings by Leonardo
da Vinci.
Of Leonardo's 30 scientific
journals, the Codex may be
„ the most famous of all.
The Uffizi, Florence
38. Anato
Anatomy
„ Leonardo'smy
formal
training in
the anatomy of
the human
body began with
Andrea del
Verrocchio.
„ As an artist, he
quickly became
The Uffizi, Florence
master
of topographic
39. Engineering and
inventions
„ For much of his life, Leonardo
was fascinated by the
phenomenon of flight and
producing many studies of the
flight of birds
„ c. 1505 Codex on the Flight of
Birds, as well as plans for
several flying machines
resembling a helicopter. Florence
The Uffizi,
40. A design for a flying machine, (c. 1488)
Institut de France, Paris The Uffizi, Florence
42. His fame was such that the
King of France carried him
away like a trophy and was
claimed to have supported him
in his old age and held him in
his arms as he died.
43. Introduced his chapter on
Leonardo da Vinci with the
following words:
„ According to Baldassare
Castiglione 1528 ,
"... Another of the greatest
painters in this world looks
down on this art in which he is
unequalled ...“
„ According to Anonimo
Gaddiano“ 1540 ,
44. „ According to Giorgio 1568 ,
In the normal course of events
many men and women are born
with remarkable talents; but
occasionally, in a way that
transcends nature, a single
person is marvellously endowed
by Heaven with beauty, grace and
talent in such abundance that he
leaves other men far behind, all
his actions seem inspired and
45. „ According to Henry Fuseli 1801 ,
"Such was the dawn of modern
art, when Leonardo da Vinci
broke forth with a splendour
that distanced former
excellence: made up of all the
elements that constitute the
essence of genius ...“
„ According to A. E. Rio who wrote
in 1861:
"He towered above all other
46. „ According to Hippolyte
Taine 1866 ,
"There may not be in the world
an example of another genius so
universal, so incapable of
fulfilment, so full of yearning
for the infinite, so naturally
refined, so far ahead of his own
century and the following
centuries."
47. „ Liana Bortolon, writing in
1967, said:
"Because of the multiplicity of
interests that spurred him to
pursue every field of knowledge
... Leonardo can be
considered, quite rightly, to have
been the universal genius par
excellence, and with all the
disquieting overtones inherent in
that term. Man is as