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Collecting the digital
From a photographic
perspective
Valtakunnalliset kuva-arkistopäivät
Helsinki, 2.-3.11.2015
Kajsa Hartig, Nya medier
Nordiska museet, Stockholm
1. Digital and Museums
2. Nordiska museet
3. Collecting in a digital world
4. Collectin the Digital
– From a Photographic
Perspecive
Photo: Emma Fredriksson, Nordiska museet
• Founded in 1873
• Museum building
opened in 1907
DIGITAL AND MUSEUMS
Opportunities and challenges
Photo: Kajsa Hartig, Flickr, CC-BY
Photo: Luke Wroblewski, Flickr, CC-BY
Image by: EFF Photos, Flickr, CC-BY
Photo: NASA, Flickr, CC-BY
It’s an
audience driven
change
The consumer demand for
digital products is there and
continues to evolve
Digital in itself isn’t new
New expectations
New demands
Pressure to change
Transforming
the museum culture, offers,
values and brand
Transforming
museum work practice
Transforming
museum work practice
f.ex. collecting
NORDISKA MUSEET
A New Media Department
A New Media
Strategy in 2010
With dialogue
and participation
in focus
A New media
department in 2011
Mandate
Budget
Staff
Enabling a
Digital Shift
at the museum
Bridging the
analogue work
practices with a
digital world
COLLECTING
In a digital world
A long history of collecting
Collecting objects and photographs
Documenting society
Regularly sending surveys since 1920s
Collecting the digital: Helsinki November 2, 2015
Collecting the digital: Helsinki November 2, 2015
#hairriot
Collecting the digital: Helsinki November 2, 2015
Collecting the digital: Helsinki November 2, 2015
2015 Internal report:
Collecting the
Digital at Nordiska
museet
A lot of questions were raised
1) Survey to other museums (mapping)
2) Internal discussions
Conclusions – The survery
• More than 50 % (16 of 25) use social
media as means to communicate
online surveys and collecting efforts
• 7 of 25 do not collect using online
tools and channels
Conclusions – The survery
• Positive effects from collecting
online is greater outreach, fast
and spontaneous initiatives, and
digital material in databases can
easily be extracted for research
Conclusions – The survery
• Difficult to validate sources
• There is a digital divide, not
everyone can participate
• Images can be of low quality
• Requires social media skills
Conclusions – The report
• Online collecting requires re
thinking of what should be
collected, how it will be
preserved and and how it
will be disseminated
Conclusions – The report
Actual collecting or ”just”
engaging in dialogue?
#nm_advent #nm_lucia
Collecting the digital: Helsinki November 2, 2015
COLLECTING THE DIGITAL
From a Photographic Perspective
images
75 %
Nordiska museet, Nya medier, Kajsa Hartig, 2015-05-27
The web is made up of:
A three (or more) year project
starting 2015
PARTICIPANTS:
The Finnish Museum of
Photography
Nordiska museet
Stockholm County Museum
Aalborg City Archives
The social digital
photograph
Photo: Scott Griggs, Flickr, CC-BY-ND
BACKGROUND
Collecting the digital: Helsinki November 2, 2015
Collecting the digital: Helsinki November 2, 2015
Bridging analogue
and digital work
practices
Legal and ethical
issues
Technological
challenges and
possibilities
Scholarly needs
PROJECT
GOALS
To describe and map the
role of the photograph
collections, current
methods and workflows in
museums and archives
today,
To describe and map the role
of social media and social
digital photographs in society
– how it affects collecting
and disseminating of
digitally born photographs.
To describe and map and the
role of the collecting
heritage organisations (as
compared to other
organisations/companies
collecting and disseminating
photographs) and how users
perceive archives/museums.
Trough research and pilot
projects define evolving
methods for collecting and
disseminating
contemporary social digital
photographs, in museums
and archives.
Collecting the digital: Helsinki November 2, 2015
Thank you!
Kajsa Hartig, @kajsahartig
Nordiska museet
Stockholm, Sweden

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Collecting the digital: Helsinki November 2, 2015

Hinweis der Redaktion

  1. The museum has always collected, physical objects and photographs as well as archival documents.
  2. Another starting point for the project is Images for the Future, by the Stockholm County Museum and Malmö museer. The project aimed at mapping the change that photography has undergone in the process of becoming digital, and to find out how these changes affected the methods of collecting used by museums today. They came up with valuable conclusions, on which we will build this new project.
  3. And the #snapshot exhibition and the publication is equally valuable for us in this project.