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C. ELEMENTS OF MUSIC IN THE
20TH CENTURY
 there is less emphasis on blended sound
 percussion play a major role
 individual tone color is clearly
heard
1. Tone color
 Polychord is created – 2 chords heard at the same
time.
 Use of fourth chord
 Use of tone cluster – produced on a piano by striking
a group of adjacent keys
 use of Polytonality – use of 2
or more keys at a time.
 Use of 2 keys – Bitonality
2. Harmony
 One of the most striking elements
 Used to generate power, drive and excitement.
 Beats are grouped irregularly and the accented beat
comes at an equal time intervals
 Example: ‘Ritual of Abduction’ by Stravinsky
 Polyrhythm – use of 2 or more contrasting and
independent rhythms at the same time
3. Rhythm
 Based on a wide variety of scales and freely used in all
12 chromatic tones without a tonal center
4. Melody
D. CHARACTERISTICS OF
CONTEMPORARY MUSIC
1. Impressionism – having refinement, delicacy
vagueness, and an overall “luminous fog” atmosphere
2. Non-classicism or New Baroque – largely anti-romantic
and predominantly objective.
- strives for simplicity and clarity of material, form,
texture, and medium.
3. Expressionism – characteristically subjective,
dissonant, and tonal
4. Nationalism – producing music that can neither be
conservative or radical.
5. Futurism – use of noise in place of, or in addition to,
musical sounds.
6. Computer Music – some experimentation in
programming
7. Popular Music and Jazz – relationship of art music and
popular music
 lecture and review
page 18-20 of MAPEH
IV (red book)
Assignment:

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Elements of Music in the 20th Century

  • 1. C. ELEMENTS OF MUSIC IN THE 20TH CENTURY
  • 2.  there is less emphasis on blended sound  percussion play a major role  individual tone color is clearly heard 1. Tone color
  • 3.  Polychord is created – 2 chords heard at the same time.  Use of fourth chord  Use of tone cluster – produced on a piano by striking a group of adjacent keys  use of Polytonality – use of 2 or more keys at a time.  Use of 2 keys – Bitonality 2. Harmony
  • 4.  One of the most striking elements  Used to generate power, drive and excitement.  Beats are grouped irregularly and the accented beat comes at an equal time intervals  Example: ‘Ritual of Abduction’ by Stravinsky  Polyrhythm – use of 2 or more contrasting and independent rhythms at the same time 3. Rhythm
  • 5.  Based on a wide variety of scales and freely used in all 12 chromatic tones without a tonal center 4. Melody
  • 7. 1. Impressionism – having refinement, delicacy vagueness, and an overall “luminous fog” atmosphere 2. Non-classicism or New Baroque – largely anti-romantic and predominantly objective. - strives for simplicity and clarity of material, form, texture, and medium. 3. Expressionism – characteristically subjective, dissonant, and tonal 4. Nationalism – producing music that can neither be conservative or radical. 5. Futurism – use of noise in place of, or in addition to, musical sounds. 6. Computer Music – some experimentation in programming 7. Popular Music and Jazz – relationship of art music and popular music
  • 8.  lecture and review page 18-20 of MAPEH IV (red book) Assignment: