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Working with film – using
video in teaching
Joonas	
  ROKKA	
  
jrk@neoma-­‐bs.fr	
  
insidevideography.com	
  
@jccnas	
  
© Copyright NEOMA Business School. All rights reserved
My presentation
1.  Academics not used to video format
2.  Why use video – why not?
3.  How to use video in teaching
–  Working with video in class
–  Teachers doing videos
–  Doing videos with students
Publishing research on video format

Use	
  video	
  not	
  journals	
  to	
  
disseminate	
  research	
  
Financial	
  Times,	
  2	
  July,	
  2012	
  
And	
  more:	
  
h>p://insidevideography.com	
  
h>p://vimeo.com/32192229	
  
Most learning materials are textual…
Yet we live in the era of video…
The dominant cultural form of the
twentieth century is, and has been
cinema, and now video
(Denzin, 1995)
Production is cheaper, quicker, easier
120 000 000 videos today
200 000 000 views per day
200 000 videos uploaded everyday
13 h of video uploaded every hour
600 years – time required to see all
videos…
Why video – why not?
Why scholars resist the video?
•  Heisley (2001):
–  I can’t underline it
–  My yellow highlighter doesn’t work on it
–  I can’t write notes on it
–  Too bulky (big files)
–  I cannot access specific parts easily enough
–  There is no peer-review
–  It doesn’t get into journals
The visual is important
•  Moving image allow us to go beyond talk
and text about what people actually do to
provide a more holistic account of their
behavior
–  Textual representations provide only a fraction
of the whole picture
–  F. ex. How do people use different media at
home?
Benefits of video (vs. text)
•  Is more emotional, resonant and commanding
of attention
•  Is in some sense more ‘authentic’ and ‘real’
•  Is able to record expressions and bodily
presence and context rich environment
•  Is multi-sensory

(de	
  Valck,	
  Rokka	
  and	
  Hietanen	
  2009;	
  Spanjaard	
  and	
  Freeman	
  2007;	
  Schembri	
  
and	
  Boyle	
  2013;	
  Smith	
  et	
  al.	
  2007;	
  Belk	
  and	
  Kozinets	
  2005;	
  Pink	
  2009,	
  2011)	
  
Benefits of video (vs. text) (2)
•  Creates powerful encounters that force the
viewer to think in new ways
•  Like poetic expression, video expressions can
create “revolutionary consciousness” in the
viewer
 (Isn’t this what business schools should do?)
(Hietanen,	
  Rokka	
  and	
  Schouten	
  2013;	
  Schouten	
  and	
  Sherry	
  2002;	
  
Bogue	
  2003)	
  
How to use video in practice?
Academic videography
•  Refers to the entire methodology of the production of
an expression via moving image, but it also the
finished product of the videographic work – the “show”
•  Has become a staple format in consumer research
•  The Association for Consumer Research
•  Film track since 2002
•  Several video special issues in peer-reviewed
journals (e.g. Consumption Markets & Culture)
Videography
•  Has become an important format also for
commercial actors (consulting, market
research agencies…)
(1) Using existing video resources
h>p://www.youtube.com/watch?v=adkPJhLPb1I	
  
h>p://vimeo.com/74710643	
  
(2) Doing your own videos
•  Video production requirements
–  New skills – filming, editing, narrating
–  Equipment – 1-2 cameras, editing software
–  Ideas
–  Planning
–  Access
–  Budget
(3) Student film projects
•  Making students work on projects on film
–  Requires new ways of thinking, acting and
communicating
(4) Master’s Thesis as a film

h>ps://vimeo.com/73567050	
  
Conclusion: potential ways to go
•  Bringing video into the syllabus
–  Use existing video resources

•  Producing your own films
–  Requires some basic skills but is not
impossible
–  Reach and impact new audiences

•  New ways to work in class
–  Making students create projects on video
Thank you for your attention!

Joonas	
  ROKKA	
  
jrk@neoma-­‐bs.fr	
  
insidevideography.com	
  
@jccnas	
  
Some references:
• 

Hietanen, Joel; Rokka, Joonas & Schouten, John W. (2013) Commentary on Schembri and Boyle (2013):
From representation towards expression in videographic consumer research. Journal of Business
Research (forthcoming)

• 

Rokka, Joonas; Cléret, Babtiste & Sohier, Alice (2013) Entre-deux-mondes: Shaping of artistic projects in
a local music scene. Advances in Consumer Research (forthcoming), http://vimeo.com/73513308

• 

Hietanen, Joel (2012) Videography in Consumer Culture Theory, Phd dissertation

• 

Joel Hietanen; Joonas Rokka & Risto Roman (2011) ’Pushing the Scene’ – Emergence and Tensions in
an Accelerated Marketplace Culture. Advances in Consumer Research, 39, http://vimeo.com/32192229

• 

Rokka, Joonas; Joel Hietanen & Kristine De Valck (2010) ’Brothers in Paint’ – Practice-Oriented Inquiry
into a Tribal Marketplace Culture, Advances in Consumer Research, 37, http://vimeo.com/36543163

• 

De Valck, Kristine; Joonas Rokka & Joel Hietanen (2009) ”VIDEOGRAPY IN CONSUMER RESEARCH:
VISIONS FOR A METHOD ON THE RISE”, Finanza marketing e produzione, 27 (4)

• 

Blog on Academic Videography: http://insidevideography.com/

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Working with film - Using video in teaching

  • 1. Working with film – using video in teaching Joonas  ROKKA   jrk@neoma-­‐bs.fr   insidevideography.com   @jccnas   © Copyright NEOMA Business School. All rights reserved
  • 2. My presentation 1.  Academics not used to video format 2.  Why use video – why not? 3.  How to use video in teaching –  Working with video in class –  Teachers doing videos –  Doing videos with students
  • 3. Publishing research on video format Use  video  not  journals  to   disseminate  research   Financial  Times,  2  July,  2012   And  more:   h>p://insidevideography.com  
  • 5. Most learning materials are textual…
  • 6. Yet we live in the era of video… The dominant cultural form of the twentieth century is, and has been cinema, and now video (Denzin, 1995)
  • 7. Production is cheaper, quicker, easier
  • 8. 120 000 000 videos today 200 000 000 views per day 200 000 videos uploaded everyday 13 h of video uploaded every hour 600 years – time required to see all videos…
  • 9. Why video – why not?
  • 10. Why scholars resist the video? •  Heisley (2001): –  I can’t underline it –  My yellow highlighter doesn’t work on it –  I can’t write notes on it –  Too bulky (big files) –  I cannot access specific parts easily enough –  There is no peer-review –  It doesn’t get into journals
  • 11. The visual is important •  Moving image allow us to go beyond talk and text about what people actually do to provide a more holistic account of their behavior –  Textual representations provide only a fraction of the whole picture –  F. ex. How do people use different media at home?
  • 12. Benefits of video (vs. text) •  Is more emotional, resonant and commanding of attention •  Is in some sense more ‘authentic’ and ‘real’ •  Is able to record expressions and bodily presence and context rich environment •  Is multi-sensory (de  Valck,  Rokka  and  Hietanen  2009;  Spanjaard  and  Freeman  2007;  Schembri   and  Boyle  2013;  Smith  et  al.  2007;  Belk  and  Kozinets  2005;  Pink  2009,  2011)  
  • 13. Benefits of video (vs. text) (2) •  Creates powerful encounters that force the viewer to think in new ways •  Like poetic expression, video expressions can create “revolutionary consciousness” in the viewer  (Isn’t this what business schools should do?) (Hietanen,  Rokka  and  Schouten  2013;  Schouten  and  Sherry  2002;   Bogue  2003)  
  • 14. How to use video in practice?
  • 15. Academic videography •  Refers to the entire methodology of the production of an expression via moving image, but it also the finished product of the videographic work – the “show” •  Has become a staple format in consumer research •  The Association for Consumer Research •  Film track since 2002 •  Several video special issues in peer-reviewed journals (e.g. Consumption Markets & Culture)
  • 16. Videography •  Has become an important format also for commercial actors (consulting, market research agencies…)
  • 17. (1) Using existing video resources
  • 20. (2) Doing your own videos •  Video production requirements –  New skills – filming, editing, narrating –  Equipment – 1-2 cameras, editing software –  Ideas –  Planning –  Access –  Budget
  • 21. (3) Student film projects •  Making students work on projects on film –  Requires new ways of thinking, acting and communicating
  • 22. (4) Master’s Thesis as a film h>ps://vimeo.com/73567050  
  • 23. Conclusion: potential ways to go •  Bringing video into the syllabus –  Use existing video resources •  Producing your own films –  Requires some basic skills but is not impossible –  Reach and impact new audiences •  New ways to work in class –  Making students create projects on video
  • 24. Thank you for your attention! Joonas  ROKKA   jrk@neoma-­‐bs.fr   insidevideography.com   @jccnas  
  • 25. Some references: •  Hietanen, Joel; Rokka, Joonas & Schouten, John W. (2013) Commentary on Schembri and Boyle (2013): From representation towards expression in videographic consumer research. Journal of Business Research (forthcoming) •  Rokka, Joonas; Cléret, Babtiste & Sohier, Alice (2013) Entre-deux-mondes: Shaping of artistic projects in a local music scene. Advances in Consumer Research (forthcoming), http://vimeo.com/73513308 •  Hietanen, Joel (2012) Videography in Consumer Culture Theory, Phd dissertation •  Joel Hietanen; Joonas Rokka & Risto Roman (2011) ’Pushing the Scene’ – Emergence and Tensions in an Accelerated Marketplace Culture. Advances in Consumer Research, 39, http://vimeo.com/32192229 •  Rokka, Joonas; Joel Hietanen & Kristine De Valck (2010) ’Brothers in Paint’ – Practice-Oriented Inquiry into a Tribal Marketplace Culture, Advances in Consumer Research, 37, http://vimeo.com/36543163 •  De Valck, Kristine; Joonas Rokka & Joel Hietanen (2009) ”VIDEOGRAPY IN CONSUMER RESEARCH: VISIONS FOR A METHOD ON THE RISE”, Finanza marketing e produzione, 27 (4) •  Blog on Academic Videography: http://insidevideography.com/