4. MANNERISM
• An artistic style that predominated in Italy from the end of
the High Renaissance in the 1520s to the beginnings of
the Baroque style around 1590.
• Some of the famous mannerists includes Tintoretto, El Greco,
and Parmigianino.
7. JACOPO TINTORETTO
(1518-1594)
was an Italian painter and a notable exponent
of the Renaissance school. For his phenomenal
energy in painting he was termed Il Furioso.
His work is characterized by its muscular
figures, dramatic gestures, and bold use of
perspective in the Mannerist style, while
maintaining color and light typical of
the Venetian School.
8. BASIC INFORMATION
Year/Period it was made or
completed: 1592 – 1594
Dimensions (in meter or feet):
3.65m x 5.68m
Medium used:
Oil in canvas
Present location:
Basilica di San
Giorgio Maggorie,
Venice
13. RENAISSANCE
• It is the time of great excitement and new discoveries in
art, architecture, literature, explanation and the sciences.
• Renaissance art was driven by the new notion of
"Humanism“, a philosophy which had been the foundation
for many of the achievements of pagan ancient Greece.
15. RAFFAELLO SANZIO DA URBINO
(1483-1520)
known as Raphael or Divine Raphael was
an Italian painter and architect of the High
Renaissance. His work is admired for its clarity of
form, ease of composition, and visual
achievement of the Neoplatonic ideal of human
grandeur. Together
with Michelangelo and Leonardo da Vinci, he
forms the traditional trinity of great masters of
that period.[4]
16.
17. BASIC INFORMATION
Year / Period it was made or
completed: 1509-1511
Dimensions (in meter or feet):
ca. 6m x 9m
Medium used:
Fresco
Present location:
Stanza della
Segnatura,
Vatican Palace,
Rome
23. BAROQUE
• Baroque Art emerged in Europe around 1600, as an reaction
against the intricate and formulaic Mannerist style which
dominated the Late Renaissance.
• Baroque Art is less complex, more realistic and more
emotionally affecting than Mannerism.
• Used exaggerated motion and clear, easily interpreted detail
to produce drama, tension , exuberance, and grandeur from
sculpture, painting, literature, and music.
25. GIAN LORENZO BERNINI
(1598-1680)
• was an Italian sculptor and architect. A major figure
in the world of architecture, he was the leading
sculptor of his age, credited with creating
the Baroque style of sculpture.
• In addition, he was a painter (mostly small canvases
in oil) and a man of the theater: he wrote, directed
and acted in plays (mostly Carnival satires), also
designing stage sets and theatrical machinery, as
well as a wide variety of decorative art objects
including lamps, tables, mirrors, and even coaches.
26. BASIC INFORMATION
Year/Period it was made or
completed: 1647–1652
Dimension (in meter or feet):
11 ft. 6 in. (3.5 m.)
Medium used:
Sculpture
Present Location:
Cornaro Chapel,
Santa Maria della
Vittoria, Rome,
Italy
30. WHY IS T BAROQUE?
A good example of Bernini's Baroque
work is his St. Theresa in Ecstasy (1645–
52), created for the Cornaro Chapel of
the church of Santa Maria della Vittoria,
Rome. In Baroque architecture, new
emphasis was placed on bold massing,
colonnades, domes, light-and-shade
(chiaroscuro), 'painterly' color effects,
and the bold play of volume and void.
32. GROUP 4 ACA
Ausmolo, Mia Grace
De Vera, Henrich
Itaas, Irish Ann
Gopez, Arvi
Mabao, Michelle Ann
Poblete, Danna May
Price, Lairyll Lue
Soriano, Charliez Jane