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Pulp Fiction Title Analysis:
00:00 - 00:31 Opening Scene (Pre-Credits)
00:32 - 00:34 Miramax Films Presents
00:35 (Black Screen)
00:36 - 00:39 A Band Apart (Logo)
00:40 - 00:43 AndJersey Films Production
00:44 (Black Screen)
00:45 - 00:47 A FilmBy QuentinTarantino
00:48 (Black Screen)
00:49 - 00:58 PulpFiction
00:59 - 01:02 John Travolta (Title) on top of Pulp Fiction (Title)
01:03 - 01:06 Samuel L. Jackson (Title) ontop of Pulp Fiction (Title)
01:07 - 01:10 Uma Thurman (Title) ontop of Pulp Fiction (Title)
01:11 PulpFiction (Gradually getting smaller)
01:11 - 01:14 Harvey Keitel (Title) ontopof PulpFiction (Title)
01:15 PulpFiction (Gradually getting smaller)
01:15 - 01:19 Tim Roth (Title) ontop of Pulp Fiction (Title)
01:19 PulpFiction (Gradually getting smaller)
01:19 - 01:23 Amanda Plummer (Title) ontop of Pulp Fiction (Title)
01:24 PulpFiction (Gradually getting smaller)
01:24 - 01:28 Mariade Medeiros (Title) ontop of Pulp Fiction (Title)
01:28 PulpFiction (Gradually getting smaller)
01:28 - 01:32 Ving Rhames (Title) on topof PulpFiction (Title)
01:32 Pulp Fiction (Gradually getting smaller)
01:33 - 01:35 Eric Stoltz (Title) ontopof Pulp Fiction (Title)
01:36 PulpFiction (Gradually getting smaller)
01:37 - 01:40 RosannaArquette (Title) ontopof Pulp Fiction (Title)
01:41 PulpFiction (Gradually getting smaller)
01:41 - 01:44 Christopher Walken (Title) ontopof PulpFiction (Title)
01:45 PulpFiction (Gradually getting smaller)
01:46 - 01:49 And Bruce Willis (Title) ontopof Pulp Fiction (Title)
01:50 (Black Screen)
01:51 - 01:52 Co-Starring
01:53 (Black Screen)
01:54 - 02:06:
Paul Calderon
BronaghGallagher
Peter Greene
StephenHibbert
AngelaJones
Phil LaMarr
Robert Ruth
Julia Sweeney
Quentin Tarantino
Frank Whaley
Duane Whitaker
02:06 Casting By
Ronnie Yeskel Gary M. Zuckerbrod
C.S.A C.S.A
02:07 (Black Screen)
1) How are you drawn into the world of the film story?
You are drawn intothe worldof filmstory by the pre-credits (opening scene)
when the two characters share a dialogue, it gives a glimpse of what the
narrative couldbe about alsowhen they bothget their guns out and threaten
the people in the diner. It automatically interest the audience as to why they
did what they did (action and enigma codes).
2) How is this developed?
The music in the title sequence, is very energetic, this helps the continuation
of what action happened in the pre-credits (opening scene) also when the
title are being shown on screen, the titles typography are quite plain and
simple. However, from the music it keeps the title interesting for audience
throughout the whole title sequence.
3) How do you know that the opening titles are over and the film proper is
starting?
When we see the freeze frame, we knowthat the pre-credits (opening scene)
are over and the title sequence is about to begin because the music starts
and when the title sequence ends, the music ends too, therefore givesa clear
indicationtothe audience that the filmis about to begin. Furthermore, when
it shows the second last titles going up from the black screen and when it
quickly shows the last titles of the "Casting By" and then the final black
screen, the audience also know the title sequence has ended and the film is
about to begin.
4) How much of the actual film story do you know from the opening 2-3
minutes?
In the opening scene, we can tell that the narrative could be to do with
crime, as there are quite iconographic props like a gun to reinforce the genre
of thriller. However, we don't exactly know what type of storyline the film
will lead to but the audience can guess that it might be about lots of death
and murders etc.

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Pulp fiction title analysis - Jushna

  • 1. Pulp Fiction Title Analysis: 00:00 - 00:31 Opening Scene (Pre-Credits) 00:32 - 00:34 Miramax Films Presents 00:35 (Black Screen) 00:36 - 00:39 A Band Apart (Logo) 00:40 - 00:43 AndJersey Films Production 00:44 (Black Screen) 00:45 - 00:47 A FilmBy QuentinTarantino 00:48 (Black Screen) 00:49 - 00:58 PulpFiction 00:59 - 01:02 John Travolta (Title) on top of Pulp Fiction (Title) 01:03 - 01:06 Samuel L. Jackson (Title) ontop of Pulp Fiction (Title) 01:07 - 01:10 Uma Thurman (Title) ontop of Pulp Fiction (Title) 01:11 PulpFiction (Gradually getting smaller) 01:11 - 01:14 Harvey Keitel (Title) ontopof PulpFiction (Title) 01:15 PulpFiction (Gradually getting smaller) 01:15 - 01:19 Tim Roth (Title) ontop of Pulp Fiction (Title) 01:19 PulpFiction (Gradually getting smaller) 01:19 - 01:23 Amanda Plummer (Title) ontop of Pulp Fiction (Title) 01:24 PulpFiction (Gradually getting smaller) 01:24 - 01:28 Mariade Medeiros (Title) ontop of Pulp Fiction (Title) 01:28 PulpFiction (Gradually getting smaller) 01:28 - 01:32 Ving Rhames (Title) on topof PulpFiction (Title)
  • 2. 01:32 Pulp Fiction (Gradually getting smaller) 01:33 - 01:35 Eric Stoltz (Title) ontopof Pulp Fiction (Title) 01:36 PulpFiction (Gradually getting smaller) 01:37 - 01:40 RosannaArquette (Title) ontopof Pulp Fiction (Title) 01:41 PulpFiction (Gradually getting smaller) 01:41 - 01:44 Christopher Walken (Title) ontopof PulpFiction (Title) 01:45 PulpFiction (Gradually getting smaller) 01:46 - 01:49 And Bruce Willis (Title) ontopof Pulp Fiction (Title) 01:50 (Black Screen) 01:51 - 01:52 Co-Starring 01:53 (Black Screen) 01:54 - 02:06: Paul Calderon BronaghGallagher Peter Greene StephenHibbert AngelaJones Phil LaMarr Robert Ruth Julia Sweeney Quentin Tarantino Frank Whaley Duane Whitaker
  • 3. 02:06 Casting By Ronnie Yeskel Gary M. Zuckerbrod C.S.A C.S.A 02:07 (Black Screen) 1) How are you drawn into the world of the film story? You are drawn intothe worldof filmstory by the pre-credits (opening scene) when the two characters share a dialogue, it gives a glimpse of what the narrative couldbe about alsowhen they bothget their guns out and threaten the people in the diner. It automatically interest the audience as to why they did what they did (action and enigma codes). 2) How is this developed? The music in the title sequence, is very energetic, this helps the continuation of what action happened in the pre-credits (opening scene) also when the title are being shown on screen, the titles typography are quite plain and simple. However, from the music it keeps the title interesting for audience throughout the whole title sequence. 3) How do you know that the opening titles are over and the film proper is starting? When we see the freeze frame, we knowthat the pre-credits (opening scene) are over and the title sequence is about to begin because the music starts and when the title sequence ends, the music ends too, therefore givesa clear indicationtothe audience that the filmis about to begin. Furthermore, when it shows the second last titles going up from the black screen and when it quickly shows the last titles of the "Casting By" and then the final black screen, the audience also know the title sequence has ended and the film is about to begin. 4) How much of the actual film story do you know from the opening 2-3 minutes?
  • 4. In the opening scene, we can tell that the narrative could be to do with crime, as there are quite iconographic props like a gun to reinforce the genre of thriller. However, we don't exactly know what type of storyline the film will lead to but the audience can guess that it might be about lots of death and murders etc.