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Delirium AS Media  Thriller Opening Evaluation By Sam Hammond
1. In what ways does your media product use, develop or challenge forms and conventions of real media products? ,[object Object],[object Object],[object Object],[object Object],[object Object]
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Original image recorded in black and white Image with raised contrast I also added a small spotlight to the image to focus attention to the road. It also makes the shot eerie because it looks as if there is a white mist on the road. Colour change example -
[object Object],[object Object],[object Object],Female victim from Psycho Male victim from Phone Booth Male victim from my opening
2. How does your media product represent particular social groups? ,[object Object],[object Object],[object Object]
3. What kind of media institution might distribute your media product and why? ,[object Object],[object Object],[object Object]
4. Who would be the audience for your media product? ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
5. How did you attract/address your audience? ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
To make the film have more of a psychological thriller feel to it, I tried to use some very clever camera angles to build the tension. For example, to place the audience into the scene and connect with them, I used a POV (point of view) shot. This builds the tension and suspense as it makes the film seem more realistic. Here is a small example (click picture to play): Here is my “Zolly” shot. This would attract my audience because it is a very interesting and engaging spectacle. The door seems to be moving away, but the legs are staying in the same place. It has also been used in many other films such as jaws that the audience may recognise.
[object Object],[object Object]
6. What have you learnt about technologies from the process of constructing the product? ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
[object Object],[object Object],[object Object]
7. Looking back at your preliminary task, what do you feel that you have learnt from the progression of it to the full product? ,[object Object],[object Object],[object Object],[object Object],[object Object]
[object Object],[object Object],[object Object],[object Object]

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Delirium Evaluation AS Thriller Opening

  • 1. Delirium AS Media Thriller Opening Evaluation By Sam Hammond
  • 2.
  • 3.
  • 4. Original image recorded in black and white Image with raised contrast I also added a small spotlight to the image to focus attention to the road. It also makes the shot eerie because it looks as if there is a white mist on the road. Colour change example -
  • 5.
  • 6.
  • 7.
  • 8.
  • 9.
  • 10. To make the film have more of a psychological thriller feel to it, I tried to use some very clever camera angles to build the tension. For example, to place the audience into the scene and connect with them, I used a POV (point of view) shot. This builds the tension and suspense as it makes the film seem more realistic. Here is a small example (click picture to play): Here is my “Zolly” shot. This would attract my audience because it is a very interesting and engaging spectacle. The door seems to be moving away, but the legs are staying in the same place. It has also been used in many other films such as jaws that the audience may recognise.
  • 11.
  • 12.
  • 13.
  • 14.
  • 15.