3. • Kathak is a classical dance form of
north India.
• The word Kathak is derived from
sanskrit word ‘katha’ means story and
‘kathakars’ means storytellers.
• Kathakars enacted the stories of
Hindu mythology with a combination of
songs, mime and dance to entertain
and to evoke devotion.
4. In ancient times, nomads known as ‘kathakas’
recited stories of epics with some elements of
dance.
There are literary references from the 3rd and 4th
centuries which refer to kathakas. The two texts
are in the archives of Kameshwar library at
Mithila.
There are also two verses from the
Mahabharata which refer to Kathakas.
By the 13th century a definite style had
emerged and soon technical features developed.
5. PURE DANCE (NRITTA)
a progression from slow to fast, ending with a dramatic climax
A short dance composition is known as a tukra, a longer one as a toda.
PURE DANCE(NRITTA)
A progression from slow to fast ,
ending with a dramatic climax.
Footwork
Bols (rhythmic words)
Signature spins
EXPRESSIVE DANCE (NRITYA)
The traditional expressive or abhinaya pieces
Facial expressions
Gestures
Conveying a meaning
6.
7. In the 15th-16th century at the time the Bhakti
movement, Rasalilas had a tremendous impact on Kathak.
IN THE MUGHAL PERIOD
After the 16th century, the dance reached the Mughal court where it
encountered dancers from Persia.
Dancers were offered gifts of gold, jewels and royal favor.
Dance competitions were held frequently.
Dancers imported from the Central Asia spread their ideas to Kathak
dancers.
straight-legged position
rhythmic footwork with150 ankle bells on each leg.
signature 'chakkars' (spins)
abhinaya( the art of expression).
body postures like tribhangi position
8. COURT INFLUENCES
LUCKNOW GHARANA
Founder - Ishwari Prasad.
It came into existence in the early 19th century in
the court of Nawab Wajid Ali Shah, the ruler of Awadh.
Gurus-Thakur Prasad Maharaj and his grandsons
Achchan Maharaj, Lachu Maharaj and Shambhu Maharaj.
Presently, Birju Maharaj is considered the chief
representative of this gharana.
Expressional qualities, graceful movements, elegance
and natural poise with dance.
9. JAIPUR GHARANA
Founder- Bhanuji.
It developed in the courts of the Kachchwaha
kings of Jaipur in Rajasthan.
Gurus- Jai Lal , Sunder Prasad,Narayan
Prasad, Kundanlal Gangani , Sunderlal Gangani
and Durga Lal.
complex and powerful footwork, multiple spins,
and complicated compositions in different talas.
Presently the prominent artist of this gharana are
Rajendra Gangani, Prerana Shrimali, Pratishtha
Sharma.
10. BENARAS GHARANA
Founder- Jankiprasad.
Exclusive use of the natwari or dance bols.
Differences in the thaat and tatkaar, and chakkars .
Also a greater use of the floor.
Gurus- Chunnilal ,Krishna Kumar ,Sitara Devi.
RAIGARH GHARANA
Founder- Raja Chakradhar Singh.
Gurus- Pt. Kartik Ram, Late Pt. Phirtu Maharaj, Pt.
Ramlal, Yasmin Singh, Anuradha Singh, Mohini
Moghe, Bhagwaandas Manik, Bhupendra Bareth.
Development of new Kathak and tabla compositions.
11. DURING BRITISH RULE
The advent of British Rule in India sent
Kathak into sharp decline.
The Victorian administrators publicly
pronounced it unlovely form of entertainment.
Kathak acquired an image of the British concept of
nautch.
The role of the tawaifs in preserving the art
forms should not be underestimated.
In the early 20th century, Kalka Prasad Maharaj,
whose sons Acchan, Lacchhu and Shambhu
Maharaj, went on carry forward the tradition
generation, as dance gurus.
12. PRESENT SCENARIO
Today, Kathak has regained its popularity and it is now one of the
eight officially sanctioned classical dance forms of India.
Different dancers have worked on the form in different ways:
Sitara Devi(daughter of Sukhdev Maharaj of Banaras) has impressed
many audiences by her lively, zestful and fiery performances.
Kumudini Lakhia along with Birju Maharaj, has introduced the
relative innovation of multi-person choreographies in Kathak, which was
traditionally a solo dance form.
Rohini Bhate greatly enriched Kathak's
rhythmic repertoire by creating a large corpus
of dance compositions.
Durga Lal of the Jaipur gharana was famed
for his speed and easy style of performance.