Copyright is one of the many legal complexities non-profits encourter in their day to day operation. Knowing what you can and can't do with the content you use and create is confusing, but is a necessary evil. Creative Commons is one tool available to non-profits to help make sense of this area of law. At the core of the Creative Commons project is a suite of standardised copyright licences, freely avaialble to creators, that foster sharing and collaboration. Creative Commons builds upon the all rights reserved of traditional copyright to create a voluntary some rights reserved system. There is a whole range of content out there that is available on more flexible terms than traditional copyright. Elliott aims to give you the information you need to gain access to these resources and manage your own copyrighted works more efficiently. Delivered by Elliott Bledsoe, Project Officer, Creative Commons Australia on Monday, 11 May 2009 at the Connecting Up 2009 conference.

1. creative copyright copyright + options for creative practitioners elliott bledsoe

5. copyright

6. a right

7. to copy

8. copyright

9. creator’s rights

10. right to access

11. original works

12. original works literary works

13. original works dramatic works literary works

14. original works musical works literary works dramatic works

15. original works artistic works literary works dramatic works musical works

16. other subject matter

17. other subject matter sound recordings

18. other subject matter films sound recordings

19. other subject matter tv broadcasts sound recordings films

20. other subject matter sound broadcasts sound recordings films tv broadcasts

21. other subject matter published editions sound recordings films tv broadcasts sound broadcasts

22. copyright

24. all rights reserved

25. bundle of rights

26. 5 rights

27. the right to

28. the right to copy

29. the right to adapt copy

30. the right to publish copy adapt

31. the right to perform the right to publish copy adapt publish

32. the right to broadcast copy adapt publish perform

33. can’t touch this copy adapt publish perform the right to broadcast

34. ask permission

35. ask permission each time

36. ask permission each use

37. permission culture

38. 3 stories

39. james joyce

40. james joyce

41. public performance

42. public performance

43. derivative work

44. no readings

45. dean gray - american edit

46. dean gray - american edit

47. derivative work

48. derivative work

49. communication

50. pulled the album

51. robert greenwald

52. robert greenwald

53. outfoxed

54. copied footage

55. copied footage

56. refusing to license

57. “ as a practical matter the high costs of litigation force most filmmakers to simply remove the material in question.”

58. permission in advance 

60. opt in

61. flexible

62. facilitates sharing

63. easy to understand

64. apply worldwide

65. general permission granted 

66. nonexclusive permission granted 

67. worldwide permission granted 

68. 4 elements

69. attribution : acknowledge the author BY

70. attribution: acknowledge the creator BY

71. noncommerical : no commercial use NC

72. noncommercial: no commercial use NC

73. no derivatives : no changes to the work ND

74. no derivatives: no changes to the work ND

75. share alike : remix my work, yours must be remixable too SA

76. share alike: remix my work, yours must be remixable too SA

79. 6 licences

80. BY-NC 6 licences BY-ND BY-NC-ND BY-SA BY-NC-SA BY

81. contact

82. elliott bledsoe project officer creative commons australia +61 7 3138 9597 0405059367 [email_address] http://creativecommons.org.au This presentation is available at http://creativecommons.org.au/cipp