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Thinking, Watching,
and Drawing Motion

Elizabeth Goodman
egoodman@ischool.berkeley.edu
@egoodman
THINKING MOTION
Motion = (Time, Location)
WATCHING MOTION
Setha Low
On the Plaza: The Politics of Public Space and Culture
2000
Watching and talking
“We started by studying how people use plazas.
 We mounted time-lapse cameras overlooking the
 plazas and recorded daily patterns. We talked to
 people to find where they came from, where they
 worked, how frequently they used the place and
 what they thought of it. But mostly, we watched
 people to see what they did.”
William H. Whyte
The Social Life of Small Urban Spaces (1980)
Observing and recording
Existing data
     Travel time maps - London
     MySociety and Stamen Design
     2007
Automated tracking
         Trash | Track
         MIT Senseable Cities
         2009
         http://senseable.mit.edu/trashtrack/
REPRESENTING MOTION
Representing motion


SYMBOL SYSTEMS
Arrows




         Louis Kahn
         Philadelphia Planning Study
         1953
         From Alison Smithson (ed.),
         Team 10 Primer (1968),
Alphabets
Rudolf Laban
Schrifttanz
1928
Icons




        http://gesturecons.com/
Color-coding
Representing motion


TRACES
Tasks
Frank and Lillian Gilbreth
            Motion Study
                      1913
Habits
          Amsterdam Real Time
                   Waag Society
      http://realtime.waag.org/
                          2009

                  Photo from
www.experimentsinmotion.com/
Taxi cabs




            Cabspotting
            Exploratorium, Yellow Cab, and
            Stamen Design
            2006
            http://cabspotting.org
Flight patterns




Aaron Koblin
Flight patterns
2006
Representing motion


INVISIBLE DYNAMICS
Internet traffic




Natalie Jeremijenko
Live WIt consists of an 8 foot piece of plastic
spaghetti that hangs from a small electric
motor mounted in the ceiling. The motor is
electrically connected to a nearby Ethernet
cable, so that each bit of information that
goes past causes a tiny twitch of the motor. A
Wind




       Martin Wattenberg
       and Fernanda Viegas
       http://hint.fm/wind/
       2012
Representing motion


UNDERMINING THE GRID
“The cartographic conventions of the base map are
 an expression of a singular notion of urban space –
 one that favors the street over the route, the static
 over the temporal, and the formal over the
 subjective. As locative media projects are created
 that build upon the datum of common base maps,
 they are structuring a collaborative notion of space
 within this predefined conception of the city.”

 Alison Sant
“Redefining the Basemap”
 2006
                           http://www.intelligentagent.com/archive/
                           Vol6_No2_interactive_city_sant.htm
Guy Debord

Emotional states   Guide Psychogeographique de Paris
                   (Psychographic Guide to Paris)
                   1957
DESIGN FROM MOTION
Nuage Vert
HeHe
2011
hehe.org2.free.fr
Photo: Yuki Kawamura
Jetsam
Intel Research
2005
www.urban-atmospheres.net
Trash can
Knowing when to stop




                       America Revealed: Pizza Delivery
                       PBS America
                       2012
Resources

Experiments in Motion
   www.experimentsinmotion.com
   pinterest.com/experimotion
www.informationisbeautiful.net
www. flowingdata.com

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Thinking, Watching, Drawing Motion

Editor's Notes

  1. This is going to be pretty casual. Longstanding interest in mobility, movement, motion
  2. Ask how they have been conceptualizing motion
  3. What is moving? People objects animals bitsTime + placeWhat isn’t motion?What else is motion?
  4. Review how to watch motion, in escalating complexity
  5. “movement maps”Observation on a plaza in MexicoThis is the simplest form: she watched and took notes as people moved in a bounded space
  6. Talked about Whyte’s work? This is more complicated
  7. http://www.mysociety.org/2007/more-travel-maps/
  8. Show: http://youtu.be/OlIelAWikWQ?t=3sGPS to delivery guys in Manhattan
  9. MappingRepresenting relationships between elements spatially(2) Forming correspondances between one type of data and another: LiveWireNumber of dimensionsTime, location, speed, mood
  10. How does this deal with time? The dotted line =stop-and-go movement of trucks and buses. Arrows = fast-moving traffic, spirals =cars in parking lots. In his plan, Kahn said, he intended &quot;to redefine the use of streets and separate one type of movement from another so that cars, buses, trolleys, trucks, and pedestrians will move and stop more freely, and not get in each other’s way. . . . This system of movement is not designed for speed but for order and convenience. The present mixture of staccato, through, stop and go makes all the streets equally ineffectual.&quot; [Louis I. Kahn, &quot;Toward a Plan for Midtown Philadelphia,&quot; in Latour, Louis I. Kahn, 29.]
  11. LabanotationHe published this notation first 1928 as &quot;Kinetographie&quot; in the first issue of &quot;Schrifttanz&quot;.http://user.uni-frankfurt.de/~griesbec/LABANE.HTML
  12. Icons for gesturesThere are lots of libraries – this is one I found randomly online
  13. I think we’ve all seen this before
  14. Ordinary citizens equipped with GPShttp://realtime.waag.org/
  15. Each cab&apos;s path is represented by a line. The color of the line depends on the speed of the taxi - red is fast, white is slow.
  16. Borrowed from Exploratorium exhibit title
  17. It consists of an 8 foot piece of plastic spaghetti that hangs from a small electric motor mounted in the ceiling. The motor is electrically connected to a nearby Ethernet cable, so that each bit of information that goes past causes a tiny twitch of the motor. A very busy network causes a madly whirling string with a characteristic noise; a quiet network causes only a small twitch every few seconds.
  18. Beautiful – check out animation online. http://hint.fm/wind/Most interesting as comparative – what Tufte calls “small multiples”What do we expect to get out of this?Consider the varying usefulness of small static multiples vs the dynamic displayQUESTION: WHAT DO WE GET OUT OF BOTH THAT’S DIFFERENT?
  19. Borrowed from Exploratorium exhibit title
  20. Charting literal and non-literal closenessRelation to basemap“These &quot;psychogeographic&quot; maps proposed a fragmented, subjective, and temporal experience of the city as opposed to the seemingly omnipotent perspective of the planimetric map. As mapping is used as a tactic to bring together personal narratives about urban space, the Situationist maps provide a useful example of visualizing a subjective view of the city.” AlisonSantAnother example: the tracemaps we saw, which proceed from human movement and have no relation to Discours Sur Les Passions D&apos;Amour, 1957.“In a dérive one or more persons during a certain period drop their usual motives for movement and action, their relations, their work and leisure activities, and let themselves be drawn by the attractions of the terrain and the encounters they find there… But the dérive includes both this letting go and its necessary contradiction: the domination of psychogeographical variations by the knowledge and calculation of their possibilities.[6]”Knabb, Ken, ed. Situationist International Anthology, Berkley: Bureau of Public Secrets, 1995. pg 50.
  21. Borrowed from Exploratorium exhibit titleTwo examples that help us re-see familiar places and things that we otherwise turn away from
  22. http://vimeo.com/17350218
  23. We forget that people taking things out is a big proportion of how trash cans are used!Highlighting what people want to forget: That homeless people take things out That what we throw away remains That what we throw away tells us a lot about ourselves
  24. There are a lot of reasons why you might want to do this. The question is, what purpose does it serve in your project?I showed two projects that are about visualization, I realized. There are a lot of other purposes. Let’s open it up to discussion about why and how. Show: http://youtu.be/OlIelAWikWQ?t=3sWhat is your project, anyway? What effect do you want it to have in the world?