1. Genre Investigation

2. - What is genre?
A category of artistic composition, as in music or literature, characterized by
similarities in form, style or subject matter.
Although genres are not always precisely definable, genre considerations are one of
the most important factors in determining what a person will see or read. The
classification properties of genre can attract or repel potential users depending on the
individuals understanding of a genre.
The producers and institutions have to know what kind of film genre they’re going to
produce right from the word go, so they know to get the right
actors, props, set, dialogue etc.

3. Theorists
• Daniel Chandler: “Conventional definitions of genres tend to be based on the
notion that they constitute particular conventions of content (such as themes
of settings) and/or form (including structure and style) which are shared by
the texts which are regarded as belonging to them. “
• Gunther Kress: “Genre is a kind of text that derives its form from the structure
of a (frequently repeated) social occasion, with its characteristic participants
and their purposes.”
• Denis McQuail: “The genre may be considered as a practical device for helping
any mass medium to produce consistently and efficiently and to relate its
production to the expectations of its customers.”
• Andrew Tudor: Argued that genre is only what we collectively believe it to be.
He says that a genre defines a moral and social world.
• John Hartley: Argued that genres are agents of ideological closure; they limit
the meaning potential of a given text.

4. Narrative Investigation
What is narrative?
“ a chain of events in a cause-effect relationship occurring in time”
(Bordwell & Thompson).
Narrative theory analyses the way in which media texts communicate
meaning about events.
Narrative theory can be applied to range of different media including
film, TV, photographs and magazines.
Narrative analysis of internet based media is more problematic, though
may still be relevant. For example, you could consider how someone’s
Facebook profile creates a narrative about their life.

5. Theorists
• Edward Branigan - Argues that narrative is a way of organising spatial and temporal data into a cause-
effect chain of events with a beginning, a middle and end that embodies a judgement about the nature of
events. His key point is that the narrative will embody a judgement – ideology and narrative.
• Vladimir Propp – Proposed that it was possible to classify the characters and their actions into clearly
defined roles and functions. He suggests that there are a limited number of character types that share a
function, when an audience reads a media text it deploys its knowledge of these character types in order
to decode the meaning of the text.
- The Hero (seeks something)
- The Villain (opposes the hero)
- The Donor (helps the hero by providing useful objects)
- The Dispatcher (sends the hero on their way)
- The Helper (gives support to the hero)
- The Girl (reward for the hero, also needs protection from villain)
• Tzvetan Todorov – Suggests most narratives start with a state of equilibrium in which life is normal and the
protagonist is happy. The state of normality is then disrupted by an outside force, which has to be fought
against in order to return to the state of equilibrium.

6. Representation Investigation
• What is representation?
- A representation can be a single image, a sequence of images or a
whole programme.
- The media do not present reality they’re ‘re-present it’ –they are
representing things that have already occurred.
- The description or portrayal or someone/something in a particular
way or as being of a certain nature.

7. Theorists
• Laura Mulvey – argues that cinema positions the audience as a male. The
camera gazes at the female object on screen. It also frames the male character
watching the female.
- We watch the girl; we see the male watching the girl; we position ourselves
within the text as a male objectively gazing at the female.
• McRobbie – Analysed gender in youth culture. Argued that more emphasis
was needed to address the importance of taking gender into account and the
need to examine the works of male writers for the versions of masculinity they
contain.
• Ella Shohat – Argues that we should constantly question representations. She
also suggests that representations in one ‘sphere’ (the sphere of popular
culture) affect the other spheres of representation, especially the political one.
• Branston and Stafford – stated that representation has characteristics such as
the following:
- A categorising and evaluation of the group being stereotyped
- The evaluation is often, but not always, a negative one.

8. Audience Investigation
• What is audience?
– The assembled spectators or listeners at a public event, such as a
play, movie, concert, etc.
- The people giving or likely to give attention to something- there will always
be an audience for romantic literature.
• Stuart Hall: Encoding and decoding; preferred/ negotiated/ oppositional
readings.
• Denis McQuail: Uses and Gratification theory (audiences consume media
texts for Surveillance; Personal Identity; Personal Relationships; escapism/
diversion.
• Ien Ang: “Audience hood is becoming an event more
multifaceted, fragmented and diversified repertoire of practices and
experiences.”

9. Media language Investigation

10. Research & Planning
Investigation
Research – The systematic investigation into and study of
materials and sources in order to establish facts and reach
new conclusions.
Planning – The process of making plans for something.

11. What research and planning stages are needed
to make a horror film?
1. Get a scary idea for the movie. But make it good so they wont suspect it coming, and when it
comes, make it as scary as it can be. It could be more frightening if you HEAR noises, rather than SEE the
ghost or monster etc.
2. Turn your idea into a plot, or story. A great way to get an idea is to brainstorm ideas, then choose one
and write the story. Always have a story before filming, or else it might turn out cheesy.
3. Find a place to film the movie. Good ideas are in the woods (especially at night), cabins, wooden
buildings, abandoned houses, etc. Make sure that you have permission to film at the location before you
start.
4. Find a cast who’s willing to star in your thriller. They don’t necessarily need acting experience, but that
depends on the complexity of your movie. Make sure they are willing and able to take orders from the
director.
5. Add scary and scratchy, eerily atmospheric music for suspense. Add scary, screechy music for when
something surprising happens.
6. Have a scary killer/monster. For some reason killers that don’t talk are scarier than ones who do. Make
sure their motive is simple (revenge/insanity is good).
7. Make something completely ordinary the centre of the drama (paper
bag, telephone, toilet, doorbell, TV, videotape). If you do it well, it will be scary!
8. Have a plot twist (at the end or middle end).

12. 9. Add good effects (if the blood looks like ketchup you’re not going to scare anyone so use hot sauce or
tomato soup instead, or even paint. It looks more realistic. If you choose to go with effects …that is. Its proven
that a sudden moment of suspense without graphic bloody violence is more scary because the watcher’s
imagination finds the scariest possible outcome that they personally can imagine… much scarier than even a
realistic gore fest… think De Nero's Hide and Seek… scary because of the suspense, not because of the
blood, or the realism of said blood.
10. Make sure you use good effects. If you want to make magic balls, fire, explosion etc. use effects lab pro! An
alternative, which is more expensive, but can give much more professional results is called Adobe After Effects
(it has motion tracking, colour correction etc.
11. After all of the filming is complete, start moving it to the computer. Editing it is often fun, but
frustrating, seeing as it could be erased with one click.
12. About half way into editing, set a release date. Put up posters around school or the neighbourhood. Try
not to invite general public though, just people you know.

13. Digital Technology Investigation
What is digital technology?
The term digital technologies is used to refer to the ever-evolution
suite of digital software, hardware and architecture used in
learning and teaching in the school, the home and beyond.

14. What digital technology do you need to create a
horror film?
• CGI- CGI is used for visual effects because the quality is often higher and effects
are more controllable than other more physically based processes, such as
constructing miniatures for effects shots or hiring extras for crowd scenes, and
because it allows the creation of images that would not be feasible using any other
technology. In the horror genre, CGI may be used to distort the face of the
antagonist to make them look monster-like.
• SFX- In motion picture and television production, a sound effect is a sound
recorded and presented to make a specific storytelling or creative point without
the use of dialogue or music. This is vital in the creation of a horror film as they
rely strongly on the use of eerie music to set the tense atmosphere.
• Film Editing Software – without suitable software to edit the film with, the
creation of any film is impossible. Each scene is shot multiple times, from varying
angles and then cut together to create a smooth, interesting final product. It is
unrealistic to film an entire scene in one shot, and expect it to be flawless.

15. Creativity Investigation
What is creativity?
- The use of imagination or original ideas especially in the
production of artist work.

16. What ‘creative’ features are used in horror film
trailers?
• It is typical of horror films (and effectively, their trailers) to feature stories that
depict, address or explore people’s nightmares, hidden fears, phobias and
psychotic and neurotic tendencies.
• The trailer should evoke emotions such as fright, terror, panic or shock
through scenes of morbidity; murder, disease outbreak, or supernatural
events.
• Special effects are used to create horrifying graphic scenes that give a preview
of what the film entails.
• A jumpy, rough cut montage gives a sense of fear to the trailer, as though the
killer is getting closer, until at the end they appear – the height of the trailer is
seeing an attack.
• Voice over’s of deep, yet soft voices are used to create a sense of danger, and
heighten the tension within the trailer to make the audience feel fear.

17. Post-production Investigation
What is post-production?
The final stage of the filmmaking process, normally involves
picture editing, sound design, visual effects and outputting the
film to a format suitable for release.

18. What post-production stages do you need to create
a horror film?
• Editing – take your footage to your computer – upload the photos/production you
shot, and edit it. Cut out the boring parts. Make quick cuts and hold the viewers
interest. Editing between various angles can quickly show multiple things going on
in the same scene.
• Adding music/sounds – make sure that your music flows with what is going on
during the movie at the second. Music gives the movie an emotional stance. It
changes the audience’s emotions which give them a more positive view on your
film. You can vary your music, to make the audience feel
happy, sad, angry, scared, excited, etc. depending on the outcome of the film.
• Add titles/credits – The name of the film needs to be added at the beginning so
that the audience know what they are watching. It also gives the first impression
of the film, so the typography should fit to the genre, which in this case is horror.
Credits at the end of the film will acknowledge the cast and crew so the audience
knows who was in it, or helped produce the film.