The Edge Of The Art Of The Ebook: How The Digital World Is Shaping Story Setting
Graduate Lecture by Debbie Merion
Solstice MFA at Pine Manor College
3:30 Sunday, Jan. 5, 2014
1. The Edge Of The Art Of The Ebook:
How The Digital World Is Shaping
Story Setting
Debbie Merion
Solstice MFA at Pine Manor College
Graduate Lecture
3:30 Sunday, Jan. 5, 2014
2. In This Class
Learn how the setting techniques used in
The Silent History can enliven the fiction
and nonfiction I (and you) write.
Practice creating settings that affect the
action.
12. ABOUT SETTING
• “Together, setting and narrative time help
define a story’s dimensions” –Janet Burroway
• “Setting refers to climates of emotion
(atmosphere). – Seymour Chatman
• But it can also refer to…
13. “The location must be an essential part of
the narrative; the physical world can shape
the action or it can be shaped by the
action, but either way the two must be
linked in satisfying, vital ways”
15. How sensory aspects of the setting
shape the mood and action
• Inside a structure—hospital and church,
mansion and shack
• Outside—city or country, US or outside,
winter or summer, on land or on water,
cloudy or sunny, polluted or not, pine trees or
maple trees
• Example: House of Sand and Fog- Iranian
culture in a California home
16. Examples of Setting Affecting Action
• Like the narrowness of a hallway, the size of
the wall, the slantedness of the floor, the
loose gravel you are trying to run away on—
that is often overlooked in fiction, but right
now I’m affected that my house is cold and I
have to make a fire –Eli Horowitz
• TRY IT—Think of a place—this room or
another and brainstorm your own list of how
setting can affect action
17. My “Magnetic North” Story Setting
• Text goes here
– Some more here
• Text goes here again
– Some more here again
23. Try a Story
• Pick a setting
• Select some aspects of the setting that are
unique and strongly impact the senses
• Describe them briefly in a sentence, then
think about how they might shape action
• Write fiction or nonfiction
24. Integrate setting into the story
• Unify sensory experience—kitchen can involve
a counter, smells, appliances, group
gatherings with food, sharp knives, spills
• Quickly conjure up an image—conversation in
“grocery store” or “particle acceleration lab”
• Use the setting in expected ways (counter to
lean against) or unexpected ways (shouting
argument in a church)
26. Abbreviated Bibliography
• Burroway, Janet, and Susan Weinberg.
Writing Fiction: A Guide to Narrative Craft.
New York: Longman, 2003. Print.
• Chatman, Seymour Benjamin, and Brian
Attebery. Reading Narrative Fiction. New
York: Macmillan, 1993. Print.
• Horowitz, Eli. Guidelines for Prospective Field
Reports. San Francisco: Ying, Horowitz and
Quinn, n.d. PDF.
27. The Edge Of The Art Of The Ebook:
How The Digital World Is Shaping
Story Setting
Debbie Merion
Solstice MFA at Pine Manor College
Graduate Lecture
3:30 Sunday, Jan. 5, 2014
Editor's Notes
Title of my Thesis was : The Edge of the Art of the ebookIn my thesis –To determine if the Silent History is a Strong Literary DocuementThis is a Small portion ofCompared The Silent History to a similarly themed book: Diane Ackerman 100 Names for Love What the book is about“EmergicPhasic ResistanceCompared:settingsThemeslanguagevoice,depth of characters.
Two parts—Book on top—circles are part of the table of contents—read squentiallyStories on bottom—crowd sourced but curated—read random accessCompare to Star Trek
Lecture in FAU Hot in the room, take off shirt, a tattoo is revealed, holocaust survivor, start to talk, realize that person is a realitve, family history revealed Smoky in the room- ashes to work with, gave me one liners—left therapy because not much had changed except my exposure to second hand smoke, smell later evokes “inside voices” outside voices-affects wht you wear, how you speak—character who needs much control is inside, character who is ok with less control is outside—in my memoir, as a child—just want to be outside. OK with less control, but my mom isan’t. she needs that. “write through doors” “lets step this outside”—have a dispute, a fight, loose control. Come inside now—going to be more controlled, smaller space.