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Creativity and
Bipolar Disorder:
 A review of the
    evidence




 Sheri L. Johnson, Ph.D.
    Greg Murray, Ph.D.
Eric A. Youngstrom, Ph.D.
Kay Jamison (1993).
Touched with Fire.
NY, NY: Free Press.
Authors believed to have
manic episodes (from Jamison, 1993)
   Hans Christian Andersen      Joseph Conrad (SA)
   Honore de Balzac             Charles Dickens
   William Faulkner (H)         Isak Dinesen (SA)
   F. Scott Fitzgerald (H)      Ralph Waldo Emerson
                                 Herman Melville
   Graham Greene                Eugene O'Neill (H, SA)
   Ernest Hemingway (H, S)      Francis Parkman
   Hermann Hesse (H, SA)        John Ruskin (H)
   Henrik Ibsen                 Mary Shelley
                                 Robert Louis Stevenson
   Henry James                  August Strindberg
   William James                Leo Tolstoy
   Samuel Clemens (Mark         Tennessee Williams (H)
    Twain)                       Virginia Woolf (H, S)
                                 Emile Zola
Musicians and composers
believed to have manic episodes

Anton Arensky
Hector Berlioz (SA)      Robert Schumann (H, SA)
George Frederic Handel   Peter Tchaikovsky
Gustav Holst             Irving Berlin (H)
Charles Ives             Noel Coward
Gustav Mahler            Charles Mingus (H)
Modest Mussorgsky        Charles Parker (H, SA)
Sergey Rachmaninoff      Cole Porter (H)
                          Kurt Cobain, musician (Nirvana)
                          (S 1994)
Authors believed to have
mood disorders
William Blake                 Sylvia Plath (H, S)
George Gordon, Lord Byron     Edgar Allan Poe (SA)
Harley Coleridge              Ezra Pound (H)
Samuel Taylor Coleridge       Laura Riding (SA)
Emily Dickinson - more        Theodore Roethke (H)
T.S. Eliot (H)                Percy Bysshe Shelley
Victor Hugo                         - More (SA)
Samuel Johnson                Alfred Lord tennyson
John Keats - More             Walt Whitman - More
Robert Lowell (H)
Edna St. Vincent Millay (H)
Artists believed to have
bipolar disorder

Paul Gauguin (SA)
Vincent van Gogh (H, S)
Arshile Gorky (S)
Edvard Munch (H)
Georgia O'Keeffe (H)
Jackson Pollock (H)
Mark Rothko (S)
Conclusion 1:



 Many famous artists

 have bipolar disorder.
Does the
pattern hold
  up with
 research?
Bipolar disorder

Diagnosis
                    Family
                    history
   Subsyndromal
                        Other related traits:
   symptoms mania
                        positive affectivity
                        and motivation
Creativity

   Creative               Evidence of creative
accomplishment             thought: divergent
   eminence                thinking and loose
                                associations
          Engagement in
          creative activities
Creativity



Bipolar
Disorder
Biographical studies of
famous artists
Study           Sample                     Rates of mania
Ludwig, 1992    1005 recognized artists,   8.2% had some history
                writers, actors            of mania, compared to
                                           2.8% of non-artists
Wills, 2003     40 famous Jazz Bepop       28.5% some form of
                musicians                  mood disorder
Czeizel, 2001   Famous Hungarian           67.5% had some form of
                poets                      bipolar disorder
Jamison, 1989   47 British 18th century    26% elated moods, 6.5%
                writers                    treated for mania
Juda, 1994      113 highly creative        No diagnosable bipolar
                artists                    disorder, but 22% of
                                           offspring had bipolar
                                           spectrum traits
Problem
   Biographies might be biased…
Iowa Writers Workshop
           (Andreasen)

 Highly prestigious writers’ workshop

  43% met criteria for some form of
               mania:
      30% bipolar II disorder
      13% bipolar I disorder
Bipolar Disorder relates to
creative eminence

 Problem:
 Eminence and fame might relate to social and
  personal resources other than creativity.
What about samples
that aren’t famous and eminent?
Studies of artistic samples


Akiskal (2005)      Artists and those in non-   43% of artists endorsed
                    artistic occupations        cyclothymic traits,
                                                compared to about 10%
                                                of controls
Colvin (1995)       40 conservatory             GBI mania and
                    students; 40 students in    cyclothymia scores were
                    non-creative areas          higher among the
                                                conservatory students
Conclusion 2.

 AMONG CREATIVE
 PEOPLE,
 MILD FORMS OF
 BIPOLAR DISORDER
 ARE OVER-
 REPRESENTED.
A different sampling approach

 AMONG THOSE
 WITH BIPOLAR
 DISORDER, HOW
 MANY ARE
 CREATIVE?
Preferences for Complex
Stimuli—a marker of creativity
Study                    Sample                   Findings
Santosa et al., 2007     Diagnosed with bipolar   +
                         disorder
Simeonova, Chang,        Diagnosed with bipolar   +
Strong, & Ketter, 2005   disorder


Strong et al.,           Diagnosed with bipolar   +
                         disorder
Simeonova, Chang,        Offspring of those       +
Strong, & Ketter, 2005   diagnosed with bipolar
                         disorder
Rawlings & Georgiou,     Students at risk for     +
2004                     mania

Schuldberg, 2001         Students at risk for     +
                         mania
Conclusion 3.

  MANY PEOPLE
  WITH SOME
  FORM OF
  BIPOLAR
  DISORDER
  PREFER
  CREATIVE
  STIMULI.
If people prefer complex stimuli,

   DOES THAT GET
   EXPRESSED IN
   CREATIVE
   ACCOMPLISHMENTS
   AND PURSUITS?
Among those with BP,
how common is it to be an artist?


Tremblay et al. (2010)   13,700 participants in   Creativity ratings of
                         the ECA study (84 with   occupations were higher
                         DSM-IIIR diagnosis of    among those with
                         bipolar I disorder)      bipolar disorder(4.54)
                                                  than those without
                                                  bipolar disorder (3.07)
Lifetime accomplishment
(Richards et al, 1988)
Conclusion 4.

  CREATIVE
  PURSUITS AND
  ACCOMPLISHMENT
  ARE ENHANCED
  AMONG THOSE
  WITH MILDER
  FORMS OF
  BIPOLAR
  DISORDER.

                   Carrie McGrath
Self-Ratings of Creativity
Study                      Sample                       Findings
Furnham et al. (1988)      Students at risk for mania   +


Schuldberg, 2001           Students at risk for mania   +


Shapiro & Weisberg, 1999   Students at risk for mania   +


Frantom et al., 1999       Risk for mania among         No effect
                           graduate students and
                           faculty studying art
Frantom et al., 1999,      Family history of mania      +
second analysis


Santosa et al., 2007       People diagnosed with        No effect
                           bipolar disorder
Conclusion 5.

   THOSE WITH
   MILDER FORMS
   OF BIPOLAR
   DISORDER SEE
   THEMSELVES
   AS CREATIVE.
Creative persons?

Creativity paradigm             Bipolar I   Bipolar    Family    Risk for
                                disorder    spectrum   members   mania
Biographical studies of         +           +          +
eminence
Interview studies of famously   +           +          +
creative persons
Lifetime creative               -           +          +
accomplishment
Occupational choice             +           +                    +
Preference for complex          +           +          +         +
(creative) stimuli


  People with bipolar disorder are to be likely to be creative.
  Particularly true for milder and at-risk variants.
Question:

WHAT ADVANTAGES OF
BIPOLAR DISORDER FUEL
CREATIVITY?
Measures of Divergent
Thinking
Study               Sample                 Findings                        Score
                                                                           Card
Furnham et al.,     Students at risk for   Higher scores on the            +
2008                mania                  Unusual Uses Test

Santosa et al.,     Diagnosed with         No differences from controls    -
2007                bipolar disorder       on the Torrance verbal or
                                           nonverbal creativity subtests
Dickstein et al.,   Diagnosed with         Poor performance on             -
2007                bipolar disorder       attentional set-shifting

Pine et al.         Children diagnosed Poor performance on                 -
                    with bipolar       attentional set-shifting
                    disorder
Conclusion.
CREATIVE THOUGHT IS OBSERVED IN
THOSE AT RISK FOR THE DISORDER, BUT
NOT WITHIN BIPOLAR I DISORDER– AT
LEAST WITHOUT CONSIDERING MOOD.
Measures of Divergent Thinking
And Mania
Study                 Sample                           + Findings
Levine et al., 1996   11 persons hospitalized for      Persons who were manic
                      mania compared to groups with    were more fluent– they
                      schizophrenia, schizoaffective   provided 25 word
                      disorder, depression, and        associations compared to
                      healthy controls                 12 in the other groups
Henry et al., 1971    Persons with bipolar disorder    Fluency (word
                      tested during manic and          associations) tripled
                      asymptomatic periods             during mania


Kocsis et al., 1993   Persons with bipolar disorder    Fluency was higher when
                      before and after lithium         people stopped lithium
                      discontinuation
Shaw et al., 1997     Persons with bipolar disorder    Fluency was higher when
                      before and after lithium         people stopped lithium
                      discontinuation
Andreasen &           Persons hospitalized for mania   Creative and manic
Powers, 1975          compared to those with           persons had high scores
                      schizophrenia, and a highly      on a conceptual over-
                      creative control sample          inclusiveness scale
Measures of Divergent Thinking
And Mania
Study                 Sample                           + Findings                 - Findings
Levine et al., 1996   11 persons hospitalized for      Persons who were manic
                      mania compared to groups with    were more fluent– they
                      schizophrenia, schizoaffective   provided 25 word
                      disorder, depression, and        associations compared to
                      healthy controls                 12 in the other groups
Henry et al., 1971    Persons with bipolar disorder    Fluency (word              The greater fluency was
                      tested during manic and          associations) tripled      entirely due to “incorrect”
                      asymptomatic periods             during mania               associations


Kocsis et al., 1993   Persons with bipolar disorder    Fluency was higher when
                      before and after lithium         people stopped lithium
                      discontinuation
Shaw et al., 1997     Persons with bipolar disorder    Fluency was higher when
                      before and after lithium         people stopped lithium
                      discontinuation
Andreasen &           Persons hospitalized for mania   Creative and manic         The broad
Powers, 1975          compared to those with           persons had high scores    categorizations made by
                      schizophrenia, and a highly      on a conceptual over-      the bipolar group were
                      creative control sample          inclusiveness scale        largely errors.
Conclusion.



 FLUENCY IS HIGH DURING
 MANIA,
 …BUT SO ARE ERRORS.
Could milder mood changes
be more beneficial?
   In interviews with eminent artists,
       high moods, energy, and less need for sleep
        contribute to mania,
       other symptoms were not seen as helpful
           Jamison (1989)
   Energy, enthusiasm, and less need for sleep on
    the GBI correlate with self-rated creativity
   Other symptoms did not
       Shapiro & Weisberg (1999)
Summary
 Substantial evidence: bipolar disorder is
  related to being a “creative person.”
 Particularly true of milder forms of bipolar
  disorder, and even vulnerability to the
  disorder.
Summary
 Less is known about the “creative process”
  that supports this pattern.
 Some early evidence suggests that mood
  plays a role.
 Moods that are too high might interfere with
  creative accomplishments.
 Happiness might bolster fluency and
  divergent thinking.
Questions?


Thoughts?

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Creativity and Bipolar Disorder: A review of the Evidence

  • 1. Creativity and Bipolar Disorder: A review of the evidence Sheri L. Johnson, Ph.D. Greg Murray, Ph.D. Eric A. Youngstrom, Ph.D.
  • 2. Kay Jamison (1993). Touched with Fire. NY, NY: Free Press.
  • 3. Authors believed to have manic episodes (from Jamison, 1993)  Hans Christian Andersen  Joseph Conrad (SA)  Honore de Balzac  Charles Dickens  William Faulkner (H)  Isak Dinesen (SA)  F. Scott Fitzgerald (H)  Ralph Waldo Emerson  Herman Melville  Graham Greene  Eugene O'Neill (H, SA)  Ernest Hemingway (H, S)  Francis Parkman  Hermann Hesse (H, SA)  John Ruskin (H)  Henrik Ibsen  Mary Shelley  Robert Louis Stevenson  Henry James  August Strindberg  William James  Leo Tolstoy  Samuel Clemens (Mark  Tennessee Williams (H) Twain)  Virginia Woolf (H, S)  Emile Zola
  • 4. Musicians and composers believed to have manic episodes Anton Arensky Hector Berlioz (SA) Robert Schumann (H, SA) George Frederic Handel Peter Tchaikovsky Gustav Holst Irving Berlin (H) Charles Ives Noel Coward Gustav Mahler Charles Mingus (H) Modest Mussorgsky Charles Parker (H, SA) Sergey Rachmaninoff Cole Porter (H) Kurt Cobain, musician (Nirvana) (S 1994)
  • 5. Authors believed to have mood disorders William Blake Sylvia Plath (H, S) George Gordon, Lord Byron Edgar Allan Poe (SA) Harley Coleridge Ezra Pound (H) Samuel Taylor Coleridge Laura Riding (SA) Emily Dickinson - more Theodore Roethke (H) T.S. Eliot (H) Percy Bysshe Shelley Victor Hugo - More (SA) Samuel Johnson Alfred Lord tennyson John Keats - More Walt Whitman - More Robert Lowell (H) Edna St. Vincent Millay (H)
  • 6. Artists believed to have bipolar disorder Paul Gauguin (SA) Vincent van Gogh (H, S) Arshile Gorky (S) Edvard Munch (H) Georgia O'Keeffe (H) Jackson Pollock (H) Mark Rothko (S)
  • 7.
  • 8.
  • 9.
  • 10.
  • 11.
  • 12. Conclusion 1: Many famous artists have bipolar disorder.
  • 13.
  • 14. Does the pattern hold up with research?
  • 15. Bipolar disorder Diagnosis Family history Subsyndromal Other related traits: symptoms mania positive affectivity and motivation
  • 16. Creativity Creative Evidence of creative accomplishment thought: divergent eminence thinking and loose associations Engagement in creative activities
  • 18. Biographical studies of famous artists Study Sample Rates of mania Ludwig, 1992 1005 recognized artists, 8.2% had some history writers, actors of mania, compared to 2.8% of non-artists Wills, 2003 40 famous Jazz Bepop 28.5% some form of musicians mood disorder Czeizel, 2001 Famous Hungarian 67.5% had some form of poets bipolar disorder Jamison, 1989 47 British 18th century 26% elated moods, 6.5% writers treated for mania Juda, 1994 113 highly creative No diagnosable bipolar artists disorder, but 22% of offspring had bipolar spectrum traits
  • 19. Problem  Biographies might be biased…
  • 20. Iowa Writers Workshop (Andreasen) Highly prestigious writers’ workshop 43% met criteria for some form of mania: 30% bipolar II disorder 13% bipolar I disorder
  • 21. Bipolar Disorder relates to creative eminence  Problem:  Eminence and fame might relate to social and personal resources other than creativity.
  • 22. What about samples that aren’t famous and eminent? Studies of artistic samples Akiskal (2005) Artists and those in non- 43% of artists endorsed artistic occupations cyclothymic traits, compared to about 10% of controls Colvin (1995) 40 conservatory GBI mania and students; 40 students in cyclothymia scores were non-creative areas higher among the conservatory students
  • 23. Conclusion 2. AMONG CREATIVE PEOPLE, MILD FORMS OF BIPOLAR DISORDER ARE OVER- REPRESENTED.
  • 24. A different sampling approach AMONG THOSE WITH BIPOLAR DISORDER, HOW MANY ARE CREATIVE?
  • 25. Preferences for Complex Stimuli—a marker of creativity Study Sample Findings Santosa et al., 2007 Diagnosed with bipolar + disorder Simeonova, Chang, Diagnosed with bipolar + Strong, & Ketter, 2005 disorder Strong et al., Diagnosed with bipolar + disorder Simeonova, Chang, Offspring of those + Strong, & Ketter, 2005 diagnosed with bipolar disorder Rawlings & Georgiou, Students at risk for + 2004 mania Schuldberg, 2001 Students at risk for + mania
  • 26. Conclusion 3. MANY PEOPLE WITH SOME FORM OF BIPOLAR DISORDER PREFER CREATIVE STIMULI.
  • 27. If people prefer complex stimuli, DOES THAT GET EXPRESSED IN CREATIVE ACCOMPLISHMENTS AND PURSUITS?
  • 28. Among those with BP, how common is it to be an artist? Tremblay et al. (2010) 13,700 participants in Creativity ratings of the ECA study (84 with occupations were higher DSM-IIIR diagnosis of among those with bipolar I disorder) bipolar disorder(4.54) than those without bipolar disorder (3.07)
  • 30. Conclusion 4. CREATIVE PURSUITS AND ACCOMPLISHMENT ARE ENHANCED AMONG THOSE WITH MILDER FORMS OF BIPOLAR DISORDER. Carrie McGrath
  • 31. Self-Ratings of Creativity Study Sample Findings Furnham et al. (1988) Students at risk for mania + Schuldberg, 2001 Students at risk for mania + Shapiro & Weisberg, 1999 Students at risk for mania + Frantom et al., 1999 Risk for mania among No effect graduate students and faculty studying art Frantom et al., 1999, Family history of mania + second analysis Santosa et al., 2007 People diagnosed with No effect bipolar disorder
  • 32. Conclusion 5. THOSE WITH MILDER FORMS OF BIPOLAR DISORDER SEE THEMSELVES AS CREATIVE.
  • 33. Creative persons? Creativity paradigm Bipolar I Bipolar Family Risk for disorder spectrum members mania Biographical studies of + + + eminence Interview studies of famously + + + creative persons Lifetime creative - + + accomplishment Occupational choice + + + Preference for complex + + + + (creative) stimuli People with bipolar disorder are to be likely to be creative. Particularly true for milder and at-risk variants.
  • 34. Question: WHAT ADVANTAGES OF BIPOLAR DISORDER FUEL CREATIVITY?
  • 35. Measures of Divergent Thinking Study Sample Findings Score Card Furnham et al., Students at risk for Higher scores on the + 2008 mania Unusual Uses Test Santosa et al., Diagnosed with No differences from controls - 2007 bipolar disorder on the Torrance verbal or nonverbal creativity subtests Dickstein et al., Diagnosed with Poor performance on - 2007 bipolar disorder attentional set-shifting Pine et al. Children diagnosed Poor performance on - with bipolar attentional set-shifting disorder
  • 36. Conclusion. CREATIVE THOUGHT IS OBSERVED IN THOSE AT RISK FOR THE DISORDER, BUT NOT WITHIN BIPOLAR I DISORDER– AT LEAST WITHOUT CONSIDERING MOOD.
  • 37. Measures of Divergent Thinking And Mania Study Sample + Findings Levine et al., 1996 11 persons hospitalized for Persons who were manic mania compared to groups with were more fluent– they schizophrenia, schizoaffective provided 25 word disorder, depression, and associations compared to healthy controls 12 in the other groups Henry et al., 1971 Persons with bipolar disorder Fluency (word tested during manic and associations) tripled asymptomatic periods during mania Kocsis et al., 1993 Persons with bipolar disorder Fluency was higher when before and after lithium people stopped lithium discontinuation Shaw et al., 1997 Persons with bipolar disorder Fluency was higher when before and after lithium people stopped lithium discontinuation Andreasen & Persons hospitalized for mania Creative and manic Powers, 1975 compared to those with persons had high scores schizophrenia, and a highly on a conceptual over- creative control sample inclusiveness scale
  • 38. Measures of Divergent Thinking And Mania Study Sample + Findings - Findings Levine et al., 1996 11 persons hospitalized for Persons who were manic mania compared to groups with were more fluent– they schizophrenia, schizoaffective provided 25 word disorder, depression, and associations compared to healthy controls 12 in the other groups Henry et al., 1971 Persons with bipolar disorder Fluency (word The greater fluency was tested during manic and associations) tripled entirely due to “incorrect” asymptomatic periods during mania associations Kocsis et al., 1993 Persons with bipolar disorder Fluency was higher when before and after lithium people stopped lithium discontinuation Shaw et al., 1997 Persons with bipolar disorder Fluency was higher when before and after lithium people stopped lithium discontinuation Andreasen & Persons hospitalized for mania Creative and manic The broad Powers, 1975 compared to those with persons had high scores categorizations made by schizophrenia, and a highly on a conceptual over- the bipolar group were creative control sample inclusiveness scale largely errors.
  • 39. Conclusion. FLUENCY IS HIGH DURING MANIA, …BUT SO ARE ERRORS.
  • 40. Could milder mood changes be more beneficial?  In interviews with eminent artists,  high moods, energy, and less need for sleep contribute to mania,  other symptoms were not seen as helpful  Jamison (1989)  Energy, enthusiasm, and less need for sleep on the GBI correlate with self-rated creativity  Other symptoms did not  Shapiro & Weisberg (1999)
  • 41. Summary  Substantial evidence: bipolar disorder is related to being a “creative person.”  Particularly true of milder forms of bipolar disorder, and even vulnerability to the disorder.
  • 42. Summary  Less is known about the “creative process” that supports this pattern.  Some early evidence suggests that mood plays a role.  Moods that are too high might interfere with creative accomplishments.  Happiness might bolster fluency and divergent thinking.

Editor's Notes

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  2. Peak lifetime levels of accomplishment were higher among 33 persons with bipolar disorder than among the 33 controls with no history of mood disorders or schizophrenia. Consistent with the idea of milder forms of disorder being beneficial, the 16 persons with milder forms of bipolar disorder (cyclothymia) were rated as having greater accomplishments than the 17 persons diagnosed with bipolar I disorder. Indeed, those with bipolar I disorder obtained scores that were nonsignificantly lower than those obtained by the healthy controls. Beyond assessing those affected by the disorder, 11 unaffected family members of bipolar probands were interviewed, and they received higher lifetime creativity scores than did those diagnosed with bipolar disorder (Richards, Kinney, Lunde, Benet, & Merzel, 1988).
  3. , Santosa and colleagues (2007)
  4. a
  5. Andreasen and Powers (1975) used an object sorting task to measure conceptual over-inclusiveness, defined as the tendency to allow a broader range of concepts into a given category. Conceptual over-inclusiveness levels were as elevated among 16 people hospitalized for mania as those observed among a highly creative sample, and scores for both groups were higher than for persons hospitalized for schizophrenia. The bipolar group was distinguished from the highly creative sample, though, by a higher rate of atypical and idiosyncratic categorizations.
  6. Andreasen and Powers (1975) used an object sorting task to measure conceptual over-inclusiveness, defined as the tendency to allow a broader range of concepts into a given category. Conceptual over-inclusiveness levels were as elevated among 16 people hospitalized for mania as those observed among a highly creative sample, and scores for both groups were higher than for persons hospitalized for schizophrenia. The bipolar group was distinguished from the highly creative sample, though, by a higher rate of atypical and idiosyncratic categorizations.