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Early Medieval Art ,[object Object]
Background - Where did we leave off? ,[object Object],[object Object]
[object Object],[object Object],[object Object],The so-called Dark Ages?
[object Object],[object Object],Charlemagne ,[object Object],[object Object]
[object Object],[object Object],[object Object],[object Object],Palace chapel of Charlemagne ,[object Object],[object Object]
[object Object],[object Object],[object Object],Post-Charlemagne
[object Object],[object Object],[object Object],[object Object]
[object Object],[object Object]
[object Object]
[object Object],[object Object],[object Object],The Codex ,[object Object],[object Object]
[object Object],[object Object],[object Object],[object Object],[object Object]
[object Object],[object Object],St. John Flat Space with few to no shadows Complex, precise celtic knotwork used as a border Dramatic lines in robes
St. John - Detail *Note the Bright Colours...
[object Object],[object Object],[object Object],St. Matthew Even more Dramatic Drapery Lines! Awkward Perspective and Some background, but not realistic
[object Object],Lindau Gospels - Back Cover Extremely Expensive - not for the general public! Incredibly Ornate Knotwork
The Annunciation Leaf from a Breviary or Missal German 12th Century Colours and gold leaf on vellum *few shadows, reduced depth, symbolism
[object Object],[object Object],[object Object],Romanesque Art
[object Object],[object Object],Castle of Penafiel, Spain c. 14th Century
Romanesque Architecture ,[object Object]
[object Object]
[object Object]
[object Object],[object Object]
[object Object]
[object Object],[object Object],City Walls River Adaja, Spain 11th Century 2.4 km long 8 towers 9 gates Shift to Fortified Cities ,[object Object]
[object Object]
[object Object],[object Object],Church of Santa Maria, Spain 12th to 13th centuries
Church of Santiago de Compostela, Spain 11th to 13th centuries •  worshippers would embark on a difficult journey to pilgrimage churches which were built larger and larger •  people believed that praying for a saint would assure plentiful harvests, cures for diseases, and the promise of eternal salvation •  soon churches and shelters were built along these routes
Radiating Chapels ,[object Object],[object Object],Santillana del Mar Collegiate Church,  Apse exterior
The Barrel Vault •  the need for stone roofs led to rebirth of this Roman building technique:  barrel vaults •  the thick walls and lack of windows  led to the term “fortresses of God”
Romanesque Church San Sernin, Toulouse, France c. 1080-1120
•  inside is spacious but dark and gloomy •  no surprises; nave, side aisles, transept and apse are quickly identified •  not fancy or ornate •  feels like a stone castle Plan of  Romanesque  Church
•  relief sculptures were commonly found on the tympanum (half round panel over the doorway of the church) and the capitals of the columns inside West portal and tympanum, Leyre Monastery, Spain, 12th Century Romanesque brought about a revival of the sculptor’s craft •  churches used relief sculptures as a way to teach the illiterate
•  position of tympanum was ideal for worshippers gaze •  shape of tympanum demanded larger figures towards the center and smaller ones to the sides •  popular subjects like the last judgment were well-suited
Last Judgment, Church of Santa Maria, Spain Can you figure out which side is heaven and hell?
Santa Maria façade, Spain 12th to 13th centuries *multiple stories flank the facade
Santa Maria  façade detail
Capital carvings from the cloister Cathedral at Pamplona Spain 12th to 13th Centuries *compact relief designs and vivid narratives
Cathedral at Pamplona
Christ in Majesty Wall painting from San Clemente Tahull, Spain, 12th Century ,[object Object],[object Object],[object Object]

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Early Medieval Romanesque

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  • 13. St. John - Detail *Note the Bright Colours...
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  • 16. The Annunciation Leaf from a Breviary or Missal German 12th Century Colours and gold leaf on vellum *few shadows, reduced depth, symbolism
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  • 27. Church of Santiago de Compostela, Spain 11th to 13th centuries • worshippers would embark on a difficult journey to pilgrimage churches which were built larger and larger • people believed that praying for a saint would assure plentiful harvests, cures for diseases, and the promise of eternal salvation • soon churches and shelters were built along these routes
  • 28.
  • 29. The Barrel Vault • the need for stone roofs led to rebirth of this Roman building technique: barrel vaults • the thick walls and lack of windows led to the term “fortresses of God”
  • 30. Romanesque Church San Sernin, Toulouse, France c. 1080-1120
  • 31. • inside is spacious but dark and gloomy • no surprises; nave, side aisles, transept and apse are quickly identified • not fancy or ornate • feels like a stone castle Plan of Romanesque Church
  • 32. • relief sculptures were commonly found on the tympanum (half round panel over the doorway of the church) and the capitals of the columns inside West portal and tympanum, Leyre Monastery, Spain, 12th Century Romanesque brought about a revival of the sculptor’s craft • churches used relief sculptures as a way to teach the illiterate
  • 33. • position of tympanum was ideal for worshippers gaze • shape of tympanum demanded larger figures towards the center and smaller ones to the sides • popular subjects like the last judgment were well-suited
  • 34. Last Judgment, Church of Santa Maria, Spain Can you figure out which side is heaven and hell?
  • 35. Santa Maria façade, Spain 12th to 13th centuries *multiple stories flank the facade
  • 36. Santa Maria façade detail
  • 37. Capital carvings from the cloister Cathedral at Pamplona Spain 12th to 13th Centuries *compact relief designs and vivid narratives
  • 39.