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apr 6­22.19

              1
The Waste Land




http://ccit300­f06.wikispaces.com/Propaganda
                                               http://quarterlyconversation.com/the­waste­land­and­other­poems­by­john­beer




                                                                                      apr 6­7.49

                                                                                                                              2
What are the roots that clutch, what branches grow
Out of this stony rubbish? Son of man,
You cannot say, or guess, for you know only
A heap of broken images, where the sun beats,
And the dead tree gives no shelter, the cricket no relief,
And the dry stone no sound of water.

– T. S. Eliot, The Waste Land




                                                                 Picture from blog on the New Orleans Flood




                                                         apr 6­8.44

                                                                                                              3
Against the backdrop of a devastated Europe with the 
portentous rise of nationalism, social fragmentation and 
growing economic turmoil, The Waste Land was written 
in an atmosphere of uncertainty and creative 
experimentation. Europe had seen the unparalleled 
horror of the First World War with death on an 
unimaginable scale and the seeds of fascism were firmly 
planted in the ruins. In Britain, two million were 
unemployed after economic collapse, and the traditional 
social order was falling apart. This was a period of 
economic turmoil, hardship and desperation yet 
paradoxically it was also a time of unparalleled wealth 
and technological advance.

http://time­base.blogspot.com/p/wasteland.html




                                                 apr 6­21.51

                                                               4
Sense of lost civilisation


What the poem offers is little short of an epochal 
insight into the modern world, the waste land of the 
poem's title, a world in which older certainties have 
disappeared, a world of urban blight, of death and 
destruction, of meaningless relationships, and of a 
profound absence of spiritual, cultural and social 
assurances. In the poem's passage through this waste 
land we are shown various snapshots of a "dead" 
world, yet we are also offered tantalising glimpses of 
both the "life before", and of the possibility of restoring 
the world of the waste land once more to wholeness 
and fertility. 
From an anonimously annoted text: http://www.newi.ac.uk/rdover/eliot/waste.htm




                                                                                               http://time­base.blogspot.com/p/wasteland.html




                                                                                 apr 6­18.37

                                                                                                                                                5
Intentional fragmentation
The poem's difficulties and obscurities are intentional. To read it for 
the first time is to be presented with a series of allusions, fragments of 
texts and documents, and struggle in vain for a "key" to see the poem 
as a whole, to make sense of the total picture. This was part of Eliot's 
vision of the modern waste land. In the contemporary world we are 
left only with cultural fragments, rubble and artefacts ­ imagine the 
scene of the aftermath of a bombed library or museum. We are 
unable to reassemble the pieces together to recreate a whole culture, 
and to see the rich and vital relationship between culture and 
experience. Eliot wants us to experience that sense of fragmentation 
for ourselves, and this is why the poem uses a kind of collage 
technique ­ assembling chunks of texts together in what seems a 
random and arbitrary way ­ to recreate this sense of cultural rubble. 
Reading through the poem you find references to many of the key 
writers in the Western cultural heritage ­ Shakespeare, Dante, 
Spenser, Wagner, the Bible ­ coupled with occasional references to 
contemporary popular culture ­ the 'Shakespherian Rag', or the 'Mrs. 
Porter' song in Section III. There seems little to unify 
these pieces of textual rubble ­ all appears arbitrary, random, 
disconnected. 
From an anonimously annoted text: http://www.newi.ac.uk/rdover/eliot/waste.htm
                                                                                               http://time­base.blogspot.com/p/wasteland.html




                                                                                 apr 6­19.03

                                                                                                                                                6
Glimpses of a sense of underlying order and unity
The poem draws upon the powerful myth of the 
wounded king who must be restored to health before 
his lands can be returned to wholeness and fertility 
once more. In drawing upon this myth Eliot is 
suggesting that, deep within the cultural unconscious of 
our modern waste land, there are underlying patterns 
and, furthermore, a sense of continuity with what has 
gone before. This is perhaps why the poem, in its 
references to previous empires and cultures ­ Rome, 
Alexandria, Vienna ­ suggests continuities between the 
contemporary "decline of the west" and the histories 
and destinies of previous civilisations. Furthermore, in 
its use of myth, the poem suggests that there are still 
grounds for belief and hope: in the modern waste land 
there are no religious or spiritual certainties, but there 
is still the possibility of sustaining kinds of religious or 
spiritual faith. And ultimately Eliot's concern is 
spiritual and religious: in the modern world of the 
waste land there seems to be little hope of recovering 
that sense of deeply rooted faith and belief, yet there 
are grounds for hope. 
From an anonimously annoted text: http://www.newi.ac.uk/rdover/eliot/waste.htm




                                                                                 apr 6­19.05

                                                                                               7
The Golden Bough attempts to define the shared elements 
of religious belief. Its thesis is that old religions were           Weston's book is an academic examination of the 
fertility cults that revolved around the worship of, and             roots of the King Arthur legends and seeks to 
periodic sacrifice of, a sacred king. This king was the              make connections between the early pagan 
incarnation of a dying and reviving god, a solar deity who           elements and the later Christian influences. The 
underwent a mystic marriage to a goddess of the Earth,               book's main focus is on the Holy Grail tradition 
who died at the harvest, and was reincarnated in the spring.         and its influence, particularly the Wasteland 
Frazer claims that this legend is central to almost all of the       motif. The origins of Weston's book are in James 
world's mythologies. The Judgment of Paris ­ an Etruscan             George Frazer's seminal work on folklore, magic 
bronze­handled mirror of the fourth or third century BC              and religion, The Golden Bough. 
that relates the often misunderstood myth as interpreted by 
                                                                     Wikipedia:http://en.wikipedia.org/wiki/From_ritual_to_romance
Frazer, showing the three goddesses giving their apple or 
pomegranate to the new king who must kill the old king.
Wikipedia:http://en.wikipedia.org/wiki/The_Golden_Bough




                                                            apr 6­20.07

                                                                                                                                     8
Despair and/or Hope

The poem oscillates between despair and hope, and its final tone is 
uncertain: we cannot be sure if the journey across the wasteland has 
been in vain, or if we have been shown something profound and 
inspiring by the end. The poem's final references to 'shantih', the "Peace 
which passeth understanding" does suggest a basis for hope, but to get to 
this we have had to pass through much which is bleak, despairing, 
fragmented and apparently without meaning. 
From an anonimously annoted text: http://www.newi.ac.uk/rdover/eliot/waste.htm




                                                                                 apr 6­19.07

                                                                                               9
Cultural landmark
It is easy to understand why the poem became so important in 
the 1920s and 30s: it reproduced, for this generation, a sense of 
a shell­shocked culture struggling to rebuild itself after the 
1914­18 War, a "Brave New World" which had seen the 
emergence of communism in Russia and China, and the 
creation of a new urban landscape, a world of anonymity and 
alienation.

From an anonimously annoted text: http://www.newi.ac.uk/rdover/eliot/waste.htm




                                                                                 apr 6­19.09

                                                                                               10
The Burial of the Dead ­ Memory and desire
         Reference to the book of Common prayers ­ Anglican burial Service 


Character           Setting        Content                      Themes                    Form
Marie ­ Russian  Emotional         Autobiographical             Fertility rites           Modified dramatic 
exiled aristocrat wastland ­       fragments from the           Death and Rebirth         monologue
                    nature         childhood of an              Damaged human 
                                   aristocratic woman with      psyche                    partial rhyme schemes
                                   meditations on the           Ineffectual sexuality      
                                   seasons and her present      Painful memory an life    short bursts of 
                                   state.                       cycle                     structure
Man speaker         Mythical­      Speaker's invitation to a    Religious experience
Hyacinth Girl 
                                                                                          inclusion of fragments 
                    religious      desert journey plus          Fragmentation             in foreign languages 
                    wasteland ­    childhood memories           Aridity
                    desert         about a hyacinth girl.       Ineffectual sexuality     Frequent use of 
                                                                Nothingness               allitteration and 
Madame                                                                                    assonance
                    Mysthic        Madame Sosostris             Blurred distinction 
Sosostris           prophetic      famous clairvoyante          between high and low 
Famous 
clayrvoyante the    wastland ­     reads her tarots.            culture
wisest woman        parlour                                     Transformation
in Europe 

Wandering man  Modern city       Speaker's walk through  Alienation
speaker/former  real wasteland­  a London populated by  End of a civilisation
soldier
Stestson        London           living dead.            Devastating 
                    Unreal City                                 consequences of war 
                                                                Death and Rebirth




                                                                                           Tristan and Isolde




                                                apr 6­8.55

                                                                                                                    11
The Burial of the Dead ­ Memory and desire
                      Vignette 1                       Vignette 2                          Vignette 3                          Vignette 4 

Plants    lilacs             dull roots                   hyacinths          dead trees        dead trees                               planted dead 
          (desire,           dry tubers                   (growth and                                                                   body
          romantic                                        fertility 
          promise,                                        resurrection )
          rejuvenation )

Animals                                                   cricket                                                                       dog

Seasons   Spring             Winter                       Spring             Winter?                               Winter               Spring 
          Winter             Summer                                          (bad cold) 
                             Winter

Weather   Rain               Rain         sun beats       gentle rain                                              fog                  sudden frost 
          Snow               Snow         dry

Places    Dad  land          Starnberger­ desert          hyacinth garden    parlour                               London Bridge        garden
                             see                          sea                                                      King Wiliam 
                             Hofgarten                                                                             street
                             mauntain                                                                              St Mary 
                             slope                                                                                 Woolnoth 

Time      April              an hour talk morning         late               afternoon?                            dawn
                             night        evening                                                                  the final stroke  
                                                                                                                   of nine

People    we                 Marie        speaker         speaker            Madam             phoenician sailor   speaker              Stetson
                             her male     son of man      Tristan            Sosostris         belladonna          countless crowd      hypocrite 
                             friend       you             hyacinth girl      unknown           one­eyed man                             lecteur 
                             archduke                                        consultant        man with 3 staves
                                                                             Mrs Equitone      men wlking in  a 
                                                                                               ring




                                                                    apr 6­21.15

                                                                                                                                                        12
Section I

                 Vignette 1           Vignette 2       Vignette 3           Vignette 4

Myth             fertility rites      arthurian cycle death and rebirth     death and rebirth
                                                                            Osiris
Religion         Easter               Jesus in the     sorry state of faith  death and 
                                      Desert           and belief in the     resurrection
                                                       modern world
Inconclusive     men are not          men are not  Ineffective men       Men dead or 
Sex              there,               there,          Dead or otherwise  otherwise busy
                 if they are to no    if they are to  busy
                 avail                no avail
Literature       Canerbury tales Bible                 Tarots           Fleur du Mal
                                 Wagner's              Shakespeare The  Inferno Canto III
                                 Tristan an            Tempest          Inferno Canto V
                                 Isolde                                 Fleur du Mal 
                                                                        opening sonnet

Social status    Exiled               unspecified      lower class          communting lower 
                 aristocrat                            fortuneteller        middle class 
                                                       high class clients   clerks
History          Belle Epoque         Unspecified      unspecified          raging twenties
                 Soviet                                                     world war 1
                 Revolution                                                 Battle of Milae 




                                                      apr 6­21.26

                                                                                                13
A Game of Chess ­ stages of seduction or the two sides of 
                    human sexuality ­ no regeneration through sex


             Character               Content            Themes                  Setting        Form

vignette 1                           Detailed           Philomela's myth        luxury private  unrhymed iambic 
                                     description of     violent sex             boudoir         pentameter lines, or 
                                     room luxury        horrible revenge                        blank verse
                                     furnishing

                                     Nuerotic           Too little or no sex                   lines increasingly 
                                     questions/speech   available                              irregular in length and 
                                     Plan for an        Impossibility to                       meter, giving the feeling 
                                     excursion and      communicate                            of disintegration, of 
                                     game of chess      Too few words                          things falling apart. 

vignette 3   Lil's friend and her                       Too much or no sex  London pub  Dialogue interrupted by 
             friend                                     wanted                 at closing  the barman’s refrain
             Lil and Alberrt                            Too many words         time        Loose series of phrases 
             Bartender                                  Rampant fecundity                  connected by “I said”/
             Pub goers                                  associated  plus lack              “she said”
                                                        of culture and rapid 
                                                        aging




                                                        apr 6­8.55

                                                                                                                            14
The Fire Sermon



Character   Content    Setting       References   Themes




                        apr 6­8.56

                                                           15
Death by Water




Character   Content        Setting          References   Themes




                               apr 6­8.56

                                                                  16
What the Thunder said



Character   Content     Setting       Reference    Theme 




                         apr 6­8.56

                                                            17
Links
                                         The Waste Land: Burial of the Dead (T.S. Eliot)
Annotated text


The Burial of dead                       Fiona Shaw ‐ T. S. Eliot's The Waste Land



                                          The Waste Land (TS Eliot) ‐ Desert Experience
A game of chess



                                         F. Moretti: From the Wasteland to artificial paradise
The fire sermon



Death by water ‐ What the thunder said




                                             apr 6­7.58

                                                                                                 18
apr 6­20.55

              19
apr 6­8.50

             20

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The waste land 1