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TOURISM & DIPLOMACY
MASTERCLASS
Chris.hogg@gold.ac.uk
LOTS OF ONLINE ADS FOR THIS LAST WEEK.
TODAY’S AGENDA
 The Attention Economy
 A short history of Social Media
 Social Media Storytelling
 Social Media for Research & Academia
 Focus on Facebook, Youtube, Linked-in and Twitter.
 Analysing @DenmarkinUK
Social Media can
be overwhelming
6
social is about
real people talking to real people
If you only remember one thing
All Websites are situated along a scale where they favour
recency or permanance. They also fall along a scale of amateur
to well produced.
CONTENT HAS A SHELF LIFE. THINKING ABOUT VIDEO
WHICH HAS THE LONGEST ATTENTION SPAN. THINKING
ABOUT VIDEO
THE ATTENTION ECONOMY
We tend to live in the distracted
present, where the forces of the
periphery are magnified and those of in
front of us ignored. Our ability to
create, plan, much less follow through
on, is undermined by our need to be
able to improvise our way through any
number of infernal impacts that stand
to derail us at any moment.
THE ATTENTION ECONOMY
• Attention is a resource: a person has only so much of
it.
Matthew Crawford, Writer and Research Fellow, Institute for Advanced Studies in Culture at the University of
Virginia.
• A wealth of information creates a poverty of attention
and a need to allocate that attention efficiently among
the overabundance of information sources that might
consume it.
Herbert A. Simon, US political scientist, economist, sociologist, psychologist, and computer scientist, 1971.
FAKE
NEWS!
Your
logo
here
THE ATTENTION ECONOMY
• We have little choice but to develop the kind of reading
where we scan for important information
• We look for shortcuts and don’t check our sources
• Information that is not directly relevant will be ignored
• We are more vulnerable to exploitation
STAGE 1 : 1994 - 2000
Computer just a big lovely calculator
Suspicious
Plasticity of identity – play & fun. D&D.
Windows offer you multiple identities
at the same time!
Turkle – we begin to imbue tech with
a kind of psychology. We try and talk
to a computer. Is there something in it?
STAGE 2: 2002-2006 – FRIENDS RE-IGNITED!
We are all delighted to be only 6 degrees of separation from Kevin Bacon.
The role of Social Media is facilitate connection, and enhance relationships that already
exist.
Social media is still a flat database of information, with no notion of narrative. Like a teenager’s
bedroom wall.
No themes of a beginning middle of end. Search is the organising factor of how we apprehend a
story.
We are beginning to learn how to be more famous through reality TV.
Zuckerberg surfs the cultural wave of celebrity. It is okay to share your lunch!
DID CELEBRITIES TEACH US HOW TO USE SOCIAL
MEDIA?
Mobile first
PHOTO VIDEO VR/ARTEXT
The evolution of social content
Move to a visual economy
Another factor that isn’t so much a trend as just a pervasive
reality, the days of text-only content are well and truly over.
Facebook has long since made the switch to put visual
content first. The implications of this reality are two-fold.
Firstly, the breadth of content required means that gone are
the days of community managers commonly handling
everything – a modern social channel requires graphic
design, copywriting, video production and community
management skillsets (not to mention analytics and paid
media).
STAGE 3: 2006-2017 THE TIMELINE
• Get people tools to tell their stories! A tool for self expression.
• AIM - Maximise data transfer between people!
• Every click is sellable data.
• Datafication of emotions becomes possible
• Make people comfortable with a worldwide persona.
• We begin to understand how it works and build our own strategies for creating
Successful online personas that can earn us money.
•
We become performers!
• Video is encouraging us to do story doing, not story telling.
NARRATIVE COLLAPSE
There is no society doesn’t tell
stories.
Storytelling is how we transmit
value, it has a cultural use.
It creates context. It is
comforting and orienting. It
helps smooth out obstacles
and impediments by recasting
them as bumps along the road
to some better place.
But
How do we tell stories and
convey values without the time
required to tell a linear story?
CURATING CONTENT
OPTIONS GROW FASTER THAN UNDERSTANDING. WE
AREN’T USED TO IT.
THE PROBLEM…
 In a world no longer dominated by scarcity. The problem has become abundance.
 Value lies in cutting down complexity.
 Curation answers this problem. It cuts down on the overload.
 It is part of a sustainable future.
 People want curators in their lives.
 We crave simplicity.
 Your job is to fix information overload.
 Curating is doing less. Not about making more, it is about better.
 It is about quality of life, not wealth.
LET’S LEARN ABOUT CURATION.
IN WHAT WAYS DO SOCIAL MEDIA PLATFORMS TRY
AND CURATE OUR EXPERIENCE?
ON WHICH SOCIAL MEDIA PLATFORMS DO WE
CONSCIOUSLY TRY AND CURATE OUR EXPERIENCE?
ON WHICH SOCIAL MEDIA PLATFORMS ARE WE
ACTUALLY ASKED TO BE CURATORS?
CURATION: using acts of selection and arrangement (but
also refining, reducing, displaying ,simplyfying, presenting
and explaining, to ADD Value.
OUR TIMELINES ARE IMPLICITLY CURATED –
LET US LOOK AT FACEBOOK
Organic reach is in
decline
FACEBOOK IS PROMOTING LIVE BECAUSE IT
CREATES LONG ENGAGEMENTS.
How Facebook tells our story for is..
NODES AND EDGES
DECAY
LET’S DO A CLAS EXERCISE!
TRY AND RANK THE FOLLOWING POST TYPES
TAKING CONTROL - AUTHENTICITY
CONVERSATIONS THAT FAILED. -
STARBUCKS #FAIL
• #RaceTogether failed because of
• (1) poor brand alignment,
• (2) authenticity deficit
• (3) poor reaction.
STARBUCKS #FAIL
SOCIAL CAPITAL
4
3
10million UK
users
• Letting people find you when the search the Internet
• Giving you more control over what happens to you in Google
Results
• A good profile encourages people to contact you
• Address book - Stay in touch with people as they change jobs
• Go direct to the boss! – Getting past the gatekeepers. Direct
contact
• Galvanising Social Capital - Getting your connections to
request introductions for you
• Managing your online job hunting by having your C.V online
• Becoming an influencer – By joining groups you can grow
your social capital by solving industry problems
• Link it to Twitter to simplify business updates.
WHAT IS LINKED IN GOOD FOR?
HOW TO GET INVOLVED IN TWITTER
Your
logo
here
Your logo here
EACH INDUSTRY HAS ITS OWN.
What Hashtags are used in your Industry
Find out what hashtags influencers are using?
http://hashtagify.me/
FIND YOUR INDUSTRY HASHTAG.
 #SocEnt (social
entrepreneur/entrepreneurship)
 #SocEntChat (monthly social
entrepreneur chat by Ashoka)
 #socialentrepreneur (for those who don’t
know about #SocEnt)
 #Prize4SC (prize for social change)
 #4change (that’s right, “for change”)
 #BoP (base/bottom of the pyramid)
 #nonprofit (self-explanatory)
 #nptech (nonprofit technology)
 #SSIR (Stanford Social Innovation Review)
 #i4c (internet for change)
RESEARCH YOUR INDUSTRY’S HASHTAGS
Rule 65: Every cat leads to another cat.
Hemingway and Anonymous.
@JETHRO247
AD YOUR CONTEXT
Copyright © 2011, iProspect, Inc. All rights reserved.Copyright © 2011, iProspect, Inc. All rights reserved.Copyright © 2011, iProspect, Inc. All rights reserved. Source: Adthena Competitive Intelligence
targeting the right people
Age
Keyword
targeting for
in-search e.g.
Online courses
Gender
The content they
are about to
watch e.g. before
education
content
Specific
Audiences e.g.
people who
generally watch
a type of videos
From a
remarketing list
e.g. watched
previous
channel content
1.2b unique users per
month
6b hrs watched each
month
100hrs uploaded per
min
SUSAN WOJCICKI
WHAT IS YOUTUBE TRYING TO DO?
• PLACE THE YOUTUBE EXPERIENCE IN AS MANY
SMART TV’S AS POSSIBLE
• MAKE TV A SOCIAL EXPERIENCE
• PUT MAKERS AT THE VERY FOREFRONT OF 360 and
VR.
• PUT THOSE MAKERS RIGHT NEXT TO BBC1, ITV ETC
• HOW MANY MAKERS ARE THERE?
YOUTUBE CREATIVE ACADEMY
 You’ll need 1000 followers
 You’ll need 4000 hours…to get an invite.
 YouTube believe that their community will lead the way, much more
than Hollywood in terms of developing video.
 Therefore it created…
MOST POPULAR CONTENT TYPES
 1. Product Reviews
 2. How to Videos.
 3 . Vlogs.
 4. Gaming Videos
 5. Comedy Sketches
 6. Haul Videos
 7. Memes https://www.youtube.com/watch?v=Ap1b3B8bilQ
 8. Best of…
 9 Education Videos
 10 Best of Videos
 11 Collections
 12 Q&A Videos
 13. Pranks
YOUTUBE CREATES A LEVEL OF
DEVOTION TV CANNOT RE-CREATE
 Tesla drivers make great content
 https://www.youtube.com/watch?v=t6Nw6xp0NfM
 User generated content feels a bit like it’s been done to death, but this
(as far as I know) unsolicited film by an owner of his grandfather’s first
ride in his Tesla is excellent. Tesla is clearly in the very small group of
brands whose fans are brilliant at making content.
INSTREAM VIDEO ADS
• Guaranteed broad reach and frequency
• Reservation buys: Up to 30” unskippable,
skippable
AWARENESS
TRUEVIEW ADS
• An engaged audience that chooses to
watch
• Pre-Roll ad with a skippable function after 5
seconds of viewing.
CONSIDERATION
MASTHEADS
• Mass reach on YouTube’s homepage in
front of a large audience.
• High impact and highly engaging
placements.
AWARENESS
IN-DISPLAY ADS
• Guaranteed viewability at scale
• Capture users who are actively seeking
content
AWARENESS
BUMPER ADS
• Non-skippable video ads of up to 6
seconds that must be watched before your
video can be viewed.
AWARENESS
SHOPPABLE AD
• Connects viewers of the ads directly to
products.
• Encourages an engaged audience to
interact with the brand
CONSIDERATION
Media formats
CREATING EPISODIC CONTENT ON
YOUTUBE – WHY IS IT DIFFICULT?
 British parenting site MumsNet has created a series of 5 minute
sitcom episodes
 https://www.youtube.com/watch?v=MzVfnxpi-Ps
A BRANDING DISASTER + BOYCOTT –
CLICK IMAGE ABOVE – FOR DETAILS
HOW WE WATCH VIDEO TODAY
TV’s proportion of total video viewing breaks down as follows:
 Live TV: 60 per cent of total video viewing (61.6 per cent in 2015)
 Playback TV (recorded and watched at a later time): 10.8 per cent (11.4 per cent in 2015)
 Broadcaster VoD: 3.9 per cent (3 per cent in 2015)
The analysis also shows that:
 YouTube accounted for 6.4 per cent of average video viewing in 2016, up from 4.4 per
cent in 2015
 Porn accounted for 4.9 per cent in 2016, compared with 4.4 per cent in 2015
 Subscription VoD services – including Netflix and Amazon Prime – collectively accounted for
4.1 per cent, compared with 4 per cent in 2015
 DVDs increased their share of video time from 2.9 per cent in 2015 to 3.8 per cent in 2016
 Facebook was 1.7 per cent, down from 2.2 per cent in 2015
 Cinema was 0.4 per cent in 2016, unchanged from 2015.”
IT HAS A YOUNG AND VERY ACTIVE
AUDIENCE.
“Content is king, but for older children YouTube is the preferred content destination
Children are watching a wide range of content, with the TV set becoming an increasingly
important focus for family time and children using portable devices for more focused, solitary
viewing.
YouTube is a particularly important player, with
37% of 3-4s,
54% of 5-7s,
73% of 8-11s
87% of 12-15s using the YouTube website or app.
Among younger children this is
mostly used to consume traditional, ‘TV-like’ content.
BLUE NOD – VISUALISE PEOPLE’S
NETWORKS & RELATIONSHIPS
 https://bluenod.com/my-maps
@DENMARKINUK
 https://bluenod.com/146513
 Maps Digital Social Capital Well
FOLLOWERWONK ANALYSE & COMPARE FOLLOWERS
https://moz.com/followerwonk/1DEC
BUZZSUMO – SEE WHAT IS MOST SHARED ON ANY
SUBJECT
NUZZLE – WWW.NUZZLE.COM
NUZZLE – THE SAME AS BUZZUMO – BUT FOR
YOUR OWN FOLLOWERS - WHAT Are they
MOST INTERESTED IN?
THE R PROJECT – THIS IS THE TOOL
THAT ALLOWED THE DEMOS REPORT
https://www.r-project.org/
R is a free software environment for
statistical computing and graphics. It
compiles and runs on a wide variety
of UNIX platforms, Windows and
MacOS.

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Ma cultural policy and tourism - Social Media Class

  • 2. LOTS OF ONLINE ADS FOR THIS LAST WEEK.
  • 3. TODAY’S AGENDA  The Attention Economy  A short history of Social Media  Social Media Storytelling  Social Media for Research & Academia  Focus on Facebook, Youtube, Linked-in and Twitter.  Analysing @DenmarkinUK
  • 4. Social Media can be overwhelming
  • 5.
  • 6. 6 social is about real people talking to real people If you only remember one thing
  • 7. All Websites are situated along a scale where they favour recency or permanance. They also fall along a scale of amateur to well produced. CONTENT HAS A SHELF LIFE. THINKING ABOUT VIDEO WHICH HAS THE LONGEST ATTENTION SPAN. THINKING ABOUT VIDEO
  • 8. THE ATTENTION ECONOMY We tend to live in the distracted present, where the forces of the periphery are magnified and those of in front of us ignored. Our ability to create, plan, much less follow through on, is undermined by our need to be able to improvise our way through any number of infernal impacts that stand to derail us at any moment.
  • 9. THE ATTENTION ECONOMY • Attention is a resource: a person has only so much of it. Matthew Crawford, Writer and Research Fellow, Institute for Advanced Studies in Culture at the University of Virginia. • A wealth of information creates a poverty of attention and a need to allocate that attention efficiently among the overabundance of information sources that might consume it. Herbert A. Simon, US political scientist, economist, sociologist, psychologist, and computer scientist, 1971.
  • 10.
  • 11.
  • 13. THE ATTENTION ECONOMY • We have little choice but to develop the kind of reading where we scan for important information • We look for shortcuts and don’t check our sources • Information that is not directly relevant will be ignored • We are more vulnerable to exploitation
  • 14.
  • 15. STAGE 1 : 1994 - 2000 Computer just a big lovely calculator Suspicious Plasticity of identity – play & fun. D&D. Windows offer you multiple identities at the same time! Turkle – we begin to imbue tech with a kind of psychology. We try and talk to a computer. Is there something in it?
  • 16.
  • 17. STAGE 2: 2002-2006 – FRIENDS RE-IGNITED! We are all delighted to be only 6 degrees of separation from Kevin Bacon. The role of Social Media is facilitate connection, and enhance relationships that already exist. Social media is still a flat database of information, with no notion of narrative. Like a teenager’s bedroom wall. No themes of a beginning middle of end. Search is the organising factor of how we apprehend a story. We are beginning to learn how to be more famous through reality TV. Zuckerberg surfs the cultural wave of celebrity. It is okay to share your lunch!
  • 18. DID CELEBRITIES TEACH US HOW TO USE SOCIAL MEDIA?
  • 20. PHOTO VIDEO VR/ARTEXT The evolution of social content
  • 21. Move to a visual economy Another factor that isn’t so much a trend as just a pervasive reality, the days of text-only content are well and truly over. Facebook has long since made the switch to put visual content first. The implications of this reality are two-fold. Firstly, the breadth of content required means that gone are the days of community managers commonly handling everything – a modern social channel requires graphic design, copywriting, video production and community management skillsets (not to mention analytics and paid media).
  • 22. STAGE 3: 2006-2017 THE TIMELINE • Get people tools to tell their stories! A tool for self expression. • AIM - Maximise data transfer between people! • Every click is sellable data. • Datafication of emotions becomes possible • Make people comfortable with a worldwide persona. • We begin to understand how it works and build our own strategies for creating Successful online personas that can earn us money. • We become performers! • Video is encouraging us to do story doing, not story telling.
  • 23.
  • 24. NARRATIVE COLLAPSE There is no society doesn’t tell stories. Storytelling is how we transmit value, it has a cultural use. It creates context. It is comforting and orienting. It helps smooth out obstacles and impediments by recasting them as bumps along the road to some better place. But How do we tell stories and convey values without the time required to tell a linear story?
  • 26. OPTIONS GROW FASTER THAN UNDERSTANDING. WE AREN’T USED TO IT.
  • 27. THE PROBLEM…  In a world no longer dominated by scarcity. The problem has become abundance.  Value lies in cutting down complexity.  Curation answers this problem. It cuts down on the overload.  It is part of a sustainable future.  People want curators in their lives.  We crave simplicity.  Your job is to fix information overload.  Curating is doing less. Not about making more, it is about better.  It is about quality of life, not wealth.
  • 28. LET’S LEARN ABOUT CURATION.
  • 29. IN WHAT WAYS DO SOCIAL MEDIA PLATFORMS TRY AND CURATE OUR EXPERIENCE? ON WHICH SOCIAL MEDIA PLATFORMS DO WE CONSCIOUSLY TRY AND CURATE OUR EXPERIENCE? ON WHICH SOCIAL MEDIA PLATFORMS ARE WE ACTUALLY ASKED TO BE CURATORS?
  • 30. CURATION: using acts of selection and arrangement (but also refining, reducing, displaying ,simplyfying, presenting and explaining, to ADD Value.
  • 31.
  • 32. OUR TIMELINES ARE IMPLICITLY CURATED – LET US LOOK AT FACEBOOK
  • 33. Organic reach is in decline
  • 34. FACEBOOK IS PROMOTING LIVE BECAUSE IT CREATES LONG ENGAGEMENTS.
  • 35. How Facebook tells our story for is..
  • 37. DECAY
  • 38. LET’S DO A CLAS EXERCISE! TRY AND RANK THE FOLLOWING POST TYPES
  • 39. TAKING CONTROL - AUTHENTICITY
  • 40. CONVERSATIONS THAT FAILED. - STARBUCKS #FAIL
  • 41. • #RaceTogether failed because of • (1) poor brand alignment, • (2) authenticity deficit • (3) poor reaction. STARBUCKS #FAIL
  • 44. • Letting people find you when the search the Internet • Giving you more control over what happens to you in Google Results • A good profile encourages people to contact you • Address book - Stay in touch with people as they change jobs • Go direct to the boss! – Getting past the gatekeepers. Direct contact • Galvanising Social Capital - Getting your connections to request introductions for you • Managing your online job hunting by having your C.V online • Becoming an influencer – By joining groups you can grow your social capital by solving industry problems • Link it to Twitter to simplify business updates. WHAT IS LINKED IN GOOD FOR?
  • 45. HOW TO GET INVOLVED IN TWITTER Your logo here
  • 47. EACH INDUSTRY HAS ITS OWN. What Hashtags are used in your Industry Find out what hashtags influencers are using? http://hashtagify.me/ FIND YOUR INDUSTRY HASHTAG.
  • 48.  #SocEnt (social entrepreneur/entrepreneurship)  #SocEntChat (monthly social entrepreneur chat by Ashoka)  #socialentrepreneur (for those who don’t know about #SocEnt)  #Prize4SC (prize for social change)  #4change (that’s right, “for change”)  #BoP (base/bottom of the pyramid)  #nonprofit (self-explanatory)  #nptech (nonprofit technology)  #SSIR (Stanford Social Innovation Review)  #i4c (internet for change) RESEARCH YOUR INDUSTRY’S HASHTAGS
  • 49. Rule 65: Every cat leads to another cat. Hemingway and Anonymous.
  • 50.
  • 53.
  • 54. Copyright © 2011, iProspect, Inc. All rights reserved.Copyright © 2011, iProspect, Inc. All rights reserved.Copyright © 2011, iProspect, Inc. All rights reserved. Source: Adthena Competitive Intelligence targeting the right people Age Keyword targeting for in-search e.g. Online courses Gender The content they are about to watch e.g. before education content Specific Audiences e.g. people who generally watch a type of videos From a remarketing list e.g. watched previous channel content 1.2b unique users per month 6b hrs watched each month 100hrs uploaded per min
  • 56. WHAT IS YOUTUBE TRYING TO DO? • PLACE THE YOUTUBE EXPERIENCE IN AS MANY SMART TV’S AS POSSIBLE • MAKE TV A SOCIAL EXPERIENCE • PUT MAKERS AT THE VERY FOREFRONT OF 360 and VR. • PUT THOSE MAKERS RIGHT NEXT TO BBC1, ITV ETC • HOW MANY MAKERS ARE THERE?
  • 57. YOUTUBE CREATIVE ACADEMY  You’ll need 1000 followers  You’ll need 4000 hours…to get an invite.  YouTube believe that their community will lead the way, much more than Hollywood in terms of developing video.  Therefore it created…
  • 58. MOST POPULAR CONTENT TYPES  1. Product Reviews  2. How to Videos.  3 . Vlogs.  4. Gaming Videos  5. Comedy Sketches  6. Haul Videos  7. Memes https://www.youtube.com/watch?v=Ap1b3B8bilQ  8. Best of…  9 Education Videos  10 Best of Videos  11 Collections  12 Q&A Videos  13. Pranks
  • 59. YOUTUBE CREATES A LEVEL OF DEVOTION TV CANNOT RE-CREATE  Tesla drivers make great content  https://www.youtube.com/watch?v=t6Nw6xp0NfM  User generated content feels a bit like it’s been done to death, but this (as far as I know) unsolicited film by an owner of his grandfather’s first ride in his Tesla is excellent. Tesla is clearly in the very small group of brands whose fans are brilliant at making content.
  • 60. INSTREAM VIDEO ADS • Guaranteed broad reach and frequency • Reservation buys: Up to 30” unskippable, skippable AWARENESS TRUEVIEW ADS • An engaged audience that chooses to watch • Pre-Roll ad with a skippable function after 5 seconds of viewing. CONSIDERATION MASTHEADS • Mass reach on YouTube’s homepage in front of a large audience. • High impact and highly engaging placements. AWARENESS IN-DISPLAY ADS • Guaranteed viewability at scale • Capture users who are actively seeking content AWARENESS BUMPER ADS • Non-skippable video ads of up to 6 seconds that must be watched before your video can be viewed. AWARENESS SHOPPABLE AD • Connects viewers of the ads directly to products. • Encourages an engaged audience to interact with the brand CONSIDERATION Media formats
  • 61. CREATING EPISODIC CONTENT ON YOUTUBE – WHY IS IT DIFFICULT?  British parenting site MumsNet has created a series of 5 minute sitcom episodes  https://www.youtube.com/watch?v=MzVfnxpi-Ps
  • 62. A BRANDING DISASTER + BOYCOTT – CLICK IMAGE ABOVE – FOR DETAILS
  • 63. HOW WE WATCH VIDEO TODAY TV’s proportion of total video viewing breaks down as follows:  Live TV: 60 per cent of total video viewing (61.6 per cent in 2015)  Playback TV (recorded and watched at a later time): 10.8 per cent (11.4 per cent in 2015)  Broadcaster VoD: 3.9 per cent (3 per cent in 2015) The analysis also shows that:  YouTube accounted for 6.4 per cent of average video viewing in 2016, up from 4.4 per cent in 2015  Porn accounted for 4.9 per cent in 2016, compared with 4.4 per cent in 2015  Subscription VoD services – including Netflix and Amazon Prime – collectively accounted for 4.1 per cent, compared with 4 per cent in 2015  DVDs increased their share of video time from 2.9 per cent in 2015 to 3.8 per cent in 2016  Facebook was 1.7 per cent, down from 2.2 per cent in 2015  Cinema was 0.4 per cent in 2016, unchanged from 2015.”
  • 64. IT HAS A YOUNG AND VERY ACTIVE AUDIENCE. “Content is king, but for older children YouTube is the preferred content destination Children are watching a wide range of content, with the TV set becoming an increasingly important focus for family time and children using portable devices for more focused, solitary viewing. YouTube is a particularly important player, with 37% of 3-4s, 54% of 5-7s, 73% of 8-11s 87% of 12-15s using the YouTube website or app. Among younger children this is mostly used to consume traditional, ‘TV-like’ content.
  • 65. BLUE NOD – VISUALISE PEOPLE’S NETWORKS & RELATIONSHIPS  https://bluenod.com/my-maps
  • 67. FOLLOWERWONK ANALYSE & COMPARE FOLLOWERS https://moz.com/followerwonk/1DEC
  • 68. BUZZSUMO – SEE WHAT IS MOST SHARED ON ANY SUBJECT
  • 69. NUZZLE – WWW.NUZZLE.COM NUZZLE – THE SAME AS BUZZUMO – BUT FOR YOUR OWN FOLLOWERS - WHAT Are they MOST INTERESTED IN?
  • 70. THE R PROJECT – THIS IS THE TOOL THAT ALLOWED THE DEMOS REPORT https://www.r-project.org/ R is a free software environment for statistical computing and graphics. It compiles and runs on a wide variety of UNIX platforms, Windows and MacOS.

Hinweis der Redaktion

  1. 5. Ubiquity of rich media Another factor that isn’t so much a trend as just a pervasive reality, the days of text-only content are well and truly over. Facebook has long since made the switch to put visual content first. The implications of this reality are two-fold. Firstly, the breadth of content required means that gone are the days of community managers commonly handling everything – a modern social channel requires graphic design, copywriting, video production and community management skillsets (not to mention analytics and paid media).