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ESTABLISHING THE 
MISSOURI HUB: 
A SERVICE HUB FOR DPLA 
Chris Freeland, Washington University in St. Louis 
David Henry, ...
WHAT IS DPLA? 
1. A por tal that del ivers students, teachers, scholars, and the 
public to incredible resources, wherever...
CONTENT HUBS
SERVICE HUBS
SERVICE HUB MODEL 
PONDS LAKES OCEAN 
Local Regional National 
Users / Visitors / Researchers
LOCAL DISCUSSIONS LED TO ACTION 
TECHO-STL 
Technology 
Exchange for 
Cultural 
Heritage 
Organizations in 
ST. Louis 
Cul...
SEPTEMBER 2013, 
TECHO-STL MEETING AT STL FED 
 Who can be the Service Hub in Missouri? 
 Participation from Carl Wingo,...
GOAL SET IN SPRING 2014 
 GOAL: By October 2014, the digital collections of 
contributing institutions will be made avail...
 Missouri Hub 
INTRODUCING… 
http://dp. la/search?par tner%5B%5D=Missouri+Hub 
 41,557 digital objects contributed to DP...
BEFORE & AFTER SEARCHES 
 “Mi ss o ur i” 
 Before Missouri Hub addition: 27,000 
 After Missouri Hub addition: 70,000 
...
PLATFORM / AGGREGATOR 
 Missouri Digital Heritage is the state-wide platform 
 Intake engine for getting new content onl...
Missouri 
Hub
Missouri 
Hub
DPLA IS A REPOSITORY OF METADATA 
 DPLA does not host digital assets, nor does the Hub 
 Purpose of the Hub is to normal...
CCO 
 Al l metadata shared with DPLA MUST be provided under a CC0 
l icense 
 This applies only to metadata - not digita...
HOW TO JOIN IN THE FUN 
Saint Louis University students dancing 
at a Halloween party, ca. 1955. 
http://dp.la/item/b0884c...
Establishing the Missouri Hub: A Service Hub for DPLA
Establishing the Missouri Hub: A Service Hub for DPLA
Establishing the Missouri Hub: A Service Hub for DPLA
Establishing the Missouri Hub: A Service Hub for DPLA
Establishing the Missouri Hub: A Service Hub for DPLA
Establishing the Missouri Hub: A Service Hub for DPLA
Establishing the Missouri Hub: A Service Hub for DPLA
Establishing the Missouri Hub: A Service Hub for DPLA
Establishing the Missouri Hub: A Service Hub for DPLA
Establishing the Missouri Hub: A Service Hub for DPLA
Establishing the Missouri Hub: A Service Hub for DPLA
Establishing the Missouri Hub: A Service Hub for DPLA
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Establishing the Missouri Hub: A Service Hub for DPLA

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Establishing the Missouri Hub: A Service Hub for DPLA

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Establishing the Missouri Hub: A Service Hub for DPLA

  1. 1. ESTABLISHING THE MISSOURI HUB: A SERVICE HUB FOR DPLA Chris Freeland, Washington University in St. Louis David Henry, Missouri History Museum Emily Jaycox, Missouri History Museum
  2. 2. WHAT IS DPLA? 1. A por tal that del ivers students, teachers, scholars, and the public to incredible resources, wherever they may be in America. 2. A platform that enables new and transformative uses of our digitized cultural heritage. 3. An advocate for a strong publ ic option in the twenty-first century. The DPLA seeks to multiply openly accessible materials to strengthen the publ ic option that l ibraries represent in their communities.
  3. 3. CONTENT HUBS
  4. 4. SERVICE HUBS
  5. 5. SERVICE HUB MODEL PONDS LAKES OCEAN Local Regional National Users / Visitors / Researchers
  6. 6. LOCAL DISCUSSIONS LED TO ACTION TECHO-STL Technology Exchange for Cultural Heritage Organizations in ST. Louis Cultural heritage organizations & beyond: Libraries Museums Universities Technology Partners Financial Institutions Opportunity to share experience, collaborate Linked Data Platforms Digital Exhibitions
  7. 7. SEPTEMBER 2013, TECHO-STL MEETING AT STL FED  Who can be the Service Hub in Missouri?  Participation from Carl Wingo, learned Missouri Digital Heritage (contentDM) in migration  Timing  STL 250th  Federal Reserve Bank of St. Louis 100th  Demand  What questions can’t be asked of DPLA about Missouri right now?  Reuse  Lessons learned from other Hubs  What else could our group of interested libraries do together?  Scope of content  What is a Missouri digital object?
  8. 8. GOAL SET IN SPRING 2014  GOAL: By October 2014, the digital collections of contributing institutions will be made available on DPLA through a Missouri-centered hub  Admin working group  Federal Reserve Bank of St. Louis  Missouri History Museum  Washington University in St. Louis  Technical group  Led by David Henry at Missouri History Museum
  9. 9.  Missouri Hub INTRODUCING… http://dp. la/search?par tner%5B%5D=Missouri+Hub  41,557 digital objects contributed to DPLA  22,136 images  7,886 texts  6,834 physical objects  Contributors across the state:  Missouri History Museum  St. Louis University  Washington University in St. Louis  Kansas City Public Library  Federal Reserve Bank of St. Louis  The State Historical Society of Missouri
  10. 10. BEFORE & AFTER SEARCHES  “Mi ss o ur i”  Before Missouri Hub addition: 27,000  After Missouri Hub addition: 70,000  “ 1 9 0 4 Wo r l d’ s Fa i r ”  Before Missouri Hub addition: 232  After Missouri Hub addition: 1,968
  11. 11. PLATFORM / AGGREGATOR  Missouri Digital Heritage is the state-wide platform  Intake engine for getting new content online, especially from smaller, tech-challenged organizations  Well-established  Available via OAI-PMH  The Missouri Hub is an aggregator  Onramp to DPLA  Pulls content from repositories within Missouri, can include MDH once agreements in place  Aggregator is a silent utility without a user interface
  12. 12. Missouri Hub
  13. 13. Missouri Hub
  14. 14. DPLA IS A REPOSITORY OF METADATA  DPLA does not host digital assets, nor does the Hub  Purpose of the Hub is to normal ize/regularize metadata so it can be passed to DPLA in a uni fied stream  DPLA only stores Metadata + Link to Thumbnai l ( if exists) + Link back to digital asset in contributing repository  DPLA does value-added post -processing on the metadata to enable search facets for DATE & PLACE  Richer discovery experience
  15. 15. CCO  Al l metadata shared with DPLA MUST be provided under a CC0 l icense  This applies only to metadata - not digital assets  What is CC0?  Creative Commons Public Domain Dedication  “…has dedicated the work to the public domain by waiving all of his or her rights to the work worldwide under copyright law…”  “You can copy, modify, distribute and perform the work, even for commercial purposes, all without asking permission.”  Why this approach?  Metadata are statements, facts  Restrictions limit reuse en masse
  16. 16. HOW TO JOIN IN THE FUN Saint Louis University students dancing at a Halloween party, ca. 1955. http://dp.la/item/b0884cc71d857923122b3eb1507dafc4 Contributors • Review & sign Memorandum of Understanding: http://data.mohistory.org/files/M OHub_MOU_Sep_2014.docx • Connect your tech/systems people with David Henry

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