7. ACTIVITY
Activity: Pair – Share
The class will be divided into three
(3) groups. They will classify the
pictures of artworks according to
20th
century art movements. Each
art movement will have 2 pictures
of artworks.
16. IMPRESSIONISM
An art movement that
emerged in the second
half of the 19th century
among a group of
Paris-based artists.
17. IMPRESSIONISM
Its name was coined from the
title of a work by French
painter Claude Monet,
Impression, soleil levant (in
English, Impression, Sunrise).
24. Distinct Characteristics:
2. Everyday Subjects
- Scenes of life
- Household objects
- Landscapes and Seascapes
- Houses, Cafes, Buildings
IMPRESSIONISM
25. Distinct Characteristics:
3. Painting Outdoors
- Previously, still lifes, portraits, and
landscapes were painted inside the studio.
The impressionists found that they could
best capture the ever-changing effects of
light on color by painting outdoors in natural
light.
IMPRESSIONISM
26. Distinct Characteristics:
4. Open Composition
- Impressionist painting also moved
away from the formal, structured
approach to placing and positioning
their subjects.
IMPRESSIONISM
29. (1840-1926)
One of the founders of the impressionist
movement along with his friends Auguste Renoir,
Alfred Sisley, and Frédéric Bazille.
He was the most prominent of the group
Considered the most influential figure in the
movement.
Monet is best known for his landscape paintings,
particularly those depicting his beloved flower
gardens and water lily ponds at his home in
Giverny.
CLAUDE MONET
36. (1832-1883)
One of the first 19th century artists
to depict modern-life subjects.
He was a key figure in the transition
from realism to impressionism, with
a number of his works considered as
marking the birth of modern art.
EDOUARD MANET
42. (1841-1919)
Along with Monet, was one of the central
figures of the impressionist movement.
His early works were snapshots of real life, full
of sparkling color and light.
By the mid-1880s, however, Renoir broke
away from the impressionist movement to
apply a more disciplined, formal technique to
portraits of actual people and figure paintings.
AUGUSTE RENOIR
47. Use of geometric approach,
fragmenting objects and
distorting people’s faces and
body parts, and applying
colors that were not
necessarily realistic or natural
POST-IMPRESSIONISM
49. 1839–1906
A French artist and post-impressionist
painter.
His work exemplified the transition from
late 19th-century impressionism to a new
and radically different world of art in the
20th century—paving the way for the next
revolutionary art movement known as
expressionism.
PAUL CEZANNE
55. 1853-1890
A post-impressionist painter from The
Netherlands.
His works were remarkable for their
strong, heavy brush strokes, intense
emotions, and colors that appeared to
almost pulsate with energy.
Had most recognized works in the
world.
VINCENT VAN GOGH
62. EXPRESSIONISM
(A Bold New Movement)
- Use of distorted outlines, applied
strong colors, and exaggerated
forms.
- They worked more with their
imagination and feelings, rather
than with what their eyes saw in
the physical world.
63. EXPRESSIONISM
(A Bold New Movement)
Expressionist Art Movements:
Neoprimitivism
Fauvism
Dadaism
Surrealism
Social realism
64. EXPRESSIONISM
(A Bold New Movement)
Sub-Movements:
1. Fauvism
Uses bold, vibrant colors
and visual distortions.
“Les Fauves” (Wild Beast)
67. EXPRESSIONISM
(A Bold New Movement)
Sub-Movements:
2. Dadaism
• Characterized by dream
fantasies, memory images, and
visual tricks and fantasies.
68. 2. Dadaism
• Although the works appeared playful, the
movement arose from the pain that a group of
European artists felt after the suffering brought
by World War I. Wishing to protest against the
civilization that had brought on such horrors,
these artists rebelled against established norms
and authorities, and against the traditional
styles in art.
• They chose the child’s term for hobbyhorse,
dada, to refer to their new “non-style.”
71. EXPRESSIONISM
(A Bold New Movement)
Sub-Movements:
3. Surrealism
- Depicts an illogical
subconscious dream world
beyond the logical, conscious,
physical one.
72. 3. Surrealism
- “super realism,” with its
artworks clearly expressing a
departure from reality—as
though the artists were
dreaming, seeing illusions, or
experiencing an altered mental
state.
76. EXPRESSIONISM
(A Bold New Movement)
Sub-Movements:
4. Social Realism
- Expresses the
artist’s role in social
reform.
77. EXPRESSIONISM
(A Bold New Movement)
Sub-Movements:
4. Social Realism
- artists used their works to
protest against the injustices,
inequalities, immorality, and
ugliness of the human
condition.
78. EXPRESSIONISM
(A Bold New Movement)
4. Social Realism
- addressed different issues
in the hope of raising people’s
awareness and pushing
society to seek reforms.
79. “Miner’s
Wives”
Ben Shahn, 1948
- spoke out against the
hazardous conditions
faced by coal miners,
after a tragic accident
killed 111 workers in
Illinois in 1947, leaving
their wives and
children in mourning.
81. Recognized as the most monumental and
comprehensive statement of social
realism against the brutality of war. Filling
one wall of the Spanish Pavilion at the
1937 World’s Fair in Paris, it was Picasso’s
outcry against the German air raid of the
town of Guernica in his native Spain.
82. EXPRESSIONISM
(A Bold New Movement)
Sub-Movements:
5. Neoprimitivism
- incorporated elements from
the native arts of the South Sea
Islanders and the wood carvings
of African tribes
83. EXPRESSIONISM
(Neoprimitivism)
Among the Western artists who
adapted these elements was
Amedeo Modigliani, who used
the oval faces and elongated
shapes of African art in both his
sculptures and paintings.
88. ABSTRACTIONISMABSTRACTIONISM
Artists reduced a scene into geometrical
shapes, patterns, lines, angles, textures
and swirls of color.
The resulting works ranged from
representational abstractionism,
depicting stillrecognizable subjects (as
in the artwork on the left), to pure
abstractionism, where no recognizable
subject could be discerned.
95. ABSTRACTIONISM
3. Mechanical Style
- The result of the futurist
movement. Basic forms such as
planes, cones, spheres, and
cylinders all fit together precisely
and neatly in their appointed
places.
97. ABSTRACTIONISM
4. Non-objectivism
From the very term “non-object,” it
does not use figures.
Lines, shapes, and colors were used
in a cool, impersonal approach that
aimed for balance, unity, and
stability.
Also known as “CONCRETE ART”
105. POP ART
Distinct Characteristics:
1. Range of Work
- From painting, to posters, collages, 3D
assemblages, and installations.
2. Inspirations/Subjects
- Advertisements, celebrities, billboards, and
comic strips.
106. OP ART
Distinct Characteristics:
1.A form of action painting with the action
taking place in the viewer’s eye.
2. As the eye moved over a diff. segments of
the image, perfectly stable components
appeared to shift back and forth.
108. CONTEMPORARY ART FORMS
1. Installation Art
- Uses sculptural materials and other media
to modify the viewer’s experience in a
particular space.
- Usually lifesize or even larger. Installation
can be constructed in everyday public or
private spaces both indoor and outdoor.
109. CONTEMPORARY ART FORMS
2. Performance Art
- The actions of the performers may
constitute work. It can happen any time at
any place for any length of time.
- It may include activities such as theater,
dance, music, mime, juggling, and
gymnastics.
111. APPLICATION
1. The participants will be grouped into
seven (7). Each group will be assigned to a
particular art movement and they will create
a sample artwork.
113. APPLICATION
2. The participants will be grouped per
region. Using the matrix below, each group
will make a plan of activities as to how they
will apply the concepts of Differentiated
Instruction, Localization and
Contextualization in the different topics.
Present your output to the class.