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THE DANISH MODEL
•   KODA administers public performance rights for 30k Danish composers,
    songwriters and music publishers + reciprocal contracts with foreign sister
    societies.

•   KODA payments represent about 30-40% of an established, young artists’
    income. *

•   KODA works; tightly knit, accepted, unrivaled.

•   Broadcast and cable represent about 75% of KODAs income.

•   CC irrelevant without KODA’s support

•   For CC, KODA helps gain trust from artists

•   KODA wants to appear dynamic & up-to-date, get goodwill from artists

                                                       * Mikael Simpson - http://www.mikaelsimpson.dk/
THE DANISH MODEL
•   KODA members (and all rights holders) must read and sign an agreement
    prior to using the CC license engine.

•   NC only. NC to be interpreted following CC guidelines specific to the
    KODA trial.

•   Broadcasters (except non-profit local radio with zero ad revenue) are
    commercial.

•   No ads.

•   KODA touts irrevocability, potential errors, administrative / practical
    inability to collect / enforce licenses; “The license is eternal and KODA
    cannot start collecting towards non-commercial use in the future since
    waiving the agreement would be without effect.”
•       The fine print: CC DK GUIDELINES for interpretation of “non-
        commercial”

        by DR.THOMAS RIIS, Copenhagen Business School (Legal Project Lead)


    •     “Non-Commercial user” is

    •     1. An individual

    •     2. A non-profit educational institution or a public library

    •     3. A non-profit organisation, institution charitable organisation etc.

    •     ISPs, copyshops and other service providers acting on behalf of a “Non-
          Commercial user” --> non-commercial

    •     Advertising etc.

    •     a: if work is used in connection with advertising, sponsorship or promotion of
          third party products or services --> commercial

    •     b: If a webpage contains “click through” ads etc. in order get access to CC
          content --> commercial
•   “Remuneration as a condition of use”

•   a) services

•   - If a consideration in money or money’s worth is received for a service
    provided in connection with a Creative Commons licensed work -->
    commercial

•   - If a remuneration is received for a service provided (e.g. by a copy shop) on
    behalf of a user and this service is of limited significance and subsidiary to the
    use of the licensed work (e.g. a compendium for a course at an educational
    institution) --> non-commercial

•   b:) concerning works

•   - if money / other value is exchanged in connection to the use of the CC-
    licensed work --> commercial

•   If a Creative Commons licensed work is used in connection with a request for
    voluntary contributions (donations, supporting membership or the like) for the
    benefit of an individual, an educational institution or a non-profit organisation
    -->Non-Commercial.
Download the guidelines:
http://creativecommons.dk/NC_KODA.pdf

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The Danish Model: CC & KODA

  • 1. THE DANISH MODEL • KODA administers public performance rights for 30k Danish composers, songwriters and music publishers + reciprocal contracts with foreign sister societies. • KODA payments represent about 30-40% of an established, young artists’ income. * • KODA works; tightly knit, accepted, unrivaled. • Broadcast and cable represent about 75% of KODAs income. • CC irrelevant without KODA’s support • For CC, KODA helps gain trust from artists • KODA wants to appear dynamic & up-to-date, get goodwill from artists * Mikael Simpson - http://www.mikaelsimpson.dk/
  • 2. THE DANISH MODEL • KODA members (and all rights holders) must read and sign an agreement prior to using the CC license engine. • NC only. NC to be interpreted following CC guidelines specific to the KODA trial. • Broadcasters (except non-profit local radio with zero ad revenue) are commercial. • No ads. • KODA touts irrevocability, potential errors, administrative / practical inability to collect / enforce licenses; “The license is eternal and KODA cannot start collecting towards non-commercial use in the future since waiving the agreement would be without effect.”
  • 3. The fine print: CC DK GUIDELINES for interpretation of “non- commercial” by DR.THOMAS RIIS, Copenhagen Business School (Legal Project Lead) • “Non-Commercial user” is • 1. An individual • 2. A non-profit educational institution or a public library • 3. A non-profit organisation, institution charitable organisation etc. • ISPs, copyshops and other service providers acting on behalf of a “Non- Commercial user” --> non-commercial • Advertising etc. • a: if work is used in connection with advertising, sponsorship or promotion of third party products or services --> commercial • b: If a webpage contains “click through” ads etc. in order get access to CC content --> commercial
  • 4. “Remuneration as a condition of use” • a) services • - If a consideration in money or money’s worth is received for a service provided in connection with a Creative Commons licensed work --> commercial • - If a remuneration is received for a service provided (e.g. by a copy shop) on behalf of a user and this service is of limited significance and subsidiary to the use of the licensed work (e.g. a compendium for a course at an educational institution) --> non-commercial • b:) concerning works • - if money / other value is exchanged in connection to the use of the CC- licensed work --> commercial • If a Creative Commons licensed work is used in connection with a request for voluntary contributions (donations, supporting membership or the like) for the benefit of an individual, an educational institution or a non-profit organisation -->Non-Commercial.