SlideShare ist ein Scribd-Unternehmen logo
1 von 59
 
Creative Scientists, Artists, and Psychologists: Modeling Disposition, Development, and Achievement
Three Arguments ,[object Object],[object Object],[object Object],[object Object]
Three Arguments ,[object Object],[object Object],[object Object],[object Object]
Three Arguments ,[object Object],[object Object],[object Object],[object Object]
First Argument: Hierarchy of the Sciences ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
First Argument:  Hierarchy of the Sciences ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
First Argument:  Hierarchy of the Sciences ,[object Object],[object Object]
Simonton (2004) ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Simonton (2004) ,[object Object],[object Object],[object Object],[object Object],[object Object]
Simonton (2004) ,[object Object]
 
Former hierarchical arrangement consistent with scientists own perceptions of their domains, e.g. …
17.2% 3.4% Objectivity as impossible or nonexistent 30.3% 20.4% Objectivity as its complete realization doubtful 52.5% 76.2% Objectivity as attainable and attained  54.7% 33.6% Objectivity as the researcher’s impartiality and nonsubjectivity 54.8% 69.0% Objectivity as the property of the research process Social scientists N  = 167 Natural  scientists N =  310 Prpić (2008)
Two Elaborations ,[object Object],[object Object]
Two Elaborations ,[object Object],[object Object],[object Object]
Two Elaborations ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Two Elaborations ,[object Object],[object Object],[object Object],[object Object]
Illustration: 54 Eminent Psychologists (Simonton, 2000; cf. Coan, 1979) ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Illustration: ,[object Object],[object Object],[object Object],[object Object]
“ Hard” “ Soft”
Second Argument ,[object Object],[object Object]
What Dispositional and Developmental Factors Determine Preferences Regarding ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Potential Answers ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Disposition  –  Science to Art ,[object Object],[object Object],[object Object],[object Object]
Disposition – Science to Art ,[object Object],[object Object],[object Object],[object Object]
Disposition – Science to Art ,[object Object],[object Object],[object Object]
Disposition –  Science to Science ,[object Object],[object Object],[object Object],[object Object]
Disposition – Science to Science ,[object Object],[object Object],[object Object],[object Object]
Disposition –  Within a Science ,[object Object],[object Object],[object Object]
Disposition – Within a Science ,[object Object],[object Object],[object Object]
Development  –  Science to Art ,[object Object],[object Object],[object Object],[object Object]
Development – Science to Art ,[object Object],[object Object],[object Object]
Development – Science to Art ,[object Object],[object Object],[object Object],[object Object]
Development – Science to Art ,[object Object],[object Object],[object Object]
Development – Science to Art ,[object Object],[object Object],[object Object],[object Object],[object Object]
Development –  Science to Science ,[object Object],[object Object],[object Object],[object Object]
Development – Science to Science ,[object Object],[object Object],[object Object]
Development –  Within a Science ,[object Object],[object Object],[object Object]
Development – Within a Science ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Development – Within a Science ,[object Object],[object Object]
Third Argument:  Differential Impact Within a Domain ,[object Object],[object Object]
Third Argument:  Differential Impact Within a Domain ,[object Object],[object Object]
Third Argument:  Differential Impact Within a Domain ,[object Object],[object Object]
Third Argument:  Differential Impact Within a Domain ,[object Object],[object Object],[object Object],[object Object]
Third Argument:  Differential Impact Within a Domain ,[object Object],[object Object],[object Object],[object Object]
Third Argument:  Differential Impact Within a Domain ,[object Object],[object Object],[object Object],[object Object]
Third Argument:  Differential Impact Within a Domain ,[object Object],[object Object]
Dispositional Predictors ,[object Object],[object Object],[object Object],[object Object],[object Object]
Dispositional Predictors ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Dispositional Predictors ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Dispositional Predictors ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
 
Dispositional Predictors ,[object Object],[object Object],[object Object],[object Object],[object Object]
Dispositional Predictors ,[object Object],[object Object],[object Object]
Developmental Predictors ,[object Object],[object Object],[object Object],[object Object],[object Object]
Conclusion ,[object Object],[object Object],[object Object]
FIELDS  ARRANGED BY  CREATIVITY ←  MORE CREATIVE
FIELDS  ARRANGED BY  CREATIVITY ←  MORE CREATIVE

Weitere ähnliche Inhalte

Andere mochten auch

Presentacion Competencias Balbina Y Yadira[1]
Presentacion Competencias Balbina Y Yadira[1]Presentacion Competencias Balbina Y Yadira[1]
Presentacion Competencias Balbina Y Yadira[1]rojas.balbina
 
Instructions images for
Instructions images forInstructions images for
Instructions images forJo Hart
 
Ppp สอนฟัง อาย เเจง พี่บ๋อม
Ppp สอนฟัง อาย เเจง พี่บ๋อมPpp สอนฟัง อาย เเจง พี่บ๋อม
Ppp สอนฟัง อาย เเจง พี่บ๋อมPanichapoly12
 
情報編集(Web) 第5回:CSS入門 情報の形を視覚化する
情報編集(Web)  第5回:CSS入門  情報の形を視覚化する情報編集(Web)  第5回:CSS入門  情報の形を視覚化する
情報編集(Web) 第5回:CSS入門 情報の形を視覚化するAtsushi Tadokoro
 
Magazine Research
Magazine ResearchMagazine Research
Magazine Researchemmaalou
 
Sour Straws for the Deca Cart
Sour Straws for the Deca CartSour Straws for the Deca Cart
Sour Straws for the Deca CartNaomi Jenkins
 
Eelm 14 02 a1°-176876 criterios planeación (p)
Eelm 14 02 a1°-176876 criterios planeación (p)Eelm 14 02 a1°-176876 criterios planeación (p)
Eelm 14 02 a1°-176876 criterios planeación (p)maurovalher11
 
Eelm 13 11-22 propuesta curricular 2014
Eelm 13 11-22 propuesta curricular 2014Eelm 13 11-22 propuesta curricular 2014
Eelm 13 11-22 propuesta curricular 2014maurovalher11
 

Andere mochten auch (13)

Presentacion Competencias Balbina Y Yadira[1]
Presentacion Competencias Balbina Y Yadira[1]Presentacion Competencias Balbina Y Yadira[1]
Presentacion Competencias Balbina Y Yadira[1]
 
Instructions images for
Instructions images forInstructions images for
Instructions images for
 
X-posé: Seurat
X-posé: SeuratX-posé: Seurat
X-posé: Seurat
 
Ppp สอนฟัง อาย เเจง พี่บ๋อม
Ppp สอนฟัง อาย เเจง พี่บ๋อมPpp สอนฟัง อาย เเจง พี่บ๋อม
Ppp สอนฟัง อาย เเจง พี่บ๋อม
 
情報編集(Web) 第5回:CSS入門 情報の形を視覚化する
情報編集(Web)  第5回:CSS入門  情報の形を視覚化する情報編集(Web)  第5回:CSS入門  情報の形を視覚化する
情報編集(Web) 第5回:CSS入門 情報の形を視覚化する
 
Jagan
JaganJagan
Jagan
 
Elementos del diseño
Elementos del diseñoElementos del diseño
Elementos del diseño
 
Magazine Research
Magazine ResearchMagazine Research
Magazine Research
 
What do you do if[1]
What do you do if[1]What do you do if[1]
What do you do if[1]
 
Sour Straws for the Deca Cart
Sour Straws for the Deca CartSour Straws for the Deca Cart
Sour Straws for the Deca Cart
 
Eelm 14 02 a1°-176876 criterios planeación (p)
Eelm 14 02 a1°-176876 criterios planeación (p)Eelm 14 02 a1°-176876 criterios planeación (p)
Eelm 14 02 a1°-176876 criterios planeación (p)
 
Eelm 13 11-22 propuesta curricular 2014
Eelm 13 11-22 propuesta curricular 2014Eelm 13 11-22 propuesta curricular 2014
Eelm 13 11-22 propuesta curricular 2014
 
9 vargas zuñiga 2007
9 vargas zuñiga 20079 vargas zuñiga 2007
9 vargas zuñiga 2007
 

Ähnlich wie Scientists artistspsychologists

Ispst berlin2008
Ispst berlin2008Ispst berlin2008
Ispst berlin2008HaileyM
 
Memory is a social and political construction. Discuss.·.docx
Memory is a social and political construction. Discuss.·.docxMemory is a social and political construction. Discuss.·.docx
Memory is a social and political construction. Discuss.·.docxARIV4
 
Who are the actors of controversies? appreciating the heterogeneity of collec...
Who are the actors of controversies? appreciating the heterogeneity of collec...Who are the actors of controversies? appreciating the heterogeneity of collec...
Who are the actors of controversies? appreciating the heterogeneity of collec...INRIA - ENS Lyon
 
81st ICREA Colloquium "Two Perspectives on the Relation between Philosophy an...
81st ICREA Colloquium "Two Perspectives on the Relation between Philosophy an...81st ICREA Colloquium "Two Perspectives on the Relation between Philosophy an...
81st ICREA Colloquium "Two Perspectives on the Relation between Philosophy an...Mayi Suárez
 
81st ICREA Colloquium "Two Perspectives on the Relation between Philosophy an...
81st ICREA Colloquium "Two Perspectives on the Relation between Philosophy an...81st ICREA Colloquium "Two Perspectives on the Relation between Philosophy an...
81st ICREA Colloquium "Two Perspectives on the Relation between Philosophy an...ICREA
 
still contains sentences that are hard to understand, such as Evo.docx
still contains sentences that are hard to understand, such as Evo.docxstill contains sentences that are hard to understand, such as Evo.docx
still contains sentences that are hard to understand, such as Evo.docxrjoseph5
 
There is no_such_thing_as_a_social_science_intro
There is no_such_thing_as_a_social_science_introThere is no_such_thing_as_a_social_science_intro
There is no_such_thing_as_a_social_science_introElsa von Licy
 
Copyright 1999 by Rosemead School of Psychology Biola Univ.docx
Copyright 1999 by Rosemead School of Psychology Biola Univ.docxCopyright 1999 by Rosemead School of Psychology Biola Univ.docx
Copyright 1999 by Rosemead School of Psychology Biola Univ.docxbobbywlane695641
 
A Brief Essay On How Comparative Psychology Became An Endangered Species
A Brief Essay On How Comparative Psychology Became An Endangered SpeciesA Brief Essay On How Comparative Psychology Became An Endangered Species
A Brief Essay On How Comparative Psychology Became An Endangered SpeciesJoshua Gorinson
 
Science and Social Research
Science and Social ResearchScience and Social Research
Science and Social Researchatrantham
 
Evolutionary epistemology versus faith and justified true belief: Does scien...
Evolutionary epistemology versus faith and justified true belief:  Does scien...Evolutionary epistemology versus faith and justified true belief:  Does scien...
Evolutionary epistemology versus faith and justified true belief: Does scien...William Hall
 
Science and research
Science and researchScience and research
Science and researchgs. bhatnagar
 
Scientific epistemology (2)
Scientific epistemology (2)Scientific epistemology (2)
Scientific epistemology (2)Connie Gomez
 
Running head YOUR PAPER TITLE 1YOUR PAPER TITLE HERE 2.docx
Running head YOUR PAPER TITLE 1YOUR PAPER TITLE HERE 2.docxRunning head YOUR PAPER TITLE 1YOUR PAPER TITLE HERE 2.docx
Running head YOUR PAPER TITLE 1YOUR PAPER TITLE HERE 2.docxrtodd599
 

Ähnlich wie Scientists artistspsychologists (20)

Example
ExampleExample
Example
 
Ispst berlin2008
Ispst berlin2008Ispst berlin2008
Ispst berlin2008
 
Memory is a social and political construction. Discuss.·.docx
Memory is a social and political construction. Discuss.·.docxMemory is a social and political construction. Discuss.·.docx
Memory is a social and political construction. Discuss.·.docx
 
Who are the actors of controversies? appreciating the heterogeneity of collec...
Who are the actors of controversies? appreciating the heterogeneity of collec...Who are the actors of controversies? appreciating the heterogeneity of collec...
Who are the actors of controversies? appreciating the heterogeneity of collec...
 
81st ICREA Colloquium "Two Perspectives on the Relation between Philosophy an...
81st ICREA Colloquium "Two Perspectives on the Relation between Philosophy an...81st ICREA Colloquium "Two Perspectives on the Relation between Philosophy an...
81st ICREA Colloquium "Two Perspectives on the Relation between Philosophy an...
 
81st ICREA Colloquium "Two Perspectives on the Relation between Philosophy an...
81st ICREA Colloquium "Two Perspectives on the Relation between Philosophy an...81st ICREA Colloquium "Two Perspectives on the Relation between Philosophy an...
81st ICREA Colloquium "Two Perspectives on the Relation between Philosophy an...
 
Bigfive
BigfiveBigfive
Bigfive
 
still contains sentences that are hard to understand, such as Evo.docx
still contains sentences that are hard to understand, such as Evo.docxstill contains sentences that are hard to understand, such as Evo.docx
still contains sentences that are hard to understand, such as Evo.docx
 
There is no_such_thing_as_a_social_science_intro
There is no_such_thing_as_a_social_science_introThere is no_such_thing_as_a_social_science_intro
There is no_such_thing_as_a_social_science_intro
 
Is the sociology_of_deviance_still_relev
Is the sociology_of_deviance_still_relevIs the sociology_of_deviance_still_relev
Is the sociology_of_deviance_still_relev
 
Copyright 1999 by Rosemead School of Psychology Biola Univ.docx
Copyright 1999 by Rosemead School of Psychology Biola Univ.docxCopyright 1999 by Rosemead School of Psychology Biola Univ.docx
Copyright 1999 by Rosemead School of Psychology Biola Univ.docx
 
A Brief Essay On How Comparative Psychology Became An Endangered Species
A Brief Essay On How Comparative Psychology Became An Endangered SpeciesA Brief Essay On How Comparative Psychology Became An Endangered Species
A Brief Essay On How Comparative Psychology Became An Endangered Species
 
Science and Social Research
Science and Social ResearchScience and Social Research
Science and Social Research
 
Key Debates in Psychology
Key Debates in PsychologyKey Debates in Psychology
Key Debates in Psychology
 
Evolutionary epistemology versus faith and justified true belief: Does scien...
Evolutionary epistemology versus faith and justified true belief:  Does scien...Evolutionary epistemology versus faith and justified true belief:  Does scien...
Evolutionary epistemology versus faith and justified true belief: Does scien...
 
ppt-PFE301_1.pptx
ppt-PFE301_1.pptxppt-PFE301_1.pptx
ppt-PFE301_1.pptx
 
research paradigms
research paradigmsresearch paradigms
research paradigms
 
Science and research
Science and researchScience and research
Science and research
 
Scientific epistemology (2)
Scientific epistemology (2)Scientific epistemology (2)
Scientific epistemology (2)
 
Running head YOUR PAPER TITLE 1YOUR PAPER TITLE HERE 2.docx
Running head YOUR PAPER TITLE 1YOUR PAPER TITLE HERE 2.docxRunning head YOUR PAPER TITLE 1YOUR PAPER TITLE HERE 2.docx
Running head YOUR PAPER TITLE 1YOUR PAPER TITLE HERE 2.docx
 

Scientists artistspsychologists

  • 1.  
  • 2. Creative Scientists, Artists, and Psychologists: Modeling Disposition, Development, and Achievement
  • 3.
  • 4.
  • 5.
  • 6.
  • 7.
  • 8.
  • 9.
  • 10.
  • 11.
  • 12.  
  • 13. Former hierarchical arrangement consistent with scientists own perceptions of their domains, e.g. …
  • 14. 17.2% 3.4% Objectivity as impossible or nonexistent 30.3% 20.4% Objectivity as its complete realization doubtful 52.5% 76.2% Objectivity as attainable and attained 54.7% 33.6% Objectivity as the researcher’s impartiality and nonsubjectivity 54.8% 69.0% Objectivity as the property of the research process Social scientists N = 167 Natural scientists N = 310 Prpić (2008)
  • 15.
  • 16.
  • 17.
  • 18.
  • 19.
  • 20.
  • 21. “ Hard” “ Soft”
  • 22.
  • 23.
  • 24.
  • 25.
  • 26.
  • 27.
  • 28.
  • 29.
  • 30.
  • 31.
  • 32.
  • 33.
  • 34.
  • 35.
  • 36.
  • 37.
  • 38.
  • 39.
  • 40.
  • 41.
  • 42.
  • 43.
  • 44.
  • 45.
  • 46.
  • 47.
  • 48.
  • 49.
  • 50.
  • 51.
  • 52.
  • 53.  
  • 54.
  • 55.
  • 56.
  • 57.
  • 58. FIELDS ARRANGED BY CREATIVITY ← MORE CREATIVE
  • 59. FIELDS ARRANGED BY CREATIVITY ← MORE CREATIVE