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z
CASE STUDY
SLEEP ON THE FLOOR- THE LUMINEERS
z
NARRATIVE AND STYLE
 This piece is a 'Narrative style' music vdeio
where the band 'cameo' towards the end to
sing a section of this song as the main actress
and actor listen and dance together. This
piece portrays a dreamlike 'young love' as the
woman fantisies what life would have been
like had she left the funeral with the man. In
her dreams they roadtrip across America,
eventually marrying only for her to wake up
and realise it was all a fantasy of what reality
could have been.
z
LIGHTING AND COLOUR
 The lighting varies in this
piece but can be summarised
as very 'natrual'. There are
moments where they are
almost I complete darkness
contrasted with bright,sunny,
daylight.
 Colour is very natrual in this
piece and ranges to make the
music video feel very 'real'
and true to life. In one
significant scene is a pink
sunset, enphasing ideas of
romance the audience may
connect the colour and time
of day, highlighting how this is
the everyday persons
'perfect', romance fantasy
z
COSTUME AND PROPS
 Costume choice is very
casual. The womans wedding
dress in the dream is merely
a red playsuit which makes
the story of their love seem
very down to earth and raw
as they didn’t care how grand
the wedding was. This is
deemed desirable for
audiences beliving this is the
idea of 'true' love.
 Natrual scenes such as an
average house, sunset or
real-life cities like las vegas
are used to give a very 'down
to earth' and 'real' feeling to
the piece. The main prop
arguably is the car which they
use to travel on their love
story.
z
SHOT TYPES
 Shot types vary from wide to close up. A lot of shots are tracking
shots, giving the piece a natrual feel. Close up shots are at
intimate moments such as in her dream when they dance under
the pink sunset or after they marry, making the narrative very
personal and highlighting clearly the fantasy of 'young love'.
z
INTERTEXTUALITY
 Although not much interetextuality is present, the Lumineers
have cleverly linked three of their music videos together. For
example, In their music video for 'Cleapatra' the audience will
notice the same young couple as in 'sleep on the floor' getting in
the back of taxi when they, at the beginning of the music video,
leave the funeral in the womans dreams of what would
happen if they ran away together.

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Caste study 2

  • 1. z CASE STUDY SLEEP ON THE FLOOR- THE LUMINEERS
  • 2. z NARRATIVE AND STYLE  This piece is a 'Narrative style' music vdeio where the band 'cameo' towards the end to sing a section of this song as the main actress and actor listen and dance together. This piece portrays a dreamlike 'young love' as the woman fantisies what life would have been like had she left the funeral with the man. In her dreams they roadtrip across America, eventually marrying only for her to wake up and realise it was all a fantasy of what reality could have been.
  • 3. z LIGHTING AND COLOUR  The lighting varies in this piece but can be summarised as very 'natrual'. There are moments where they are almost I complete darkness contrasted with bright,sunny, daylight.  Colour is very natrual in this piece and ranges to make the music video feel very 'real' and true to life. In one significant scene is a pink sunset, enphasing ideas of romance the audience may connect the colour and time of day, highlighting how this is the everyday persons 'perfect', romance fantasy
  • 4. z COSTUME AND PROPS  Costume choice is very casual. The womans wedding dress in the dream is merely a red playsuit which makes the story of their love seem very down to earth and raw as they didn’t care how grand the wedding was. This is deemed desirable for audiences beliving this is the idea of 'true' love.  Natrual scenes such as an average house, sunset or real-life cities like las vegas are used to give a very 'down to earth' and 'real' feeling to the piece. The main prop arguably is the car which they use to travel on their love story.
  • 5. z SHOT TYPES  Shot types vary from wide to close up. A lot of shots are tracking shots, giving the piece a natrual feel. Close up shots are at intimate moments such as in her dream when they dance under the pink sunset or after they marry, making the narrative very personal and highlighting clearly the fantasy of 'young love'.
  • 6. z INTERTEXTUALITY  Although not much interetextuality is present, the Lumineers have cleverly linked three of their music videos together. For example, In their music video for 'Cleapatra' the audience will notice the same young couple as in 'sleep on the floor' getting in the back of taxi when they, at the beginning of the music video, leave the funeral in the womans dreams of what would happen if they ran away together.