Essays On Contemporary Art

Throughout the known history the artists have been striving to capture the world around them in an
attempt to document the contemporary events and their surroundings or present their own or their
client's vision or an interpretation of a concept that would illustrate, describe or help visualize an
idea. The description of the resulting art is often classifies the work as belonging to a specific style
thus illustrating a set of common traits between the artifacts belonging to the same period. Two of
these classifications are the Realist and the Impressionist movements.
Realism, in the 1850's, rose as a reaction to the Romanticism which, through its works, elicited a
strong emotional response from the observer by allowing the artist's...show more content...
The artists, later to be known as Impressionists, organized an exhibit in the April of 1870 that
received mixed reviews. Louis Leroy, a critic and a humorist, through his scathing review, gave the
Impressionists their name, which they adopted wholeheartedly. (Realism, 2014) The Academy of
Fine Arts in Paris, an institution that dominated the French art at the time favored the illusionistic art
in the 1850's: lifelike depictions of historical and religious themes using conservative palettes and
suppressed brush strokes to conceal the artist's technique and personality. The Impressionists' work
was characterized by severe departures from the acceptable norm. Most prominent techniques used
were the concentration on the essence of the object instead of the details and the application of color
side–by–side with as little mixing as possible to allow the optical mixing to take place when the
work is viewed. While the techniques used were not new, the fact of their combination on one canvas
brought a new dimension into the work. (Realism, 2014)
From the historical perspective, the Realism and the Impressionism overlapped in the mid–19th
century. Long standing practice of depicting the objects as they are, without idealization or
exaggeration was further refined when the artists rejected the Romantic notion of emotionality in the
art and, after being at least in part influenced by the French Revolution in 1848, began depicting the
everyday people and situations as a way to
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Essay on Digital vs. Traditional Art
"From the point of view of art, there are no concrete or abstract forms, but only forms which are
more or less convincing lies."(Wagner, par. 1) So what is art? A painted picture with lines, figures
or faces that has meaning; or digitally altered shapes with meaning? Art can be any product of a
creative process. Graphic Design (digital design) as a discipline has a relatively recent history, with
the name 'graphic design" first coined by William Addison Dwiggins in 1922. (Wikipedia. par. 2)
Digital art is an art created on the computer in digital form. The medium of computer art was
developed during 1960s and opened new possibilities for abstract and figurative art. Digital art is an
evolution of art itself, and is definitely a valid art...show more content...
Both arts deal with color theory and both types are strengthened by creative concepts. Both
disciplines rely heavily on good hand–eye co–ordination. Graphic art has the advantage of an "undo"
button. The ability to erase a mistake does not make a graphic artist less of an artist. While
traditional has the advantage of being immersive and messy. Sometimes, there is nothing more
satisfying than taking a piece of chalk or crayon and putting a mark with your hand. It is infinitely
more difficult to place your mark correctly in programs such as Lightwave or Blender. Both forms of
art can be highly frustrating and highly rewarding by turns.
Graphic design as an art discipline boomed in the 20th and 21st century. Although it is undertaken
to convey a specific message to a specific audience; graphic design like most art is a creative
process. Its elements, theories, and languages are the same as those of classical art. In graphic
design, "the essence is to give order to information, form to ideas, expression and feeling to
artifacts that document human experience." The time, effort and knowledge it takes an artist to
create a water color, oil painting or pastel drawing , is the same time and effort it takes today's
digital artists to create art masterpieces out of nothing. The name "Graphic Design" first appeared
in print in the 1922 essay "New Kind of Printing Calls for New Design" by William Addison
Dwiggins, an American book

Modern Art Vs. Contemporary Art
Art overall is created and adored by numerous amount of people for many reasons, such as
amplifying shared common visual language. The word art often branches into many different
movements and components. Modern art or Contemporary art is one those components; this specific
genre began mainly in the 1860's to the 1970's. During, this time period artists began throwing aside
their own beliefs in a spirit of experimentation and the bringing of new ideas. The purpose of
Modern art is to beautify one's surroundings with intrigue, its often very diverse and cannot be
easily defined through a list of visual characteristics, artistic themes or cultural concern. Moreover,
Modern art is often hard to understand by people because, unlike Egyptian tomb paintings or Greek
sculptures, it speaks to the dramatic social, political and technological changes of the last 50–60
years, and questions many of society's values and assumptions. Also, Modern artists known for
incorporating a great deal of abstraction into their works and representational forms to convey their
ideas more elaborately; Rene Magritte is one of those artists. In the False Mirror by Rene Magritte
the artist presents his viewers with an enormous lashless eye illuminated with luminous cloud–swept
blue sky filling the iris and opaque, and a dead–black disc for the pupil. The painting is filled with a
great deal of allusion, because the artist gives the viewer both a look through the eye as if it's a
window and a stare back

The history of contemporary art can often be confusing not only to the general public but also to
professionals in the field. It is a very broad term that can be taken in many different forms. A
significant theme that will need to be explored is firstly; what the contemporary actually is, and,
narrowing it down to a single definition that relates directly to contemporary art. Further, what role
a museum actually plays in the involvement of contemporary pieces is crucial. This essay will
moreover assess what the difference between what the contemporary is, and what art is and will
converse how the museums role acts as an optimistic catalyst for contemporary. This will lead to a
contrast to this view, which will suggest the hindrance of a museum on the art and the sense of
being 'contemporary'. These approaches will assist in the quest to extrapolate what the
contemporary is and how the context of an object may significantly impact on its contemporary
value. Moreover, specific designers, artists and researchers can be utilised in order to argue how or
how not a museum helps play a role on contemporary art. In discussing the role the museum and the
viewer plays on contemporary art, it is important to first determine what underpins the contemporary.
Although it has many different aspects associated with the term, when discussing contemporary art it
can be a bit more complex, so breaking down what is contemporary, and what is art must first be
scrutinised. 'The contemporary' as

Limitations Of Contemporary Art
Introduction
In modern society; the copyright system seems to restrict the development of the contemporary arts.
A pragmatic relationship between the artist and the artwork is created by copyright as it relies
heavily on the idea of intellectual property law. An issue with the copyright act is that the meaning
of artistic work is only limited to a few definitions. The current system prevents contemporary artists
from copying or utilising other related works, which exist in their own right with several exceptions
such as the art of the 'readymade,' 'appropriation art' and 'conceptual art' in general. Contemporary art
practices unsettle the doctrinal certainty of copyright. It is seemingly apparent that modern artists
are unable to receive protection, so, therefore, utilise previous artistic works due to the limitations
of the Copyright, Designs and Patents Act 1988. It seems modern artists are unable to receive due
protection and use previous artistic works because of the limitations under the CDPA. The growth
of digitalisation does not aid in protecting the artist because digital copies can be easily created and
reproduced. This is a key issue which is suppressing the development of modern visual arts.
Paragraph 1
One type of contemporary art is performance. This "live art" is strongly defined by the artist's
commitment to their own work. The artist will appear on stage, and they may not be alone as
occasionally there will be some public participation in order for the work

Essay on Intimate Life in Contemporary Art
Intimate Life As Contemporary Art
According to www.merriam–webster.com, contemporary is defined as happening or beginning now
or in recent times. When utilized in art and photography, it's connoted as vague, obscure, and by
definition always in flux. For some it signifies "cutting edge" – work that pushes the limitations of
recognized practice, style, subject matter, mediums, or concepts.
In the book " the photograph as contemporary art" Contemporary Photography is divided into eight
categories that were chosen to highlight the diverse styles and subject matter that is somehow
connected through similar characteristics.
Chapter One "If This Is Art" defies a conventional stereotype of photography. The photographers in
this chapter...show more content...
What make these images stand out are the dynamic sequences and their emphasis on unanticipated
moments in everyday life.
The Sixth Chapter contemplates 'Moments in History' by using documentary photography in a form
of art. Using a counter–photojournalistic approach coined as 'aftermath photography'. Photographers
here present the tales of the consequences of political and human disruption. Moreover, others
investigate the visual records of isolated communities.
The seventh Chapter 'Revived and Remade' investigates and exploits ones preexisting knowledge of
imagery by mimicking and remaking well–known photographs.
Finally Chapter 8 'Physical and Material' draws attention to the many decisions that photographers
have made to the physical and material properties of photography. Some use analogue while others
have mixed different mediums such as installations and sculptural work mixed with photography.
The second part of the chapter discusses alternatives ways of gaining exposure by the Internet. After
summarizing the content of this book, an in–depth research of some photographers from chapter five
Intimate Life will be discussed.
Nancy 'Nan' Goldin
Born on September 12th 1953, Goldin was bought up in a family who believed in revisionism,
where everything wrong was kept secret or as Goldin put it "what happened didn't happen." At the
age of 11, Nan's sister committed suicide, driven by the poor family values and the feeling of
rejection, which only

Essay about Identity in Art
IDENTITY IN ART
Topic 2: Identity is a central concern of contemporary life. Critically examine and discuss how
design or art has been used to explore, discuss and express identity.
Identity is a central concern of contemporary life. Identity plays a large part in societies and
individuals lives; however it has not just become a central concern. For the last couple of hundred
years identity has been a central concern. This central concern of identity is and has been portrayed,
explored and discussed through art. In contemporary art there are multiple different art techniques,
styles, codes, conventions and forms of art which explore and express identity. In the classical era
of art the privilege of having a self–portrait created by...show more content...
She focused on the identities that had changed due to the wars, either from directly being
involved or form indirectly being involved, for example the identity change from one losing their
loved one due to the harshness and effects of the world wars, or having no family or job that would
be able to provide for you or your child so you have been forced to take up a life of begging on the
streets for food in attempt to not to die of starvation. Kollwitz's art resounds with compassion as she
makes appeals on behalf of the working poor, the suffering and the sick.
Although Kathe Kollwitz's work is mainly portraying the identity changes and effects of both
World War 1 and World War 2 she also took a liking in depicting with in her artworks the role and
identity of women in a family. She mostly used the same materials of charcoal on paper when she
created this work, but also used different media to create some of her artworks. When working on
expressing and exploring women, their identities and their roles in society Kollwitz was able to
express the changes to a women's identity if she had a family to look after, and to high light the
importance of the women's identity when it came to interacting with their child. She also focused on
women who were barely able to care for or nourish their children. This was able to depict the
difficulties with handle children and the identities that un–worthy parents had.
In the era that Leonardo da Vinci,

Contemporary Art Research Paper
The early Renaissance is often hailed as a period of artistic detail. However, critics might argue that
at least as far as subject matter goes, the Renaissance very much alludes to the religious themes of
contemporary art. What, then, were other differences from contemporary art in comparison to
Renaissance?
Despite the similarities to modern art surrounding subject matter, there can be no doubt that that
Renaissance artists broke the static mold of contemporary art. First of all, though the themes of
modern art have remained fairly constant, the style of the Renaissance was unique in its combination
of modern and ancient influences. However, what is most remarkable about the art of the
Renaissance is the constant evolution of techniques and...show more content...
The sculptures created in the Renaissance era saw the use of new techniques and styles that were
never used before. The artwork had a huge impact of humanism on the different artists in this era.
Starting around the 14th century and ending around the beginning of the 17th century the
Renaissance era art was all about realistic linear perspective where the artist would observe
objects from close and far and then paint it. This enabled the artist to get a lot of depth in his or her
sculptures. Also, the art changed to depicting joy of human emotions and pleasures of life. On the
other hand, art of today, also known as contemporary art, started a few years after World War II up
to present day. During this period, different art movements occurred that influenced artists all over
the world. In the 1950 and 1960, contemporary art was influenced by movements like Abstract,
Expressionism, Pop Art, Neo–Dada, Minimalism and New York School. Some of the famous artists
of this era are Andy Warhol, Wassily Kandisky, Robert Lichtenstein and Jackson Pollock
(Witcombe, 2005). The 1960s was a playground for modern art. In spite of this new movement in
art, the innovation and technical skill was not of a near caliber as of the Renaissance era. This
mainly because of the lack in detail and human spirit, these are not recognized in modern art
sculptures, paintings and photographs today. This being a

An Essential Core Part Of Contemporary Art Essay
An essential core part of Contemporary art an artist is to show one's art are websites, galleries,
and museums. An artist has numerous options to select from when revealing one 's work. Every
artist should have or build a website to utilizing the site to display their art in an effective way. It
is significant for an artist to have their own website to sell work or services, serve an introduction
to a new or existing audience, and expand their art. Having a website to showcase artwork is a
superior quality every artist should acquire. However, artist 's tend to endure in errors when
developing a website,some which may include, missing a goal, forgetting to partake in research,
lack of information, and over designed. Many website complications could discredit the artist's
work. In this paper, I will examine issues and critic five websites of selective contemporary artist's,
and determine whether they are effective. The artist's I have chosen are Ebony Patterson, Jared
Miller, Shinique Smith, Lynette Yiadom–Boakye, and Richard Prince. First, Ebony Patterson is a
Jamaican artist born in Kingston, Jamaica in 1981, who works revolves around questions of
identity and the body, and takes the form of mixed media paintings, drawings, and collages.
Patterson conveys her work of art by presenting them on her own personal website. Her website is
well–organized with great structure, despite, an absence of artistic merit. Although, her website is
valuable and has great quality because

Contemporary Art And Artistic Practices
Historical Context The Community–based Artistic Practices are not a complete novelty in
contemporary art, their rhetoric are being used as strategic tools, to support discourse such as
democracy, equality, social justice among other, from the 1960s on a explicit way. Even less, this
"social turn" , understood as an ethical shift by artist and critics who focus their attention on the
aspect of social usefulness of the art practices, characterized by an increase of art projects that
emphasize participation, dialogue and community engagement to activate the public sphere
attempting to offer new social models to live together; appear like a leitmotif along the theory and
history of art of the 20th century. One of the focal points in the...show more content...
This artВґs condition was throwing into crisis with the emergency of avant–garde movements from
the late 19th century in Europe, because these movements recognized on this status –autonomy of
art– a lack of self–criticism by art, not only in the "art institution in its separation from the praxis of
life" ; but also to bourgeois society as a whole. In other words, the avant–garde is understood as a
form of self–consciousness of artistic field, with a very clear interest to break the artВґs autonomy,
while separate form of production, as a necessary condition to redirect the art into life. According to
Peter BГјrger, with "the reintegration of art into praxis proposes a revolution in the life, which
causes a revolution in the art." As BГјrger states, the avant–garde movements that sought to break
with the bourgeois autonomy of art and thereby apply a strong self–criticism to art institutionally
were: the Russian Constructivism, closely linked with the Revolution of 1917; Dadaism and its
negation of art as institution; and the Surrealism. Nonetheless, after the World War II in the middle
of the 20th century, the avant–garde schism became a crisis, failing in its quest to eliminate the
division between art and life and its critical self–consciousness about this, which meant its co–option
by the art institution,

Feminism And The Contemporary Art
The contemporary art world is including and exposing more female artists who are promoting
themselves creatively and pushing for equality through art. This essay will examine the increase of
feminist art visibility and the way in which the audience views work through female perspectives;
how art is defined through alternative and non–traditional media, and how fine art has created
platforms and spaces for discussion and widens views of feminism within feminist groups and how
it can be portrayed differently. In our contemporary age of art, female artists are stripping away the
precedent of the male–dominated views of the female standing socially, politically and physically.
It should be made clear that Feminist art is not of a specific time period or movement, "feminist art
is neither a style nor a movement...It consists of many styles and individual expressions."(Lippard)
The use of alternative creative expression is to broaden our knowledge of art, the way in which
ideas and issues are presented based on the journey of women historically through to the
contemporary.
The visibility of female artists has increased over the years allowing for viewers to experience art
through a woman's perspective. Although there is still a largely male dominated art scene in our
contemporary world, as a young female artist it is becoming apparent that more and more female
artists are being given exposure publically and in private gallery spaces. Given that the art world is
highly subjective

Contemporary Art : Modern Art
What – aside from its subject matter – makes modern art 'modern'?
Modern art is almost impossible to define or categorise other than it occurred in the rough time
span of the 1860s to 1970s. It was a reaction against the perfection of traditional values and strict
notion of what art is, creating something more inventive. Modernist art doesn't need a particular use
or meaning to exist; it is autonomous in the way that it was art for art's sake. In general it strives to
show the world as we really see it rather than through any instrument such as perspective or
imagination. It uses experimentation in form, colour and medium to represent the reality
experienced by each individual. However subject matter is also important in the understanding of a
work of art as 'modern', as rapid political and social changes especially during the 19th century were
depicted by artists. Modern art developed gradually, with artists being inspired by modern inventions.
Impressionism can be classed as modern due to the subject matter of the Industrial Revolution. With
this approach one could also argue that Turner acts as a precursor to modernism especially with his
painting Rain, Steam and Speed – The Great Western Railway, 1844, which demonstrates the
rapidity of the new technology. Rapid social and cultural changes during the 19th century had a
huge effect on the style of artists. Previously artists had worked to commission but the emergence
of a new middle class as well as art academies across

Contemporary Art Analysis
Contemporary art is showcased through the lenses of traditional gallery settings, as well as
festival–like venues. For the audience, this means that art can be discovered and engaged with.
What is contemporary art? According to Melissa Ho, assistant curator at the Hirshhorn Museum in
Washington, D.C., "technically," modern art is "the cultural expression of the historical moment of
modernity." "With modern art, there is this new emphasis put on the value of being original and
doing something innovative," says Ho (Smithsonianmag.com, 2011). The unique creations for
contemporary artists such as Michael Landy and Amalia Pica, both international artists from the
U.K, are currently on view at The Power Plant, a small gallery space that displays their innovative
art. Both exhibits reflect current issues that face modern society, Michael Landy's,
DEMONSTRATION, (2017) and Amalia Pica's In Praise of Listening, (2016). Landy's
DEMONSTRATION exhibit at the The Power Plant's Fleck Clerestory is a collaborative work
between himself and the Canadian public in building a hand–lettered, text–based, red–and–white oil
paint style wall work known as protest art. Essentially, the protest art reflects the attitudes, thoughts
and feelings on what matters most to Canadians on various current social and political issues (de
Leon, Formal Analysis Part A). His goal for this project is to open up the channel of communication
among Canadians. Landy's simple and direct approach engages the

Essay Museum of Modern Art in New York
Museum of Modern Art in New York
Roxanne Briano The Museum of Modern Art in New York City is the world's leading modern art. Its
exhibits have been a major influence in creating and stimulating popular awareness of modern art
and its accompanying diversity of its styles and movements. The museum's outstanding collections
of modern painting, sculpture, drawings, and prints range from Impressionisms to current
movements. Moreover, there are exhibits of modern architecture, industrial design, sculpture,
photography, prints and electronic media. The museum presently has amodern art library of 300,000
books and impressive collections of films that are shown regularly. The Museum is said to be the
complementary of the Metropolitan Museum...show more content...
Barr submitted the concept of what was to become of the museum. It had to be organized as a
multi–departmental structure each devoted for Architecture and Design, Photography, Film and
Video, and they should stand side by side with traditional arts such as Painting and Sculpture.
Architect Philip Johnson built on this idea. The multi–departmental structure seemed to best fit with
the burgeoning International Style, a modernist architectural movement from which Philip Johnson
belonged. In this architecture, buildings are designed with simple geometric lines and clean, precise
surfaces and with minimum decoration. Walls are made almost entirely of glass, known as curtain
walls–a signature Johnson was known for–that are used to give the building a light and airy
appearance.
The Museum of Modern of Art was the first to use the words "International Style", which was a
fitting term to introduce modernist arts to the world. Johnson and another renowned architect
Henry–Russell Hitchcock organized a major show under the title "Modern Architecture: International
Exhibition". There they described the International Style that expresses several design principles,
that concerns with volume rather than mass and solidity, regularity instead of axial symmetry, and
the proscription of "arbitrary applied decoration". Exhibits featured leading European and American
architects, especially the likes of Le Corbusier and Ludwig Mies van der

The Language Of Contemporary Art
Paula Rego, School for Little Witches, 2009 (Villarreal, 2016) Introduction The language of
contemporary art is analysed through the system called semiotics, which is the study of signs and
signifying practices. It is defined as an entity of words, images, objects and more. It was established
around the nineteenth–century and is often derived from American philosopher Charles Sanders
Peirce and Swiss linguist Ferdinand de Saussure. (Hammerstingl, 2000). I have selected this
drawing in particular to analyse as I am a fan of her work and it also appears very complex and
elaborate. One of her many artworks "School for Little Witches", has been drawn with pastel,
conte and charcoal on paper. Paula Rego is a Portuguese contemporary artist known for her
paintings and prints depicting stories from her imagination created by the fairy tales since her
childhood. Her artworks are indeed very symbolic and quite disturbing as she has stated that she is
interested in "the beautiful grotesque". (Brown, 2009). SIGNMYTHIDEOLOGY Sign 1
ChildrenYouth Innocent Toddler PlayfulIn this image the children appear playful and in a relaxed
environment surrounded by adults taking care of them. They appear to be in the age range of 3 to
6 years old. Sign 2 AdultsGrown up Nurturing Mature Elder RespectedThe adults seem to be taking
care of the children and are depicted as being caring, friendly, loving, attached to the children. They
remind me of teachers taking care of children in a

KANGAWA Contemporary Art
However, what noticeable is all of these practices are part of KANGAWA's artwork and indicate
there is a possibility to redefine the definition of contemporary art.
These projects can be describe as an гЂ€
actual movieгЂ‰deprived from the scripts.
Many consider his activity as occupying a similar thematic vein to the work of futurologist, alike
Alvin Toffler, or situationists, however its stylistic approach veers in a distinct direction. His and
ON's approach trace the lineage of the genuine minimal artist.
At ON management we believe that this, as with so much of what KANGAWA does, is truly rare.
–
(ONгѓ—гѓгѓ•г‚Јгѓјгѓ«)
ON, Inc.
ON is a firm which assumes the roles of translator and facilitator, realizing the goals laid out in
Social Script.
We, a parter

Contemporary Art Essay
Contemporary Art: Dealing with Post–Modernity
в€’ "Art worlds consist of all the people whose activities are necessary to the production of the
characteristic works which that world, and perhaps others as well, define as art. ... By observing
how an art world makes those distinctions rather than trying to make them ourselves we can
understand much of what goes on in that world.... The basic unit of analysis, then, is an art world."
– Howard Becker (Art Worlds)
Postmodernism deconstructs Modernism like Modernism deconstructed art
Like the Simpson's episode that explained Po–Mo as "weird for the sake of weird",
Postmodernism accepted the philosophy "art for the sake of art". A very free and democratic
practice, a natural response...show more content...
Postmodernism embraces hypertext and hyperplicity, or the rejection of centralized control. It looses
trust in the media and public communication, embracing simulacrum as a hyper–reality that was
only long–ago based on some sort of truth. Most importantly, Postmodernism rejects the
Modernist idea of high art as normative and dominant. Instead, it merges the concept of "low" and
"high" art, effectively canceling them both. Where Modernism saw a work of art as a finished
product, signed by the artist and authenticated by the art market,
Postmodernism sees art as a recycling of culture, authenticated by whatever audience that may be.
Where Modern art is a separate dichotomy of contrasting themes (organic/nonorganic, realist
/abstract), Postmodern art mixes all available ideas into a sensational pastiche. Finally Modernism
clearly divided normity versus sexual difference and pornography. Postmodernism embraces
whatever ideas have an audience, and mixes polymorphous sexuality and pornography with
mainstream media. Postmodernist art and media reject the linear way of working, building upon a
specific discourse and ideology. It embraces instead, an anything–goes attitude, expanding mediums
and messages into multiple directions. As long as there's an audience somewhere, the work can be
considered legitimate art.
Modernist trends in the Postmodern Art–World
It is important to note – since the work is still authenticated by its audience, art still

What Is Modern Art? Essay
Ha Lim (Sally) Lee
Term3/Fall15'
Intro to Modernism
Daniel Spaulding
Midterm Essay
What is Modern Art? Modern Art was created roughly during the 1800s to the 1900s. Before this
period, art depicted religious or mythological scenes that told stories and guided the audience
through art. "Modern Art denotes the style and philosophy of the art produced during that
era."(Arnason) This time was usually connected with art that threw the old traditions aside in a
spirit of experimentation. This doesn't mean that modern art pieces don't have a story or a meaning
behind them. To break out of the tradition, artists had to have courage to do what they loved. In
Basic Writings of Kant, Wood states, "Have courage to use your own reason." Modern art can range
from paintings to sculptures. Some artists experimented with the expressive use of color,
non–traditional materials, new techniques, and new mediums. Two of the most popular modern
works, currently presented at Los Angeles County Museum of Art, were "The Jewel" by Jay
DeFeo and "Irregular Forms: Creation" by Frantisek Kupka . Both of these paintings were
expressed with oil paint on canvas. However, despite the same mediums used in their works, these
two have very opposing feeling from each other.
"The Jewel" by Jay DeFeo was started in 1958 and was finished in 1959. This is a gorgeous giant
piece which measures up to 120" by 57.5". The Jewel recalls that her works of this period were a
marriage of painting and sculpture. She

The Themes Of Contemporary Art
In this essay, I would be demonstrating how the topic of contemporary art and the politics of art
institutions reflects and relates to Rajni Perera's 3 figures and VHT. With formal analysis of these
artworks and readings from this topics, I would show the differences and similarities between these
topics. Contemporary art represents what we see as individuals in society today, it does not follow
the set rules of art. For instance, modern art looks and follows modernist theories, likewise,
impressionisms which looks at our perception and understanding of a moment through light and
color in contrasts to that of realism which represents subject matter accurately without any
alteration or addition. On the other hand contemporary art does not have one conclusive or
definitive view. Its view is versatile and flexible which reflects the diversity of the world today,
themes of contemporary are notably about politics, globalization, social issues, migration and
technology. In like manner, the theme I drew from Perera's artworks which is diversity. Perera is
Sri Lankan artist, who grew up and was raised in Scarborough and North York. I find her works
diverse notably in the materials she chose. She uses laundry drying racks which are unconventional
materials to create her VHT sculpture. She does not conform to the regular norms of using clay or
plaster. I also found this as a reoccurring theme of contemporary art and the Migrating the Margins
exhibition at the Art Gallery of

The Importance Of Contemporary Art
Contemporary art, or modern art, is very commonly misunderstood because of the fact that it quite
often lends itself to abstraction and expressionism. People discredit the artistic craftsmanship and
moving conceptualism of the pieces, as well as the political activism and messages of injustice that
are conveyed by those who would not otherwise be heard by the public. Censorship is not only
dangerous to our constitutional rights, but is also hyper specific to contemporary art and actively
silences the messages of underprivileged and disadvantaged voices. In other words, we must avoid
the unnecessary, unfair censorship of contemporary artists and their work. Not only is the censorship
of art immoral, but it is a dangerous, irresponsible...show more content...
I found the subsequent statements by President Bush and Mr. Frohnmayer misguided at best and
at worst a spineless demonstration of lack of true commitment to the integrity of art, freedom of
expression and the Bill of Rights. ("Art Censorship") She captures the fear and resentment that
the art community feels, with their rights so easily discarded by those in the government. The
same problem is posed by several students at the Parsons School of Design, in which several
students and faculty destroyed a drawing that they deemed inappropriate, without any
authorization from the school to do so. Several students began asking questions such as, "If you
are going to start defacing art you don't think is appropriate, where do you stop? And who decides
what is appropriate" (Holmes)? This again refers back to the fear of setting a dangerous precedent
for discarding and silencing any art that causes controversy. Moreover, the violation of these rights
most commonly affects those who are already without a real voice in society, who are using arts as
a means to raise awareness for topics important to the artist, which are commonly misinterpreted as
offensive works due to the subject matter. Most commonly, artwork deemed offensive or shocking is
only intended to appear so for the purpose of raising awareness, to force the audience to think, that's
not okay, and to create a dialog, ultimately inspiring empathy and one day, change. Take, for
example,

Essays On Contemporary Art

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Essays On Contemporary Art