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Teen Celebrity 
Stardom, Business, and Identity 
Politics
Convergence Culture 
• Interdependency of 
communication systems 
• Mixing media : 
the way we see, 
think about and 
use media 
“…where grassroots and corporate media collide, where 
the power of the media producer and the power of the 
consumer interact in unpredictable ways.” (Jenkins)
Crossover Appeals for Industries 
• Connecting different media texts, and or 
transmedia extensions via star-recognition 
– Using star-generating vehicle as constant 
– Often limiting the future range of performers 
• Positioning the spectator/understanding the 
audience celebrity loyalty 
– Allowing for clear marketing strategies 
– Elevating stars to primary point of identification
Limiting Industry Research 
Fans of an existing star have already been defined: 
• Age 
• Gender 
• Socio-economic group 
• Sexual orientation 
• Consumption history or preferences
Looking like a Teen 
• Identification and flexibility in reading 
different texts on different platforms 
• Female viewers 12-17 “Star” demographic 
– Bringing the male demo 
– Bringing disposable income  bringing 
commitment
Motivating and Facilitating Sharing 
• Technology changes possibilities 
• From cease-and-desist to spread-the-word
TV, Movies, Self-Promotion 
Stars adept at traversing different realms 
of media production: 
brand/show/interview/participant/twitter 
/film/market lines/ icon…
Diverse Viewers – Diverse Marketing 
Evangelizing, Translating, Incorporating: 
• “Lead Users” 
• “Retro-Curators” 
• “Pop Cosmopolitans”
All is well, that sells well… 
If all media outlets 
function for a star 
in gaining audience 
members, retaining 
fans, then all media 
formats are… 
equal? Less 
hierarchical then in 
previous times?
Super-System is a “go” 
With viewer aid, star vehicle and corporate vertical 
integration: 
• Blockbuster economy re-centered on star/pop culture 
figure  convergence of product and intertextuality of 
performer 
• Media literate teens generate momentum for machinery  
aid in conglomeration process and beget it 
• De-centralization and de-regulation aid in diverse use of 
stars in the system
Star Linking 
• It is recognition and comfort that 
create the human-commodity that 
is the celebrity 
• Actors function as part of and 
often today generate their own 
“sales pitch” for an upcoming 
program, movie, piece of 
merchandise, line of apparel, book 
series… 
• If media platforms and their 
hierarchical order of value become 
questionable, so does stardom 
hierarchy

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Teen stardom

  • 1. Teen Celebrity Stardom, Business, and Identity Politics
  • 2. Convergence Culture • Interdependency of communication systems • Mixing media : the way we see, think about and use media “…where grassroots and corporate media collide, where the power of the media producer and the power of the consumer interact in unpredictable ways.” (Jenkins)
  • 3.
  • 4.
  • 5. Crossover Appeals for Industries • Connecting different media texts, and or transmedia extensions via star-recognition – Using star-generating vehicle as constant – Often limiting the future range of performers • Positioning the spectator/understanding the audience celebrity loyalty – Allowing for clear marketing strategies – Elevating stars to primary point of identification
  • 6. Limiting Industry Research Fans of an existing star have already been defined: • Age • Gender • Socio-economic group • Sexual orientation • Consumption history or preferences
  • 7. Looking like a Teen • Identification and flexibility in reading different texts on different platforms • Female viewers 12-17 “Star” demographic – Bringing the male demo – Bringing disposable income  bringing commitment
  • 8. Motivating and Facilitating Sharing • Technology changes possibilities • From cease-and-desist to spread-the-word
  • 9. TV, Movies, Self-Promotion Stars adept at traversing different realms of media production: brand/show/interview/participant/twitter /film/market lines/ icon…
  • 10. Diverse Viewers – Diverse Marketing Evangelizing, Translating, Incorporating: • “Lead Users” • “Retro-Curators” • “Pop Cosmopolitans”
  • 11. All is well, that sells well… If all media outlets function for a star in gaining audience members, retaining fans, then all media formats are… equal? Less hierarchical then in previous times?
  • 12. Super-System is a “go” With viewer aid, star vehicle and corporate vertical integration: • Blockbuster economy re-centered on star/pop culture figure  convergence of product and intertextuality of performer • Media literate teens generate momentum for machinery  aid in conglomeration process and beget it • De-centralization and de-regulation aid in diverse use of stars in the system
  • 13.
  • 14. Star Linking • It is recognition and comfort that create the human-commodity that is the celebrity • Actors function as part of and often today generate their own “sales pitch” for an upcoming program, movie, piece of merchandise, line of apparel, book series… • If media platforms and their hierarchical order of value become questionable, so does stardom hierarchy