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PROPERTIES OF
A WELL-WRITTEN
TEXT
When can we say the
text is well-written?
And when it’s not?
Well, there are as many
definitions of well-
written text as there are
forms of writing!
Fortunately, there are
some general
charactertistics that all
well-written text
shares.
PROPERTIES OF
A WELL-WRITTEN
TEXT
Simply put, is the logical
progression and
completeness of ideas in
text.
ORGANIZATION
A well-organized piece of
writing supports readers by
making it easy for them to
follow.
Instruction in organization focuses
on two areas: text structures
specific to the particular genre and
the cohesive elements that tie
clauses, sentences and paragraphs
together into a cohesive
whole.
TEXT STRUCTURES
Is the framework of a text’s beginning,
middle and end.
Different narrative and expository genres
have different purposes and different
audiences, and so they require different
text structures. Beginnings and endings
help link the text into a coherent whole.
The beginning, also called the lead
or the hook, orients the reader to
the purpose of the writing by
introducing characters or setting
(for narrative) or the topic, thesis or
argument (for expository writing).
If narrative and expository
structures are the framework,
cohesive elements such as
transition words are the glue that
holds these structural elements
together. Transition words show
the relationship between different
sentences and ideas.
TRANSITION WORDS
SPATIAL ORDER TIME ORDER NUMERICAL ORDER
CAUSE/EFFECT
ORDER
COMPARISON/
CONTRAST ORDER
GENERAL/SPECIFIC
ORDER
1. SPATIAL ORDER
Words used in descriptive
writing to signal spatial
relationships, such as above,
below, beside, nearby, beyond,
inside and outside.
2. TIME ORDER
Words used in writing narratives
and instructions to signal
chronological sequence, such as
before, after, first, next, then,
when, finally, while, as, during,
earlier, later and meanwhile.
3. NUMERICAL ORDER
Words used in expository writing
to signal order of importance,
such as first, second, also, finally,
in addition, equally important,
and more or less importantly.
4. CAUSE/EFFECT ORDER.
Words used in expository
writing to signal causal
relationships, such as becvause,
since, for, so, as a result,
consequently, thus and hence.
5. COMPARISON/CONTRAST ORDER.
Words used in expository writing to signal
similarities and differences such as (for
similarities): also, additionally, just as, as if, as
thought, like, and similarly; and (for differences)
but, yet, only, although, whereas, in contrast,
conversely, however, on the other hand, rather,
instead, in spite of, and nevertheless.
6. GENERAL/SPECIFIC ORDER
Words used in descriptive reports
and arguments to signal more
specific elaboration on an idea,
such as for example, such as, like,
namely, for instance, that is, in
fact, in other words, and indeed.
GUIDE QUESTIONS FOR
ORGANIZATION.
1. Does your piece have a clear
beginning, middle and end?
2. Does your piece have a strong
beginning that hooks the reader?
3. Does your piece have a strong
ending that fits the focus?
GUIDE QUESTIONS FOR
ORGANIZATION.
3. Are the ideas and actions
connected to each other?
4. Can your reader follow the
piece logically from beginning to
end?
5. Is it complete? Does it feel
finished?
MECHANICS
Mechanics is the term we use to
describe the technical aspects
of writing, such as spelling,
punctuation, capitalization, etc.
PARTS OF SPEECH
Knowing the parts of speech, using them
correctly and understanding how they
relate to one another is an important early
step in creating strong writing skills. From
nouns and verbs to prepositions and
conjunctions, each part of speech plays a
key role in sentence structure and clarity of
thought.
CAPITALIZATION
In a world of lowercase
texting, learning proper
capitalization takes on a
whole new meaning.
GRAMMAR
Grammar not only affects
our clarity, but also can add
authority, enhance
meaning and create a more
sophisticated voice.
PUNCTUATION
Punctuation are marks such as periods,
question marks, exclamation points,
commas, apostrophes, quotation marks,
semi-colons and colons. When used
correctly, they make writing look more
organized and easier to read and
understand. They tell you how to read a
line and where to pause or breathe.
SPELLING
Misspelled words should
be avoided when writing
any form of text.
COHERENCE
AND
COHESION
Cohesion refers to connectivity
in a text. Refers to how easy it is
to understand the writing. A text
is cohesive if its elements are
linked together. A text is
coherent if it makes sense.
Cohesion is a formal feature of
texts (it gives them their
texture(, while coherence is “in
the eye of the beholder” – that is
to say, it is the extent to which
the reader (or listener) is able to
infer the writer’s (or speaker’s )
communicative intentions.
Thus, cohesion is
objectively verifiable, while
coherence is more
subjective. A text may be
coherent to you, but
incoherent to me.
COHESION WITHOUT
COHERENCE
“My favorite color is blue. Blue sports
car go very fast. Driving in this way is
dangerous and can cause many car
crashes. I had a car accident once and
broke my leg. I was very sad because I
had to miss a holiday in Europe
because of the injury.
As you can see, there are
plenty of cohesion here. The
sentences connect clearly
together but if you read the
paragraph, it really makes no
sense – I start talking about
blue and I finish talking about
a holiday in Europe. There is
no coherence in this
paragraph.
COHERENCE WITHOUT
COHESION
“My favorite color is blue. I’m
calm and relaxed. In the
summer I lie on the grass and
look up.”
This is more difficult to
understand but
basically this lack of
cohesion means a lack
of sufficient connectors
to join the ideas
together.
If I try hard I can
understand what the
person is saying: a short
answer, an explanation,
an example; however
the sentences don’t fit
together.
LANGUAGE
USE
As a writer, it is important not only
to think about what you say, but
how you say it.
One must also think about the
style, tone and clarity of his/her
writing, and adapt these elements
to the reading audience.
In order to choose the most
effective language, the writer
must consider the objective of
the document, the context in
which it is being written and who
will be reading it.
CHARACTERTISTICS OF
AN EFFECTIVE
LANGUAGE
1. CONCRETE AND SPECIFIC
LANGUAGE
Concrete language includes
descriptions which create
tangible images with details the
reader can visualize.
2. CONCISE LANGUAGE
A hallmark of effective writers is
the ability to express the desired
message in as few words as
possible.
3. FAMILIAR LANGUAGE
Familiar language is that which
the readers easily recognize and
understand because they use it
on a regular basis.
4. PRECISE AND CLEAR LANGUAGE
The use of appropriate language
is a tricky matter because the
meaning of words is relative and
situational.
5. CONSTRUCTIVE LANGUAGE
Constructive language phrases a
potentially negative message in a
positive way.
6. FORMALITY OF LANGUAGE
The formality of the language one
uses should match the formality
of the situation and the
relationship between the writer
and reader.

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Q3 L2.pptx

  • 2. When can we say the text is well-written? And when it’s not?
  • 3. Well, there are as many definitions of well- written text as there are forms of writing!
  • 4. Fortunately, there are some general charactertistics that all well-written text shares.
  • 6. Simply put, is the logical progression and completeness of ideas in text. ORGANIZATION
  • 7. A well-organized piece of writing supports readers by making it easy for them to follow.
  • 8. Instruction in organization focuses on two areas: text structures specific to the particular genre and the cohesive elements that tie clauses, sentences and paragraphs together into a cohesive whole.
  • 9. TEXT STRUCTURES Is the framework of a text’s beginning, middle and end. Different narrative and expository genres have different purposes and different audiences, and so they require different text structures. Beginnings and endings help link the text into a coherent whole.
  • 10. The beginning, also called the lead or the hook, orients the reader to the purpose of the writing by introducing characters or setting (for narrative) or the topic, thesis or argument (for expository writing).
  • 11. If narrative and expository structures are the framework, cohesive elements such as transition words are the glue that holds these structural elements together. Transition words show the relationship between different sentences and ideas.
  • 13. SPATIAL ORDER TIME ORDER NUMERICAL ORDER CAUSE/EFFECT ORDER COMPARISON/ CONTRAST ORDER GENERAL/SPECIFIC ORDER
  • 14.
  • 15. 1. SPATIAL ORDER Words used in descriptive writing to signal spatial relationships, such as above, below, beside, nearby, beyond, inside and outside.
  • 16. 2. TIME ORDER Words used in writing narratives and instructions to signal chronological sequence, such as before, after, first, next, then, when, finally, while, as, during, earlier, later and meanwhile.
  • 17. 3. NUMERICAL ORDER Words used in expository writing to signal order of importance, such as first, second, also, finally, in addition, equally important, and more or less importantly.
  • 18. 4. CAUSE/EFFECT ORDER. Words used in expository writing to signal causal relationships, such as becvause, since, for, so, as a result, consequently, thus and hence.
  • 19. 5. COMPARISON/CONTRAST ORDER. Words used in expository writing to signal similarities and differences such as (for similarities): also, additionally, just as, as if, as thought, like, and similarly; and (for differences) but, yet, only, although, whereas, in contrast, conversely, however, on the other hand, rather, instead, in spite of, and nevertheless.
  • 20. 6. GENERAL/SPECIFIC ORDER Words used in descriptive reports and arguments to signal more specific elaboration on an idea, such as for example, such as, like, namely, for instance, that is, in fact, in other words, and indeed.
  • 21. GUIDE QUESTIONS FOR ORGANIZATION. 1. Does your piece have a clear beginning, middle and end? 2. Does your piece have a strong beginning that hooks the reader? 3. Does your piece have a strong ending that fits the focus?
  • 22. GUIDE QUESTIONS FOR ORGANIZATION. 3. Are the ideas and actions connected to each other? 4. Can your reader follow the piece logically from beginning to end? 5. Is it complete? Does it feel finished?
  • 23. MECHANICS Mechanics is the term we use to describe the technical aspects of writing, such as spelling, punctuation, capitalization, etc.
  • 24. PARTS OF SPEECH Knowing the parts of speech, using them correctly and understanding how they relate to one another is an important early step in creating strong writing skills. From nouns and verbs to prepositions and conjunctions, each part of speech plays a key role in sentence structure and clarity of thought.
  • 25. CAPITALIZATION In a world of lowercase texting, learning proper capitalization takes on a whole new meaning.
  • 26. GRAMMAR Grammar not only affects our clarity, but also can add authority, enhance meaning and create a more sophisticated voice.
  • 27. PUNCTUATION Punctuation are marks such as periods, question marks, exclamation points, commas, apostrophes, quotation marks, semi-colons and colons. When used correctly, they make writing look more organized and easier to read and understand. They tell you how to read a line and where to pause or breathe.
  • 28. SPELLING Misspelled words should be avoided when writing any form of text.
  • 30. Cohesion refers to connectivity in a text. Refers to how easy it is to understand the writing. A text is cohesive if its elements are linked together. A text is coherent if it makes sense.
  • 31. Cohesion is a formal feature of texts (it gives them their texture(, while coherence is “in the eye of the beholder” – that is to say, it is the extent to which the reader (or listener) is able to infer the writer’s (or speaker’s ) communicative intentions.
  • 32. Thus, cohesion is objectively verifiable, while coherence is more subjective. A text may be coherent to you, but incoherent to me.
  • 33. COHESION WITHOUT COHERENCE “My favorite color is blue. Blue sports car go very fast. Driving in this way is dangerous and can cause many car crashes. I had a car accident once and broke my leg. I was very sad because I had to miss a holiday in Europe because of the injury.
  • 34. As you can see, there are plenty of cohesion here. The sentences connect clearly together but if you read the paragraph, it really makes no sense – I start talking about blue and I finish talking about a holiday in Europe. There is no coherence in this paragraph.
  • 35. COHERENCE WITHOUT COHESION “My favorite color is blue. I’m calm and relaxed. In the summer I lie on the grass and look up.”
  • 36. This is more difficult to understand but basically this lack of cohesion means a lack of sufficient connectors to join the ideas together.
  • 37. If I try hard I can understand what the person is saying: a short answer, an explanation, an example; however the sentences don’t fit together.
  • 39. As a writer, it is important not only to think about what you say, but how you say it. One must also think about the style, tone and clarity of his/her writing, and adapt these elements to the reading audience.
  • 40. In order to choose the most effective language, the writer must consider the objective of the document, the context in which it is being written and who will be reading it.
  • 42. 1. CONCRETE AND SPECIFIC LANGUAGE Concrete language includes descriptions which create tangible images with details the reader can visualize.
  • 43. 2. CONCISE LANGUAGE A hallmark of effective writers is the ability to express the desired message in as few words as possible.
  • 44. 3. FAMILIAR LANGUAGE Familiar language is that which the readers easily recognize and understand because they use it on a regular basis.
  • 45. 4. PRECISE AND CLEAR LANGUAGE The use of appropriate language is a tricky matter because the meaning of words is relative and situational.
  • 46. 5. CONSTRUCTIVE LANGUAGE Constructive language phrases a potentially negative message in a positive way.
  • 47. 6. FORMALITY OF LANGUAGE The formality of the language one uses should match the formality of the situation and the relationship between the writer and reader.