Presentation on Open Annotation use cases from AustESE: Australian Electronic Scholarly Editing. Presented at OA Roll Out meeting, Manchester June 2013
Annotations Supporting Scholarly Editing (OA European Roll Out)
1. Annota&ons
Suppor&ng
Scholarly
Edi&ng
Anna
Gerber
ITEE
eResearch
Group
The
University
of
Queensland
AustESEAustralian Electronic Scholarly Editing
2. Scholarly
Edi=ons
• Provide
accurate
reading
texts
of
works
of
literary,
historical,
theological
or
philosophical
significance
• They
contain:
– historical
and
textual
essays,
– explanatory
notes,
– appendixes
e.g.
glossary
– a
scholarly
apparatus
that
provides
access
to
alterna=ve
readings
in
other
versions
of
the
work
3. From:
Boldrewood,
Rolf,
&
Eggert,
Paul,
&
Webby,
Elizabeth.
&
Australian
Academy
of
the
Humani=es.
2006,
Robbery
under
arms
/
Rolf
Boldrewood
;
edited
by
Paul
Eggert
and
Elizabeth
Webby,
University
of
Queensland
Press,
St.
Lucia,
Qld.
Cri=cal
Apparatus
Apparatus
Cri=cal
Edi=on
with
apparatus
as
footnotes
4. Annota=on
Use
Cases
• Facilitate
collabora=ve
discussion
of
texts,
sources
and
facsimiles
– Comments
– Ques=ons
– Replies
• Describe
textual
varia=on
for
apparatus
• Align
parts
of
transcrip=ons
and
facsimile
images
• Record
notes
– Textual
notes
(about
produc=on
of
text)
– Explanatory
notes
(meaning,
historical
context
etc)
– Link
texts
with
facsimiles,
reference
secondary
sources
12. Reply
RDF
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"While
not
deemed
suitable
for
The
Buln
Buln
and
the
Brolga,
this
passage
is
significant
to
the
argument
of
Such
is
Life
(1898).
Furphy
is
much
more
concerned
with
exploring
the
'fic=on
of
facts'
and
the
'facts
of
fic=on'
in
the
typescript
version.
Returned
to
their
previous
context,
the
unrevised
sec=ons
of
the
Buln
Buln
and
the
Brolga
perform
a
different
func=on
in
a
significantly
different
narra=ve."
.
}
17. Variorum
From:
Lawrence
Zillman
(1959)
Shelley
S
Prometheus
Unbound
A
Variorum
EdiAon,
hZp://www.archive.org/stream/shelleyspromethe012636mbp#page/n261/mode/2up
23. ESE
Ontology
• Agents
can
be
individuals,
organisa=ons,
or
groups
par=cipa=ng
in
an
Event.
• Events
can
specify
a
point
or
dura=on
of
=me
in
which
an
Agent
or
Agents
work
together
to
produce
an
Artefact.
Events
have
four
main
types:
composi=on
for
the
produc=on
of
manuscript
material;
edi=on
for
the
produc=on
of
books;
serialisa=on
for
the
produc=on
of
periodical
publica=on;
and
recep=on
for
the
produc=on
of
an
Artefact
as
a
wriZen
response
to
a
Work.
• Artefacts
are
the
material
objects
(e.g.
manuscripts,
magazines,
and
books)
that
readers
use
to
engage
with
a
Work.
Versions
are
embodied
in
an
Artefact.
An
Artefact,
such
as
a
revised
typescript,
can
embody
one
or
more
Versions.
An
Artefact
can
also
provide
access
to
more
than
one
Work.
• DigitalResources
are
images
or
transcrip=ons
that
act
as
digital
surrogates
for
Artefacts.
• Versions
are
embodied
in
an
Artefact
and
realise
a
Work,
ac=ng
as
a
conceptual
link
between
material
and
abstract
en==es.
• Works
are
conceptual
constructs
that
enable
Artefacts
and
Versions
to
be
organised
and
related
under
a
common
parent.
27. Challenges
• Annotate
selec=ons
regardless
of
rendered
format/view
– E.g.
HTML
rendered
directly
from
TEI
vs
as
rendered
via
colla=on
tool,
Images
viewed
directly
vs
images
displayed
through
lightbox
tool
• Allow
annota=on
while
text
is
s=ll
being
edited/
corrected
– E.g.
use
TextQuoteSelector
and
“Fuzzy”
matching
• Query
and
display
annota=ons
of
text
selec=ons,
textual
varia=on
across
versions
– When
large
sec=ons
text
might
have
been
transposed
28. Contact
Anna
Gerber
a.gerber@uq.edu.au
ITEE
eResearch
Group
The
University
of
Queensland
hZp://austese.net/
29. Acknowledgement
The
University
of
Queensland
is
proud
to
be
in
partnership
with
the
Na=onal
eResearch
Collabora=on
Tools
and
Resources
(NeCTAR)
project
to
create
a
unique
opportunity
to
develop
eResearch
Tools
that
support
the
Collabora=ve
Authoring
and
Management
of
Electronic
Scholarly
Edi=ons.
This
project
will
benefit
the
Australian
research
community
by
providing
an
online
research
and
publishing
plaworm
that
contributes
to
the
preserva=on
and
understanding
of
literary,
classical,
theological
and
philosophical
texts
that
have
shaped
our
cultural
heritage.