7. Church of the Vierzenheiligen StaffelStein, Germany Johann Balthasar Neumann FLASHCARD TO OOMPLETE
8. THIS PAINTING BY TIEPOLO, VENETIAN PAINTER DECORATED INSIDE OF KAISERSALL IN WURZBURG PAINTING WAS INTEGRATED WITH DECORATION FRAME ACTUALLY INTEGRATED INTO PIECE. FRESCO INSPIRED BY VERONESE AND OTHERS PRESENTED AS IF THEATER IMPERIAL WEDDING DAZZLING LIGHT AND PASTEL COLORS
9. Pilgrimage to the Island of Cythera , Jean-Antoine Watteau, oil, 1717 - FLASHCARD Know about fete galante paintings
11. Triumph of Venus, Francois Boucher, Oil on canvas, 4’3” x 5’3”, 1740 Flashcard… Rococo style in Paris
12. The Meeting , Jean-Honore Fragonard, oil on canvas, 10’ x 7’, 1771-73 Part of a series of paintings on Rococo romantic adventures Also did the Swing Pastel colors, aristocracy at play FLASHCARD ADD MORE
13. CIODION, THE INVENTION OF THE BALOON TERRA COTTA MODEL FOR A MONUMENT, 43” HIGH 1784 ROCOO STYLE SCULPTURE, FIGURES EVERYWHERE, CURVING UNDULATING FORMS COMING OUT OF THE OBJECT
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15. Cupid and Psyche , Antonio Canova, 1787. Neoclassic sculpture revived eroticism of mythology
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17. ROCOCO & ARTISTIC PATRONAGE: SALONS/ACADEMIES PLAYED A HUGE ROLE STUDENT PRESENT
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19. Charles Sackville, 2nd Duke of Dorset, 1730 , pastel on paper Flashcard Know about Rosalba Carriera’s role with women and academies Pastels are chalk-like crayons of ground pigment mixed with a binder, give beautiful radiant colors
20. Self-Portrait with Two Pupils Adelaide Labille-Guiard 1785, 7’ x 5’ What is Labille-Guiard saying about the role of women painters? Enlightenment and the role of women painters? She was one of 2 women elected to French Academy What type of composition is shown?
21. Marie Antoinette with Her Children Elisabeth Vigee-Lebrun Oil on canvas, 1787 How does this painting try to give a message? Who was the patron of this painting? What kind of career did Vigee-Lebrun have? Allegory of abundance
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23. This painting, Parnassus, by Raphael Mengs, is often considered the first Neoclassical painting… inspired by the writings of Johann Wincklemann’s The History of Ancient Art, the 1st art history book. Wincklemann criticized Rococo as decadent; celebrated ancients for purity of form and crispness of execution.
24. THE APOTHEOSIS OF HOMER flashcard WEDGWOOD VASE, white jasper body with a mid blue dip and white relief 18” 1786 Wedgwood showed classical figures against a pink or blue background Recognize wedgwood, not necessarily this specific piece Neoclassicism in England-revival of classical traditions How did Josiah Wedgwood feel about Enlightenment ideals?
25. Am I not a Man and a Brother? Black & white Jasperware Political message Wedgwood supported the idea of gradual emancipation of slaves 1787 Enlightenment ideals
26. Lady Sarah Banbury Sacrificing to the Graces, oil on canvas, Joshua Reynolds, 1765 Grand Manner portrait with style of classical history painting combined with portraiture Reynolds - 1st President of British Royal Academy, wrote book on history painting as highest form of art & preserving classical traditions Lady Banbury playing role of a Roman priestess making sacrifice to the gods flashcard
27. Blue Boy , Thomas Gainsborough Oil on canvas, 2 m x 1.5 m, late 18th century Gainsborough studied portraits of Van Eyck - painted over 700 portraits Influenced by Watteau in feathery landscapes Son of a friend (ironmonger), legend that he painted it in blue to prove Reynolds wrong about the viability of blue as a central color in a portait Disagreed with Sir Reynolds about having to do classical or history style in portraits
28. The Marriage Contract, William Hogarth, 1743, from Marriage a la Mode series Flashcard.. Know about satirical paintings & how this showed Hogarth’s views on society
29. Anteroom, Syon House, Robert Adam (architect to King George III) Middlesex, England (Duke of Northumberland’s home) Flashcard Developed style of interior decoration based on applied ornament; fit taste of wealthy Aim: “to transform the beautiful spirit of antiquity with novelty and variety” Used motifs from Pompeii and rococo Never accepted by British Royal Academy Unearthing of Pompeii ruins big influence in Neoclassicism
30. Richard Boyle, Chiswick House . Gardens designed by landscape architect William Kent, west London. Revised classical principles into modern framework; tailored with 18th century living. Neoclassic architects studied Palladio and incorporated Greek columns and pediments.
31. IRON - industrial revolution made technological advances in use of IRON. First substantial structoure made of iron, in Coalbrookdale, England. Five parallel metal Roman arches. Built by Abraham Darby Economic and aesthetical. Soon builders adopted ironwork in buildings to replace heavy and costly stonework. Darby and IRON POWER
32. Monticello , 1782, Thomas Jefferson, Charlottesville, Virginia “ Little mountain” in Italian Brick building, octagonal dome, stucco applied to trim to give effect of marble Tall French doors and windows to ease heat of VA summers Balustrade hides 2nd floor, inspired by Palladio & Roman ruins
33. Georgian Silver Collection Various women artists.. Elizabeth Morley, and others From National Museum of Women in the Arts Be aware of the role women played and what these objects were used for
34. An Experiment on a Bird in the Air-Pump , Joseph Wright, oil on canvas, 1768 Showed Industrial Revolution in dramatic and entertaining way, attempted to popularize science. Dramatic lighting influenced by WHO?????? (hint: Baroque). Science brings light into a world of darkness
35. Cornelia Pointing to her Children as her Treasure , Angelica Kaufmann. Neoclassical moral history painting, illustrates story of Cornelia showing her children as her precious jewels. Places her children above material possessions (Enlightenment reaction vs. aristocratic love of finer things in life.)
36. Death of General Wolfe, Benjamin West, 1770. The Death of General Wolfe , Benjamin West, 1770, Canada. Battle of Quebec scene; tries to show entire battle in painting - French colors captured and brought to Gen. before he died.. Sniper shots to wrist, groin, & side… surrounded by friends and admirers… idealized his features. Triptych like High Renaissance Bathed in pool of light like Deposition paintings, Native American sets scene.. Pieta
37. Samuel Adams, John Singleton Copley, oil on canvas 50” x 40”, 1772 Neoclassic style in the colonies What is Copley trying to say? How does this reflect the Enlightenment and what was happening in England and the colonies? flashcard
38. The Drunken Cobbler , Jean-Baptiste Greuze. Oil on canvas, 1785. Neoclassic morality painting, showing what happens when the dad is out drinking no money for kids and family to eat. Inspired by the writing of Diderot, father of modern art criticism.. Who wrote that art’s proper function was to improve virtue and purify manners… criticized rococo “immoral” art… can you say INSTRUMENTALISM
39. Oath of the Horatii, Jacques-Louis David, oil on canvas, 11’ x 14’, Louvre, 1785 Exemplum virtuitis.. What story does this show? Neoclassical drapery and tripartite composition, David was sympathizer with human rights, and did not want education by the Church Most famous Neoclassical painter Part of series of Royal commissioned history paintings Emblem of French revolution Sacrifices for good of state
40. Death of Marat , J. Louis David 1793, oil on canvas 5’5” x 4’2” What event does this painting show? What influences/echoes are there from Michelangelo and Caravaggio? flashcard
41. Napoleon Crossing the Saint Bernard , David, 1800. David after being in prison, reestablished dominance in French painting. Napoleon used David as propagandist as he abolished aristocracy across Europe Baroque style composition
42. David (dav-eed) trained and influenced other painters, such as Anne Louis Girodet-Trioson Portrait of an emancipated Haitian slave… … who led the legislative campaign in France to abolish slavery and grant black people full citizenship in the colonies Portrait of Jean-Baptiste Belley.
43. Napoleon in the Plague House at Jaffa, 1804, Antoine Gros (Student of David) Shows Napoleon visiting sick & dying during Turkish campaign, shallow stage with classical references, exotic locale- Christlike figure of Napoleon helping the sick. (2 months after this was painted, Napoleon ordered all the plague victims poisoned)
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45. Jean-Auguste Ingres became famous portraitist.. Wanted to be a history painter, but was renowned for female nudes, numerous representations of Turkish harems, called the odalisque, a female slave Ingres followed some Neoclassical traditions, but some Romantic traditions…
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Hinweis der Redaktion
Artist: n/a Title: Europe and North America In the Eighteenth Century Medium: n/a Size: n/a Date: n/a Source/ Museum: n/a
Artist: Johann Balthasar Neumann Title: Kaisersaal (Imperial Hall), Residenz, Würzburg Medium: n/a Size: n/a Date: 1719–44 Source/ Museum: Bavaria, Germany. Fresco by Giovanni Battista Tiepolo, 1751–52
Artist: Johann Balthasar Neumann Title: Church of the Vierzehnheiligen Medium: n/a Size: n/a Date: 1743–72 Source/ Museum: Near Staffelstein, Germany
Artist: Giovanni Battista Tiepolo Title: The Marriage of the Emperor Frederick and Beatrice of Burgun Medium: n/a Size: n/a Date: 1751–52 Source/ Museum: Fresco in the Kaisersaal (Imperial Hall), Residenz, Würzburg, Germany
Artist: Jean-Antoine Watteau Title: Pilgrimage to The Island of Cythera Medium: Oil on canvas Size: 4'3" X 6'4½" (1.3 X 1.9 m) Date: 1717 Source/ Museum: Musée du Louvre, Paris
Artist: Jean-Antoine Watteau Title: The Signboard of Gersaint Medium: Oil on canvas Size: 5'4" X 10'1" (1.62 X 3.06 m) Date: c. 1721 Source/ Museum: Stiftung Preussische Schlössen und Gärten Berlin-Brandenburg, Schloss Charlottenburg
Artist: François Boucher Title: Triumph of Venus Medium: Oil on canvas Size: 4'3 ⅛ " X 5'3¾" (1.3 X 1.62 m) Date: 1740 Source/ Museum: Nationalmuseum, Stockholm
Artist: Jean-Honoré Fragonard Title: The Meeting Medium: Oil on canvas Size: 10'5¼" X 7' ⅝ " (3.18 X 2.15 m) Date: 1771–73 Source/ Museum: The Frick Collection, New York
Artist: Clodion Title: The Invention of the Balloon Medium: Terra-cotta model for a monument Size: height 43 ½" (110.5 cm) Date: 1784 Source/ Museum: The Metropolitan Museum of Art, New York. Rogers Fund and Frederick R. Harris Gift, 1944 (44.21a b)
Artist: Antonio Canova Title: Cupid and Psyche Medium: Marble Size: 6'1" X 6'8" (1.55 X 1.73 m) Date: 1787–93 Source/ Museum: Musée du Louvre, Paris
Artist: Piero Antonio Martini Title: The Salon of 1787 Medium: Engraving Size: n/a Date: 1787 Source/ Museum: n/a
Artist: Johann Zoffany Title: Academicians of the Royal Academy Medium: Oil on canvas Size: 47½ X 59½" (120.6 X 151.2 cm) Date: 1771–72 Source/ Museum: The Royal Collection, Windsor Castle, Windsor, England
Artist: Rosalba Carriera Title: Charles Sackville, 2nd Duke of Dorset Medium: Pastel on paper Size: 25 X 19" (63.5 X 48.3 cm) Date: c. 1730 Source/ Museum: Private collection
Artist: Adélaïde Labille-Guiard Title: Self-Portrait with Two Pupils Medium: Oil on canvas Size: 6'11" X 4'11½" (2.11 X 1.51 m) Date: 1785 Source/ Museum: The Metropolitan Museum of Art, New York. Gift of Julia A. Berwind, 1953 (53.225.5)
Artist: Marie-Louise-Élisabeth Vigée-Lebrun Title: Portrait of Marie Antoinette with Her Children Medium: Oil on canvas Size: 9'½" X 7' ⅝ " (2.75 X 2.15 m) Date: 1787 Source/ Museum: Musée National du Château de Versailles
Artist: Anton Raphael Mengs Title: Parnassus Medium: Ceiling fresco Size: n/a Date: 1761 Source/ Museum: Villa Albani, Rome
Artist: Josiah Wedgwood Title: Vase: The Apotheosis of Homer Medium: White jasper body with a mid-blue dip and white relief Size: height 18" (45.7 cm) Date: 1786 Source/ Museum: Made at the Wedgwood Etruria factory, Staffordshire, England. Relief of The Apotheosis of Homer adapted from plaque by John Flaxman, Jr., 1778. Trustees of the Wedgwood Museum, Barlaston, Staffordshire, England
Artist: William Hackwood for Josiah Wedgwood Title: “Am I not a Man and a Brother?” Medium: Black and white jasperware Size: 1 ⅜ X 1 ⅜ " (3.5 X 3.5 cm) Date: 1787 Source/ Museum: Trustees of the Wedgwood Museum, Barlaston, Staffordshire, England
Artist: Joshua Reynolds Title: Lady Sarah Bunbury Sacrificing to the Graces Medium: Oil on canvas Size: 7'10" X 5' (2.42 X 1.53 m) Date: 1765 Source/ Museum: The Art Institute of Chicago. Mr. and Mrs. W. W. Kimball Collection, 1922.4468
Artist: Thomas Gainsborough Title: Portrait of Mrs. Richard Brinsley Sheridan Medium: Oil on canvas Size: 7'2 ⅝ " X 5' ⅝ " (2.2 X 1.54 m) Date: 1785–87 Source/ Museum: National Gallery of Art, Washington, D.C. Andrew W. Mellon Collection (1937.1.92)
Artist: William Hogarth Title: The Marriage Contract Medium: Oil on canvas Size: 27½ X 35¾" (69.9 X 90.8 cm) Date: 1743–45 Source/ Museum: From Marriage à la Mode / The National Gallery London Reproduced by Courtesy of the Trustees
Artist: Robert Adam Title: Anteroom, Syon House Medium: n/a Size: n/a Date: 1760–69 Source/ Museum: Middlesex, England
Artist: Richard Boyle (Lord Burlington) Title: Chiswick House Medium: n/a Size: n/a Date: 1724–29 Interior decoration (1726–29) and new gardens (1730–40) by William Kent Source/ Museum: West London, England
Artist: Abraham Darby III Title: Severn River Bridge Medium: n/a Size: n/a Date: 1779 Source/ Museum: Coalbrookdale, England
Artist: Thomas Jefferson Title: Monticello Medium: n/a Size: n/a Date: 1769–82, 1796–1809 Source/ Museum: Charlottesville, Virginia
Artist: n/a Title: Elizabeth Morley, George III Toddy Ladle, 1802; Alice and George Burrows, George III Snuffbox, 1802; Elizabeth Cooke, George III Salver, 1767; Ann and Peter Bateman, George III Goblet, 1797; Hester Bateman, George III Double Beaker, 1790 Medium: n/a Size: n/a Date: n/a Source/ Museum: National Museum of Women in the Arts, Washington, D.C. Silver Collection assembled by Nancy Valentine, purchased with funds donated by Mr. and Mrs. Oliver Grace and family
Artist: Joseph Wright Title: An Experiment on a Bird in the Air-Pump Medium: Oil on canvas Size: 6 X 8' (1.82 X 2.43 m) Date: 1768 Source/ Museum: The National Gallery, London
Artist: Angelica Kauffmann Title: Cornelia Pointing to her Children as her Treasures Medium: Oil on canvas Size: 40 X 50" (101.6 X 127 cm) Date: c. 1785 Source/ Museum: Virginia Museum of Fine Arts, Richmond, Virginia. The Adolph D. and Wilkins C. Williams Fund
Artist: Benjamin West Title: The Death of General Wolfe Medium: Oil on canvas Size: 4'11½" X 7' (1.51 X 2.14 m) Date: 1770 Source/ Museum: The National Gallery of Canada, Ottawa. Transfer from the Canadian War Memorials, 1921 (Gift of the 2nd Duke of Westminster, Eaton Hall, Cheshire, 1918)
Artist: John Singleton Copley Title: Samuel Adams Medium: Oil on canvas Size: 50 X 40" (127 X 102.2 cm) Date: c. 1770–72 Source/ Museum: Museum of Fine Arts, Boston. Deposited by the City of Boston
Artist: Jean-Baptiste Greuze Title: The Drunken Cobbler Medium: Oil on canvas Size: 29 ⅝ X 36 ⅜ " (75.2 X 92.4 cm) Date: 1780–85 Source/ Museum: Portland Art Museum, Portland, Oregon. Gift of Marion Bowles Hollis
Artist: Jacques-Louis David Title: Oath of the Horatii Medium: Oil on canvas Size: 10'8¼" X 14' (3.26 X 4.27 m) Date: 1784–85 Source/ Museum: Musée du Louvre, Paris
Artist: Jacques-Louis David Title: Death of Marat Medium: Oil on canvas Size: 5'5" X 4'2½" (1.65 X 1.28 m) Date: 1793 Source/ Museum: Musées Royaux des Beaux-Arts de Belgique, Brussels
Artist: Jacques-Louis David Title: Napoleon Crossing The Saint-Bernard Medium: Oil on canvas Size: 8'11" X 7'7" (2.7 X 2.3 m) Date: 1800–1801 Source/ Museum: Musée National du Château de la Malmaison, Rueil-Malmaison
Artist: Anne-Louis Girodet-Trioson Title: Portrait of Jean-Baptiste Belley Medium: Oil on canvas Size: 5'2½" X 3'8½" (1.59 X 1.13 m) Date: 1797 Source/ Museum: Musée National du Château de Versailles
Artist: Antoine-Jean Gros Title: Napoleon In The Plague House At Jaffa Medium: Oil on canvas Size: 17'5" X 23'7" (5.32 X 7.2 m) Date: 1804 Source/ Museum: Musée du Louvre, Paris
Artist: Jean-Auguste-Dominique Ingres Title: Portrait of Madame Desiré Raoul-Rochette Medium: Graphite on paper Size: 12 ⅝ X 9 ½" (32.2 X 24.1 cm) Date: 1830 Source/ Museum: The Cleveland Museum of Art, Cleveland, Ohio. Purchase from the J. H. Wade Fund (1927.437)
Artist: Jean-Auguste-Dominique Ingres Title: Large Odalisque Medium: Oil on canvas Size: 35 X 64" (88.9 X 162.5 m) Date: 1814 Source/ Museum: Musée du Louvre, Paris