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ORGANIZATION IN THE VISUAL
ARTS
PRINCIPLES OF DESIGN
 The organization of the various elements
of the visual arts is govern by different
principles of design.
 Through these principles the artist can form
more beautiful and interesting color harmonies
and more beautiful combinations of shapes,
texture and lines.
 Design makes it easier for an artist to express
his ideas in such a way that the observer
becomes interested in is work.
 It also makes objects in our environment
more comprehensible.
 The design of an art object makes it
possible for an observer to tell its
function.
 Through the combination of lines, colors
ad forms, an artist can give the observer
new, varied and satisfying experiences.
HARMONY
 Essential to beauty
Visual Arts: it is achieved by establishing a
pleasing relationship between the various
elements.
 There is harmony if the various parts of the
design will give an appearance of belonging
together. In other words there must be
UNITY.
 REPETITION of angles and curves, shapes,
lines and colours will give a harmonious
effect.
 To relieve monotomy, there must be VARIETY.
-the spice of life and of art.
-it may be achieved by the diversity of
materials used and slight contrast in color,
texture, shape and space arrangements.
Painting and interior decoration:
complementary hues when used will give contrast.
Sculptor: variety may obtain through the
use of contrast of texture, such as smooth and
rough, in his work.
Architect: instead of using a long line of
windows, may group the windows and introduce
space between the groups.
 Monotony produced by vertical lines of columns
in buildings may be relieved by transition lines.
 If the wall paper in room is figured, the use of
plain curtains will make it more beautiful and
restful .
 Artist must be careful that the variety he
introduces does not destroy the harmonious
effect.
BALANCE
 All parts are equally distributed around a
central point.
 Weights are equally distributed on each side
of a center of fulcrum, as in see-saw.
 Gives a feeling of stability and rest.
 Makes an object or room not only
interesting but also pleasant to look at.
FORMAL OR SYMMETRICAL BALANCE
 Achieved by making both sides exactly
alike.
 Objects of the same size and shape, when
arranged on two sides of a center, will
produce formal balance.
 Gives an atmosphere of dignity and
formality.
INFORMAL OR ASYMMETRIAL BALANCE
 Occult balance
 More difficult to achieved than formal
balance; however, the results are more
interesting.
 Achieved when objects of unequal weights or
unequal attractions are placed at the correct
distances from the center as when a large
object or an object of stronger attraction is
placed near the center, while the smaller
object or one with less striking attraction is
moved.
 Generally use when we want to attract the
attention of observers and set them thinking
about the object under observation.
-Active Balance: it suggests spontaneity
and movement and also gives an impression of
casualness.
PROPORTION
 Determined by a comparison of the sizes of
different parts of an object or of an
arrangement.
 Harmonious proportion achieved when one part
of an object does not seem too big or too small
for other parts.
 Painting: the principle of good proportion is
useful in combining colors successfully and in
determining the margins for mounting.
 To produce more pleasing harmony
here should be more of one color than
the others
 Avoid using equal amounts of two or
more colors
 Avoid also a great deal of one color
and only atiny bit of another.
RHYTHM
 Achieved by the regular or harmonious
recurrence of lines, forms, and colors.
 Organized movement, a beat, a repetition.
 Through the repetition of lines or forms, a
pattern is produced, which the eye follows
as it moves from the right to left.
 A series of units repeated one after another
also produced rhytmic.
 Through the use of color, charming patterns
will be formed that will carry the eye from one
part of a room to another. Repetition of color
in different parts of the room produces a
rhythmical effect which is not only charming
but pleasing.
 Rhythmical patterns help the eye to move
easily from one part of the room to another or
from one part of a design to another.
 Rhythm is used as the most effective way of
creating aesthetic unity in prose, music,
dance, painting, architecture, and sculpture.
 Space Arts: rhythm is used in repetition,
alternation, and gradation of the elements of art ,
line, form, color and texture.
EMPHASIS / SUBORDINATION
 Produced by the design or form that
catches our attention while the rest are
subordinated.
 The pattern emphasized usually forms
the center of interest.
 It may be defined by giving the proper
importance to the parts or to the whole.
 Emphasis is important in all art forms and this is
most noticeable in the art of advertising.
 Emphasis in the visual arts may be secured in
several ways. It may be secured through size
and position.
 Color is also used to create emphasis.
 Emphasis is important because it relieves
monotomy. It can also used to call attention to
pleasing centers of interest.
Organization in the visual arts 1
Organization in the visual arts 1
Organization in the visual arts 1
Organization in the visual arts 1
Organization in the visual arts 1

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Grade 9 MAPEH Music 9 Quarter 4  Powerpoint presentationGrade 9 MAPEH Music 9 Quarter 4  Powerpoint presentation
Grade 9 MAPEH Music 9 Quarter 4 Powerpoint presentation
 

Organization in the visual arts 1

  • 1. ORGANIZATION IN THE VISUAL ARTS
  • 2. PRINCIPLES OF DESIGN  The organization of the various elements of the visual arts is govern by different principles of design.  Through these principles the artist can form more beautiful and interesting color harmonies and more beautiful combinations of shapes, texture and lines.  Design makes it easier for an artist to express his ideas in such a way that the observer becomes interested in is work.
  • 3.  It also makes objects in our environment more comprehensible.  The design of an art object makes it possible for an observer to tell its function.  Through the combination of lines, colors ad forms, an artist can give the observer new, varied and satisfying experiences.
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  • 7. HARMONY  Essential to beauty Visual Arts: it is achieved by establishing a pleasing relationship between the various elements.  There is harmony if the various parts of the design will give an appearance of belonging together. In other words there must be UNITY.  REPETITION of angles and curves, shapes, lines and colours will give a harmonious effect.
  • 8.  To relieve monotomy, there must be VARIETY. -the spice of life and of art. -it may be achieved by the diversity of materials used and slight contrast in color, texture, shape and space arrangements. Painting and interior decoration: complementary hues when used will give contrast. Sculptor: variety may obtain through the use of contrast of texture, such as smooth and rough, in his work.
  • 9. Architect: instead of using a long line of windows, may group the windows and introduce space between the groups.  Monotony produced by vertical lines of columns in buildings may be relieved by transition lines.  If the wall paper in room is figured, the use of plain curtains will make it more beautiful and restful .  Artist must be careful that the variety he introduces does not destroy the harmonious effect.
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  • 15. BALANCE  All parts are equally distributed around a central point.  Weights are equally distributed on each side of a center of fulcrum, as in see-saw.  Gives a feeling of stability and rest.  Makes an object or room not only interesting but also pleasant to look at.
  • 16. FORMAL OR SYMMETRICAL BALANCE  Achieved by making both sides exactly alike.  Objects of the same size and shape, when arranged on two sides of a center, will produce formal balance.  Gives an atmosphere of dignity and formality.
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  • 21. INFORMAL OR ASYMMETRIAL BALANCE  Occult balance  More difficult to achieved than formal balance; however, the results are more interesting.  Achieved when objects of unequal weights or unequal attractions are placed at the correct distances from the center as when a large object or an object of stronger attraction is placed near the center, while the smaller object or one with less striking attraction is moved.
  • 22.  Generally use when we want to attract the attention of observers and set them thinking about the object under observation. -Active Balance: it suggests spontaneity and movement and also gives an impression of casualness.
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  • 27. PROPORTION  Determined by a comparison of the sizes of different parts of an object or of an arrangement.  Harmonious proportion achieved when one part of an object does not seem too big or too small for other parts.  Painting: the principle of good proportion is useful in combining colors successfully and in determining the margins for mounting.
  • 28.  To produce more pleasing harmony here should be more of one color than the others  Avoid using equal amounts of two or more colors  Avoid also a great deal of one color and only atiny bit of another.
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  • 32. RHYTHM  Achieved by the regular or harmonious recurrence of lines, forms, and colors.  Organized movement, a beat, a repetition.  Through the repetition of lines or forms, a pattern is produced, which the eye follows as it moves from the right to left.  A series of units repeated one after another also produced rhytmic.
  • 33.  Through the use of color, charming patterns will be formed that will carry the eye from one part of a room to another. Repetition of color in different parts of the room produces a rhythmical effect which is not only charming but pleasing.  Rhythmical patterns help the eye to move easily from one part of the room to another or from one part of a design to another.
  • 34.  Rhythm is used as the most effective way of creating aesthetic unity in prose, music, dance, painting, architecture, and sculpture.  Space Arts: rhythm is used in repetition, alternation, and gradation of the elements of art , line, form, color and texture.
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  • 38. EMPHASIS / SUBORDINATION  Produced by the design or form that catches our attention while the rest are subordinated.  The pattern emphasized usually forms the center of interest.  It may be defined by giving the proper importance to the parts or to the whole.
  • 39.  Emphasis is important in all art forms and this is most noticeable in the art of advertising.  Emphasis in the visual arts may be secured in several ways. It may be secured through size and position.  Color is also used to create emphasis.  Emphasis is important because it relieves monotomy. It can also used to call attention to pleasing centers of interest.