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The Semantic Code (SEM)
                                                      The Hermeneutic code (HER)




The Cultural Code (REF)
                                                          The Symbolic Code (SYM)
                          The Proairetic Code (ACT)
The Semantic Code (SEM)
The Semantic code refers to connotation within
  the story that gives additional meaning over
   the basic denotative meaning of the word.
The Hermeneutic code (HER)
The Hermeneutic Code refers to any element of
  the story that is not fully explained and hence
        becomes a mystery to the reader.
The Cultural Code (REF)
 The Cultural code refers to anything that is
founded on some kind of canonical works that
 cannot be challenged and is assumed to be a
             foundation for truth.
The Proairetic Code (ACT)
The Proairetic Code builds tension, referring to
    any other action or event that indicates
 something else is going to happen which gets
 the reader guessing to what will happen next.
The Symbolic Code (SYM)
The Symbolic code is very similar to the
   Semantic Code, but acts at a wider
level, organizing semantic meanings into
  broader and deeper sets of meaning.
Tzvetan Todorov is a philosopher
and cultural critic and the author
of over 20 books.




                                Tzvetan Todorov’s believed that there are five stages to
                                narrative structure:
                                • A state of Equilibrium. (All as is if it should be)
                                • A disruption to that order (by an event)
                                • A recognition that the disorder has occurred.
                                • An attempt to repair the damage.
                                • A return or restoration to start a NEW equilibrium.
Vladimir Propp analysed a whole series of
Russian folk tales in the 1920s.




  Vladimir Propp’s theory was formed in the early twentieth Century. He studies Russian
  fairytales and discovered that in stories there were always 8 types of characters evident.
  • The hero,
  • The villain,
  • The donor,
  • The dispatcher,
  • The false hero,
  • The helper,
  • The princess and her father.
Propp's Narrative Functions (31)
1. A member of a family leaves home
2. An interdiction is addressed to the hero
3. The hero ignores the interdiction
4. The villain appears
5. The villain gains information about the victim
6. The villain attempts to deceive the victim to take possession of victim or victim's belongings
7. The victim is fooled by the villain, unwittingly helps the enemy
8. Villain causes harm/injury to family/tribe member
9. Misfortune or lack is made known
10. Seeker agrees to, or decides upon counter-action
11. Hero leaves home
12. Hero is tested, interrogated, attacked etc, preparing the way for his/her receiving magical
agent or helper
13. Hero reacts to actions of future donor
14. Hero acquires use of a magical agent
15. Hero is transferred, delivered or led to whereabouts of an object of the search
16. Hero and villain join in direct combat
18. Villain is defeated
19. Initial misfortune or lack is resolved
20. Hero returns
21. Hero is pursued
22. Hero is rescued from pursuit
23. Hero unrecognised, arrives home or in another country
24. False hero presents unfounded claims
25. Difficult task proposed to the hero
26. Task is resolved
27. Hero is recognised
28. False hero or villain is exposed
29. Hero is given a new appearance
30. Villain is punished
31.Hero marries and ascends the throne
laude Lévi-Strauss was born in Belgium on 28 November 1908
to French parents.




                                  He undertook a law degree at the University of Paris.




           Levi-Straus believed that the individual narrative structure could be
           grasped as the imaginary resolution to real contradiction.

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Theorist research

  • 1.
  • 2. The Semantic Code (SEM) The Hermeneutic code (HER) The Cultural Code (REF) The Symbolic Code (SYM) The Proairetic Code (ACT)
  • 3. The Semantic Code (SEM) The Semantic code refers to connotation within the story that gives additional meaning over the basic denotative meaning of the word.
  • 4. The Hermeneutic code (HER) The Hermeneutic Code refers to any element of the story that is not fully explained and hence becomes a mystery to the reader.
  • 5. The Cultural Code (REF) The Cultural code refers to anything that is founded on some kind of canonical works that cannot be challenged and is assumed to be a foundation for truth.
  • 6. The Proairetic Code (ACT) The Proairetic Code builds tension, referring to any other action or event that indicates something else is going to happen which gets the reader guessing to what will happen next.
  • 7. The Symbolic Code (SYM) The Symbolic code is very similar to the Semantic Code, but acts at a wider level, organizing semantic meanings into broader and deeper sets of meaning.
  • 8. Tzvetan Todorov is a philosopher and cultural critic and the author of over 20 books. Tzvetan Todorov’s believed that there are five stages to narrative structure: • A state of Equilibrium. (All as is if it should be) • A disruption to that order (by an event) • A recognition that the disorder has occurred. • An attempt to repair the damage. • A return or restoration to start a NEW equilibrium.
  • 9. Vladimir Propp analysed a whole series of Russian folk tales in the 1920s. Vladimir Propp’s theory was formed in the early twentieth Century. He studies Russian fairytales and discovered that in stories there were always 8 types of characters evident. • The hero, • The villain, • The donor, • The dispatcher, • The false hero, • The helper, • The princess and her father.
  • 10. Propp's Narrative Functions (31) 1. A member of a family leaves home 2. An interdiction is addressed to the hero 3. The hero ignores the interdiction 4. The villain appears 5. The villain gains information about the victim 6. The villain attempts to deceive the victim to take possession of victim or victim's belongings 7. The victim is fooled by the villain, unwittingly helps the enemy 8. Villain causes harm/injury to family/tribe member 9. Misfortune or lack is made known 10. Seeker agrees to, or decides upon counter-action 11. Hero leaves home 12. Hero is tested, interrogated, attacked etc, preparing the way for his/her receiving magical agent or helper 13. Hero reacts to actions of future donor 14. Hero acquires use of a magical agent 15. Hero is transferred, delivered or led to whereabouts of an object of the search 16. Hero and villain join in direct combat
  • 11. 18. Villain is defeated 19. Initial misfortune or lack is resolved 20. Hero returns 21. Hero is pursued 22. Hero is rescued from pursuit 23. Hero unrecognised, arrives home or in another country 24. False hero presents unfounded claims 25. Difficult task proposed to the hero 26. Task is resolved 27. Hero is recognised 28. False hero or villain is exposed 29. Hero is given a new appearance 30. Villain is punished 31.Hero marries and ascends the throne
  • 12. laude Lévi-Strauss was born in Belgium on 28 November 1908 to French parents. He undertook a law degree at the University of Paris. Levi-Straus believed that the individual narrative structure could be grasped as the imaginary resolution to real contradiction.