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Supporting the Troops:

Hollywood’s representation of U.S.
     Soldiers and Patriotism.
What(or who) are we Fighting For?
• The 1990s continued to see films in which
  soldiers fought for their country and each other.
• Saving Private Ryan, Thin Red Line, We Were
  Soldiers, Pearl Harbour. These films share an
  uncertain cause. No-one is sure who to fight for,
  so they fight for each other.
• This is seen again in Three Kings, Black Hawk
  Down, Behind Enemy Lines, Courage Under Fire,
  when war is given a contemporary setting.
What(or who) are we Fighting For?
                cont
• In making the soldiers fight for each other (or
  someone back home), war is Romanticised.
• An appeal is made for the audience to
  empathize with the Soldiers i.e. Support the
  Troops
Soldiers as Heroes – Three Kings
• Archie Gates’ (Clooney) need to help civilians
• Conrad Vig’s (Jonze) character growth
• Troy’s (Wahlberg) humanity in not killing his
  torturer.
• Chief’s (Ice-Cube) continued resilient faith
Soldiers as Heroes – Black Hawk Down
• The ordeal of pain and endurance
  characterizing an atmosphere of continuous
  combat is emphasized throughout.
• The fight for each other is stressed, “Leave no
  man behind”
• Bonding of Soldiers both before and during
  combat.
Soldiers as Heroes – Behind Enemy
       Lines & Courage under Fire
• The extremes to which troops will go to save
  another’s life
• The respect reserved for fallen combatants.

  Both films reiterate much the same sentiment,
  portraying the Soldier as hero and invoking
  feelings of Patriotism and pride.

• Significantly, each of these films were quite
  successful either critically or at the box-office.
Who needs heroes?
• "A true war story is never moral. It does not instruct, it
  does not encourage virtue, nor suggest models of proper
  human behavior. Do not believe it. If at the end of a war
  story, you feel uplifted, or if you feel that some small bit
  of rectitude has been salvaged from the larger waste,
  then you have been made the victim of a very old lie.
  There is no rectitude whatsoever. There is no virtue. As a
  first rule of thumb, therefore, you can tell a true war
  story by its absolute and uncompromising allegiance to
  obscenity and evil.” – The Things they Carried
• Redacted (2007, d. Brian De
  Palma)
• Based mostly on the Mahmudiya
  killings in March 2006
• Filmed from a number of
  perspectives in order to give an
  authenticity to it.
  → Soldiers’ (predominantly)
  →French media
  →Anti-War video blogger
  → ‘Fly-on-the wall’ security
  cameras
• Attempts to tell the stories of the
  Soldiers’ experiences in war.
Story behind Redacted
• Al-Mahmudiyah killings occurred on March 12, 2006.
• Five United States soldiers with the 502nd Infantry
  Regiment, SGT Paul E. Cortez, SPC James P. Barker, PFC
  Jesse V. Spielman, PFC Brian L. Howard, and PFC Steven
  D. Green, gang-raped and murdered a 14-year-old Iraqi,
  after murdering her mother, her father and her sister.
• Three of the five are serving life-sentences, one is
  awaiting trial.
• July 11, 2006: A video depict 2 soldiers from the same
  unit being killed was released. This was a retaliation from
  the Mujahideen Shura Council.
Reaction to Redacted
• The film had a mixed critical and public reception.
• Initially received critical acclaim, including a
  number of prestigious awards. Later featured on
  numerous ‘Top 10’ lists for 2007
• Quickly generated criticism for its depiction of
  U.S. Soldiers.
• Internet campaigns set up to boycott the film.
• Worldwide gross of US$498,343, only $65,388
  domestically. (Yet to be released in UK & Ireland)
Other critical films
• In the Valley of Elah (2007, Paul Haggis)
• Rendition (2007,Gavin Hood)

  Both portray brutality of U.S. Military, either
  on one another or on captives.

 Both were largely commercial flops.
Conclusion
• The larger public does not want to see its
  soldiers portrayed negatively. Some form of
  redemption is needed, patriotism needs to be
  stirred somehow.
• People need to see the human side of war,
  regardless if they agree with it.
• Criticism should be reserved for the
  politicians, military leaders who are not
  involved in combat.

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Hollywood, US Foreign Policy & Patriotism

  • 1. Supporting the Troops: Hollywood’s representation of U.S. Soldiers and Patriotism.
  • 2. What(or who) are we Fighting For? • The 1990s continued to see films in which soldiers fought for their country and each other. • Saving Private Ryan, Thin Red Line, We Were Soldiers, Pearl Harbour. These films share an uncertain cause. No-one is sure who to fight for, so they fight for each other. • This is seen again in Three Kings, Black Hawk Down, Behind Enemy Lines, Courage Under Fire, when war is given a contemporary setting.
  • 3. What(or who) are we Fighting For? cont • In making the soldiers fight for each other (or someone back home), war is Romanticised. • An appeal is made for the audience to empathize with the Soldiers i.e. Support the Troops
  • 4. Soldiers as Heroes – Three Kings • Archie Gates’ (Clooney) need to help civilians • Conrad Vig’s (Jonze) character growth • Troy’s (Wahlberg) humanity in not killing his torturer. • Chief’s (Ice-Cube) continued resilient faith
  • 5. Soldiers as Heroes – Black Hawk Down • The ordeal of pain and endurance characterizing an atmosphere of continuous combat is emphasized throughout. • The fight for each other is stressed, “Leave no man behind” • Bonding of Soldiers both before and during combat.
  • 6. Soldiers as Heroes – Behind Enemy Lines & Courage under Fire • The extremes to which troops will go to save another’s life • The respect reserved for fallen combatants. Both films reiterate much the same sentiment, portraying the Soldier as hero and invoking feelings of Patriotism and pride. • Significantly, each of these films were quite successful either critically or at the box-office.
  • 7. Who needs heroes? • "A true war story is never moral. It does not instruct, it does not encourage virtue, nor suggest models of proper human behavior. Do not believe it. If at the end of a war story, you feel uplifted, or if you feel that some small bit of rectitude has been salvaged from the larger waste, then you have been made the victim of a very old lie. There is no rectitude whatsoever. There is no virtue. As a first rule of thumb, therefore, you can tell a true war story by its absolute and uncompromising allegiance to obscenity and evil.” – The Things they Carried
  • 8. • Redacted (2007, d. Brian De Palma) • Based mostly on the Mahmudiya killings in March 2006 • Filmed from a number of perspectives in order to give an authenticity to it. → Soldiers’ (predominantly) →French media →Anti-War video blogger → ‘Fly-on-the wall’ security cameras • Attempts to tell the stories of the Soldiers’ experiences in war.
  • 9. Story behind Redacted • Al-Mahmudiyah killings occurred on March 12, 2006. • Five United States soldiers with the 502nd Infantry Regiment, SGT Paul E. Cortez, SPC James P. Barker, PFC Jesse V. Spielman, PFC Brian L. Howard, and PFC Steven D. Green, gang-raped and murdered a 14-year-old Iraqi, after murdering her mother, her father and her sister. • Three of the five are serving life-sentences, one is awaiting trial. • July 11, 2006: A video depict 2 soldiers from the same unit being killed was released. This was a retaliation from the Mujahideen Shura Council.
  • 10. Reaction to Redacted • The film had a mixed critical and public reception. • Initially received critical acclaim, including a number of prestigious awards. Later featured on numerous ‘Top 10’ lists for 2007 • Quickly generated criticism for its depiction of U.S. Soldiers. • Internet campaigns set up to boycott the film. • Worldwide gross of US$498,343, only $65,388 domestically. (Yet to be released in UK & Ireland)
  • 11. Other critical films • In the Valley of Elah (2007, Paul Haggis) • Rendition (2007,Gavin Hood) Both portray brutality of U.S. Military, either on one another or on captives. Both were largely commercial flops.
  • 12. Conclusion • The larger public does not want to see its soldiers portrayed negatively. Some form of redemption is needed, patriotism needs to be stirred somehow. • People need to see the human side of war, regardless if they agree with it. • Criticism should be reserved for the politicians, military leaders who are not involved in combat.