SlideShare a Scribd company logo
1 of 6
Download to read offline
DUKANE AV DIVISION Page 1 of 6
Projector Images and Room Light Levels
Ron Ohlhaber
Dukane AV Products Division
When projectors are used in a variety of classroom and conference room
locations it becomes important to determine the projector light level necessary to
provide a suitable image. The amount of light provided by the projector is an
important factor in determining its image visibility, price and size.
This article describes the concepts related to projector light output and the effects
of ambient or background light from other sources in the room. To accomplish
this the image contrast ratio is introduced and related to the image light level
compared to the background light.
Image on the Screen
To understand the projector and the environment we need to remember that the
“image” we see is what counts. The screen is where the “image” appears. The
screen acts as the surface that reflects the light in the image back to our eyes.
When considering various projection configurations the screen can be much
larger than the image. Just remember it is the light from the projector that creates
the image, which provides the information or picture of interest.
For a projector, the number of “lumens” indicates the amount of light coming from
the lens. For an all white image, the light is distributed evenly over the image
when it is projected on the screen. An actual image can be composed of dark
areas where the light is not present or other area where there is a color such as
red or green. However, a projector is rated for the maximum amount of light with
a full white image.
One way to think about the light from the projector is that it is analogous to water
coming out of a showerhead. As the distance from the showerhead increases the
spray spreads out over a larger area. The amount of water remains constant
whether one is close to the showerhead or further back. What happens as we get
further away is that the amount of water over a fixed small area like your hand
becomes less.
This same effect happens with the projector light as we increase the image size.
The light over a small fixed area becomes less. There is still the same total
amount of light, but it just gets spread over the larger image.
As mentioned, light is measured by a unit called “lumen”. A projector provides a
certain number of lumens. The lumens are distributed over the image area. To
determine the actual lumen level, a full white image is projected and
measurements taken at 9 locations in the white image. The image size is also
measured and the total lumens calculated.
As the image is becomes larger, there are less lumens present in any fixed area
such as a square foot (an area equal to 1 foot by 1 foot). The lower the light in a
unit area, the less bright the image becomes.
DUKANE AV DIVISION Page 2 of 6
For example an image of 3 by 4 feet has an area of 12 square feet. If the
projector has a 1000 lumen output then there are 1000/12= 83 lumens in each
square foot of the image as shown in Figure 1.
If the image on the screen is increased to 6 by 8 feet by projecting at a longer
distance, then the area is 48 square feet and the lumens per square foot
becomes 1000/48= 21 lumens per sq. ft. Thus by increasing the image size 4
times, we have reduced the lumens per sq. ft. by 4 times. Again see Figure 1.
Since lumens describe the amount of light used to produce the image, it is
directly related to what our eyes see, and is what we call the image brightness.
For this example when the image size was increased 4 times the brightness was
reduced by 4 times.
It is important to remember that the image brightness is determined by the size of
the image projected. For projectors we can move them closer to the screen to
produce smaller images that are brighter. However, we usually employ the
projector to provide a large image. Thus there is a tradeoff between the image
size and the brightness for any projector. To increase the image size and keep
the same brightness image, we must use a projector that outputs more lumens.
Employing a higher output projector appears to be a simple solution, but the
lumen output is one of the primary factors that govern the cost of the projector.
Consequently, in the real world, a good choice is a projector with the minimum
number of lumens to get the job done.
A second important consideration is that in most rooms there is another source
of light that falls on the screen. This is the ambient or background light from
windows and lamps in the room.
Background Light
Most projector environments are never totally dark. The ambient light that falls on
the screen produces a background light level with the image being projected on
Projector Light
3 x 4 ft
6 x 8 ft
83 Lumens
in 1 ft square 21 Lumens
in 1 ft square
Figure 1
1000 Lumens
DUKANE AV DIVISION Page 3 of 6
top. It is this background or ambient light that must be considered when
determining how large an image should be and how many lumens are needed.
To understand this we can extend the shower analogy. If the shower is located
outdoors when a rainstorm is in progress there is additional water along with
water from the showerhead.
Thinking about this situation we all know that as the background light increases,
it becomes more difficult to see a projected image. The image becomes dull and
it may appear “washed out”.
What really is happening is that the image had its “contrast” reduced by the
ambient light. The amount of light contributing to the image remains the same,
however, more light has been added to the screen by other light sources in the
room.
Consider the situation as shown in Figure 2, where the room lights contribute 200
ambient lumens over the total 3 x 4 foot screen. For an image, this results in a
background light level of 200/12 = 16 lumens for each square foot of the screen.
Now if our projector provided 83 lumens on each square foot when the image
was white, then total amount of light on the area is 83 + 16 = 99 lumens.
This may initially appear to be a benefit since the light level has increased,
however, where the image has no light, in a dark area, there is still the 16 lumens
present. Since images are composed of bright and dark regions as shown in
Figure 3, we can consider the effect on the image by considering the “contrast”.
1000 Lumens
3 x 4 ft
6 x 8 ft
Figure 2
83 + 16 = 99
Lumens in
1 ft square
21 + 4 = 25
Lumens in
1 ft square
Background
Light of
200 Lumens
Figure 3
DUKANE AV DIVISION Page 4 of 6
Image Contrast
The “contrast” is a measure of the brightest to the darkest area of the image. The
contrast of the prior example is just the 99 lumen bright level divided by the dark
level of 16 or 99/16 = 6. If we double the light from the projector to 2000 lumens
the contrast almost doubles. The bright region is 182 (83+83+16) divided by the
dark level still at 16, or 182/16 = 11. Thus the contrast has gone from 6 to 11.
If on the other hand, when the amount of room light is doubled, the bright area
level becomes 115, (83 + 32) and the dark region increases to 32 lumens. Thus
the contrast is 115/32 = 4. With a contrast as low as 4, we must ask what is a
good contrast for the image on the screen?
As shown in Figure 4, contrast levels of 2 let us see the image but not very
clearly. A contrast of 20 permits viewing most images but does still not product a
rich vibrant image. Contrast levels in excess of 200 produce great images.
Most projectors today produce images with contrasts exceeding 200, however
when projected on a screen with room light present the resulting contrast is far
less. How can we know what effect the room light will have on the resulting
contrast and can we determine the amount of light needed from the projector?
Another way to consider the situation is to ask how much do we need to reduce
the ambient light level to produce a suitable image?
There are several ways to answer these questions. One is by a trial with various
light level projectors. Another way is measuring the amount of room light on the
screen and estimating the contrast.
Still another way is to use a projector with a known lumen output and set the
image size to simulate a larger image with increased lumen output. To do this,
one way is to take the known lumen projector and make the image 1/4 of the size
of the image desired. If this image has a satisfactory brightness and contrast then
you need a projector that has 4 times the amount of lumens.
For example, if we go back to the example where we had a 1000 lumen
projector the image can be projected to a 3 x 4 ft. area on a larger screen. If the
image contrast is satisfactory, then this lumen level could be predicted for a
larger image size. An image of 6 x 8 ft. will have an area 4 times larger and thus
Figure 4
Contrast 2 Contrast 4 Contrast 8
Contrast 3 Contrast 4
Contrast 8 Contrast 40
8
Contrast 40
DUKANE AV DIVISION Page 5 of 6
the projector will be required to deliver 4000 lumens to form an equivalent
contrast image. The factors for the various image sizes are shown in Table 1.
Table 1
Image size in
feet (H x W)
Image Diagonal in
inches (4 to 3 aspect)
Area
Factor
Area of image
in sq. feet
3 x 4 60 inches 1 12
6 x 8 120 inches 4 48
9 x 12 180 inches 9 108
Ambient Light Levels
Another option is to reduce the background light. This could consist of blocking
the light from windows and turning down the lights to reduce the light falling on
the screen.
Table 2 presents some typical light levels for various environments. In most
cases the very dark theater setting does not work well for school, conference, or
lecture rooms. For most cases the average background at the screen is usually
under 2 lumens per square foot.
Table 2
Condition
Background level in lumens per square
foot
Movie theater 0.1
Low light level room 1 to 2
Normal room 30 to 60
Desktop for reading 40 to 60
Room with window, no sun 50 to 100
Room with window, sun 1,000 to 5,000
Outdoors 5,000 to 10,000
In some cases where windows are present it becomes very difficult to block the
light. However, in any case where sunlight is entering the room some form of
shading is typically required. This is because direct sunlight has a tremendous
amount of lumens. One 3 by 3 foot window can easily permit over 2,000 lumens
to enter the room.
Compare this to the case where the background is only 2 lumens per square foot
and the projector has an output of 1000 lumens. Here the maximum contrast for
a 4 x 3 foot image is the 83 lumens from the screen plus the 2 lumens
background to yield 85 lumens in a bright area and 2 lumens in the dark for a
contrast of 42 (85/2). A contrast of 42 may not seem high but it is what people
typically observe in rooms with a comfortable lower light level.
Summary
Using the concepts described we can evaluate different projectors and the effect
from the environment. Remember the light from the projector is not reduced as it
DUKANE AV DIVISION Page 6 of 6
crosses the space to the screen. However, if the projected image becomes
larger, the light in a fixed area becomes less and the image appears less bright.
We now know how to calculate the change using the image area.
The second major factor is the background light. This causes the image to
become washed out or reduces the contrast.
Many projectors today are in the 1000 to 3000 lumen range and the background
light level will be a major factor in determining the contrast. Consequently it is
important that for an optimum image the background light be reduced down to
the lowest level possible.
There are other ways to predict the contrast such as using a light meter to
measure the amount of lumens. In addition there are special screens and rear
projection configurations that improve the contrast. While these methods do
provide higher contrast levels they typically require an increased cost.
With existing projectors and a simple screen we are usually limited to the option
of controlling the background light. However, even when employing higher light
output projectors there still may be a problem with the background light. That is
because of the tremendous amount of light during normal daylight or the indoor
light levels we prefer for comfortable living. Thus, in almost all projector
installations the image brightness and contrast become the most important
factors.
Dukane Corp
AV Products Division
2900 Dukane Drive
St. Charles, IL 60174
630-584-2300

More Related Content

What's hot

Editing my images
Editing my imagesEditing my images
Editing my imagesca11umh
 
Unit 4: Case Study and Tutorials
Unit 4: Case Study and TutorialsUnit 4: Case Study and Tutorials
Unit 4: Case Study and TutorialsMrLawler
 
Video assets
Video assetsVideo assets
Video assetsCrashin
 
Photoshop tutorial
Photoshop tutorialPhotoshop tutorial
Photoshop tutorialcooper276
 
Unit 6 - Masters Tutorials (11)
Unit 6 - Masters Tutorials (11)Unit 6 - Masters Tutorials (11)
Unit 6 - Masters Tutorials (11)MrLawler
 
Applying color effect in photoshop
Applying color effect in photoshopApplying color effect in photoshop
Applying color effect in photoshopsujon hasan
 

What's hot (9)

Editing my images
Editing my imagesEditing my images
Editing my images
 
Double exposure in photoshop
Double exposure in photoshopDouble exposure in photoshop
Double exposure in photoshop
 
Unit 4: Case Study and Tutorials
Unit 4: Case Study and TutorialsUnit 4: Case Study and Tutorials
Unit 4: Case Study and Tutorials
 
Jameel terminology
Jameel terminologyJameel terminology
Jameel terminology
 
Video assets
Video assetsVideo assets
Video assets
 
Photoshop tutorial
Photoshop tutorialPhotoshop tutorial
Photoshop tutorial
 
Unit 6 - Masters Tutorials (11)
Unit 6 - Masters Tutorials (11)Unit 6 - Masters Tutorials (11)
Unit 6 - Masters Tutorials (11)
 
Lighting plan
Lighting planLighting plan
Lighting plan
 
Applying color effect in photoshop
Applying color effect in photoshopApplying color effect in photoshop
Applying color effect in photoshop
 

Viewers also liked

Viewers also liked (6)

Elite diy screens
Elite diy screensElite diy screens
Elite diy screens
 
Dukane 6136 m and 6135w
 Dukane 6136 m and 6135w Dukane 6136 m and 6135w
Dukane 6136 m and 6135w
 
Powerpoint survival guide
Powerpoint survival guidePowerpoint survival guide
Powerpoint survival guide
 
Dukane imagepro 8113
Dukane imagepro 8113Dukane imagepro 8113
Dukane imagepro 8113
 
9007 wu l-usermanual
9007 wu l-usermanual9007 wu l-usermanual
9007 wu l-usermanual
 
8928 a 8930a_usermanual_concise
8928 a 8930a_usermanual_concise8928 a 8930a_usermanual_concise
8928 a 8930a_usermanual_concise
 

Similar to Room light levels and projection

Portable Projection Screens for Use in Uncontrolled Lighting
Portable Projection Screens for Use in Uncontrolled LightingPortable Projection Screens for Use in Uncontrolled Lighting
Portable Projection Screens for Use in Uncontrolled LightingDon Hirsh
 
HA1 - Motion Graphics Now
HA1 - Motion Graphics NowHA1 - Motion Graphics Now
HA1 - Motion Graphics Nowdanhops888
 
Selecting A Projector For Classroom Use
Selecting A Projector For Classroom UseSelecting A Projector For Classroom Use
Selecting A Projector For Classroom UseChuck Jones
 
TV Lighting
TV LightingTV Lighting
TV LightingPTV
 
Digital image processing Tool presentation
Digital image processing Tool presentationDigital image processing Tool presentation
Digital image processing Tool presentationdikshabehl5392
 
Photo Editing: A Little Goes A Long Way
Photo Editing: A Little Goes A Long WayPhoto Editing: A Little Goes A Long Way
Photo Editing: A Little Goes A Long WayTREND MLS
 
Unit 57 - Photographic terminology
Unit 57 - Photographic terminology Unit 57 - Photographic terminology
Unit 57 - Photographic terminology tammykhatun
 
flexyPage explains Display Features
flexyPage explains Display FeaturesflexyPage explains Display Features
flexyPage explains Display FeaturesflexyPage ELFIN
 
LIGHTING AND ENERGY INSTRUMENTS FOR AUDIT
LIGHTING AND ENERGY INSTRUMENTS FOR AUDITLIGHTING AND ENERGY INSTRUMENTS FOR AUDIT
LIGHTING AND ENERGY INSTRUMENTS FOR AUDITkypameenendranathred
 
Light & flash photography
Light & flash photography Light & flash photography
Light & flash photography Dipankar Dipu
 
All about projector
All about projectorAll about projector
All about projectorRoshan
 
RDT-112-PRELIM-LESSON-2-NOTES.docx
RDT-112-PRELIM-LESSON-2-NOTES.docxRDT-112-PRELIM-LESSON-2-NOTES.docx
RDT-112-PRELIM-LESSON-2-NOTES.docxJianSoliman2
 

Similar to Room light levels and projection (20)

Pixels
PixelsPixels
Pixels
 
Portable Projection Screens for Use in Uncontrolled Lighting
Portable Projection Screens for Use in Uncontrolled LightingPortable Projection Screens for Use in Uncontrolled Lighting
Portable Projection Screens for Use in Uncontrolled Lighting
 
HA1 - Motion Graphics Now
HA1 - Motion Graphics NowHA1 - Motion Graphics Now
HA1 - Motion Graphics Now
 
Selecting A Projector For Classroom Use
Selecting A Projector For Classroom UseSelecting A Projector For Classroom Use
Selecting A Projector For Classroom Use
 
TV Lighting
TV LightingTV Lighting
TV Lighting
 
Digital image processing Tool presentation
Digital image processing Tool presentationDigital image processing Tool presentation
Digital image processing Tool presentation
 
Photo Editing: A Little Goes A Long Way
Photo Editing: A Little Goes A Long WayPhoto Editing: A Little Goes A Long Way
Photo Editing: A Little Goes A Long Way
 
Chap26
Chap26Chap26
Chap26
 
Vray lighting
Vray lightingVray lighting
Vray lighting
 
Pixel
PixelPixel
Pixel
 
Unit 57 - Photographic terminology
Unit 57 - Photographic terminology Unit 57 - Photographic terminology
Unit 57 - Photographic terminology
 
Physics project
Physics projectPhysics project
Physics project
 
Chap25
Chap25Chap25
Chap25
 
flexyPage explains Display Features
flexyPage explains Display FeaturesflexyPage explains Display Features
flexyPage explains Display Features
 
LIGHTING AND ENERGY INSTRUMENTS FOR AUDIT
LIGHTING AND ENERGY INSTRUMENTS FOR AUDITLIGHTING AND ENERGY INSTRUMENTS FOR AUDIT
LIGHTING AND ENERGY INSTRUMENTS FOR AUDIT
 
Chap28
Chap28Chap28
Chap28
 
Light & flash photography
Light & flash photography Light & flash photography
Light & flash photography
 
All about projector
All about projectorAll about projector
All about projector
 
RDT-112-PRELIM-LESSON-2-NOTES.docx
RDT-112-PRELIM-LESSON-2-NOTES.docxRDT-112-PRELIM-LESSON-2-NOTES.docx
RDT-112-PRELIM-LESSON-2-NOTES.docx
 
1.1.2.pdf
1.1.2.pdf1.1.2.pdf
1.1.2.pdf
 

More from SchoolVision Inc.

More from SchoolVision Inc. (20)

Fl 910 ultra short throw lens
Fl 910 ultra short throw lensFl 910 ultra short throw lens
Fl 910 ultra short throw lens
 
Bill McIntosh, itutor
Bill McIntosh, itutorBill McIntosh, itutor
Bill McIntosh, itutor
 
Dukane digital signage
Dukane digital signageDukane digital signage
Dukane digital signage
 
Ipad cases from dukane
Ipad cases from dukaneIpad cases from dukane
Ipad cases from dukane
 
Dukane mcc3 a cart usermanual
Dukane mcc3 a cart usermanualDukane mcc3 a cart usermanual
Dukane mcc3 a cart usermanual
 
Dukane 8120 wia projector
Dukane 8120 wia projectorDukane 8120 wia projector
Dukane 8120 wia projector
 
Dukane 6430 hd projector
Dukane 6430 hd projectorDukane 6430 hd projector
Dukane 6430 hd projector
 
Dukane 6430 hd 6433w-usermanual
 Dukane 6430 hd 6433w-usermanual Dukane 6430 hd 6433w-usermanual
Dukane 6430 hd 6433w-usermanual
 
Dukane wired headset
Dukane wired headsetDukane wired headset
Dukane wired headset
 
Dukane products
Dukane products Dukane products
Dukane products
 
Dukane 6340 dlp projector
Dukane 6340 dlp projectorDukane 6340 dlp projector
Dukane 6340 dlp projector
 
Dukane itp84 pictures and screenshoots
Dukane itp84 pictures and screenshootsDukane itp84 pictures and screenshoots
Dukane itp84 pictures and screenshoots
 
Dukane ITP 84 monitor features
Dukane ITP 84 monitor featuresDukane ITP 84 monitor features
Dukane ITP 84 monitor features
 
Sr598 Floor Mount
Sr598 Floor MountSr598 Floor Mount
Sr598 Floor Mount
 
Sf680 wall moount for 84' disdplay
Sf680 wall moount for 84' disdplaySf680 wall moount for 84' disdplay
Sf680 wall moount for 84' disdplay
 
New dukane camera 122w
New dukane camera 122wNew dukane camera 122w
New dukane camera 122w
 
Dukane imagepro 8931 wb projector
Dukane imagepro 8931 wb projectorDukane imagepro 8931 wb projector
Dukane imagepro 8931 wb projector
 
Dukane image pro 8930b
Dukane image pro 8930bDukane image pro 8930b
Dukane image pro 8930b
 
Dukane 8940 w projector
Dukane 8940 w projectorDukane 8940 w projector
Dukane 8940 w projector
 
New dukane classroom projectors.
New dukane classroom projectors. New dukane classroom projectors.
New dukane classroom projectors.
 

Recently uploaded

Cloud Frontiers: A Deep Dive into Serverless Spatial Data and FME
Cloud Frontiers:  A Deep Dive into Serverless Spatial Data and FMECloud Frontiers:  A Deep Dive into Serverless Spatial Data and FME
Cloud Frontiers: A Deep Dive into Serverless Spatial Data and FMESafe Software
 
How to Troubleshoot Apps for the Modern Connected Worker
How to Troubleshoot Apps for the Modern Connected WorkerHow to Troubleshoot Apps for the Modern Connected Worker
How to Troubleshoot Apps for the Modern Connected WorkerThousandEyes
 
Finding Java's Hidden Performance Traps @ DevoxxUK 2024
Finding Java's Hidden Performance Traps @ DevoxxUK 2024Finding Java's Hidden Performance Traps @ DevoxxUK 2024
Finding Java's Hidden Performance Traps @ DevoxxUK 2024Victor Rentea
 
Boost Fertility New Invention Ups Success Rates.pdf
Boost Fertility New Invention Ups Success Rates.pdfBoost Fertility New Invention Ups Success Rates.pdf
Boost Fertility New Invention Ups Success Rates.pdfsudhanshuwaghmare1
 
Navigating the Deluge_ Dubai Floods and the Resilience of Dubai International...
Navigating the Deluge_ Dubai Floods and the Resilience of Dubai International...Navigating the Deluge_ Dubai Floods and the Resilience of Dubai International...
Navigating the Deluge_ Dubai Floods and the Resilience of Dubai International...Orbitshub
 
Spring Boot vs Quarkus the ultimate battle - DevoxxUK
Spring Boot vs Quarkus the ultimate battle - DevoxxUKSpring Boot vs Quarkus the ultimate battle - DevoxxUK
Spring Boot vs Quarkus the ultimate battle - DevoxxUKJago de Vreede
 
Web Form Automation for Bonterra Impact Management (fka Social Solutions Apri...
Web Form Automation for Bonterra Impact Management (fka Social Solutions Apri...Web Form Automation for Bonterra Impact Management (fka Social Solutions Apri...
Web Form Automation for Bonterra Impact Management (fka Social Solutions Apri...Jeffrey Haguewood
 
Apidays New York 2024 - The value of a flexible API Management solution for O...
Apidays New York 2024 - The value of a flexible API Management solution for O...Apidays New York 2024 - The value of a flexible API Management solution for O...
Apidays New York 2024 - The value of a flexible API Management solution for O...apidays
 
Cyberprint. Dark Pink Apt Group [EN].pdf
Cyberprint. Dark Pink Apt Group [EN].pdfCyberprint. Dark Pink Apt Group [EN].pdf
Cyberprint. Dark Pink Apt Group [EN].pdfOverkill Security
 
Strategize a Smooth Tenant-to-tenant Migration and Copilot Takeoff
Strategize a Smooth Tenant-to-tenant Migration and Copilot TakeoffStrategize a Smooth Tenant-to-tenant Migration and Copilot Takeoff
Strategize a Smooth Tenant-to-tenant Migration and Copilot Takeoffsammart93
 
Repurposing LNG terminals for Hydrogen Ammonia: Feasibility and Cost Saving
Repurposing LNG terminals for Hydrogen Ammonia: Feasibility and Cost SavingRepurposing LNG terminals for Hydrogen Ammonia: Feasibility and Cost Saving
Repurposing LNG terminals for Hydrogen Ammonia: Feasibility and Cost SavingEdi Saputra
 
Cloud Frontiers: A Deep Dive into Serverless Spatial Data and FME
Cloud Frontiers:  A Deep Dive into Serverless Spatial Data and FMECloud Frontiers:  A Deep Dive into Serverless Spatial Data and FME
Cloud Frontiers: A Deep Dive into Serverless Spatial Data and FMESafe Software
 
Apidays New York 2024 - The Good, the Bad and the Governed by David O'Neill, ...
Apidays New York 2024 - The Good, the Bad and the Governed by David O'Neill, ...Apidays New York 2024 - The Good, the Bad and the Governed by David O'Neill, ...
Apidays New York 2024 - The Good, the Bad and the Governed by David O'Neill, ...apidays
 
DBX First Quarter 2024 Investor Presentation
DBX First Quarter 2024 Investor PresentationDBX First Quarter 2024 Investor Presentation
DBX First Quarter 2024 Investor PresentationDropbox
 
EMPOWERMENT TECHNOLOGY GRADE 11 QUARTER 2 REVIEWER
EMPOWERMENT TECHNOLOGY GRADE 11 QUARTER 2 REVIEWEREMPOWERMENT TECHNOLOGY GRADE 11 QUARTER 2 REVIEWER
EMPOWERMENT TECHNOLOGY GRADE 11 QUARTER 2 REVIEWERMadyBayot
 
Architecting Cloud Native Applications
Architecting Cloud Native ApplicationsArchitecting Cloud Native Applications
Architecting Cloud Native ApplicationsWSO2
 
Apidays New York 2024 - APIs in 2030: The Risk of Technological Sleepwalk by ...
Apidays New York 2024 - APIs in 2030: The Risk of Technological Sleepwalk by ...Apidays New York 2024 - APIs in 2030: The Risk of Technological Sleepwalk by ...
Apidays New York 2024 - APIs in 2030: The Risk of Technological Sleepwalk by ...apidays
 
Ransomware_Q4_2023. The report. [EN].pdf
Ransomware_Q4_2023. The report. [EN].pdfRansomware_Q4_2023. The report. [EN].pdf
Ransomware_Q4_2023. The report. [EN].pdfOverkill Security
 
AXA XL - Insurer Innovation Award Americas 2024
AXA XL - Insurer Innovation Award Americas 2024AXA XL - Insurer Innovation Award Americas 2024
AXA XL - Insurer Innovation Award Americas 2024The Digital Insurer
 

Recently uploaded (20)

Cloud Frontiers: A Deep Dive into Serverless Spatial Data and FME
Cloud Frontiers:  A Deep Dive into Serverless Spatial Data and FMECloud Frontiers:  A Deep Dive into Serverless Spatial Data and FME
Cloud Frontiers: A Deep Dive into Serverless Spatial Data and FME
 
How to Troubleshoot Apps for the Modern Connected Worker
How to Troubleshoot Apps for the Modern Connected WorkerHow to Troubleshoot Apps for the Modern Connected Worker
How to Troubleshoot Apps for the Modern Connected Worker
 
Finding Java's Hidden Performance Traps @ DevoxxUK 2024
Finding Java's Hidden Performance Traps @ DevoxxUK 2024Finding Java's Hidden Performance Traps @ DevoxxUK 2024
Finding Java's Hidden Performance Traps @ DevoxxUK 2024
 
Boost Fertility New Invention Ups Success Rates.pdf
Boost Fertility New Invention Ups Success Rates.pdfBoost Fertility New Invention Ups Success Rates.pdf
Boost Fertility New Invention Ups Success Rates.pdf
 
Navigating the Deluge_ Dubai Floods and the Resilience of Dubai International...
Navigating the Deluge_ Dubai Floods and the Resilience of Dubai International...Navigating the Deluge_ Dubai Floods and the Resilience of Dubai International...
Navigating the Deluge_ Dubai Floods and the Resilience of Dubai International...
 
Spring Boot vs Quarkus the ultimate battle - DevoxxUK
Spring Boot vs Quarkus the ultimate battle - DevoxxUKSpring Boot vs Quarkus the ultimate battle - DevoxxUK
Spring Boot vs Quarkus the ultimate battle - DevoxxUK
 
Web Form Automation for Bonterra Impact Management (fka Social Solutions Apri...
Web Form Automation for Bonterra Impact Management (fka Social Solutions Apri...Web Form Automation for Bonterra Impact Management (fka Social Solutions Apri...
Web Form Automation for Bonterra Impact Management (fka Social Solutions Apri...
 
Apidays New York 2024 - The value of a flexible API Management solution for O...
Apidays New York 2024 - The value of a flexible API Management solution for O...Apidays New York 2024 - The value of a flexible API Management solution for O...
Apidays New York 2024 - The value of a flexible API Management solution for O...
 
Cyberprint. Dark Pink Apt Group [EN].pdf
Cyberprint. Dark Pink Apt Group [EN].pdfCyberprint. Dark Pink Apt Group [EN].pdf
Cyberprint. Dark Pink Apt Group [EN].pdf
 
Strategize a Smooth Tenant-to-tenant Migration and Copilot Takeoff
Strategize a Smooth Tenant-to-tenant Migration and Copilot TakeoffStrategize a Smooth Tenant-to-tenant Migration and Copilot Takeoff
Strategize a Smooth Tenant-to-tenant Migration and Copilot Takeoff
 
Repurposing LNG terminals for Hydrogen Ammonia: Feasibility and Cost Saving
Repurposing LNG terminals for Hydrogen Ammonia: Feasibility and Cost SavingRepurposing LNG terminals for Hydrogen Ammonia: Feasibility and Cost Saving
Repurposing LNG terminals for Hydrogen Ammonia: Feasibility and Cost Saving
 
Cloud Frontiers: A Deep Dive into Serverless Spatial Data and FME
Cloud Frontiers:  A Deep Dive into Serverless Spatial Data and FMECloud Frontiers:  A Deep Dive into Serverless Spatial Data and FME
Cloud Frontiers: A Deep Dive into Serverless Spatial Data and FME
 
Apidays New York 2024 - The Good, the Bad and the Governed by David O'Neill, ...
Apidays New York 2024 - The Good, the Bad and the Governed by David O'Neill, ...Apidays New York 2024 - The Good, the Bad and the Governed by David O'Neill, ...
Apidays New York 2024 - The Good, the Bad and the Governed by David O'Neill, ...
 
DBX First Quarter 2024 Investor Presentation
DBX First Quarter 2024 Investor PresentationDBX First Quarter 2024 Investor Presentation
DBX First Quarter 2024 Investor Presentation
 
EMPOWERMENT TECHNOLOGY GRADE 11 QUARTER 2 REVIEWER
EMPOWERMENT TECHNOLOGY GRADE 11 QUARTER 2 REVIEWEREMPOWERMENT TECHNOLOGY GRADE 11 QUARTER 2 REVIEWER
EMPOWERMENT TECHNOLOGY GRADE 11 QUARTER 2 REVIEWER
 
+971581248768>> SAFE AND ORIGINAL ABORTION PILLS FOR SALE IN DUBAI AND ABUDHA...
+971581248768>> SAFE AND ORIGINAL ABORTION PILLS FOR SALE IN DUBAI AND ABUDHA...+971581248768>> SAFE AND ORIGINAL ABORTION PILLS FOR SALE IN DUBAI AND ABUDHA...
+971581248768>> SAFE AND ORIGINAL ABORTION PILLS FOR SALE IN DUBAI AND ABUDHA...
 
Architecting Cloud Native Applications
Architecting Cloud Native ApplicationsArchitecting Cloud Native Applications
Architecting Cloud Native Applications
 
Apidays New York 2024 - APIs in 2030: The Risk of Technological Sleepwalk by ...
Apidays New York 2024 - APIs in 2030: The Risk of Technological Sleepwalk by ...Apidays New York 2024 - APIs in 2030: The Risk of Technological Sleepwalk by ...
Apidays New York 2024 - APIs in 2030: The Risk of Technological Sleepwalk by ...
 
Ransomware_Q4_2023. The report. [EN].pdf
Ransomware_Q4_2023. The report. [EN].pdfRansomware_Q4_2023. The report. [EN].pdf
Ransomware_Q4_2023. The report. [EN].pdf
 
AXA XL - Insurer Innovation Award Americas 2024
AXA XL - Insurer Innovation Award Americas 2024AXA XL - Insurer Innovation Award Americas 2024
AXA XL - Insurer Innovation Award Americas 2024
 

Room light levels and projection

  • 1. DUKANE AV DIVISION Page 1 of 6 Projector Images and Room Light Levels Ron Ohlhaber Dukane AV Products Division When projectors are used in a variety of classroom and conference room locations it becomes important to determine the projector light level necessary to provide a suitable image. The amount of light provided by the projector is an important factor in determining its image visibility, price and size. This article describes the concepts related to projector light output and the effects of ambient or background light from other sources in the room. To accomplish this the image contrast ratio is introduced and related to the image light level compared to the background light. Image on the Screen To understand the projector and the environment we need to remember that the “image” we see is what counts. The screen is where the “image” appears. The screen acts as the surface that reflects the light in the image back to our eyes. When considering various projection configurations the screen can be much larger than the image. Just remember it is the light from the projector that creates the image, which provides the information or picture of interest. For a projector, the number of “lumens” indicates the amount of light coming from the lens. For an all white image, the light is distributed evenly over the image when it is projected on the screen. An actual image can be composed of dark areas where the light is not present or other area where there is a color such as red or green. However, a projector is rated for the maximum amount of light with a full white image. One way to think about the light from the projector is that it is analogous to water coming out of a showerhead. As the distance from the showerhead increases the spray spreads out over a larger area. The amount of water remains constant whether one is close to the showerhead or further back. What happens as we get further away is that the amount of water over a fixed small area like your hand becomes less. This same effect happens with the projector light as we increase the image size. The light over a small fixed area becomes less. There is still the same total amount of light, but it just gets spread over the larger image. As mentioned, light is measured by a unit called “lumen”. A projector provides a certain number of lumens. The lumens are distributed over the image area. To determine the actual lumen level, a full white image is projected and measurements taken at 9 locations in the white image. The image size is also measured and the total lumens calculated. As the image is becomes larger, there are less lumens present in any fixed area such as a square foot (an area equal to 1 foot by 1 foot). The lower the light in a unit area, the less bright the image becomes.
  • 2. DUKANE AV DIVISION Page 2 of 6 For example an image of 3 by 4 feet has an area of 12 square feet. If the projector has a 1000 lumen output then there are 1000/12= 83 lumens in each square foot of the image as shown in Figure 1. If the image on the screen is increased to 6 by 8 feet by projecting at a longer distance, then the area is 48 square feet and the lumens per square foot becomes 1000/48= 21 lumens per sq. ft. Thus by increasing the image size 4 times, we have reduced the lumens per sq. ft. by 4 times. Again see Figure 1. Since lumens describe the amount of light used to produce the image, it is directly related to what our eyes see, and is what we call the image brightness. For this example when the image size was increased 4 times the brightness was reduced by 4 times. It is important to remember that the image brightness is determined by the size of the image projected. For projectors we can move them closer to the screen to produce smaller images that are brighter. However, we usually employ the projector to provide a large image. Thus there is a tradeoff between the image size and the brightness for any projector. To increase the image size and keep the same brightness image, we must use a projector that outputs more lumens. Employing a higher output projector appears to be a simple solution, but the lumen output is one of the primary factors that govern the cost of the projector. Consequently, in the real world, a good choice is a projector with the minimum number of lumens to get the job done. A second important consideration is that in most rooms there is another source of light that falls on the screen. This is the ambient or background light from windows and lamps in the room. Background Light Most projector environments are never totally dark. The ambient light that falls on the screen produces a background light level with the image being projected on Projector Light 3 x 4 ft 6 x 8 ft 83 Lumens in 1 ft square 21 Lumens in 1 ft square Figure 1 1000 Lumens
  • 3. DUKANE AV DIVISION Page 3 of 6 top. It is this background or ambient light that must be considered when determining how large an image should be and how many lumens are needed. To understand this we can extend the shower analogy. If the shower is located outdoors when a rainstorm is in progress there is additional water along with water from the showerhead. Thinking about this situation we all know that as the background light increases, it becomes more difficult to see a projected image. The image becomes dull and it may appear “washed out”. What really is happening is that the image had its “contrast” reduced by the ambient light. The amount of light contributing to the image remains the same, however, more light has been added to the screen by other light sources in the room. Consider the situation as shown in Figure 2, where the room lights contribute 200 ambient lumens over the total 3 x 4 foot screen. For an image, this results in a background light level of 200/12 = 16 lumens for each square foot of the screen. Now if our projector provided 83 lumens on each square foot when the image was white, then total amount of light on the area is 83 + 16 = 99 lumens. This may initially appear to be a benefit since the light level has increased, however, where the image has no light, in a dark area, there is still the 16 lumens present. Since images are composed of bright and dark regions as shown in Figure 3, we can consider the effect on the image by considering the “contrast”. 1000 Lumens 3 x 4 ft 6 x 8 ft Figure 2 83 + 16 = 99 Lumens in 1 ft square 21 + 4 = 25 Lumens in 1 ft square Background Light of 200 Lumens Figure 3
  • 4. DUKANE AV DIVISION Page 4 of 6 Image Contrast The “contrast” is a measure of the brightest to the darkest area of the image. The contrast of the prior example is just the 99 lumen bright level divided by the dark level of 16 or 99/16 = 6. If we double the light from the projector to 2000 lumens the contrast almost doubles. The bright region is 182 (83+83+16) divided by the dark level still at 16, or 182/16 = 11. Thus the contrast has gone from 6 to 11. If on the other hand, when the amount of room light is doubled, the bright area level becomes 115, (83 + 32) and the dark region increases to 32 lumens. Thus the contrast is 115/32 = 4. With a contrast as low as 4, we must ask what is a good contrast for the image on the screen? As shown in Figure 4, contrast levels of 2 let us see the image but not very clearly. A contrast of 20 permits viewing most images but does still not product a rich vibrant image. Contrast levels in excess of 200 produce great images. Most projectors today produce images with contrasts exceeding 200, however when projected on a screen with room light present the resulting contrast is far less. How can we know what effect the room light will have on the resulting contrast and can we determine the amount of light needed from the projector? Another way to consider the situation is to ask how much do we need to reduce the ambient light level to produce a suitable image? There are several ways to answer these questions. One is by a trial with various light level projectors. Another way is measuring the amount of room light on the screen and estimating the contrast. Still another way is to use a projector with a known lumen output and set the image size to simulate a larger image with increased lumen output. To do this, one way is to take the known lumen projector and make the image 1/4 of the size of the image desired. If this image has a satisfactory brightness and contrast then you need a projector that has 4 times the amount of lumens. For example, if we go back to the example where we had a 1000 lumen projector the image can be projected to a 3 x 4 ft. area on a larger screen. If the image contrast is satisfactory, then this lumen level could be predicted for a larger image size. An image of 6 x 8 ft. will have an area 4 times larger and thus Figure 4 Contrast 2 Contrast 4 Contrast 8 Contrast 3 Contrast 4 Contrast 8 Contrast 40 8 Contrast 40
  • 5. DUKANE AV DIVISION Page 5 of 6 the projector will be required to deliver 4000 lumens to form an equivalent contrast image. The factors for the various image sizes are shown in Table 1. Table 1 Image size in feet (H x W) Image Diagonal in inches (4 to 3 aspect) Area Factor Area of image in sq. feet 3 x 4 60 inches 1 12 6 x 8 120 inches 4 48 9 x 12 180 inches 9 108 Ambient Light Levels Another option is to reduce the background light. This could consist of blocking the light from windows and turning down the lights to reduce the light falling on the screen. Table 2 presents some typical light levels for various environments. In most cases the very dark theater setting does not work well for school, conference, or lecture rooms. For most cases the average background at the screen is usually under 2 lumens per square foot. Table 2 Condition Background level in lumens per square foot Movie theater 0.1 Low light level room 1 to 2 Normal room 30 to 60 Desktop for reading 40 to 60 Room with window, no sun 50 to 100 Room with window, sun 1,000 to 5,000 Outdoors 5,000 to 10,000 In some cases where windows are present it becomes very difficult to block the light. However, in any case where sunlight is entering the room some form of shading is typically required. This is because direct sunlight has a tremendous amount of lumens. One 3 by 3 foot window can easily permit over 2,000 lumens to enter the room. Compare this to the case where the background is only 2 lumens per square foot and the projector has an output of 1000 lumens. Here the maximum contrast for a 4 x 3 foot image is the 83 lumens from the screen plus the 2 lumens background to yield 85 lumens in a bright area and 2 lumens in the dark for a contrast of 42 (85/2). A contrast of 42 may not seem high but it is what people typically observe in rooms with a comfortable lower light level. Summary Using the concepts described we can evaluate different projectors and the effect from the environment. Remember the light from the projector is not reduced as it
  • 6. DUKANE AV DIVISION Page 6 of 6 crosses the space to the screen. However, if the projected image becomes larger, the light in a fixed area becomes less and the image appears less bright. We now know how to calculate the change using the image area. The second major factor is the background light. This causes the image to become washed out or reduces the contrast. Many projectors today are in the 1000 to 3000 lumen range and the background light level will be a major factor in determining the contrast. Consequently it is important that for an optimum image the background light be reduced down to the lowest level possible. There are other ways to predict the contrast such as using a light meter to measure the amount of lumens. In addition there are special screens and rear projection configurations that improve the contrast. While these methods do provide higher contrast levels they typically require an increased cost. With existing projectors and a simple screen we are usually limited to the option of controlling the background light. However, even when employing higher light output projectors there still may be a problem with the background light. That is because of the tremendous amount of light during normal daylight or the indoor light levels we prefer for comfortable living. Thus, in almost all projector installations the image brightness and contrast become the most important factors. Dukane Corp AV Products Division 2900 Dukane Drive St. Charles, IL 60174 630-584-2300