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Vivian Doumpa
Brian Doucet

EcHoPolis Conference
Athena, Greece
29/9 – 3/10, 2013
Public Space in NEED for Revitalization

CREATIVITY
THE GUERRILLA GENERATION

Keywords:
Public Art
Street Art
Guerrilla
Pop-Up
Tactical
Creativity
DIY
Temporary
Bottom-Up
Spontaneous
Community-driven
Missing keyword:
Sound οƒ  Music (Performance)

Missing link:
Music οƒŸοƒ  Public Space Revitalization
To what extent does
Music Performance in Public Space
change
the Perception
that people might have about

the Quality of that place?
Research Gap:
Music and Performance Arts in Public Space

Sense of hearing
Listening
Music Cognition
THE CASE STUDY
Navarinou Square - Thessaloniki
Navarinou Square (source: Bing Maps)
The gypsy-swing musicians who performed during the research.
Swing till you drop: (from left to right)
Chris Kosides, Yiannis Vakaloudis and Kostas Vaporidis.
View video here: http://youtu.be/eBt9bUyMnbs
COMFORT
COMFORT

β€œI don’t usually spend time in the square. But today that I liked
it I thought of sitting for a while… and I sat. And I liked it a lot
that there are swing musicians today!”
COMMUNITY &
SOCIABILITY

β€œ(...) I have made friends... other moms... we have made
friendships, my child has made friends, and as a result my day
goes on more pleasantly”

picture captured by an interviewee
ACCESSIBILITY

β€œ(...) it is a very dear place for the people. It has lots of people; as
soon as the sun comes out β€˜pop!’ everyone comes here in the
square. The square fills immediately. The square...is the centre, it
is... where everyone gathers. (...) Navarinou Square is a trademark!”

March 2012
USE

β€œBack in the days it used to have more people, it used to
concentrate more people. Now there is not so much. Nowadays
people also have difficulties (financial), so it is reasonable that
they don’t go out as much as they used to do”.

picture captured by an interviewee
The contribution of the music performance on
perception and experience
β€œthere should be more activities, a little bit of music”
Picture taken by an interviewee from the nearby cafeteria
β€œI mean, you watch the music, you watch the people sitting
and observing… it is nice!”

β€œβ€¦music relaxes. You feel that
something exists”
β€œMay I at least buy you a cup of coffee?”
…suggests this woman to the musicians
when they said that they do not collect money, but they perform for pleasure.
…one week later,
without the music…
β€œfew days ago I came across a band that
was playing the violin... it was very nice,
because we were in the park on the one
hand, but on the other, we were also
listening to music... and the children
were dancing…”

β€œYes, (music in public space) is
something very pleasant, and
sometimes in the square there are
people who either sing opera songs, or
play accordion and generally I believe
that these events give a different
touch…”
music in public space does not have a
direct effect on people’s perceptions
regarding the quality of a place
…hmmm…?
>>> intensity of problems

β€œClichΓ©s of Public
Speech”
<<< effect of music

Yi-Fu Tuan, 1977
Spatial Experiences

MUSIC
feelings
memories
Perceptual Experiences
The unexpected factor

THE GREEK CRISIS
Music in Public Space

Creative Placemaking - Culture-Led Regeneration

Humanization of Planning – Collaborative Approaches

Successful and Qualitative Urban Realms
Top-to-Down

Collaborative Policy Making

Bottom-Up
Recommendation:
!!! Quality of Music !!!
Symbolisms of music οƒ 
οƒ  Emotions provoked οƒ 
οƒ  Identity of space – Placemaking οƒ 
οƒ  Desired planning strategy
Recommendation:
!!! Don’t over-plan !!!
Otherwise:
<<< creativity
<<< spontaneity
<<< engagement
Appreciate Grassroots
and Pop-Up!

The planner's and policy
maker's role should be to
create the ideal conditions for
the musical activities to
flourish, rather than to
exclusively focus on
organizing top-down festivals
and events themselves.
Final Goal:
TRIANGULATION
MUSIC
- interaction
- socialization
- usability

STATE

- infrastructure
- maintenance
β€œI was wandering around the
old town when I heard a
saxophone from around the
corner and, following the
sound, found the musician
playing alone in a snowcovered square. The pleasure
of the experience was that it
was so unexpected, unlike the
feeling that buskers today are
placed in strategic spots,
which takes away the joy of
the moment of discovery.”

Anna Minton, 2009
T H A N K YO U V E RY M U C H
Special thanks to
Chris Kosides, Giannis Vakaloudis & Kostas Vaporidis
Christianna Vei, Efi Votsou & Aris Stathis
Vivian Doumpa – vivian.doumpa@gmail.com
Brian Doucet - b.m.doucet@uu.nl
Echopolis, Athens, October 2013
Find full research here: http://bit.ly/101LBjq

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Music performance in public space presentation

  • 1. Vivian Doumpa Brian Doucet EcHoPolis Conference Athena, Greece 29/9 – 3/10, 2013
  • 2. Public Space in NEED for Revitalization CREATIVITY
  • 3. THE GUERRILLA GENERATION Keywords: Public Art Street Art Guerrilla Pop-Up Tactical Creativity DIY Temporary Bottom-Up Spontaneous Community-driven
  • 4. Missing keyword: Sound οƒ  Music (Performance) Missing link: Music οƒŸοƒ  Public Space Revitalization
  • 5. To what extent does Music Performance in Public Space change the Perception that people might have about the Quality of that place?
  • 6. Research Gap: Music and Performance Arts in Public Space Sense of hearing Listening Music Cognition
  • 7. THE CASE STUDY Navarinou Square - Thessaloniki
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  • 14. The gypsy-swing musicians who performed during the research. Swing till you drop: (from left to right) Chris Kosides, Yiannis Vakaloudis and Kostas Vaporidis.
  • 15. View video here: http://youtu.be/eBt9bUyMnbs
  • 17. COMFORT β€œI don’t usually spend time in the square. But today that I liked it I thought of sitting for a while… and I sat. And I liked it a lot that there are swing musicians today!”
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  • 21. COMMUNITY & SOCIABILITY β€œ(...) I have made friends... other moms... we have made friendships, my child has made friends, and as a result my day goes on more pleasantly” picture captured by an interviewee
  • 22. ACCESSIBILITY β€œ(...) it is a very dear place for the people. It has lots of people; as soon as the sun comes out β€˜pop!’ everyone comes here in the square. The square fills immediately. The square...is the centre, it is... where everyone gathers. (...) Navarinou Square is a trademark!” March 2012
  • 23. USE β€œBack in the days it used to have more people, it used to concentrate more people. Now there is not so much. Nowadays people also have difficulties (financial), so it is reasonable that they don’t go out as much as they used to do”. picture captured by an interviewee
  • 24. The contribution of the music performance on perception and experience
  • 25. β€œthere should be more activities, a little bit of music” Picture taken by an interviewee from the nearby cafeteria
  • 26. β€œI mean, you watch the music, you watch the people sitting and observing… it is nice!” β€œβ€¦music relaxes. You feel that something exists”
  • 27. β€œMay I at least buy you a cup of coffee?” …suggests this woman to the musicians when they said that they do not collect money, but they perform for pleasure.
  • 28. …one week later, without the music… β€œfew days ago I came across a band that was playing the violin... it was very nice, because we were in the park on the one hand, but on the other, we were also listening to music... and the children were dancing…” β€œYes, (music in public space) is something very pleasant, and sometimes in the square there are people who either sing opera songs, or play accordion and generally I believe that these events give a different touch…”
  • 29. music in public space does not have a direct effect on people’s perceptions regarding the quality of a place …hmmm…? >>> intensity of problems β€œClichΓ©s of Public Speech” <<< effect of music Yi-Fu Tuan, 1977
  • 32. Music in Public Space Creative Placemaking - Culture-Led Regeneration Humanization of Planning – Collaborative Approaches Successful and Qualitative Urban Realms
  • 34. Recommendation: !!! Quality of Music !!! Symbolisms of music οƒ  οƒ  Emotions provoked οƒ  οƒ  Identity of space – Placemaking οƒ  οƒ  Desired planning strategy
  • 35. Recommendation: !!! Don’t over-plan !!! Otherwise: <<< creativity <<< spontaneity <<< engagement Appreciate Grassroots and Pop-Up! The planner's and policy maker's role should be to create the ideal conditions for the musical activities to flourish, rather than to exclusively focus on organizing top-down festivals and events themselves.
  • 36. Final Goal: TRIANGULATION MUSIC - interaction - socialization - usability STATE - infrastructure - maintenance
  • 37. β€œI was wandering around the old town when I heard a saxophone from around the corner and, following the sound, found the musician playing alone in a snowcovered square. The pleasure of the experience was that it was so unexpected, unlike the feeling that buskers today are placed in strategic spots, which takes away the joy of the moment of discovery.” Anna Minton, 2009
  • 38. T H A N K YO U V E RY M U C H Special thanks to Chris Kosides, Giannis Vakaloudis & Kostas Vaporidis Christianna Vei, Efi Votsou & Aris Stathis Vivian Doumpa – vivian.doumpa@gmail.com Brian Doucet - b.m.doucet@uu.nl Echopolis, Athens, October 2013 Find full research here: http://bit.ly/101LBjq