14. The gypsy-swing musicians who performed during the research.
Swing till you drop: (from left to right)
Chris Kosides, Yiannis Vakaloudis and Kostas Vaporidis.
17. COMFORT
βI donβt usually spend time in the square. But today that I liked
it I thought of sitting for a while⦠and I sat. And I liked it a lot
that there are swing musicians today!β
18.
19.
20.
21. COMMUNITY &
SOCIABILITY
β(...) I have made friends... other moms... we have made
friendships, my child has made friends, and as a result my day
goes on more pleasantlyβ
picture captured by an interviewee
22. ACCESSIBILITY
β(...) it is a very dear place for the people. It has lots of people; as
soon as the sun comes out βpop!β everyone comes here in the
square. The square fills immediately. The square...is the centre, it
is... where everyone gathers. (...) Navarinou Square is a trademark!β
March 2012
23. USE
βBack in the days it used to have more people, it used to
concentrate more people. Now there is not so much. Nowadays
people also have difficulties (financial), so it is reasonable that
they donβt go out as much as they used to doβ.
picture captured by an interviewee
25. βthere should be more activities, a little bit of musicβ
Picture taken by an interviewee from the nearby cafeteria
26. βI mean, you watch the music, you watch the people sitting
and observingβ¦ it is nice!β
ββ¦music relaxes. You feel that
something existsβ
27. βMay I at least buy you a cup of coffee?β
β¦suggests this woman to the musicians
when they said that they do not collect money, but they perform for pleasure.
28. β¦one week later,
without the musicβ¦
βfew days ago I came across a band that
was playing the violin... it was very nice,
because we were in the park on the one
hand, but on the other, we were also
listening to music... and the children
were dancingβ¦β
βYes, (music in public space) is
something very pleasant, and
sometimes in the square there are
people who either sing opera songs, or
play accordion and generally I believe
that these events give a different
touchβ¦β
32. Music in Public Space
Creative Placemaking - Culture-Led Regeneration
Humanization of Planning β Collaborative Approaches
Successful and Qualitative Urban Realms
34. Recommendation:
!!! Quality of Music !!!
Symbolisms of music ο
ο Emotions provoked ο
ο Identity of space β Placemaking ο
ο Desired planning strategy
35. Recommendation:
!!! Donβt over-plan !!!
Otherwise:
<<< creativity
<<< spontaneity
<<< engagement
Appreciate Grassroots
and Pop-Up!
The planner's and policy
maker's role should be to
create the ideal conditions for
the musical activities to
flourish, rather than to
exclusively focus on
organizing top-down festivals
and events themselves.
37. βI was wandering around the
old town when I heard a
saxophone from around the
corner and, following the
sound, found the musician
playing alone in a snowcovered square. The pleasure
of the experience was that it
was so unexpected, unlike the
feeling that buskers today are
placed in strategic spots,
which takes away the joy of
the moment of discovery.β
Anna Minton, 2009
38. T H A N K YO U V E RY M U C H
Special thanks to
Chris Kosides, Giannis Vakaloudis & Kostas Vaporidis
Christianna Vei, Efi Votsou & Aris Stathis
Vivian Doumpa β vivian.doumpa@gmail.com
Brian Doucet - b.m.doucet@uu.nl
Echopolis, Athens, October 2013
Find full research here: http://bit.ly/101LBjq