Portfolio Of Student Of Dezyne E'cole College , Neha Yadav, Second Year Fashion Design.This Is The Portfolio Of Her Work From Second Year .For More Details Visit www.dezyneecole.com

1. Unstoppable
By Neha yadav

2. Design is all about observation and idea
generation. Everywhere I turn I see color,
texture and patterns. I always had attracted
towards colors, conceptual designs and up
cycling concept where I where a variety of
texture, colors and style were used. I handed
my skills later in this field and made my
career. Today I want to excel in this field and
develop not only beautiful but functional
designs to help make people feel more
comfortable and confident.
FASHION designer
ABOUT ME

3. Project Report
on
Collection
At
Dezyne E’cole College
Submitted to
Dezyne E’cole College
Toward The partial fulfillment of the
Two year diploma in Fashion Design
By
Neha Yadav
NSQF Level 6, NSDC
Dezyne E’cole College
2018-19

4. Acknowledgement
I, Neha Yadav Student Of Dezyne E’cole College, I’m Extremely Grateful To Each And Every Individual
Who Has Contributed In Successful Completion Of My Collection.
I Would Like To Express My Special Thanks Of Gratitude Towards Dezyne E’cole College And Its
Mentors For Their Guidance And Constant Supervision As Well As For Providing Me The Necessary
Information And Support Regarding The Completion Of Collection.
I Also Want To Thank My Parents And My Friends Who Helped Me A Lot In Finalizing This Collection
Within A Limited Time Frame.
Neha Yadav
2ndYear Fashion Design Diploma
NSQF Level - 6 Of NSDC

5. Synopsis
During my course of study I learned fashion market and design basic to achieve the needs and desires of my clients.
Also garment engineering and designing the surface are important aspects to be learned to manipulate these basic in
own creation.
One more collection is there on tie and dye .
I request you to kindly go through my Portfolio page.
I have tried my level best to bring out the best of my knowledge gained at Dezyne E’cole College.
I'm inspired with conceptual influence than I made fashion markets research in which I collected all the designing areas
so that I can work upon, while doing this I m inspired with fringes. I worked upon my own collection where I was given
a case study to design a collection for young girl, in which i designed One piece garment in this garment I cut triangles
and join them with eyelets and codes attached it as a yoke on front. I made this dress without using stitching on it.
Not only this I worked upon one more collection in which I was inspired from up cycling influence, Up cycling is a
great concept for reducing pollution of our country.

6. Dezyne E’cole College
Civil Lines, Ajmer
www.dezyneecole.com
This project of miss. Neha yadav student of Fashion Technology with two years advance diploma
program has been checked and graded as________________________________________________
Principal
[Seal & Signature]
Grade sheet

7. College Frame
RESPECTED PRINCIPAL MAM
This is the part where you find who you are

8. Educational toursThis is the part where you find new things.
MALLO EXPORT This is a export
house deals in clothing, making
fabric to exporting it at its
destination place whole process
under one roof. here I learnt so
much about the whole procedure
on making any garment in a large
scale.
LELLA SHYAM

9. Presentation
YEAR END
This was my 2nd year presentation in which I'm
showcasing my learning, my skills and also my
creativity in this field In short I tried to present the
whole knowledge of mine.

10. 1
INTRODUCTION
TO COLLECTION
2
CASE STUDY
•Case study
analyziation
•.Thought process.
•Sources of trend
search.
3
RESEARCH
DIRECTION
•Market research.
•Which market.
•Market survey
•Cost
•Online
•Offline(visiting to
local market
RESEARCH
INSPIRATION
4
•Mood board.
•Color board.
•Inspiration board.
•Influence.
5
MIND MAPING
6
CREATIVE
PROCESS
•Brain storming.
•Specification
sheet
7
GARMENT
PRODUCTION
•Through garment
production.(1st
garment)
•Through
draping.(2nd
garment)
8
PROMOTION
Contentsummery COLLECTION 2019

11. IntroductionTo collection

12. CollectionIntroduction
Don’t design for designers, design for peoples.
What is collection
A collection is a range of garment, accessories or product that are designed and
produce for sale to retailers or directly to customers. this may be inspired by
trend, theme or design direction reflecting cultural and social influences.
Successful designer, manufacturers or retailers have clear understanding of their customers ‘need as well as understanding
their position in competitive market. In order to gain an understanding fashion there is a need to conduct a ‘comp shop’
to compare the stock with competitors. Some costumers are inspirational that knows as muse who embodies the designer
style or approach to fashion.
By careful investigation and competitors analysis. Designers can begin to identify a specific market area and customers for
fashion vision.
When developing a collection with a staff team the designer will begin by explaining the overall look and theme of
collection. A key part of designers role is sourcing fabric and premier vision is the most famous in fashion fabrics trend
exhibitions and manufacturers across the world.
As fashion has evolved information source are now widely available online, the trend forecasting industry has responded
to provide a wide range of product. This includes trend intelligence, customer trend all available subscription.
Some designers have own archive of past collection that may be their part of new collection.
It is possible to group common themes in fashion those which influence the creative process in a collection.. Recurring
influence includes traditional costume, active sports, work wear, the military, politics and futurism.

13. CollectionIntroduction
Don’t design for designers, design for peoples.
Different influences are discussed below;
 Conceptual influence: This may credited to the Japanese designers
rei kawakubo, Hussein etc.
Conceptual collection are often beautiful, timeless, ageless, and dislocated from
most visual narratives.
Form and function: functional garment such as military wear and expedition clothing have influence fashion designers.
Work wear: this origin of the source is Levis strauss. The cloth traditional construction details can be reworked with
endless possibilities.
Sports wear: this proved successful at a time when exercise and healthier lifestyle were beginning to dictate a new style
of clothing.
Futuristic influence: This influence are no longer use historical reference on this basis to many designers over depend on
them restricting their development as innovative designers. This can be obvious in its presentation but, more importantly
it is about breaking new ground, taking in new direction.
Political influence: fashion reflects society and designers will often reference political change in their collection.
Messages through clothes that wear in this influence can be subversive or can be bold to create a reaction.
Archivisim: This refers to way in which designers look back to previous collection for the inspiration. The original design
aesthetic of well established labels may be revisited decades later with collection referencing the same design influence
and detailing.
Global influence: Since the 1960 international travel has become affordable and accessible to majority of the developed

14. CollectionHow it is made
Don’t design for designers, design for peoples.
World. Some designers have developed distinctive identities based on
celebration of international, cultural influence for garment fabric and color.
How it is made
For making collection we have to establish the purpose of collection and market aiming.
Then is to find a theme to stimulate a visual interpretation a intense research process follows when
often quite vague ideas have to pinned down and direction of a collection established resulting in the
right choice of fabric, color an silhouette.
A story of mind board is then put together to clarify intensions and help to do work easily then visually
lay out the size and diversity of each story and entire range
Here then designers takes place. Design are chosen , altered and redrawn as they evolve a well
balanced collection.

15. `
Design a range of 4 designs for young girl of age 15-25 years . Design should be
in current trend and garments created must use have various elements and
texture.
Case StudyIntroduction
Don’t design for designers, design for peoples.
You are required to produce 4 design in full colour and all designs should ne illustrated as working drawings .
Consideration should be given to design – including construction as well as surface interest of 3 dimensional Garment
show back and front view- obligatory, and side view if necessary.
Develop your design idea with due consideration of media use and present the ideas for your portfolio they may be of any
shape or size as long as they fit into an A4 portfolio and should all be created using various medias like Photoshop , Corel
draw, illustrator .
Suggested Areas Of Consideration:
 Silhouette
 Fabrication
 Patterntextures
 Graphics
 Presentation
 Colours
 Fashion direction

16. Analyzation
You will never influence the world by trying to fit in.
Case study

17. `
MUSE is a person or personality force who is the source of
inspiration for a creative artist.
Muse are the personalities that made designers famous.
So as student I’m choosing my muse to make my design alive,
she is a college going girl who is unstoppable, bold, has great
personality so I believe she is prefect for making my collection
more captivation.
MuseIntroduction
Don’t design for designers, design for peoples.
MALVIKA YADAV

18. Thought process
PROCESS
thought
My needs to begin the
collection are :
The details are not the details they makes the
DESIGN

19. SEARCHING
WHAT IS TREAND?
• Current fashion stock.
• Colour.
• Most preferred garment.
• Preferred fabric/quality.
• Trendy prints or outfits.
• Price of garments.
• Details and fastenings
• on garments.
While going through this process I got
full knowledge about recent trend and
market also it helps me to identify
areas on which I have to work upon.
SELECTION OF MARKET
MASS MARKET
RESEARCH BEGINS
Fashion is art and you are the canvas
Trend
SOURCES – All the pictures and contents
are taken from online clothing websites,
pinterest, instagram, tumbler.

20. Research Direction
•Market research.
•Which market.
•Market survey
•Cost
•Online
•Offline(visiting to
local market

21. In order to gain an understanding of current fashion stock and range across market levels, designers will conduct“ COMP SHOP”.
Being a student its not possible for me to conduct a comp shop so I can do it on my level to go through all the brands, retail
outlets, online websites of fashion stores this will help me out to gain all the information about current market.
BUYERS PLAY THE IMPORTANY ROLE IN MAKING A COLLECTION
By careful investigation and competitors analysis, designers can begin to identify a specific market area and customer for their
fashion vision
PRET-A-POTERHAUTE COUTURE
Mass market or street fashion is the
market area in which most people
buy their cloths
Houte couture houses are the
major fashion houses of the world,
run by recognized, internationally
famous designers.
Market Research
MASS MARKETDon’t design for designers, design for peoples.
MASS MARKET
The move into ready-to-wear
clothing by designers meant that
they could offer their stylish
designer and high quality to wider
audience.

22. These are brands which produce for the
masses. Readily available for anyone and
everyone who is on a limited budget still
wants to keep in trend.
MASS MARKET
Mass market or street fashion is the market area
in which most people buy their clothes. New
fashion can be in the high street store extremely
quickly.
WHY MASSMARKET?
Today in the fashion industry relies
more on mass market sales. This
market produce clothes in large
quantity and standard sizes for a
wide range of customers.
IDEAL FOR A YOUNG GIRL
BECAUSE:- Designers use
inexpensive materials.
Creatively made.
Produce affordable fashion.
Economical.
Sold it more cheaply.
Time
More variation in garment.
More profit.
MASS MARKET IN INDIA
In emerging markets
around the world, the
spending power of
consumers is rapidly
changing the retail
industry, both globally and
locally. Multinational
retailers seeking new
sources of growth are
watching the mass markets
of Brazil, China, and India,.

23. WHILE ANALYSING THE MARKET I AM SUPPOSED TO GIVE COSTING
• You should be realistic when planning and costing your collection
• fabrics, finish and trims should reflect a realism within your chosen market.
• Cost should be economical according to the market{mass}.
• One must consider the fact that we are designing for a young girl so, obviously she would
love to buy cloths which are having economical prices. {should be under 1000 rupees }.
CostGARMENTcollection may can cost huge amount of money to
produce, but this is not prerequisite for success.

24. OnlineMARKET RESEARCH
Here are the places where I did my online research.
DESIGN is not just what it looks and feels like.
DESIGN is how it works.

25. OFFlineMARKET RESEARCH
Here are the places where I did my offline research
DESIGN is not just what it looks and feels like.
DESIGN is how it works.

26. BodiceMarket research
SilhouetteMarket research
2018-19

27. HemsMarket research
SleevesMarket research
2018-19

28. Fashion Research will form the basis for your collection and you need to gather an exhaustive range of source materials.
These will include specific investigation into fabric, colour silhouette shapes and detail as well as live events and images in the
form of drawings and photographs in fact a broad coverage of everything that will inform and influence your thinking and decision
making.
Here are some recent overall look details based on market research -
MARKET RESEARH
Conclusion?FRINGING
gave every look a poetic
twist a detail that made all
the difference and added
an air of glamour.
SHIMMER ALL AROUND
SECQUENCE IN A QUEUE LETHER MAKES SCENCEFILL IT WITH PATCH
A sequin is a disk-shaped
bead used for decorative
purposes. In earlier
centuries, they were made
from shiny metals.
Patchwork or "pieced work"
is a form of needlework that
involves sewing together
pieces of fabric into a larger
design.
To shine with a soft
tremulous or fitful light :
GLIMMER
Now, by turning leather into a
seasonal fashion, they are
becoming part of fast fashion.

29. While going through all this research process I’m very much clear about what are the things that I should work upon for the collection .
MARKET RESEARH
Conclusion?
STRIPE TEASE
The stripes pattern those
versatile lines from the all-
around souls. A little cheeky
and extremely chic at the
same time have become a
real trend.
DARK DENIM REIGNS
A new wave of denim is here
just in time one. One of the
best street fashion never
goes out of style.
FLOUNCE CREATE
DRAMA
FLY HIGH WITH FETHERS
ADVANCE TIE –DIE
Tie dye was every where
this summer so much
that youth think was
certifiable dead but NO
its lives.
CIRCLE NOT SQUARE
They are might make a
good ball chain weapon.
These bags look more
fantastic than a square
ones.
LIFE IN PLASTIC, ITS
FANTASTIC
Clear plastic outerwear is
having a major revival. Spring
as well as autumn /winter will
undoubtly be filled with clear
shiny pieces.
MIDNIGHT GARDEN
A close fitting style with a
vibrant floral print throughout
on trend laser cut raw edging.
Wear with heels or tight and
boots in the cloudier months.
A strip of decorative, usually
gathered or pleated material
attached by one edge, as on a
garment or curtain. transitive
verb. Flounced.
From the quill to the tip of the
feather is the shaft. It is solid
and serves as an anchor to
millions of barbs or inter-
locking hooks.

30. Adults:
Adults work day and night so
the fabric that is to be chosen
for them must be one that is
good absorbent and smooth.
Generally, cotton, poplin, thin
cambric must be used.
Fabric
Clothing according to the
latest trend with a perfect
color combination and the
appropriate fabric is very
important. It is the
appropriate fabric that
provides unique definition to
the outfit.
An important essence of fashion
The fabric is the most
important part of the outfit. A
wrong choice of fabric means
the wrong outfit.

31. Influences
Conceptual
Influence
Futuristic
Influence
Political
Influence
Global
Influence
Sports
Influence
Form and function
Influence
Work wear
Influence
Archivism
Influence

32. Research Inspiration
•Fringes
introduction
•Mood board.
•Color board.
•Inspiration board.
•Influence.
•Mind mapping

33. d
Fashion trend can tell us a lot about what is happening in the
industry and in the world.
After doing all the research about fashion market next step is choose your key
element on which I’m interest or inspired to work upon and most of all
customer prefer the most.
I’m very much inspired by FRINGES because they are in trend{ at its peak} as
well as they symbolized the power of freedom by their regular
movements.
AN UNSTOPABLE GIRL/WOMEN
Why fringes are loved by girls at every
occasion?
Fringes become unanimous favorite and
they are comfortable as well.
Runs in mass market as well.
Add a flavor of glamour with elegance to a
casual outfit.
Lot of movements on runway this season.
It also shows unity.
Depict happiness, crazy as well as a joyful
element to this simple ensemble.
1ST Garment
Fringed GarmentClothes are never a frivolity;
they always mean something
d

34. INSPIRATION

35. In the mood for this collection I’ve collected all the
images that shows unity, regular movement,
rhythm. I choose their elements because it
resembles power of togetherness and freedom for
women by its regular movements.
Mood Board Color Board
This single most dynamic and passionate color
symbolizes love, rage and courage. Those who
desire this color are energetic, strive for success.
C M Y K22 1OO 1OO 14
PANTONE 180 C
Live life in color

37. Creative Process
•Brain storming.
•Specification
sheet

38. IllustrationYou will never influence the world by trying to fit in.
Brain storming

39. IllustrationYou will never influence the world by trying to fit in.
Brain storming

40. PUT THE METAL TO THE
PETAL
CHEMICAL DYING
FLOWER PONDING
Natural and chemical dyes
Brain storming
NATURAL DYING
Group activity

41. Specification sheet

42. Garment Production
•Through garment production.(1st garment)
•Views ( front and back)
•Promotion

43. Process of making Here is my conceptual garment based on cutting and constructing.
COST OF MAKING:- 600
Fabric-180
Eyelets-300
Cord-70
Tool for eyelets-50
1 2 3 4 5 6
7 8 9 10 11
12 13 14 15

44. Back lookCOLLECTION
Front lookCOLLECTION
1ST Garment

46. Research Inspiration
•Patch work
introduction
•Mood board.
•Color board.
•Inspiration board.
•Influence.
•Mind mapping
2nd Garment

47. `
up cycling
SOCIAL CAUSE
MALVIKA YADAV
My project is dealing on these
topic.

48. Patch work ?Introduction
Patch work or “ pieced work” is a form
of needlework that involves sewing
together pieces of fabric into a large
design the larger design is usually
based on repeating patterns built up
with different fabrics shapes (which
can be different colors). These shapes
are carefully measured and cut, basic
geometric shapes making them easy to
piece together differently.
Quilts
Cushiontextile
Wall-hanging
Jackets
Cloths
Hand bags
Yes, your clothes have an afterlife
In a world still churning out trendy throw--away fashion pieces at breakneck speed, the idea of upcycled or refashioned
apparel can be an anomaly. But it is a continuously growing trend and is one of the most sustainable things people can
do in fashion. As upcycling makes use of already existing pieces, it often uses few resources in its creation and actually
keeps ‘unwanted’ items out of the waste stream
Upcycling: The New Wave of Sustainable Fashion
Here I’m very must influenced by this upcycling concept so that I can give my contribution in saving ”OUR PLANIT
EARTH”
I used all waste fabric those are left for only waste.
2nd Garment
Reject, revamp, repeat!

49. MOOD BOARD
Patchwork or ‘pieced work’ is a form of
needle work that involves sewing together
pieces of fabric

50. C M Y K37 89 73 53
PANTONE 490 C
Live life in color
Colour Board
Maroon Color The term “maroon” is
named after the French word for
chestnut. The maroon color is often
used to represent intense and
passionate things like; confidence,
creative thoughts, excitement,
power, risk, passion, love, ambition,
courage, strength, warmth,

51. INSPIRATION

52. Creative Process
•Brain storming.
•Specification
sheet

53. IllustrationYou will never influence the world by trying to fit in.
Brain storming

54. IllustrationYou will never influence the world by trying to fit in.
Brain storming

55. Specification sheet

56. Process of making
For accessories i have used those left patches
According to the case study I have to make a garment for mass market, so the cost
should be economical.
COST OF MAKING:- 150 ONLY.
Topper- zero cost ( used waste fabrics from tailors)
Palazzo – cotton fabric(115 rupees)
Elastic-20 rupees
Embroidery threads – 15 rupees.
1 2 3 4
5 6
7
8
9
1

57. Back lookCOLLECTION
2nd Garment
Front lookCOLLECTION

59. TieTieDyeDye
Identity Exhibition Project

61. Here is my project during my learning process in college I got a case study in
which I have to design an ethnic garment (kurti) . It is specified that we have to
use tie and die for creating surface interest. Show front, back and side view if
necessary.
As par the case study I’m very much clear about what to make and which
surface design technique I have to choose.
So The next step is to do market research on tie and die and than for kurti( its
silhouette, color, sleeves, other surface embellishment if I use to making it more
ethnic.
ProjectProject

62. TieTie DyeDye
Tie-dye is a modern term invented in the mid-1960s in the United States
(but recorded in writing in an earlier form in 1941 as "tied-and-dyed", and
1909 as "tied and dyed" by Charles E. Pellew for a set of ancient resist-
dyeing techniques, and for the products of these processes. The process of
tie-dye typically consists of folding, twisting, pleating, or crumpling fabric or
a garment and binding with string or rubber bands, followed by
application of dyes.
Designs and patterns
Tie-dye can be used to create a wide variety of designs on fabric, from standard patterns such as the spiral,
peace sign, diamond, and the marble effect to beautiful works of art. Using techniques such as stencils (a la
screen printing using dyes or discharge pastes), clamped-on shaped blocks, and tritik (stitching and
gathering), tie-dye can produce almost any design desired. If a modern kit is used, then it is easier to
accomplish a spiral or circle.
Asia
Shibori a form of tie-dye which originated in Japan and Indonesia. It has been
practiced there since the 8th century. Shibori includes a number of labor-
intensive resist techniques which include stitching elaborate patterns and
tightly gathering the stitching before dyeing, forming intricate designs for
kimonos. Another shibori method is to wrap the fabric around a core of rope,
wood or other material, and bind it tightly with string or thread. The areas of
the fabric that are against the core or under the binding would remain
undyed.

63. Detailing
Mid shoulder
Princess panel
Through this
panel I join
hand made
cord for
tussles.
I join Bugal beads all over
the kurti according to dyed
segments and they also
shine with movements it
look more attractive with
dyed fabric.
This is tie
and dye I
created
texture on
fabric .
For surface design
purpose I use
jardogi, blue and
white crystal beads
and bugal beats.
Through running
stitch i made a bale
kind structure .
These are
tussles,
main
element
of this
garment.
I used bugal, round
beads to make this hand
made tussle.
For inside filling I used
cotton to give it real look.

64. Process of making

65. Thank you
Neha Yadav
2st Year Fashion Design Diploma
Dezyne E’cole Collage
106/10 Civil Lines, Ajmer
Tel: 0145-262467
WWW.dezyneecole.com