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Ready for the Next Step:
Combining Information Literacy with Digital Literacy Instruction
in e-Portfolio Creation
Paula S. Kiser
Instruction and E-Resources Librarian
Mary Baldwin University
pkiser@marybaldwin.edu
Sources (Selected)
University and College ePorfolio sites
Auburn University, Office of UniversityWriting: ePortfolio Project
(http://wp.auburn.edu/writing/eportfolio-project/)
Jon Mueller, North Central College, Authentic Assessment Toolbox: Portfolios
(http://jfmueller.faculty.noctrl.edu/toolbox/portfolios.htm)
Loyola University Chicago, Faculty Center for Ignatian Pedagogy, Electronic Portfolios
(http://www.luc.edu/fcip/teachingwithtechnology/teachingtools/electronicportfolioseportfolios/)
University of Calgary, UCalgary ePortfolio (https://eportfolio.ucalgary.ca/) *especially
Resources
Columbia College Chicago, Web Portfolios (http://students.colum.edu/career-center/web-
portfolios.php)
University of Wisconsin-Madison, Learning @ UW: Teaching and Learning Technologies
(https://learnuw.wisc.edu/toolbox/eportfolio.html)
Rubrics
Cornell University, Using Rubrics (https://www.cte.cornell.edu/teaching-ideas/assessing-student-
learning/using-rubrics.html)
University of Wisconsin – Stout EPortfolio (Digital Portfolio) Rubric
(https://www2.uwstout.edu/content/profdev/rubrics/eportfoliorubric.html)
Salt Late City Community College Holistic ePortfolio Grading/Feedback Rubrics
(http://facultyeportfolioresource.weebly.com/eportfolio-prep-assignments--rubrics.html)
Research
Brown, Sarah, “The Impact of the ePortfolio Tool on the Process: Functional Decisions of a New
Genre,” Theory into Practice 54, no. 4 (2015): 335-342. Doi: 10.1080/00405841.2015.1077618.
“CCCC Position Statement: Principles and Practices in Electronic Portfolios,” Conference on
College Composition & Communication. Last modified March 2015,
http://www.ncte.org/cccc/resources/positions/electronicportfolios.
Eynon, Bret, and M. Gambino, “Completion, Quality, and Change: The Difference E-Portfolios
Make,“ Peer Review 16, no. 1 (2014). https://www.aacu.org/publications-
research/periodicals/completion-quality-and-change-difference-e-portfolios-make.
Graves, Nikki, and Molly Epstein, “EPortfolio: A Tool for Constructing a Narrative Professional
Identity,” Business Communication Quarterly 74, no. 3 (2011): 342-346. Doi:
10.1177/1080569911414555.
Holtzman, Diane, and Debra A. Dagavarian, “The Use of Electronic Portfolios in Assessing
Student Learning Outcomes,” The Journal of Continuing Higher Education 55, no. 1 (2007): 65-
69.
Kahn, Susan, “E-Portfolios: A Look at Where We’ve Been, Where We Are Now, and Where
We’re (Possibly) Going,” Peer Review 16, no. 1 (2014). https://www.aacu.org/publications-
research/periodicals/e-portfolios-look-where-weve-been-where-we-are-now-and-where-were.
Kryder, LeeAnne G., “EPortfolios: Proving Competency and Building a Network,” Business
Communication Quarterly 74, no. 3 (2011): 333-341. Doi: 10.1177/1080569911414556.
Okoro, Ephraim A., Melvin C. Washington, and Peter W. Cardon, “EPortflios in Business
Communication Courses as Tools for Employment,” Business Communication Quarterly 74, no.
3 (2011): 347-351. Doi:10.1177/1080569911414554.
Rhodes, Terrel L., “Making Learning Visible and Meaningful through Electronic Portfolios,”
Change: The Magazine of Higher Learning 43, no. 1 (2010): 6-13.
Doi:10.1080/00091383.2011.538636.
Worley, Rebecca, “EPortfolios Examined: Tools for Exhibit and Evaluation,” Business
Communication Quarterly 74, no. 3 (2011): 330-332. Doi:10.1177/1080569911414558.
Portfolio Component Worksheet
Each Student is expected to select material which either represents her/his best quality work or
one which indicates significant learning, skill development or intellectual growth.
Portfolio Component
One of the Following:
Component Grade Notes
Paper or synopsis of an assignment that focused
on a marketing-related theory, technique or
practice
Paper or synopsis of an assignment that focused
on a communication theory, technique or
practice
Paper or synopsis of an assignment that focused
on either gender, race/ethnicity or global
perspective in marketing or communications.
Portfolio Components
All of the Following
Component Grade Notes
Outline of an oral presentation and one-page
synopsis in which you critically reflect on the
quality of the spoken presentation.
A descriptive statement that addresses the
student’s understanding of ethics and ethical
standards as they relate to marketing and
communications
A copy of a senior thesis proposal, a senior
project proposal, or a marketing and
communication case study summary.
The student’s own statement of strengths and
weaknesses as well as several future goals.
Feedback for Department and advice to pass to
future students regarding the major.
Anything else that demonstrates their
capabilities and achievements.
Portfolio Aesthetic Components
All of the following
Component Grade Notes
Readability
Attractiveness
Navigation
Taxonomy
Use of Multimedia
Writing Appropriate for Audience
Portfolio Leadership and Professionalism Components
All of the following
Component Grade Notes
Leadership and Community
Activity in the Community
Passion for Profession
Competence and Character
Experience (emphasizing nontraditional, as
well)

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Ready for the Next Step: Combining Information Literacy with Digital Literacy Instruction in e-Portfolio Creation - Handout

  • 1. Ready for the Next Step: Combining Information Literacy with Digital Literacy Instruction in e-Portfolio Creation Paula S. Kiser Instruction and E-Resources Librarian Mary Baldwin University pkiser@marybaldwin.edu Sources (Selected) University and College ePorfolio sites Auburn University, Office of UniversityWriting: ePortfolio Project (http://wp.auburn.edu/writing/eportfolio-project/) Jon Mueller, North Central College, Authentic Assessment Toolbox: Portfolios (http://jfmueller.faculty.noctrl.edu/toolbox/portfolios.htm) Loyola University Chicago, Faculty Center for Ignatian Pedagogy, Electronic Portfolios (http://www.luc.edu/fcip/teachingwithtechnology/teachingtools/electronicportfolioseportfolios/) University of Calgary, UCalgary ePortfolio (https://eportfolio.ucalgary.ca/) *especially Resources Columbia College Chicago, Web Portfolios (http://students.colum.edu/career-center/web- portfolios.php) University of Wisconsin-Madison, Learning @ UW: Teaching and Learning Technologies (https://learnuw.wisc.edu/toolbox/eportfolio.html) Rubrics Cornell University, Using Rubrics (https://www.cte.cornell.edu/teaching-ideas/assessing-student- learning/using-rubrics.html) University of Wisconsin – Stout EPortfolio (Digital Portfolio) Rubric (https://www2.uwstout.edu/content/profdev/rubrics/eportfoliorubric.html) Salt Late City Community College Holistic ePortfolio Grading/Feedback Rubrics (http://facultyeportfolioresource.weebly.com/eportfolio-prep-assignments--rubrics.html) Research Brown, Sarah, “The Impact of the ePortfolio Tool on the Process: Functional Decisions of a New Genre,” Theory into Practice 54, no. 4 (2015): 335-342. Doi: 10.1080/00405841.2015.1077618. “CCCC Position Statement: Principles and Practices in Electronic Portfolios,” Conference on College Composition & Communication. Last modified March 2015, http://www.ncte.org/cccc/resources/positions/electronicportfolios.
  • 2. Eynon, Bret, and M. Gambino, “Completion, Quality, and Change: The Difference E-Portfolios Make,“ Peer Review 16, no. 1 (2014). https://www.aacu.org/publications- research/periodicals/completion-quality-and-change-difference-e-portfolios-make. Graves, Nikki, and Molly Epstein, “EPortfolio: A Tool for Constructing a Narrative Professional Identity,” Business Communication Quarterly 74, no. 3 (2011): 342-346. Doi: 10.1177/1080569911414555. Holtzman, Diane, and Debra A. Dagavarian, “The Use of Electronic Portfolios in Assessing Student Learning Outcomes,” The Journal of Continuing Higher Education 55, no. 1 (2007): 65- 69. Kahn, Susan, “E-Portfolios: A Look at Where We’ve Been, Where We Are Now, and Where We’re (Possibly) Going,” Peer Review 16, no. 1 (2014). https://www.aacu.org/publications- research/periodicals/e-portfolios-look-where-weve-been-where-we-are-now-and-where-were. Kryder, LeeAnne G., “EPortfolios: Proving Competency and Building a Network,” Business Communication Quarterly 74, no. 3 (2011): 333-341. Doi: 10.1177/1080569911414556. Okoro, Ephraim A., Melvin C. Washington, and Peter W. Cardon, “EPortflios in Business Communication Courses as Tools for Employment,” Business Communication Quarterly 74, no. 3 (2011): 347-351. Doi:10.1177/1080569911414554. Rhodes, Terrel L., “Making Learning Visible and Meaningful through Electronic Portfolios,” Change: The Magazine of Higher Learning 43, no. 1 (2010): 6-13. Doi:10.1080/00091383.2011.538636. Worley, Rebecca, “EPortfolios Examined: Tools for Exhibit and Evaluation,” Business Communication Quarterly 74, no. 3 (2011): 330-332. Doi:10.1177/1080569911414558.
  • 3. Portfolio Component Worksheet Each Student is expected to select material which either represents her/his best quality work or one which indicates significant learning, skill development or intellectual growth. Portfolio Component One of the Following: Component Grade Notes Paper or synopsis of an assignment that focused on a marketing-related theory, technique or practice Paper or synopsis of an assignment that focused on a communication theory, technique or practice Paper or synopsis of an assignment that focused on either gender, race/ethnicity or global perspective in marketing or communications. Portfolio Components All of the Following Component Grade Notes Outline of an oral presentation and one-page synopsis in which you critically reflect on the quality of the spoken presentation. A descriptive statement that addresses the student’s understanding of ethics and ethical standards as they relate to marketing and communications A copy of a senior thesis proposal, a senior project proposal, or a marketing and communication case study summary. The student’s own statement of strengths and weaknesses as well as several future goals. Feedback for Department and advice to pass to future students regarding the major. Anything else that demonstrates their
  • 4. capabilities and achievements. Portfolio Aesthetic Components All of the following Component Grade Notes Readability Attractiveness Navigation Taxonomy Use of Multimedia Writing Appropriate for Audience Portfolio Leadership and Professionalism Components All of the following Component Grade Notes Leadership and Community Activity in the Community Passion for Profession Competence and Character Experience (emphasizing nontraditional, as well)