Slideshow for a presentation I gave to UMBC students that goes over the basics of Intellectual Property laws in the U.S.
Disclaimer: I am not a lawyer or legal expert and information contained in this presentation should not be taken as explicit advice or in lieu of counsel from a *real* intellectual property lawyer.
2. • Who here is from
UMBC?
• Who is going to
graduate this or next
year?
• Full Disclosure:
I am NOT a
real lawyer.
• You should not use any
advice or information you
receive in this workshop in
substitution of that from a
real lawyer.
Opening Remarks:
Polls & Full Disclosure
7. • Specific creations “of
the mind” that can be
protected under law.
• This includes, but is
not limited to: visual
artwork, graphic
communications, logo
designs, website designs,
written documents,
poetry, architectural
plans, catchphrases ,
choreographed dance
routines, mechanical
schematics, musical
compositions, lyrical
compositions, speeches,
and (for the time being)
your genetic material.
What is “intellectual property?”
8. • Copyrights - right to copy,
distribute and adapt an
original work: art, writing,
designs, music. Rights can
be sold, licensed etc.
• Trademarks - exclusive
right to use and display:
names, words, phrases,
logos, symbols - anything
used to identify a
company, product, service
or brand.
• Patents - right to make, use
and sell an invention
What kinds of intellectual
propertycanbeprotected?
10. • NOT general ideas.
• Ex: revolutionary army of
pandas
• Only specific, original
expressions.
• Ex: See right.
• Short phrases, titles, font
designs not copyrightable.
What kind of works can be
protected by copyright?
11. • If designer is employee,,
work is considered “work-
for-hire” and employer
has automatic ownership
and copyrights.
• If designer is freelance,
non-employee, contractor:
designer has automatic
ownership of work, IP
and copyrights; client
has ownership of actual
produced material - prints,
websites, videos
• In-house contracts will
likely include “work-for-
hire” provisions.
Who owns copyrights on
a body of work?
14. • Consider this: will you
benefit by keeping the
rights to the work? Can
you repurpose the designs
later?
• If the client wishes to
own copyrights and/
or IP of your work, they
should pay extra for the
ownership.
• Clients may demand the
contract state that the
relationship is “work-for-
hire.”
• Rights can also license for
a limited period of time.
Should you keep your
copyrights, IP ownership?
15. • Limited exception to the
exclusive power of the
creator.
• Permission not needed if
use of the work is not to
compete within the work’s
market. -ie. bio article.
• Factors for consideration:
purpose of work - profit,
nature of the original work,
amount of work used,
effect the use of the work
will have on the market for
the copyrighted work.
What is “Fair Use?”
16. • Non-profit licensing
system created to expand
the amount of free work
available for use and
distribution by the general
public.
• Includes “baseline
rights” as well as modular
licensing agreements
based on: attribution,
non-commercial, non-
derivative and “share alike”
principles.
Creative Commons Licensing
17. • Use your own work.
• Smart use of sources:
public domain - NASA,
National Archives, Library
of Congress, creative
commons (under some
licenses) - flickr, behance,
Corroflot
• When in doubt, ask for
permission.
• Carefully read everything
before you sign.
How to avoid being sued.
18. • “If there is no copyright
notice, it is not
copyrighted.”
• “If I’m not making money,
it’s not a violation.”
• “If it’s on the internet, it’s
safe to use.”
• “If I make changes to the
original work, it’s OK.”
• “If I attribute the work,
I can copy, alter, use and
profit from it.”
• “My Star Trek/Desperate
Housewives crossover
fan fiction erotica art is an
original work and does not
violate copyright laws.”
Common Copyright Myths