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Power point 14: Late Baroque Music in France and Italy

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Scott Marosek
Scott Marosek

Vivaldi was a prominent composer in late Baroque Italy who wrote over 500 concertos, most notably The Four Seasons. He helped popularize the solo concerto form which alternated between a solo instrument accompanied by orchestra and full orchestra sections. In France during this period, Couperin wrote keyboard suites comprised of dances and character pieces that featured ornamentation. Rameau was an influential opera composer and theorist who incorporated Italian styles like da capo arias into French opera, while still retaining French elements like overtures and recits with shifting meter.

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Music in the Baroque Era: Part IV 1600-1750
The Late Baroque Era in Italy and France 1700-1750
ITALY
Antonio Vivaldi (1678-1741) • violin teacher • operas performed throughout Europe • operas, cantatas, sacred vocal, sonatas, 500 concertos (200 for solo violin) • solo concerto – ritornello form • alternating solo & ritornello sections – ritornello: a tutti section from a concerto – solo: a section of a concerto featuring a soloist accompanied by an orchetra – “Spring” from “The Four Seasons” – Concerto in a minor
France
François Couperin (1668-1733) • court organist, harpsichordist • wrote keyboard suites (orders) comprised of dances and character pieces – Vingt-cinquième ordre • La visionaire • La muse victorieuse • character piece: piece with a descriptive title, usually the name of a person, place, or expressive characteristic of the piece • ornament—small stereotyped melodic figures consisting of short notes that decorate a longer one (distinguished from embellishments, which must be written out)
Jean-Phillipe Rameau (1683-1764) • early career—organist – keyboard pieces, motets, cantatas • Theory of Harmony – chord progressions, not voice-leading, as basis of all musical composition – tonic, dominant, subdominant • later career—opera composer – Hippolyte et Aricie (start video at 3’33’’) – Les Indes Gallantes • Rameau and Lully operas – similar • French overture/prologue • recits have metrical shifts to imitate text • dance • ornamentation, not embellishment – different • Rameau influenced by Italian music – da Capo aria/melismas

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Power point 14: Late Baroque Music in France and Italy

  • 1. Music in the Baroque Era: Part IV 1600-1750
  • 2. The Late Baroque Era in Italy and France 1700-1750
  • 4. Antonio Vivaldi (1678-1741) • violin teacher • operas performed throughout Europe • operas, cantatas, sacred vocal, sonatas, 500 concertos (200 for solo violin) • solo concerto – ritornello form • alternating solo & ritornello sections – ritornello: a tutti section from a concerto – solo: a section of a concerto featuring a soloist accompanied by an orchetra – “Spring” from “The Four Seasons” – Concerto in a minor
  • 6. François Couperin (1668-1733) • court organist, harpsichordist • wrote keyboard suites (orders) comprised of dances and character pieces – Vingt-cinquième ordre • La visionaire • La muse victorieuse • character piece: piece with a descriptive title, usually the name of a person, place, or expressive characteristic of the piece • ornament—small stereotyped melodic figures consisting of short notes that decorate a longer one (distinguished from embellishments, which must be written out)
  • 7. Jean-Phillipe Rameau (1683-1764) • early career—organist – keyboard pieces, motets, cantatas • Theory of Harmony – chord progressions, not voice-leading, as basis of all musical composition – tonic, dominant, subdominant • later career—opera composer – Hippolyte et Aricie (start video at 3’33’’) – Les Indes Gallantes • Rameau and Lully operas – similar • French overture/prologue • recits have metrical shifts to imitate text • dance • ornamentation, not embellishment – different • Rameau influenced by Italian music – da Capo aria/melismas