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The City Planners
By Margaret Atwood
Who am I?
What do I write?
Who were my influences?
My writing style
My contemporaries
The poem
- Theme
- Analysis
- Structure
What you might be asked about it…!
Born 18 November 1939
A Canadian poet, novelist, literary critic, essayist, and
environmental activist
Began writing at age 6
Became a poet at the age of 16
Her parents encouraged her to read and learn the
importance of education
Winner of The Canadian Bookseller's Association
Award, 1977 and London Literature Award, 1999
Who am I?
Margaret Attwood wrote romance, historical fiction, speculative
fiction, science fiction and dystopian fiction along with:
Double Persephone; Hawkshead Press, 1961; pamphlet.
Kaleidoscopes Baroque: a poem; Cranbrook Academy of Art,
1965.
Talismans For Children; Cranbrook Academy of Art, 1965.
Speeches For Doctor Frankenstein; Cranbrook Academy of Art,
1966.
Marsh, Hawk; Dreadnaught, 1977.
Notes Towards a Poem That Can Never Be Written; Salamander
Press, 1981.
Snake Poems; Salamander Press, 1983.
What do I write?
o Margaret Atwood was influenced a lot by her
parents. She was already writing by age 5 and was
home-schooled until 8th grade
o She looked greatly up to Northrop Frye who was
her English professor
o Her traveling experience was also a major influence
o Many famous people also influenced her, such as
William Shakespeare, Charles Dickens, Virginia
Woolf, John Buchan, Leo Tolstoy, Fyodor
Dostoyevsky, Aldous Huxley, George Orwell, Alice
Munro, Jack London and many more
Who were my influences?
Margaret Atwood’s style of writing is has a great
sense of “private” myth and “personal” expression
Atwood writes in an exact, vivid and witty style in her
poetry
Her writing is often unsparing in its gaze at pain and
unfairness
She has alternated between
My writing style
Charles Henri Ford (1913–2002), poet, novelist, editor
John Faulkner (1901–1963), plain-style writer
M. Carl Holman (1919–1988), author/poet/playwright
Ellen Gilchrist (born 1935), novelist/poet/short story
writer
Muna Lee (1895–1965), author and poet
Al Young (born 1939),
poet/novelist/essayist/screenwriter
My contemporaries
The poem
give momentary access to
the landscape
behind or under
the future cracks in the
plaster

when the houses, capsized, will
slide
obliquely into the clay seas, gradual
as glaciers
that right now nobody
notices.

That is where the City
Planners
with the insane faces of
political conspirators
are scattered over
unsurveyed
territories, concealed from
each other,
each in his own private
blizzard;

guessing directions, they
sketch
transitory lines rigid as wooden
borders
on a wall in the white vanishing
air

tracing the panic of suburb
order in
a bland madness of snows
People are ignorant
People can be blinded by only the good side
The structure of this poem is like Singapore, it’s
planned out and the stanza’s are highly structured.
This poem has 7 stanza’s that grow smaller
There is no rhyme scheme in this poem
There is a a large change between stanza’s 2 and 3,
people are now included
Structure/Theme
“pedantic rows” is the people and how they are very repetitive
“sanitary” is repeated, showing how clean things are in Singapore,
too clean
“momentary” and “transitory” are talking about how nothing in the
city is temporary
“discouraged grass” is a metaphor for the people of Singapore and
how they are forced to be kept in the same level
“nobody notices” is showing how people are ignorant and don’t
care and how people don’t want to face the fact that the city is
being overrun
“bland madness of snows” is the blind city and the blind people.
Also, “bland” doesn’t fit Singapore and seems ironic
“private blizzard” is describing how the City Planners are in the
middle of the blizzard and are so caught up in what their doing, they
don’t realize what happening outside
There is lots of en jambement to make the poem go faster and have
no control
Analysis
Explore the ways in which the poet vividly conveys
her feelings about love.
Explore some descriptions you find particularly
effective.
Show how the poet finds beauty in the world.
How do the poet’s words vividly reveal her feelings to
you?
Explore the ways in which the poet appeals so
powerfully to your senses in this poem.
IGCSE Exam-Essay Questions

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The city planners presentation by margaret atwood 2

  • 1. The City Planners By Margaret Atwood
  • 2. Who am I? What do I write? Who were my influences? My writing style My contemporaries The poem - Theme - Analysis - Structure What you might be asked about it…!
  • 3. Born 18 November 1939 A Canadian poet, novelist, literary critic, essayist, and environmental activist Began writing at age 6 Became a poet at the age of 16 Her parents encouraged her to read and learn the importance of education Winner of The Canadian Bookseller's Association Award, 1977 and London Literature Award, 1999 Who am I?
  • 4. Margaret Attwood wrote romance, historical fiction, speculative fiction, science fiction and dystopian fiction along with: Double Persephone; Hawkshead Press, 1961; pamphlet. Kaleidoscopes Baroque: a poem; Cranbrook Academy of Art, 1965. Talismans For Children; Cranbrook Academy of Art, 1965. Speeches For Doctor Frankenstein; Cranbrook Academy of Art, 1966. Marsh, Hawk; Dreadnaught, 1977. Notes Towards a Poem That Can Never Be Written; Salamander Press, 1981. Snake Poems; Salamander Press, 1983. What do I write?
  • 5. o Margaret Atwood was influenced a lot by her parents. She was already writing by age 5 and was home-schooled until 8th grade o She looked greatly up to Northrop Frye who was her English professor o Her traveling experience was also a major influence o Many famous people also influenced her, such as William Shakespeare, Charles Dickens, Virginia Woolf, John Buchan, Leo Tolstoy, Fyodor Dostoyevsky, Aldous Huxley, George Orwell, Alice Munro, Jack London and many more Who were my influences?
  • 6. Margaret Atwood’s style of writing is has a great sense of “private” myth and “personal” expression Atwood writes in an exact, vivid and witty style in her poetry Her writing is often unsparing in its gaze at pain and unfairness She has alternated between My writing style
  • 7. Charles Henri Ford (1913–2002), poet, novelist, editor John Faulkner (1901–1963), plain-style writer M. Carl Holman (1919–1988), author/poet/playwright Ellen Gilchrist (born 1935), novelist/poet/short story writer Muna Lee (1895–1965), author and poet Al Young (born 1939), poet/novelist/essayist/screenwriter My contemporaries
  • 8. The poem give momentary access to
the landscape behind or under
the future cracks in the plaster

when the houses, capsized, will slide
obliquely into the clay seas, gradual as glaciers
that right now nobody notices.

That is where the City Planners
with the insane faces of political conspirators
are scattered over unsurveyed
territories, concealed from each other,
each in his own private blizzard;

guessing directions, they sketch
transitory lines rigid as wooden borders
on a wall in the white vanishing air

tracing the panic of suburb
order in a bland madness of snows
  • 9. People are ignorant People can be blinded by only the good side The structure of this poem is like Singapore, it’s planned out and the stanza’s are highly structured. This poem has 7 stanza’s that grow smaller There is no rhyme scheme in this poem There is a a large change between stanza’s 2 and 3, people are now included Structure/Theme
  • 10. “pedantic rows” is the people and how they are very repetitive “sanitary” is repeated, showing how clean things are in Singapore, too clean “momentary” and “transitory” are talking about how nothing in the city is temporary “discouraged grass” is a metaphor for the people of Singapore and how they are forced to be kept in the same level “nobody notices” is showing how people are ignorant and don’t care and how people don’t want to face the fact that the city is being overrun “bland madness of snows” is the blind city and the blind people. Also, “bland” doesn’t fit Singapore and seems ironic “private blizzard” is describing how the City Planners are in the middle of the blizzard and are so caught up in what their doing, they don’t realize what happening outside There is lots of en jambement to make the poem go faster and have no control Analysis
  • 11. Explore the ways in which the poet vividly conveys her feelings about love. Explore some descriptions you find particularly effective. Show how the poet finds beauty in the world. How do the poet’s words vividly reveal her feelings to you? Explore the ways in which the poet appeals so powerfully to your senses in this poem. IGCSE Exam-Essay Questions