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George Segal Click here
In 1960, George Segal made his first direct sculpture casts from live models
with plaster-soaked bandages.
The idea of exhibiting an unpainted body cast as a finished work was
revolutionary and catapulted figurative sculpture into a new expressive
dimension.
Three Figures on Four Benches
Like most of Segal's sculptures, this
environment includes figures cast from live
models. His works are usually not
monumental or imposing but inhabit our
environment. Rather than being on a
pedestal, these figures are on real
benches, in our space.
Ordinary lonely people
Segal's figures are usually ordinary people
set in an urban environment. Often they
seem introspective, as these do. Although
these two women are seated fairly close to
each other, they don't appear to have a
relationship. Segal may be suggesting that
city dwellers have a sense of alienation or
isolation from each other.
Practical task
Working in pairs create a cast of joined hands.
Consider expressing one of the following:
Grief
Anger
Affection
Turmoil
Nervousness
Avoid extreme under cutting.
Allow the cast to spread onto the fabric beneath.

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George segal

  • 1. George Segal Click here In 1960, George Segal made his first direct sculpture casts from live models with plaster-soaked bandages. The idea of exhibiting an unpainted body cast as a finished work was revolutionary and catapulted figurative sculpture into a new expressive dimension.
  • 2. Three Figures on Four Benches Like most of Segal's sculptures, this environment includes figures cast from live models. His works are usually not monumental or imposing but inhabit our environment. Rather than being on a pedestal, these figures are on real benches, in our space. Ordinary lonely people Segal's figures are usually ordinary people set in an urban environment. Often they seem introspective, as these do. Although these two women are seated fairly close to each other, they don't appear to have a relationship. Segal may be suggesting that city dwellers have a sense of alienation or isolation from each other.
  • 3. Practical task Working in pairs create a cast of joined hands. Consider expressing one of the following: Grief Anger Affection Turmoil Nervousness Avoid extreme under cutting. Allow the cast to spread onto the fabric beneath.